Nr. 3a, 3b, 3c, 3d, 3e, 20, 44, 41a, 41b, 41c
(9)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(2)
(1)
Slow Blues Tempo
(2)
Records 1991-92, Germany.
(3)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(1)
Allegro molto
(1)
Nr. 5, 6, 14, 22, 26, 31, 35, 4, 32, 37, Tango, 40a, 40b
(2)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(0)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(0)
Irving Arditti - 1st violin, Graham Jennings - 2nd violin, Ralph Ehlers - viola, Rohan de Saram - cello. Recording - April 9, 2005, London.
(3)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(0)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(1)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(2)
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
(1)
Nr. 1, 2a, 2b, 7, 8, 10, 15, 21, 23, 24, 25, 33, 43, 50
(2)
Presto / Andantino / Allegro
(2)
Nr. 9, 11, 12, 13, 16, 17, 18, 19, 27, 28, 29,34, 36, 46, 47
(2)
Year of publication of the disc: 2004.
(2)
(2)
(1)
Year of publication of the disc: 2004.
(1)
Year of publication of the disc: 2004.
(1)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(1)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(0)
Year of publication of the disc: 2004.
(0)
No. 42, 45a, 45b, 45c, 48a, 48b, 48c, 49a, 49b, 49c.
(0)
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