Wolfgang Amadeus Mozart (1756–1791)
Aria `Alma grande e nobil core` for soprano and orchestra (1789), KV578 Download Sheet Music
to the opera `I due baroni die Rocca Azzura` by Domenico Cimarosa
Wolfgang Amadeus Mozart (1756–1791)
Aria `Chi sa, chi sa qual sia` for soprano and orchestra (1789), KV582 Download Sheet Music
to the opera `Il burbero di buon core` by Martin y Soler
Wolfgang Amadeus Mozart (1756–1791)
Aria `Resta, oh cara` for soprano and orchestra (1787), KV528 Download Sheet Music
Wolfgang Amadeus Mozart (1756–1791)
Aria `Ridente la calma` for voice and piano (1775), KV152 (210a) Download Sheet Music
Kanzonetta
Wolfgang Amadeus Mozart (1756–1791)
Aria `Un moto di gioia mi sento` / `Schon klopfet mein liebender Busen` for soprano and fortepiano (orchestra) (1789), KV579 Download Sheet Music
Cecilia Bartoli
(mezzo-soprano),
Kare Nordstoga
(organ),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Wolfgang Amadeus Mozart (1756–1791)
Arietta `Oiseaux, si tous les ans` for voice and piano (1777), KV307 (284d) Download Sheet Music
The Penitent David
Wolfgang Amadeus Mozart (1756–1791)
Motet `Exsulate, jubilate` for soprano and orchestra (1773), KV165 (158a) Download Sheet Music
1. Aria I Allegro `Exsultate jubilate`
2. Recitativo `Fulget amica dies` 3. Aria II Andante `Tu virginum corona` 4. Aria III Allegro `Alleluja`
Cecilia Bartoli
(mezzo-soprano),
Daniel Barenboim
(conductor),
Berliner Philharmoniker,
RIAS Kammerchor
Cecilia Bartoli
(mezzo-soprano),
Bryn Terfel
(bass),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Cecilia Bartoli
(mezzo-soprano),
Lella Cuberli
(soprano),
Daniel Barenboim
(conductor),
Berliner Philharmoniker
Cecilia Bartoli
(mezzo-soprano),
Lella Cuberli
(soprano),
Daniel Barenboim
(piano),
Berliner Philharmoniker
Cecilia Bartoli
(mezzo-soprano),
Lella Cuberli
(soprano),
Daniel Barenboim
(piano),
Berliner Philharmoniker
Cecilia Bartoli
(mezzo-soprano),
Ferruccio Furlanetto
(bass),
Daniel Barenboim
(conductor),
Berliner Philharmoniker
Wolfgang Amadeus Mozart (1756–1791)
Opera `Die Zauberflöte` (overture, arias, fragments), KV620 Download Sheet Music
Cecilia Bartoli
(mezzo-soprano),
Bryn Terfel
(bass),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Cecilia Bartoli
(mezzo-soprano),
Riccardo Muti
(conductor),
Renee Fleming
(soprano),
Thomas Allen
(baritone),
Orchestra Teatro alla Scala (Milano),
Coro del Teatro alla Scala (Milano)
Cecilia Bartoli
(mezzo-soprano),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Wolfgang Amadeus Mozart (1756–1791)
Opera `Idomeneo, Re di Creta ossia Ilia e Idamante` (1781), KV366 Download Sheet Music
The action takes place on the island of Crete after the Trojan War.
Act 1 Captive Trojan princess mourns murdered father and missing brothers. But do not hate and love for his son of the Cretan king Idamantu owns her heart. Idamant loves Elijah and she wants to return for the freedom of prisoners Trojans. Electra betrothed bride Idamanta betrayed a fit of jealousy. Meanwhile Arbas brings news that the Cretan king Idomeneo returning from the walls of Troy to his homeland died at sea. To save his life and the lives of his companions Neptune Idomeneo vowed to bring him as a sacrifice of the first who will meet in their native shore. The first in a hurry to greet his father Idamant. Act 2 Idomeneo consults Arbasom how to save his son. They send Idamanta with Elektra in her native Argos. Idomeneo will grant Trojan prisoners but Elijah asks to remain in Crete. Idomeneo realizes mutual love Elijah and Idamanta. Electra happy Idamant be hers. Once Idamant Electra and get into the ship the angry Neptune sent a sea monster to Crete. The people running away in fear. Act 3 Despite the wrath of Neptune Idomeneo insists on leaving Idamanta but Idamant decides to join the battle with the monster and defeats him. The High Priest of Neptune King warns of disasters that befall his people for non oath. Idomeneo is ready to sacrifice his son. Elijah wants to pay for Idamanta life. Neptune moved by her love and by the oracle commands Idomeneo leave the throne and pass it Idamantu after his marriage to Elijah. People singing the praises of the gods but Elektra is not involved in jubilation pursued furies of jealousy she pierces his chest with a dagger. Premiered on January 29 1781 in Munich.
Cecilia Bartoli
(mezzo-soprano),
James Levine
(conductor),
Placido Domingo
(tenor),
Thomas Hampson
(baritone),
Orchestra of the Metropolitan Opera (New York City)
Idomeneo – Placido Domingo; Idamante – Cecilia Bartoli; Arbace – Thomas Hampson; La voce – Bryn Terfel; Elettra – Carol Vaness; Ilia – Heidi Grant Murphy; Gran Cacerdote di Nettuno – Frank Lopardo; Due cretesi – Joyce Guyer, Jane Bunnell; Due troiani – Paul Groves, Yanni Yannissis. The Metropolitan Opera Orchestra and Chorus – James Levine. Rec. 1994, Manhattan Center Studios, New York
Act One.
