, (Fisher)
Gillian Fisher (soprano)

Henry Purcell - Ode, `Of old when heroes thought it base` (1690), Z 333

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Susan Hamilton - soprano, Nigel Short - countertenor, Rogers Covey-Crump - high tenor, Charles Daniels - tenor, Robert Evans - bass. Recording - December 2-4 , 1991
      (5)
Henry Purcell - Birthday ode for Queen Mary `Sound the trumpet, beat the drum` (1678), Z 335

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Rufus Mueller - tenor, Charles Pott - bass. Recording - December 30, 31, 1989 - January 1, 1990
      (3)
Henry Purcell - Ode for St. Cecilia`s Day `Welcome to all the pleasures` (1683), Z 339

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Charles Daniels - tenor, James Bowman, Michael Change - countertenors, Charles Pott - bass. Recorded: May 14-16, 1988.
      (4)
Henry Purcell - Birthday ode for Queen Mary `Celebrate this Festival!` (1693), Z 321

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Rufus Mueller - tenor, Charles Pott - bass. Recording - December 30, 31, 1989 - January 1, 1990
      (4)
Henry Purcell - Birthday ode for Queen Mary `Come Ye Sons of Art` (1694), Z 323

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Michael Chance - countertenor, Mark Padmore, John Mark Ainsley - tenors, Robert Evans - bass. Choir of New College, Oxford. Recorded: January 9-11, 1992.
      (2)
Henry Purcell - Birthday ode for Queen Mary `Arise my Muse` (1690), Z 320

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Charles Daniels - tenor, James Bowman, Michael Change - countertenors, Charles Pott - bass. Recording - May 14-16 , 1988
      (4)
Henry Purcell - Ode, `Laudate Ceciliam` (1683), Z 329

Robert King (conductor), Gillian Fisher (soprano), Mark Padmore (tenor), Michael George (bass) , The King`s Consort

Mary Seers - soprano, James Bowman, Nigel Short - countertenors, Andrew Tusa - tenor, Robert Evans - bass. Recording - March 13-15 , 1991
      (3)
Henry Purcell - Birthday ode for Queen Mary `Welcome, welcome glorious morn` (1691), Z 338

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Evelin Tubb - soprano, James Bowman, Nigel Short - countertenors, Rogers Covey-Crump - high tenor, Charles Pott - bass. Recording - January 2-4 , 1991
      (4)
Henry Purcell - Birthday ode for Queen Mary `Now does the glorious day appear` (1689), Z 332

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Charles Daniels - tenor, James Bowman, Michael Change - countertenors, Charles Pott - bass. Recording - May 14-16, 1988 Recording - May 14-16 , 1988
      (5)
Henry Purcell - Ode, `What, what shall be done in behalf of the man?` (1682), Z 341

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Susan Hamilton - soprano, Nigel Short - countertenor, Rogers Covey-Crump - high tenor, Charles Daniels - tenor, Robert Evans - bass. Recording - December 2-4 , 1991
      (6)
Henry Purcell - Ode `Raise, raise the voice` (c. 1685) Z 334, Z 334

Robert King (conductor), Gillian Fisher (soprano), Mark Padmore (tenor), Michael George (bass) , The King`s Consort

Mary Seers - soprano, James Bowman, Nigel Short - countertenors, Andrew Tusa - tenor, Robert Evans - bass. Recording - March 13-15 , 1991
      (4)
Henry Purcell - Ode, `Great parent, hail!` (1694), Z 327

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Evelin Tubb - soprano, James Bowman, Nigel Short - countertenors, Rogers Covey-Crump - high tenor, Charles Pott - bass. Recording - January 2-4 , 1991
      (2)
Henry Purcell - Ode, `The summer`s absence unconcerned we bear` (1682), Z 337

Robert King (conductor), Gillian Fisher (soprano), John Mark Ainsley (tenor), Michael George (bass) , The King`s Consort

