12 Irish songs: ¹ 2 `O Harp of Erin`, WoO 154/ 2 (Beethoven)
      (7)


12 Irish songs: ¹ 4 `The pulse of an Irishman`, WoO 154/ 4 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (6)

12 Irish songs: ¹ 4 `The pulse of an Irishman`, WoO 154/ 4 (Beethoven)
1952.
      (2)

12 Irish songs: ¹ 4 `The pulse of an Irishman`, WoO 154/ 4 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (3)


12 Irish songs: ¹ 6 `Put round the bright wine`, WoO 154/ 6 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (5)


12 Irish songs: ¹ 8 `Save me from the grave and wise`, WoO 154/ 8 (Beethoven)
1952.
      (2)


12 Irish songs: ¹ 9 `O would I were but that sweet linnet!`, WoO 154/ 9 (Beethoven)
1960.
      (7)


12 Irish songs: ¹12 `He promised me at parting`, WoO 154/12 (Beethoven)
1960.
      (5)


12 lieder verschiedener völker, 1815-20: ¹ 1 `God save the King`, WoO 157/ 1 (Beethoven)
1952.
      (7)


12 lieder verschiedener völker, 1815-20: ¹11 `The wandering minstrel`, WoO 157/11 (Beethoven)
1952.
      (3)


12 lieder verschiedener völker, 1815-20: ¹12 `La gondoletta`, WoO 157/12 (Beethoven)
      (5)

12 lieder verschiedener völker, 1815-20: ¹12 `La gondoletta`, WoO 157/12 (Beethoven)
1952.
      (2)

1796. `O welch ein Leben!` and `Soll ein Schuh nicht drücken`.

2 arias for  soprano, tenor & orchestra from singspiel `Die schöne Schusterin`, WoO  91 (Beethoven)
      (4)


20 Irische Lieder: ¹ 4 `Since greybeards inform us that youth will decay`, WoO 153/ 4 (Beethoven)
1952.
      (1)


20 Irische Lieder: ¹ 8 `Farewell mirth and hilarity: Norah of Balamagairy`, WoO 153/ 8 (Beethoven)
Recorded 1952
      (1)


23 lieder verschiedener völker: ¹ 2 `Horch auf, mein Liebchen`, WoO 158a/ 2 (Beethoven)
Recorded: February 17-18, 1961, Berlin.
      (1)


23 lieder verschiedener völker: ¹23 `Da brava, Catina`, WoO 158a/23 (Beethoven)
Recorded: February 1961, Berlin.
      (2)


25 Irish folksongs, 1810–13: ¹ 1 `The Return to Ulster`, WoO 152/ 1 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (2)

25 Irish folksongs, 1810–13: ¹ 1 `The Return to Ulster`, WoO 152/ 1 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (2)


25 Irish folksongs, 1810–13: ¹ 3 `Once more I hail thee`, WoO 152/ 3 (Beethoven)
1952.
      (3)

25 Irish folksongs, 1810–13: ¹ 3 `Once more I hail thee`, WoO 152/ 3 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (1)

25 Irish folksongs, 1810–13: ¹ 3 `Once more I hail thee`, WoO 152/ 3 (Beethoven)
Recorded: February 1961, Berlin.
      (4)


25 Irish folksongs, 1810–13: ¹ 4 `The morning air plays on my face`, WoO 152/ 4 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (1)

25 Irish folksongs, 1810–13: ¹ 4 `The morning air plays on my face`, WoO 152/ 4 (Beethoven)
1952.
      (0)


25 Irish folksongs, 1810–13: ¹ 8 `Come draw we round a cheerful ring`, WoO 152/ 8 (Beethoven)
Helmut Heller - violin, Recorded: February 1961, Berlin.
      (2)


25 Irish folksongs, 1810–13: ¹ 9 `Our bugles sung truce; or The Soldier’s Dream`, WoO 152/ 9 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (1)


25 Irish folksongs, 1810–13: ¹18 `They bid me slight my Dermot Dear`, WoO 152/18 (Beethoven)
      (3)


25 Irish folksongs, 1810–13: ¹21 `Morning a cruel turmoiler is`, WoO 152/21 (Beethoven)
1952.
      (0)

`Music Love and Wine` `O let me music hear night and day!` - 1817 words by William Smyth folk song setting