Vittel the daughter of the murdered emperor Titus wants to avenge the death of his father and persuades her lover to Sextus to participate in a conspiracy against him. Having learned however that the emperor refused his marriage to Veronica Tsilitsiyskoy and sent it to Jerusalem Vittel itself intends to become his wife and stops Sextus. Titus also wants to see his wife sister of Sextus Servilia which sends a message to Annius a friend Sextus who is himself in love with Servilia long. Titus Servilia decides to tell the truth but he says that if the Emperor would insist on marriage she obeyed. Titus touched by candor Servilia gives the nod to their marriage with Annius. Meanwhile Vittel having learned that the emperor chose his wife Servilia again imbued with hatred for him and asks Sextus kill Titus. Shortly after leaving Sextus appear Annius and Publius who report Vittel that the emperor wished to see her his wife. Vittel in turmoil. Sextus led rebels close to the imperial palace the crowd sets fire to it. Sextus reports that he saw Titus died. Action ends the general chorus mourned the Emperor. Act II. Soon discover however that Titus is alive but instead it took the death of one of his entourage dressed in imperial clothes. Rebellion suppressed and Sextus wants to commit suicide but Vittel takes him a dagger. Publius Sextus arrest and bring him to the court of the Senate. Senate condemns him to death but Titus decides to talk to him and find out the truth about the mutiny. Sextus takes all the blame on himself not wanting to give Vittel and Titus in spite of internal impulses sign a death sentence. On the day of execution Vittel decides to confess all to Titus who generously forgives her and Sextus. The opera ends with a general chorus praising the wisdom and mercy of the emperor. Premiere - the Estates Theatre in Prague September 6 1791.
Cecilia Bartoli
(mezzo-soprano),
Christopher Hogwood
(conductor),
Barbara Bonney
(soprano),
Della Jones
(mezzo-soprano),
Academy of Ancient Music (Cambridge, England)
Cecilia Bartoli
(mezzo-soprano),
Gyorgy Fischer
(conductor),
Peter Schmidl
(clarinet),
Vienna Chamber Orchestra
Cecilia Bartoli
(mezzo-soprano),
Gyorgy Fischer
(conductor),
Peter Schmidl
(clarinet),
Vienna Chamber Orchestra
Cecilia Bartoli
(mezzo-soprano),
Claudio Abbado
(conductor),
Cheryl Studer
(soprano),
Sylvia McNair
(soprano),
Wiener Philharmoniker,
Vienna State Opera Choir
Original version, Vienna 1786. Il Conte di Almaviva – Boje Skovhus; La Contessa di Almaviva – Cheryl Studer; Susanna – Sylvia McNair; Figaro – Lucio Gallo; Cherubino – Cecilia Bartoli; Marcellina – Anna Caterina Antonacci; Bartolo - Ildebrando d` Arcangelo; Basilio - Carlo Allemano; Don Curzio – Peter Jelosits; Barbarina – Andrea Rost; Antonio - Istvan Gati. Recorded: January/February 1994, Vienna.
Cecilia Bartoli
(mezzo-soprano),
Daniel Barenboim
(conductor),
Andreas Schmidt
(baritone),
John Tomlinson
(bass),
Berliner Philharmoniker,
RIAS Kammerchor
Il Conte di Almaviva - Andeas Schmidt, La Contessa di Almaviva - Lella Cuberli, Susanna - Joan Rodgers, Figaro - John Tomlinson, Cherubino - Cecilia Bartoli, Marcellina - Phyllis Pancella, Don Curzio - Richard Brünner, Antonio - Peter Rose, Basilio - Graham Clark, Bartolo - Günter von Kannen, Barbarina - Hilde Leidland. 1990.
Wolfgang Amadeus Mozart (1756–1791)
Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 Download Sheet Music
Cecilia Bartoli
(mezzo-soprano),
Bryn Terfel
(bass),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Cecilia Bartoli
(mezzo-soprano),
Bryn Terfel
(bass),
Myung-Whun Chung
(conductor),
Orchestra dell`Accademia Nazionale di Santa Cecilia
Cecilia Bartoli
(mezzo-soprano),
Nikolaus Harnoncourt
(conductor),
Edita Gruberova
(soprano),
Peter Schreier
(tenor),
Concentus Musicus Wien
Cecilia Bartoli
(mezzo-soprano),
Yvonne Kenny
(sopano),
Nikolaus Harnoncourt
(conductor),
Berliner Philharmoniker
Cecilia Bartoli
(mezzo-soprano),
Yvonne Kenny
(sopano),
Nikolaus Harnoncourt
(conductor),
Berliner Philharmoniker
Wolfgang Amadeus Mozart (1756–1791)
Opera `Mitridate, re di Ponto` (1770), KV 87 (74a) Download Sheet Music
Cecilia Bartoli
(mezzo-soprano),
Cristophe Rousset
(conductor),
Nathalie Dessay
(soprano),
Sandrine Piau
(soprano),
Les Talens Lyriques
Wolfgang Amadeus Mozart (1756–1791)
Rechitative & Rondo `Chio mi scordi di te - Non temer, amato bene` for soprano, piano and orchestra (1786), KV505 Download Sheet Music
Cecilia Bartoli
(mezzo-soprano),
András Schiff
(piano),
Gyorgy Fischer
(conductor),
Vienna Chamber Orchestra
Wolfgang Amadeus Mozart (1756–1791)
Recitative, aria and cavatina `Ah, lo previdi - Ah, t invola agl`occhi miei - Deh, non varcar` for soprano and orchestra (1777), KV272 Download Sheet Music
Das von Franz Xaver Süssmayr vervollständigte Requiem in der traditionellen Gestalt
Cecilia Bartoli
(mezzo-soprano),
Georg Solti
(conductor),
Arleen Auger
(soprano),
Wiener Philharmoniker
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