Evelin Tubb - soprano, James Bowman, Nigel Short - countertenors, Rogers Covey-Crump - high tenor, Charles Pott - bass. Recording - January 2-4 , 1991
      (4)
Henry Purcell - Ode, `From those serene and rapturous joys` (1684), Z 326

Robert King (conductor), Gillian Fisher (soprano), Mark Padmore (tenor), Michael George (bass) , The King`s Consort

Mary Seers - soprano, James Bowman, Nigel Short - countertenors, Andrew Tusa - tenor, Robert Evans - bass. Recording - March 13-15 , 1991
      (3)
Henry Purcell - Ode, `Celestial music did the gods inspire` (1689), Z 322

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Charles Daniels - tenor, Charles Pott - bass. Recording - September 3-5 , 1990
      (5)
Henry Purcell - `From hardy climes and dangerous toils of war` (1683), Z 325

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Charles Daniels - tenor, Charles Pott - bass. Recording - September 3-5 , 1990
      (4)
Henry Purcell - Birthday ode for Queen Mary `Love`s goddess sure was blind` (1692), Z 331

Robert King (conductor), Gillian Fisher (soprano), Mark Padmore (tenor), Michael George (bass) , The King`s Consort

Mary Seers - soprano, James Bowman, Nigel Short - countertenors, Andrew Tusa - tenor, Robert Evans - bass. Recording - March 13-15 , 1991
      (3)
Henry Purcell - Ode, `Ye tuneful Muses` (1686), Z 344

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Charles Daniels - tenor, Charles Pott - bass. Recording - September 3-5 , 1990
      (4)
Johann Sebastian Bach - Cantata `Herz und Mund und Tat und Leben`, BWV 147

Harry Christophers (conductor), Gillian Fisher (soprano), David James (countertenor), Ian Partridge (tenor) , Choir `The Sixteen`

Bass - Michael George. Recorded: August 1990, UK.
      (1)
Henry Purcell - Ode, `Fly, bold rebellion` (1683), Z 324

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Tessa Bonner - soprano, Rogers Covey-Crump - high tenor, Jonathan Kenny - countertenor, Rufus Mueller - tenor, Charles Pott - bass. Recording - December 30, 31, 1989 - January 1, 1990
      (3)
Henry Purcell - Ode, `Swifter, Isis, swifter flow` (1681), Z 336

Robert King (conductor), Gillian Fisher (soprano), James Bowman (countertenor), Michael George (bass) , The King`s Consort

Susan Hamilton - soprano, Nigel Short - countertenor, Rogers Covey-Crump - high tenor, Charles Daniels - tenor, Robert Evans - bass. Recorded - December 2-4, 1991
      (5)
George Frideric Handel - Italian Duet `A mirarvi io son intento`, HWV 178

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (harpsichord)

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (2)
George Frideric Handel - Italian Duet `Fronda leggiera e mobile`, HWV 186

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (harpsichord) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (1)
George Frideric Handel - Italian Duet `Sono liete, fortunate`, HWV 194

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (organ) , The King`s Consort

Jane Coe - cello, David Miller - archlute. Recorded: April 1-3, 1990, UK.
      (1)
George Frideric Handel - Italian Duet `Conservate, raddoppiate`, HWV 185

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (organ) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (2)
George Frideric Handel - Italian Duet `Se tu non lasci amore`, HWV 193

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (organ) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (1)
George Frideric Handel - Italian Duet `Nò, di voi non vo` fidarmi`, HWV 190

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (harpsichord) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (3)
George Frideric Handel - Italian Duet `Troppo cruda, troppo fiera`, HWV 198

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (organ) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (1)
George Frideric Handel - Italian Duet `Tanti strali al sen mi scocchi`, HWV 197

Gillian Fisher (soprano), James Bowman (countertenor), Robert King (organ) , The King`s Consort

Jane Coe - cello. Recorded: April 1-3, 1990, UK.
      (2)
 
     

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