25 Scottish Songs: ¹ 1 `Music, Love and Wine`, op.108/ 1 (Beethoven)
RIAS Kammerchor. Herbert Froitzheim - conductor. 1952.
      (2)

`Sunset` `The sun upon the Weirdlaw Hill` - 1818 words by Sir Walter Scott folk song setting

25 Scottish Songs: ¹ 2 `Sunset`, op.108/ 2 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (3)

25 Scottish Songs: ¹ 2 `Sunset`, op.108/ 2 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (0)

`O sweet were the hours` - 1817 words by William Smyth folk song setting

25 Scottish Songs: ¹ 3 `O sweet were the hours`, op.108/ 3 (Beethoven)
1952.
      (0)

25 Scottish Songs: ¹ 3 `O sweet were the hours`, op.108/ 3 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (1)

25 Scottish Songs: ¹ 3 `O sweet were the hours`, op.108/ 3 (Beethoven)
Recorded: February 1961, Berlin.
      (1)

`Bonnie Laddie Highland Laddie` `Where got ye that siller moon` - 1815 words by James Hogg folk song setting

25 Scottish Songs: ¹ 7 `Bonnie Laddie, Highland Laddie`, op.108/ 7 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (2)

`Oh Had My Fate Been Join`d With Thine` - 1816 words by Lord Byron folk song setting

25 Scottish Songs: ¹12 `Oh, Had My Fate Been Join`d With Thine`, op.108/12 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (3)

25 Scottish Songs: ¹12 `Oh, Had My Fate Been Join`d With Thine`, op.108/12 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (2)

`Come Fill Fill My Good Fellow` - 1817 words by William Smyth folk song setting

Come fill fill my good fellow!
Fill high high my good Fellow
And let`s be merry and mellow
And let us have one bottle more.
When warm the heart is flowing
And bright the fancy glowing
Oh shame on the dolt would be going
Nor tarry for one bottle more!

My Heart let me but lighten
And Life let me but brighten
And Care let me but frighten.
He`ll fly us with one bottle more!
By day tho` he confound me
When friends at night have found me
There is Paradise around me
But let me have one bottle more!

So now here`s to the Lasses!
See see while the toast passes
How it lights up beaming glasses!
Encore to the Lasses encore.
We`ll toast the welcome greeting
Of hearts in union beating.
And oh! For our next merry meeting
Huzza! Then for one bottle more!

25 Scottish Songs: ¹13 `Come Fill, Fill, My Good Fellow`, op.108/13 (Beethoven)
Herbert Froitzheim - conductor. 1952.
      (4)

25 Scottish Songs: ¹13 `Come Fill, Fill, My Good Fellow`, op.108/13 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (6)

25 Scottish Songs: ¹13 `Come Fill, Fill, My Good Fellow`, op.108/13 (Beethoven)
Recorded: February 1961, Berlin.
      (2)

`Could This Ill World Have Been Contriv`d` - 1816 words by James Hogg folk song setting

25 Scottish Songs: ¹16 `Could This Ill World Have Been Contriv`d`, op.108/16 (Beethoven)
1952.
      (2)

25 Scottish Songs: ¹16 `Could This Ill World Have Been Contriv`d`, op.108/16 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (3)

25 Scottish Songs: ¹16 `Could This Ill World Have Been Contriv`d`, op.108/16 (Beethoven)
Recorded: March 3-9, 1970, Berlin.
      (1)

`O Mary at Thy Window Be` - 1817 words by Robert Burns folk song setting

25 Scottish Songs: ¹17 `O Mary at Thy Window Be`, op.108/17 (Beethoven)
1952.
      (3)

`Enchantress Farewell` - 1818 words by Sir Walter Scott folk song setting

25 Scottish Songs: ¹18 `Enchantress, Farewell`, op.108/18 (Beethoven)
1952.
      (2)

`O Swiftly Glides the Bonny Boat` - 1815 words by Joanna Baillie folk song setting

25 Scottish Songs: ¹19 `O Swiftly Glides the Bonny Boat`, op.108/19 (Beethoven)
1952.
      (3)

`Faithfu` Johnie` `When will you come again` - 1815 words by Anne Grant folk song setting

