(J. S. Bach) Study No. 3 (Presto after Sonata, BWV 1001) |
A. 1a/1/3
|
(Schubert) 20 Ländler for piano (1869) |
A. 1a/6
|
11 Choral Preludes for Organ (1896) |
Op.122
|
12 German Folk Songs for chorus and piabo ad lib. (1857-64) |
WoO 35
|
12 Lieder und Romanzen for female chorus and piano (1859–60) |
Op. 44
|
13 Kanons for the three-voiced female choir |
Op.113
|
13th Psalm (for female Chorus and organ) |
Op. 27
|
14 German Folk Songs for chorus and piano (1857/1864) |
WoO 34
|
15 Volkskinderlieder for Voice and Piano (1857) |
WoO 31
|
15 Volkskinderlieder for Voice and Piano (excerpts) |
|
16 German folk songs for Female Choir and Piano ad lib (1859–62) |
WoO 37
|
16 Waltzes for piano |
Op. 39
|
2 Gavottes for Piano (1855) |
WoO 3
|
2 Gesänge for Voice, Viola and Piano (1863/1884) |
Op. 91
|
2 Motets, for mixed chorus (1860): ¹ 1 `Es ist das Heil uns kommen her` |
Op. 29/1
|
2 Motets, for mixed chorus (1860): ¹ 2 `Schaffe in mir, Gott, ein rein Herz` |
Op. 29/2
|
2 Motets, for mixed chorus (1863–77): ¹ 1 `Warum ist das Licht gegeben dem Muehseligen` |
Op. 74/1
|
2 Motets, for mixed chorus (1863–77): ¹ 2 `O Heiland, reiss die Himmel auf` |
Op. 74/2
|
2 Motetten for 5-mized chorus a capella |
Op. 29
|
2 Motetten for mixed chorus a cappella |
Op. 74
|
2 Rhapsodies for Piano |
Op. 79
|
2 Sarabandas for piano (1854-55) |
WoO 5
|
20 German folk songs for female choir and piano ad lib (1859–62) |
WoO 38
|
28 German Folk Songs for Voice and Piano (1858) |
WoO 32
|
3 Duos for Soprano, Contralto and Piano (1858-60) |
Op. 20
|
3 Gesaenge for 6-part choir a cappella (1859) |
Op. 42
|
3 Intermezzo for Piano (1892) |
Op.117
|
3 Motetten for eight-and four-voiced mixed chorus |
Op.110
|
3 quartets for voices and piano (1859/1863) |
Op. 31
|
3 Quartette (1874) |
Op. 64
|
3i geistlische Choere a cappella (1859) |
Op. 37
|
4 Ballades and Romances (1877–78) |
Op. 75
|
4 Ballades for Piano (1854) |
Op. 10
|
4 Duets for Soprano, Contralto and Piano (1852–74) |
Op. 61
|
4 duos for alto, baritone and piano (1860–62) |
Op. 28
|
4 Gesänge (1860–66) |
Op. 43
|
4 Gesänge (1875–77) |
Op. 70
|
4 Gesaenge for female choir, two horns and harp |
Op. 17
|
4 Lieder (1864–68) |
Op. 46
|
4 Lieder (1884) |
Op. 96
|
4 Pieces for Piano |
Op.119
|
4 Quartets for chorus (1884) |
Op. 92
|
49 Deutsche Volkslieder (1894) |
WoO 33
|
49 Deutsche Volkslieder (excerpts) |
|
5 Duets for Soprano & Contralto (1875) |
Op. 66
|
5 Gesänge (1876–77) |
Op. 72
|
5 Gesänge (1877) |
Op. 71
|
5 Lieder (1858–68) |
Op. 47
|
5 Lieder (1867–68) |
Op. 49
|
5 Lieder (1884) |
Op. 94
|
5 Lieder (1886) |
Op.106
|
5 Lieder (1886/1888) |
Op.105
|
5 Lieder (1886–88) |
Op.107
|
5 songs (Songs of Ophelia) for soprano and piano ad lib (1873) |
WoO 22
|
51 Exercises for Piano (1850–93) |
WoO 6
|
6 Gesänge (1851-53) |
Op. 7
|
6 Gesänge (1852-53) |
Op. 6
|
6 Gesänge (1853) |
Op. 3
|
6 Lieder (1877–82) |
Op. 86
|
