Composers Performers

Dmitriy Bortniansky

Dmitriy Bortniansky (1751–1825)

Russia · Classicism (1730—1820), Russian spiritual music

“A Bard in the Camp of Russian Warriors”, hymn (1812)
“A Helper and Protector”, chant
Amen. Fugue for Choir and Strings (1760-69)
Cherubic Hymn No. 1 for Chorus (1780)
Cherubic Hymn No. 2 for Chorus
Cherubic Hymn No. 3 for Chorus
Cherubic Hymn No. 4 for Chorus
Cherubic Hymn No. 5 for Chorus
Cherubic Hymn No. 6 for Chorus
Cherubic Hymn No. 7 for Chorus (1811)
“Come from Lebanon, My Bride”, chant
“Ecco quel fiero istante”, canzonetta for soprano and strings (1770-79)
“Farewell, Farewell”, romance (1793)
Great Canon
Harpsichord Concerto in D major (fragment) (1784-90)
Harpsichord Sonata No. 1 in B-flat major (1784)
Harpsichord Sonata No. 2 in C major (1784)
Harpsichord Sonata No. 3 in F major (1784)
“How Glorious Is Our Lord in Zion”, hymn (1794)
“Hymn to the Moon”, romance (1793)
“I Pray to the Power of Love”, chorus (1794)
“Ismene Is Faithful to Me”, romance (1793)
“It Is Truly Meet”, chant
Larghetto in F major (1790-99)
“Let My Prayer Arise”, chant (1780-85)
Liturgy of St John Chrysostom for Three-Part Chorus (1780)
“Many Years”, chant
March in B-flat major for Two Clarinets, Two Horns and Bassoon (1787)
Motet “Ave Maria” in E-flat major for Soprano, Alto and Orchestra (1775)
Motet “In convertendo” for Soprano, Alto, Bass and Strings (1777)
Motet “Lob, Preis und Dank sei dir” for chorus
Motet “Montes valles resonate” for Soprano, Alto, Chorus and Orchestra (1778)
Motet “Salve Regina” for Soprano and Orchestra (1776)
Motet “Te Deum” for Two Choirs and Orchestra (1814)
“O Mother of God, Save Us”, chant
“Of Fair Thyrsis”, romance (1793)
“Of Flowers”, romance (1793)
“Of Paul and Virginia”, romance (1793)
Opera “Alcide” (1778)
Opera “Creonte” (1776)
Opera “La fête du seigneur” (1786)
Opera “Le faucon” (1786)
Opera “Le fils rival, ou La moderne Stratonice” (1787)
Opera “Quinto Fabio” (1778)
Overture to the Opera “La fête du seigneur” (1786)
Quintet in C major for Fortepiano, Harp, Violin, Viola da Gamba and Cello (1787)
Sacred Concerto “Let All Mortal Flesh Keep Silence” for Two Four-Part Choirs
Sacred Concerto No. 1, “I Will Give Thanks to Thee, O Lord, with My Whole Heart” for Double Choir
Sacred Concerto No. 1, “Sing to the Lord a New Song”
Sacred Concerto No. 2, “Praise the Lord, O Ye Servants” for Double Choir
Sacred Concerto No. 2, “Rejoice This Day”
Sacred Concerto No. 3, “Come and See the Works of God” for Double Choir
Sacred Concerto No. 3, “O Lord, the King Shall Rejoice in Thy Strength”
Sacred Concerto No. 4, “Make a Joyful Noise unto the Lord, All the Earth”
Sacred Concerto No. 4, “Who Shall Ascend the Hill of the Lord?” for Double Choir
Sacred Concerto No. 5, “The Heavens Declare the Glory of God” for Double Choir
Sacred Concerto No. 5, “The Lord Hear Thee in the Day of Trouble”
Sacred Concerto No. 6, “Glory to God in the Highest”
Sacred Concerto No. 6, “Who Is So Great a God?” for Double Choir
Sacred Concerto No. 7, “Come, Let Us Rejoice in the Lord”
Sacred Concerto No. 7, “Glory to God in the Highest” for Double Choir (1796)
Sacred Concerto No. 8, “I Will Sing of Thy Mercies, O Lord, Forever”
Sacred Concerto No. 8, “Sing, O People, in a Manner Worthy of God” for Double Choir
Sacred Concerto No. 9, “Behold, Now Bless Ye the Lord” for Double Choir
Sacred Concerto No. 9, “This Is the Day Which the Lord Hath Made”
Sacred Concerto No. 10, “My Heart Is Established” for Double Choir
Sacred Concerto No. 10, “Sing Praises to Our God”
Sacred Concerto No. 11, “Blessed Be the Lord, for He Hath Heard My Voice”
Sacred Concerto No. 12, “O God, I Will Sing a New Song unto Thee”
Sacred Concerto No. 13, “Rejoice in God Our Helper”
Sacred Concerto No. 14, “My Heart Hath Uttered a Good Word”
Sacred Concerto No. 15, “Come, Let Us Sing, O People”
Sacred Concerto No. 16, “I Will Exalt Thee, My God and King”
Sacred Concerto No. 17, “How Lovely Are Thy Dwellings”
Sacred Concerto No. 18, “It Is Good to Give Thanks unto the Lord”
Sacred Concerto No. 19, “The Lord Said”
Sacred Concerto No. 20, “In Thee, O Lord, Have I Put My Trust”
Sacred Concerto No. 21, “He That Dwelleth in the Help of the Most High” (1789-93)
Sacred Concerto No. 22, “The Lord Is My Light”
Sacred Concerto No. 23, “Blessed Are the People Who Know the Joyful Sound”
Sacred Concerto No. 24, “I Lifted Up Mine Eyes” (1793)
Sacred Concerto No. 25, “Let Us Never Cease to Speak, O Mother of God” (1793)
Sacred Concerto No. 26, “O Lord, God of Israel”
Sacred Concerto No. 27, “With My Voice I Cried unto the Lord” (1789-93)
Sacred Concerto No. 28, “Blessed Is the Man That Feareth the Lord” (1793-96)
Sacred Concerto No. 29, “I Will Praise the Name of God with a Song” (1793-96)
Sacred Concerto No. 30, “Hear My Voice, O God” (1793)
Sacred Concerto No. 31, “O Clap Your Hands, All Ye Nations” (1793-96)
Sacred Concerto No. 32, “Lord, Make Me to Know Mine End” (1793-96)
Sacred Concerto No. 33, “Why Art Thou Cast Down, O My Soul?” (1793-96)
Sacred Concerto No. 34, “Let God Arise” (1793-96)
Sacred Concerto No. 35, “Lord, Who Shall Dwell in Thy Tabernacle?” (1793-96)
Sinfonia Concertante in B-flat major (1790)
“Sing, O People”, chant
Sonata allegro in B-flat major for clarinet, viola and basso continuo
Sonata allegro in F major for viola, two horns and basso continuo
Suite from the Opera “Alcide” (1778)
Suite from the Opera “Quinto Fabio” (1778)
“The Poor Shepherd”, romance (1793)
“Thy Bridal Chamber”, chant for chorus (1815-22)
“Under Thy Mercy”, chant
“Vas orner le sein de Thémire”, aria for soprano and strings (1778)
“Winged Cupid”, romance (1793)