25 Scottish Songs: ¹20 `Faithfu` Johnie`, op.108/20 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (2)

25 Scottish Songs: ¹20 `Faithfu` Johnie`, op.108/20 (Beethoven)
1952.
      (2)

25 Scottish Songs: ¹20 `Faithfu` Johnie`, op.108/20 (Beethoven)
Recorded: February 1961, Berlin.
      (4)

`The Highland Watch` `Old Scotia wake thy mountain strain` 1817 words by James Hogg folk song setting for voice chorus and piano trio

25 Scottish Songs: ¹22 `The Highland Watch`, op.108/22 (Beethoven)
RIAS Kammerchor. Herbert Froitzheim - conductor. 1952.
      (5)

`The Shepherd`s Song` `The gowan glitters on the sward` - 1818 words by Joanna Baillie folk song setting

25 Scottish Songs: ¹23 `The Shepherd`s Song`, op.108/23 (Beethoven)
1952.
      (4)

Hess 205 Alternative version of the song `The dream` WoO 155 14

This Welsh folk song is the original version of the song which is now catalogued as WoO 155 Nr. 14. This version differs in the ritornello between the verses and in the conclusion. The manuscript of this version is in the Paris Conservatory.

Last night worn with anguish that tortur`d my breast
When my senses benumb`d I at length sank to rest;
The passion that waking has ruled o`er my mind
Still woke in my dreams where it rov`d unconfin`d.

Methought that my fair one o`ercome by my pain
Assented at length to reward her fond swain;
And soon at the altar she stood by my side
To the priest I already `I will` had replied.

Her reply I awaited with transport of soul
When death to my hopes! did the matin bell toll
I started awoke and with horror I found
`Twas a dream that maliciously fled at the sound.

O Vision that thus hast beguiled my poor heart!
Fly to her and shew all the truth without art;
Present me the victim of love and despair
And incline to compassion the obdurate fair.

26 Walisische Lieder: ¹14 `The Dream`, WoO 155/14 (Beethoven)
      (5)


26 Walisische Lieder: ¹16 `The Damsels of Cardigan`, WoO 155/16 (Beethoven)
1952.
      (2)


26 Walisische Lieder: ¹17 `The Dairy House`, WoO 155/17 (Beethoven)
Grete Eweler-Froboese - violin. 1952.
      (3)


26 Walisische Lieder: ¹25 `The Parting Kiss`, WoO 155/25 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (2)


26 Walisische Lieder: ¹26 `Good Night`, WoO 155/26 (Beethoven)
Recorded: January 18-20, 1983, Berlin.
      (2)

Words by Pietro Metastasio 1809.

4 Ariettas and duet for voice and piano, op. 82 (Beethoven)
Op. 82, ¹ 1-4. 4/1966, Berlin.
      (2)

4 Ariettas and duet for voice and piano, op. 82 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (1)

4 Ariettas and duet for voice and piano, op. 82 (Beethoven)
Îð. 82, ¹ 3-4. Recorded: May 25, 1951, Berlin.
      (1)

ext by Gellert

1. Bitten
2. Die Liebe des Nächsten
3. Vom Tode
4. Die Ehre Gottes aus der Natur
5. Gottes Macht und Vorsehung
6. Bußlied

6 geistliche Lieder (1803), op. 48 (Beethoven)
Recorded: April 1966, Berlin.
      (6)

6 geistliche Lieder (1803), op. 48 (Beethoven)
Recorded: November 23-30, 1982, Berlin.
      (1)

6 geistliche Lieder (1803), op. 48 (Beethoven)
1950`s.
      (2)

Mignon Kennst du das Land A major
Neue Liebe neues Leben C major
Aus Goethes Faust Es war einmal ein König G minor
Gretels Warnung A major
An den fernen Geliebten G major
Der Zufriedene A major

6 Gesänge (1809), op. 75 (Beethoven)
Îð. 75, ¹ 2 (alternative). 1951-52.
      (0)

6 Gesänge (1809), op. 75 (Beethoven)
Îð. 75, ¹ 2, 3. Recorded: May 25, 1951, Berlin.
      (0)

6 Gesänge (1809), op. 75 (Beethoven)
¹ 2, 3, 6. Recorded: March 4-6, 1984, Berlin.
      (3)

6 Gesänge (1809), op. 75 (Beethoven)
Îð. 75, ¹ 6. 1950`s.
      (0)

1. Urians Reise um die Welt
2. Feuerfarb`
3. Das Liedchen von der Ruhe
4. Maigesang
5. Mollys Abschied
6. Die Liebe
7. Marmotte
8. Das Blumchen Wunderhold