6 Lieder (1884–85) |
Op. 97
|
6 Pieces for Piano (1893) |
Op.118
|
6 Songs (1878–82) |
Op. 85
|
7 Fantasies (3 Capriccio and 4 Intermezzo, 1892) |
Op.116
|
7 Lieder (1853–68) |
Op. 48
|
7 Lieder (1884) |
Op. 95
|
7 Lieder for mixed choir (1873–74) |
Op. 62
|
8 German folk songs for female choir and piano ad lib (1859-62) |
WoO 36
|
8 Lieder (1871) |
Op. 58
|
8 Lieder and Romances (1858) |
Op. 14
|
8 Lieder und Gesänge (1871) |
Op. 57
|
9 Lieder und Gesänge (1864) |
Op. 32
|
9 Lieder (1877) |
Op. 69
|
Akademische Festouvertüre (1880) |
Op. 80
|
Ave Maria for women`s choir and orchestra (or organ) |
Op. 12
|
Cadenza for Beethoven`s Piano Concerto No.3 |
A. 4/7
|
Cadenza for Mozart`s Piano Concerto No. 20 (K. 466) |
WoO 14
|
Cadenza for Mozart`s Piano Concerto No. 24 (K. 491) |
WoO 15
|
Cadenza for the concert of I. S. Bach (BWV in 1052) (1855–61) |
WoO 11
|
Canon in F minor for piano (1864) |
A. 3/ 2
|
Canon `Grausam erweiset sich Amor` (Cupid is cruel to me) for female choir (1863) |
WoO 24
|
Canon `Mir lachelt kein Fruhling` (Spring does not smile at me) for female choir (1877) |
WoO 25
|
Canon `O wie sanft` (Ah, how smoothly) for female choir (1870) |
WoO 26
|
Canon `Spruch` for voice and viola (1854-55) |
WoO 27
|
Canon `Tone, lindernder Klang` (Do not shut up, gentle sounds) for female / mixed choir (1861) |
WoO 28
|
Canon `Wann?` (When?) For soprano and alto (1881) |
WoO 29
|
Canon `Zu Rauch muss werden` (Will turn into smoke) for mixed choir (1870) |
WoO 30
|
Cantata `Rinaldo` for Tenor, Male Chorus and Orchestra |
Op. 50
|
Cello Sonata No.1 in e-moll |
Op. 38
|
Cello Sonata No.2 in F-dur |
Op. 99
|
Choir Dem dunklen Schoß der heilgen Erde, the words by Schiller, Op. 133 ¹1 |
WoO 20
|
Choir `Dein Herzlein mild` (Your tender heart) for female voices a cappella (1860) |
WoO 19
|
Chorale Prelude and Fugue for organ in A minor `O Traurigkeit, o Herzeleid` (1858/1873) |
WoO 7
|
Concerto for Violin and Orchestra in D-dur |
Op. 77
|
Concerto for Violin, Cello and Orchestra in a-moll |
Op.102
|
Drinking song `Dank der Damen` (Thanks to the ladies) for choir and piano (1884) |
Op. 93b
|
Fünf Gesaenge for mixed choir |
Op.104
|
Five Studies (1852/1862/1877) |
A. 1a/1
|
Fuenf Gedichte (1858-59) |
Op. 19
|
Fuenf Lieder for male choir (1861–62) |
Op. 41
|
Fugue as-moll for organ (1856) |
WoO 8
|
Gavotte for Piano in A Major (Arrangement of fragment of Gluck`s Iphigenia in Aulis) |
A. 1a/2
|
Geistliches Lied for mixed choir and organ |
Op. 30
|
German Requiem (1866) |
Op. 45
|
Hungarian Dance No. 1 in g-moll |
WoO 1/ 1
|
Hungarian Dance No. 2 in d-moll |
WoO 1/ 2
|
Hungarian Dance No. 3 in F-dur |
WoO 1/ 3
|
Hungarian Dance No. 4 in f-moll |
WoO 1/ 4
|
Hungarian Dance No. 5 in fis-moll |
WoO 1/ 5
|
Hungarian Dance No. 6 in Des-dur |
WoO 1/ 6
|
Hungarian Dance No. 7 in A-dur |
WoO 1/ 7
|
Hungarian Dance No. 8 in a-moll |
WoO 1/ 8
|
Hungarian Dance No. 9 in e-moll |
