6 chanson for piano (1950-51)  |
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A Colone for male or female voices and 3 instruments (1977) |
A Helene for choir (1977)  |
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A la Memoire de Witold Lutoslawski |
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A l`ile de Goree for amplified harpsichord and ensemble (1986) |
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A r. (Hommage a Ravel) for piano (1987) |
Aïs, for baritone, percussion and orchestra  |
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Achorripsis for 21 instruments (1957) |
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Air populaire, for piano |
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Ais for amplified baritone, percussion and orchestra (1980) |
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Akanthos for soprano and ensemble (1977) |
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Akea for piano and string quartet (1986) |
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Akrata for 8 winds & 8 brass (1964-65) |
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Alax, for three identical ensembles (1985) |
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Allegro molto, for piano |
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Anémoessa (Gone with the Wind), for large mixed choir (42/84 chorus) and orchestra (1979) |
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Anaktoria for clarinet, bassoon, horn, string quartet and double bass (1969) |
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Analogique (A+B), for string ensemble and recording (1958-59) |
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Anastenaria - Le sacrifice for large orchestra (1953) (The `Anastenaria` triptych cycle, II) |
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Anastenaria - Procession aux eaux claires for large orchestra and two choruses (1952/1953) (The `Anastenaria` triptych cycle, I) |
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Antikhthon, ballet for orchestra (1971) |
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Aroura for string ensemble of 12 players (1971) |
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Ata for orchestra (1987) |
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Atrees, for ten instrumentalists (1958-62) |
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Bohor, electronic music (1962) |
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Cendrees, for choir and orchestra (1973) |
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Charisma for clarinet and cello (1971) |
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Concret PH, electronic music (1958) |
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Dammerschein, for orchestra (1994) |
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Diamorphoses, electronic music (1957-58) |
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Dikhthas for violin and piano (1979) |
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Dox - Orkh, for Violin and Orchestra |
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Echange for solo bass clarinet and ensemble (1989) |
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Embellie for viola solo (1981) |
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Empreintes for orchestra (1975) |
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Eonta for 2 trumpets, 3 trombones and piano (1963-64) |
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Epei, for instrumental ensemble (1976) |
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Ergma for string quartet (1994) |
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Eridanos, for Strings and Brass (1972) |
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Erikhthon for piano and orchestra (1974) |
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Evryali for piano (1973) |
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GENDY3 (1991) |
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Gmeeoorh, for organ (1974) |
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Herma for piano (1961) |
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Hibiki-Hana-Ma, electronic music (1969-70) |
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Hike Tides, Suite for two trumpets, two trombones and strings (1964) |
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Hiketides (The Petitioners, after Aeschylus), suite for brass quartet and 24 strings (1964) |
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Horos, for orchestra (1986) |
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Hunem-Iduhey, for Violin and Cello (1996) |
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Ioolkos for orchestra (1995) |
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Ittidra for string sextet (1996) |
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Jalons for ensemble (1987) |
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Jonchaies for symphony orchestra (1977) |
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Kassandra for baritone/psalterion and percussion (1987, an additional movement for Oresteia) |
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Keqrops for piano and orchestra (1986) |
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Keren for trombone (1986) |
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Khal Perr, for brass quintet and two percussionists (1983) |
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Khoai for harpsichord (1976) |
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Knephas for SATB chorus of 32 or more voices (1990) |
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Komboi for amplified harpsichord and percussion (1981) |
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Kottos for cello (1977) |
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Kraanerg, ballet for orchestra and tape (1968) |
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Krinoidi, for Orchestra (1991) |
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Kyania, for orchestra (1990) |
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L. 1, for piano |
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La deesse Athena, for baritone, percussion and chamber ensemble (1992, Oresteia III) |
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La legende d`Eer (Diatope), electronic music (1977) |
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Lichens, for 96 performers (1983) |
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Loolkos for 89 performers (1996) |
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Medea, stage music for male choir and instrumental ensemble (1967) |
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Metastaseis, for 61 solo instruments (1953/54) (The `Anastenaria` triptych cycle, III) |
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Mikka for solo violin (1971) |
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Mikka `S` for violin solo (1976) |
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Mists for piano (1981) |
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Mnamas Xapin Witoldowi Lutoslavskiemu for two French horns and two trumpets (1994) |
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Morsima-Amorsima, for piano, violin, cello and double bass (1962) |
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Mycenae Alpha (1978) |
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Naama for amplified harpsichord (1984) |
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Nekuïa, for large mixed choir (54/80 chorus) and orchestra (1981) |
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Nomos alpha for cello solo (1965-66) |
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Nomos gamma for orchestra (1967-68) |
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Noomena, for orchestra (1974). |
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Nuits for SATB chorus of 12 voices (1967-68) |
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Nyûyô, for shakuhachi, sangen and 2 koto (1985) |
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N`Shima for 2 amplified peasant voices, 2 amplified french horns, 2 tenor trombones & amplified cello (1975) |
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Okho for 3 djembes & bass-drums (1989) |
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Omega, for percussoin and orchestra (1997). |
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Oophaa, for Harpsichord and Percussion (1989) |
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Oresteia for chorus and 12 instruments (1965-66) |
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Orient-Occident, electronic music (1960) |
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Paille in the Wind for cello and piano (1992) |
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Palimpsest (1979) for ensemble |
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Persephassa |
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Persepolis, electronic music (1971) |
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Phlegra for ensemble (1975) |
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Pithoprakta for chamber orchestra (1955-56) |
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Pleiades for six percussionists (1979) |
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Plekto |
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Polla ta dhina, for children`s choir and forty-eight instruments (1962) |
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Polytope de Cluny, (1972) |
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Polytope, for 4 Orchestras Scattered Throughout The Audience (1967) |
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Pour la Paix for SATB chorus, two male speakers, two female speakers and tape (1981) |
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Pour Maurice, for baritone and piano (1982) |
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Psappha for percussion (1975) |
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Pu wijnuej we fyp, for children`s choir (1992) |
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Rebonds (a+b) for percussion (1987-88) |
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Roai, for Orchestra (1991) |
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Roscobeck, for Cello and Double Bass (1996) |
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S.709, electronic music (1994) |
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Sea-Change, for orchestra (1997) |
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Sea-Nymphs for SATB chorus of 24 or more voices (1994) |
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Serment-Orkos for SATB chorus of 32 or more voices (1981) |
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Shaar, for orchestra (1982) |
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ST/4, 1-080262 for string quartet (1956-62, transcription of ST/48, 1-240162) |
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Strategie, for two orchestras and two conductors (1959-62) |
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Synaphai for piano and orchestra (1969) |
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Syrmos, for strings (1959) |
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Taurhiphanie, electronic music (1987) |
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Terretektorh for orchestra (1966) |
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Tetora for string quartet (1990) |
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Tetras for string quartet (1983) |
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Thallein for chamber orchestra (1984) |
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Theraps, for strings (1975-76) |
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Tracees for orchestra (1987) |
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Troorkh for trombone and orchestra (1991) |
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Voile for string orchestra (1995) |
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Voyage absolu des Unari vers Andromede (1989) |
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Waarg for 13 instruments (1988) |
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XAS for saxophone quartet (1987) |
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Zyia, for Voice and Piano (1952) |
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Zythos, for trombone and and ensemble (1997) |
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`Ikhoor` for String Trio (1978) |
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`Kuilenn` for flute, 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