8 songs (1804-05), op. 52 (Beethoven)
¹ 2-4, 6-8. Recorded: March 4-6, 1984, Berlin.
      (3)

8 songs (1804-05), op. 52 (Beethoven)
Îð. 52, ¹ 4, 7. Recorded: ¹ 4 - May 25, 1951 & ¹ 7 - January 13, 1952, Berlin.
      (5)

8 songs (1804-05), op. 52 (Beethoven)
Îð. 52, ¹ 3, 6. 1950`s.
      (3)

Text by Goethe 1790.

Aria `Mit Mädeln sich vertragen` for Voice and Orchestra in D-dur, WoO  90 (Beethoven)
Recorded: 26-27 September 1972, Berlin.
      (6)

1807 text by Giuseppe Carpani
In questa tomba oscura lasciami riposar;
Quando vivevo ingrata dovevi a me pensar
Lascia che l`ombre ignude godansi pace almen
E non e non bagnar mie ceneri d`inutile velen.

Arietta „In questa tomba oscura” for voice and piano As-dur, WoO 133 (Beethoven)
4/1966, Berlin.
      (3)

Arietta „In questa tomba oscura” for voice and piano As-dur, WoO 133 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (3)

Arietta „In questa tomba oscura” for voice and piano As-dur, WoO 133 (Beethoven)
Recorded: January 13, 1952, Berlin.
      (0)

Words by Christian Felix Weisse

Ariette `Der Kuss` for voice and piano A-dur (1822), op.128 (Beethoven)
4/1966, Berlin.
      (7)

Ariette `Der Kuss` for voice and piano A-dur (1822), op.128 (Beethoven)
      (2)

Ariette `Der Kuss` for voice and piano A-dur (1822), op.128 (Beethoven)
Recorded: August 12, 1979, Salzburg Festival.
      (2)

Glorious Moment. Words by Aloys Weissenbach Gelegenheitswerk zur Verherrlichung des Wiener Kongresses 1814

I. Europe steht
II. O seht sie nah
III. O Himmel
IV. Das Auge schaut
V. Der den Bund
VI. In meinen Mauern

Cantata `Der glorreiche Augenblick` for 4 soloists, chorus and orchestra, op.136 (Beethoven)
Ursula Lippmann, Louis Rialland. Recorded: April 30, 1956, Paris.
      (1)

Dedicated Fürstin Caroline Kinsky 1810. Words by Johann Wolfgang von Goethe.

Drei Gesänge von Goethe for voice and piano, op. 83 (Beethoven)
4/1966, Berlin.
      (11)

Drei Gesänge von Goethe for voice and piano, op. 83 (Beethoven)
      (1)

Drei Gesänge von Goethe for voice and piano, op. 83 (Beethoven)
Îð. 83, ¹ 1, 2. 1951-52.
      (4)


Opera `Fidelio` (1805/1814), op. 72 (Beethoven)
Leonore - Gundula Janowitz, Florestan - René Kollo, Pizarro - Hans Sotin, Rocco - Manfred Jungwirth, Marzelline - Lucia Popp, Jaquino - Adolf Dallapozza, Fernando - Dietrich Fischer-Dieskau, Erster Gefangene - Karl Terkal, Zweiter Gefangene - Alfred Sramek. Recorded: February 1978, Vienna.
      (4)

Opera `Fidelio` (1805/1814), op. 72 (Beethoven)
May-July/November 1957 - Leonie Rysanek (Leonore), Ernst Hafliger (Florestan), Dietrich Fischer-Dieskau (Don Pizarro), Gottlob Frick (Rocco), Irmgard Seefried (Marzelline), Friedrich Lenz (Jaquino), Keith Engen (Don Fernando) - Chorus of Bavarian State Opera,
      (0)

1803 words by Samuel Friedrich Sauter
Ach! mir schallt`s dorten so lieblich hervor
Fürchte Gott fürchte Gott!
Ruft mir die Wachtel ins Ohr.
Sitzend im Grünen von Halmen umhüllt
Mahnt sie dem Horcher am Saatengefild
Liebe Gott liebe Gott!
Er ist so gütig so mild.