WoO 1/ 9
|
Hungarian Dance No.10 in F-dur |
WoO 1/10
|
Hungarian Dance No.11 in d-moll |
WoO 1/11
|
Hungarian Dance No.12 in d-moll |
WoO 1/12
|
Hungarian Dance No.13 in D-dur |
WoO 1/13
|
Hungarian Dance No.14 in d-moll |
WoO 1/14
|
Hungarian Dance No.15 in B-dur |
WoO 1/15
|
Hungarian Dance No.16 in f-moll |
WoO 1/16
|
Hungarian Dance No.17 in fis-moll |
WoO 1/17
|
Hungarian Dance No.18 in D-dur |
WoO 1/18
|
Hungarian Dance No.19 in h-moll |
WoO 1/19
|
Hungarian Dance No.20 in e-moll |
WoO 1/21
|
Hungarian Dance No.20 in e-moll |
WoO 1/20
|
Hungarian Dances for piano (4 notebooks, a total of 21 dance) |
WoO 1
|
Impromptu in E-flat major for the Left Hand (Schubert, D.899, ¹ 2) |
A. 4/2
|
Kyrie for Choir and Basso Continuo in g-moll (1856) |
WoO 17
|
Lieder und Gesänge |
Op. 59
|
Lieder und Gesänge (1874) |
Op. 63
|
Little Wedding Cantata (Kleine Hochzeits-Kantate) for choir and piano (1874) |
WoO 16
|
Missa Canonica in C (1856–61) |
WoO 18
|
Neue Lieberlieder- 15 Walzer fuer vier Singstimmen und Klavier zu vier Haenden |
Op. 65
|
Parts of Works and Fragments of Cycles |
|
Piano Concerto No.1 in d-moll (1856-57) |
Op. 15
|
Piano Concerto No.2 in B-dur (1881) |
Op. 83
|
Piano Piece in B-dur (1859-62) |
A. 3/ 4
|
Piano pieces (4 Capriccio and 4 Intermezzo) |
Op. 76
|
Piano Quartet No.1 in g-moll (1856–61) |
Op. 25
|
Piano Quartet No.2 in A-dur (1861) |
Op. 26
|
Piano Quartet No.3 in c-moll (1875) |
Op. 60
|
Piano Quintet in f-moll (1864) |
Op. 34
|
Piano Sonata No.1 in C-dur (1852-53) |
Op. 1
|
Piano Sonata No.2 in fis-moll (1852) |
Op. 2
|
Piano Sonata No.3 in f-moll (1853) |
Op. 5
|
Piano Trio in A-dur (1853-55) |
A. 4/5
|
Piano Trio No.1 in H-dur (1854/1889) |
Op. 8
|
Piano Trio No.2 in C-dur (1880/1882) |
Op. 87
|
Piano Trio No.3 in c-moll (1886) |
Op.101
|
Prelude and Fugue for organ g-moll (1857) |
WoO 10
|
Prelude and Fugue for Organ in a-moll |
WoO 9
|
Quintet for Clarinet and String Quartet in h-moll |
Op.115
|
Rakoczy March (Brahms-Liszt) |
A. 3/10
|
Rhapsody (the text by Goethe) for Contralto, Male Chorus and Orchestra (1869) |
Op. 53
|
Romanzen (aus Ludvig Tiecks Erzaehlung `Liebesgeschichte der Schoenen Magelone und des Grafen Peter Provence`) |
Op. 33
|
Romanzen und Lieder |
Op. 84
|
Scherzo for Piano in es-moll (1851) |
Op. 4
|
Scherzo for Violin and Piano in c-moll (1853) |
WoO 2
|
Scherzo, transcription for piano (Scherzo from Schumann`s Quintet, Op.44) (1854) |
A. 1a/7
|
Sechs Quartette (1888/1891) |
Op.112
|
Serenade for Orchestra ¹1 in D-dur (1858) |
Op. 11
|
Serenade for Orchestra ¹2 in A-dur (1859) |
Op. 16
|
Six four-voiced songs and romances |
Op. 93a
|
Sonata for Clarinet (or Viola) and Piano No.1 in f-moll (1894) |
Op.120/1
|
Sonata for Clarinet (or Viola) and Piano No.2 in Es-dur |
Op.120/2
|
Sonata for Two Pianos (preliminary edition of the Piano Quintet, 1863-1864) |
Op. 34b
|
Song `Mondnacht` |
WoO 21
|
Song `Regenlied` (1872) |