Wieder bedeutet ihr hüpfender Schlag
Lobe Gott lobe Gott!
Der dich zu loben vermag.
Siehst du die herrlichen Früchte im Feld?
Nimm es zu Herzen Bewohner der Welt
Danke Gott danke Gott!
Der dich ernährt und erhält.

Schreckt dich im Wetter der Herz der Natur
Bitte Gott bitte Gott!
Ruft sie er schonet die Flur.
Machen Gefahren der Krieger dir bang
Traue Gott traue Gott!
Sieh` er verziehet nicht lang.

Song  `Der Wachtelschlag` for voice and piano F-dur, WoO 129 (Beethoven)
      (1)

Song  `Der Wachtelschlag` for voice and piano F-dur, WoO 129 (Beethoven)
Recorded: April 1966, Berlin.
      (2)

Song  `Der Wachtelschlag` for voice and piano F-dur, WoO 129 (Beethoven)
1950`s.
      (1)

Dedicated Fürst Franz Joseph von Lobkowitz 1815/16

Alois Isidor Jeitteles 1794-1858

1. Auf dem Hügel sitz ich spähend E♭ major
2. Wo die Berge so blau G major
3. Leichte Segler in den Höhen A♭ major
4. Diese Wolken in den Höhen G major
5. Es kehret der Maien es blühet die Au C major
6. Nimm sie hin denn diese Lieder E♭ major

Song cycle `An die ferne Geliebte` (1815-16), op. 98 (Beethoven)
Recorded: April 14-18, 1966, Berlin.
      (16)

Song cycle `An die ferne Geliebte` (1815-16), op. 98 (Beethoven)
      (3)

Song cycle `An die ferne Geliebte` (1815-16), op. 98 (Beethoven)
26.X.1951.
      (1)


Song `Abendlied unter dem gestirnten Himmel`, WoO 150 (Beethoven)
      (1)

Song `Abendlied unter dem gestirnten Himmel`, WoO 150 (Beethoven)
Recorded: April 1966, Berlin.
      (3)

Song `Abendlied unter dem gestirnten Himmel`, WoO 150 (Beethoven)
1950`s.
      (2)

Lyrics by Friedrich von Matthisson 1795.

Einsam wandelt dein Freund im Frühlingsgarten
Mild vom lieblichen Zauberlicht umflossen
Das durch wankende Blütenzweige zittert
Adelaide!

In der spiegelnden Flut im Schnee der Alpen
In des sinkenden Tages Goldgewölken
Im Gefilde der Sterne strahlt dein Bildnis
Adelaide!

Abendlüfte im zarten Laube flüstern
Silberglöckchen des Mais im Grase säuseln
Wellen rauschen und Nachtigallen flöten
Adelaide!

Einst o Wunder! entblüht auf meinem Grabe
Ein Blume der Asche meines Herzens;
Deutlich schimmert auf jedem Purpurblättchen
Adelaide!

Song `Adelaide` for voice and piano, op. 46 (Beethoven)
4/1966, Berlin.
      (12)

Song `Adelaide` for voice and piano, op. 46 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (2)


Song `Als die Geliebte sich trennen wollte`, WoO 132 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (0)

Song `Als die Geliebte sich trennen wollte`, WoO 132 (Beethoven)
4/1966, Berlin.
      (2)

1814 - Vienna Second version
1826 - Augsburg First version

Song `An die Geliebte`, WoO 140 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (1)

Song `An die Geliebte`, WoO 140 (Beethoven)
3 version. April 1966, Berlin.
      (3)

1805 * Christoph August Tiedge
Die du so gern in heil`gen Nächten feierst
Und sanft und weich den Gram verschleierst
Der eine zarte Seele quält
O Hoffnung! Lass durch dich empor gehoben
Den Dulder ahnen dass dort oben
Ein Engel seine Tränen zählt!

Wenn längst verhallt geliebte Stimmen schweigen;
Wenn unter ausgestorb`nen Zweigen
Verödet die Erinn`rung sitzt
Dann nahe dich wo dein Verlass`ner trauert
Und von der Mitterwacht umschauert
Sich auf versunk`ne Urnen stützt.

Und blickt er auf das Schicksal anzuklagen
Wenn scheidend über seinen Tagen
Die letzten Strahlen untergehn
Dann lass ihn um den Rand des Erdentraumes
Das Leuchten eines Wolkensaumes
Von einer nahen Sonne sehn!

Song `An die Hoffnung` for voice and piano, op. 32 (Beethoven)
4/1966, Berlin.
      (8)

Song `An die Hoffnung` for voice and piano, op. 32 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (4)

Dedicated Fürstin Caroline Kinsky 1813-15.

Song `An die Hoffnung` for voice and piano, op. 94 (Beethoven)
4/1966, Berlin.
      (5)

Song `An die Hoffnung` for voice and piano, op. 94 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (1)

Song `An die Hoffnung` for voice and piano, op. 94 (Beethoven)
Recorded: January 13, 1952, Berlin.
      (0)

1809 words by Friedrich von Matthisson
Ich denke dein
Wenn durch den Hain
Der Nachtigallen
Akkorde schallen!
Wann denkst du mein?

Ich denke dein
Im Dämmerschein
Der Abendhelle
Am Schattenquelle!
Wo denkst du mein?

Ich denke dein
Mit süßer Pein
Mit bangem Sehnen
Und heißen Tränen!
Wie denkst du mein?

O denke mein
Bis zum Verein
Auf besserm Sterne!
In jeder Ferne
Denk ich nur dein!

Song `Andenken` for Voice and Piano in D-dur, WoO 136 (Beethoven)
Recorded: January 13, 1952, Berlin.
      (1)

Song `Andenken` for Voice and Piano in D-dur, WoO 136 (Beethoven)
4/1966, Berlin.
      (4)

Song `Andenken` for Voice and Piano in D-dur, WoO 136 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (2)


Song `Das Geheimnis`, WoO 145 (Beethoven)
      (0)

Song `Das Geheimnis`, WoO 145 (Beethoven)
4/1966, Berlin.
      (3)

`Vita felice` 1803

Song `Das Glück der Freundschaft` for voice and piano, op. 88 (Beethoven)
4/1966, Berlin.
      (6)


Song `Der Bardengeist`, WoO 142 (Beethoven)
      (0)

Song `Der Bardengeist`, WoO 142 (Beethoven)
4/1966, Berlin.
      (3)


Song `Der Jungling in der Fremde`, WoO 138 (Beethoven)
      (1)

Song `Der Jungling in der Fremde`, WoO 138 (Beethoven)
4/1966, Berlin.
      (2)


Song `Der Liebende`, WoO 139 (Beethoven)
      (0)

Song `Der Liebende`, WoO 139 (Beethoven)
4/1966, Berlin.
      (3)

Gedicht von Herder

Song `Die laute Klage`, WoO 135 (Beethoven)
4/1966, Berlin.
      (1)

Song `Die laute Klage`, WoO 135 (Beethoven)
      (1)


Song `Gedenke mein!`, WoO 130 (Beethoven)
      (4)

1797-98
Pietro Metastasio

Ecco quel fiero istante!
Nice mia Nice adio!
Come vivrò ben mio
Così lontan da te?
Io vivrò sempre in pene
Io non avrò più bene
E tu chi sa se mai ti sovverai di me!

Song `La partenza`/`Der Abschied` for voice and piano in A-dur, WoO 124 (Beethoven)
      (0)

Song `La partenza`/`Der Abschied` for voice and piano in A-dur, WoO 124 (Beethoven)
4/1966, Berlin.
      (3)

1809

Song `Lied aus der Ferne`, WoO 137 (Beethoven)
      (0)

Song `Lied aus der Ferne`, WoO 137 (Beethoven)
4/1966, Berlin.
      (2)

Song `Lied aus der Ferne`, WoO 137 (Beethoven)
1950s
      (1)

1814-17

Song `Resignation`, WoO 149 (Beethoven)
      (0)

Song `Resignation`, WoO 149 (Beethoven)
Recorded: April 1966, Berlin.
      (3)

Song `Resignation`, WoO 149 (Beethoven)
1950`s.
      (1)


Song `Ruf vom Berge` for voice & piano, WoO 147 (Beethoven)
      (0)

Song `Ruf vom Berge` for voice & piano, WoO 147 (Beethoven)
4/1966, Berlin.
      (2)

1783

Song `Schilderung eines Madchens`, WoO 107 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (1)