WoO 23
|
String Quartet No.1 in c-moll |
Op. 51/1
|
String Quartet No.2 in a-moll |
Op. 51/2
|
String Quartet No.3 in B-dur |
Op. 67
|
String Quintet No.1 in F-dur |
Op. 88
|
String Quintet No.2 in G-dur |
Op.111
|
String Sextet No.1 in B-dur (1858-60) |
Op. 18
|
String Sextet No.2 in G-dur (1864-65) |
Op. 36
|
Study No. 2 (`Rondo` after Weber, Op. 24) |
A. 1a/1/2
|
Study No. 4 (Presto after J. S. Bach, version 2) |
A. 1a/1/4
|
Symphony No.1 in c-moll (1862-76) |
Op. 68
|
Symphony No.2 in D-dur (1877) |
Op. 73
|
Symphony No.3 in F-dur (1883) |
Op. 90
|
Symphony No.4 in e-moll (1884-85) |
Op. 98
|
The Gesang der Parzen (The Song of parkas) ( text by Goethe) for 6-voiced chorus and orchestra |
Op. 89
|
Theme with Variations in d-moll (from Sextet op.18) |
Op. 18à
|
Three Cadences for Mozart`s Piano Concerto No.17 (K. 453) (¹ 1 for the first part, ¹ 2, 3 - for the second) |
WoO 13
|
Tragic Overture (1880 - 1881) |
Op. 81
|
Transcription for Piano (for the Left Hand) of Chaconne in D minor by J. S. Bach |
A. 1a/1/5
|
Trio for Clarinet, Cello & Piano in a-moll (1891) |
Op.114
|
Trio for Violin, Horn & Piano in Es-dur |
Op. 40
|
Trio `Hymn in honor of the great Joachim` for 2 violins and cello (1853) |
A. 3/ 1
|
Two Cadenzas for Beethoven`s Piano Concerto No. 4 (Op. 58) (¹ 1 - for part ¹ 1, ¹ 2 - for the part ¹ 3) |
WoO 12
|
Two Gigues for Piano (1855) |
WoO 4
|
Variations and Fugue on a theme by Händel for Ðiano (1861) |
Op. 24
|
Variations for 2 pianos on a Theme by J.Haydn |
op. 56b
|
Variations for piano on an original theme (1856-57) |
Op. 21/1
|
Variations for piano on Hungarian theme |
Op. 21/2
|
Variations on a Theme by Haydn (1873) |
Op. 56a
|
Variations on a theme by Haydn for 2 Pianos (1873) |
Op. 56b
|
Variations on a Theme by Paganini (1862-63) |
Op. 35
|
Variations on a Theme of R.Schumann for piano in four hands (1861) |
Op. 23
|
Variations on a Theme of Schumann (1854) |
Op. 9
|
Vier ernste Gesänge (1896) |
Op.121
|
Violin Sonata No.1 in G-dur (1878-79) |
Op. 78
|
Violin Sonata No.2 in A-dur |
Op.100
|
Violin Sonata No.3 in d-moll |
Op.108
|
Waltzes `New Song of Love ` (1877) |
Op. 65a
|
Waltzes `Songs of Love` (`Liebesliederwalzer`) arranged for two pianos |
Op. 52a
|
`Albumblatt` in A minor (1853) |
A. deest
|
`Fest- und Gedenksprueche` for 8-part chorus a cappella |
Op.109
|
`Funeral Song` for choir and wind instruments |
Op. 13
|
`Liebeslieder` - 18 Waltzes for 4 soloists and piano 4 hands (1869) |
Op. 52
|
`Marienlieder` for Mixed Choir a capella |
Op. 22
|
`Nänie` (on Schiller`s text) for Chorus and Orchestra (1880-1881) |
Op. 82
|
`Song of Fate` (on a text by Hölderlin) for chorus and orchestra (1868-1871) |
Op. 54
|
`Souvenir de la Russie` - 6 Fantasias on Russian and Gipsy Melodies for piano by 4 hands (1852) |
A. 4/6
|
`Triumphlied` for 6-voiced chorus and orchestra (1871) |
Op. 55
|
`Zigeunerlieder` (1887–88) |
Op.103
|