Song `Schilderung eines Madchens`, WoO 107 (Beethoven)
Recorded: April 14-18, 1966, Berlin.
      (1)


Song `Sehnsucht`, WoO 146 (Beethoven)
      (0)

Song `Sehnsucht`, WoO 146 (Beethoven)
Recorded: April 1966, Berlin.
      (3)

Song `Sehnsucht`, WoO 146 (Beethoven)
1950`s.
      (2)

1792

Song `Selbstgespraåch`, WoO 114 (Beethoven)
Recorded: November 1982, Berlin.
      (2)

1794-95

Song `Seufzer eines Ungeliebten und Gegenliebe` for voice & piano in Es-dur, WoO 118 (Beethoven)
Recorded: November 1982, Berlin.
      (2)

Song `Seufzer eines Ungeliebten und Gegenliebe` for voice & piano in Es-dur, WoO 118 (Beethoven)
4/1966, Berlin.
      (1)

App. 1797 words by K. F. Herrosee
Ich liebe dich so wie du mich
Am Abend und am Morgen
Noch war kein Tag wo du und ich
Nicht teilten unsre Sorgen.

Auch waren sie für dich und mich
Geteilt leicht zu ertragen;
Du tröstest im Kummer mich
Ich weint in deine Klagen.

Drum Gottes Segen über dir
Du meines Lebens Freude.
Gott schütze dich erhalt dich mir
Schütz und erhalt uns beide.

Song `Zärtliche Liebe: `Ich liebe dich` for Voice and Piano in G-dur, WoO 123 (Beethoven)
Recorded: March 4-6, 1984, Berlin.
      (1)

Song `Zärtliche Liebe: `Ich liebe dich` for Voice and Piano in G-dur, WoO 123 (Beethoven)
Recorded: January 13, 1952, Berlin.
      (1)

Song `Zärtliche Liebe: `Ich liebe dich` for Voice and Piano in G-dur, WoO 123 (Beethoven)
Recorded: April 1966, Berlin.
      (1)

1. Allegro ma non troppo un poco maestoso
2. Molto vivace
3. Adagio molto e cantabile - Andante moderato
4. Finale. Presto - Allegro assai - Rezitativo - Allegro assai

Symphony No. 9 in d-moll for Soloists, Choir and Orchestra `Ode an die Freude` (1822-24), op.125 (Beethoven)
Ernst Haefliger - tenor. Chor d. St. Hedwigs-Kathedrale. 1957.
      (8)

From the singspiel `Die Ehrenpforten` 1815

`Es ist vollbracht` for `Die Ehrenpforten` für Bass solo, chor und orchester (1815), WoO  97 (Beethoven)
      (8)

Final of the singspiel `Die gute Nachricht` 1814

`Germania` - aria with chorus in B-flat major (1814), WoO  94 (Beethoven)
      (9)

Overture. Andante con moto - Presto E-flat major
1. Chor Ruhend von seinen Thaten Andante maestoso e con moto C major
2. Chor Auf dunkelm in finstern Hainen Wandelten Allegro con brio C minor
3. Siegesmarsch Feurig und stolz G major
4. Chor der Frauen Wo die Unschuld Blumen streute Andante con moto all`Ongarese A major
5. Melodram Stéphan Du hast dein Vaterland
6. Chor Eine neue strahlende Sonne Vivace - F major
7. Melodram Stéphan Ihr edlen Ungarn! Maestoso con moto; Andante maestoso D major
8. Geistlicher Marsch Moderato B-flat major
a. Melodram Heil unserm Konige! Allegro vivace e con brio B-flat major
b. Grave risoluto e ben marcato A minor
9. Schlusschor Heil! Heil unserm Enkeln Presto D major

`König Stephan`, overture and incidental music (1811), op.117 (Beethoven)
Dietrich Fischer-Diescau - Koenig Stephan, Ulrike Jackwerth - Gisela, Helmut Ruehl - Bayerischer Gesandter, Frank-Thomas Mende - Gyula, Boris Aljinovicz - a warrior. 10/1996, Rome.
      (9)

1796

`Opferlied` for Voice & Piano in E-dur, WoO 126 (Beethoven)
4/1966, Berlin.
      (1)

`Opferlied` for Voice & Piano in E-dur, WoO 126 (Beethoven)
Recorded: November 1982, Berlin.
      (2)
 
     

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