| |
Francesco Tarrega (1852–1909)
Spain · Romanticism (1815—1890)
|
16 Preludes for guitar, TF. 73 |
TF. 73
|
|
20 etudes for guitar, TF. 15 |
TF. 15
|
|
“A Little Grey Man” from Grieg’s “Norwegian Folk Songs”, Op. 66, No. 13 (guitar transcription), Ta. 26 |
Ta. 26
|
|
Adagio cantabile from Beethoven’s Piano Sonata No. 8, “Pathétique”, Op. 13 (guitar transcription), Ta. 11 |
Ta. 11
|
|
Adagio sostenuto from Beethoven’s Piano Sonata No. 14, “Moonlight”, Op. 27, No. 2 (guitar transcription), Ta. 12 |
Ta. 12
|
|
“Alborada”, caprice, TF. 3 (1891) |
TF. 31891
|
|
Albumblätter, (Op.124): XVI. Schlummerlied (guitar transcription), Ta. 48 |
Ta. 48
|
|
Ballet of the Sylphs from Berlioz’s “La damnation de Faust” (guitar transcription), Ta. 5 |
Ta. 5
|
|
Baritone Trio, Hob.XI:87: III. Minuet (guitar transcription), Ta. 19 |
Ta. 19
|
|
Bunte Blätter, (Op.99) Albumblätter (guitar transcription), Ta. 45 |
Ta. 45
|
|
Cadenza for Chopin’s Nocturne in E-flat major, Op. 9, No. 2, TF. 5 (1900) |
TF. 51900
|
|
“Cándida”, mazurka (disputed attribution), TF. 6 |
TF. 6
|
|
“Capricho árabe”, caprice, TF. 7 (1889) |
TF. 71889
|
|
Chopin’s Mazurka in G-sharp minor, Op. 33, No. 1 (guitar transcription), Ta. 37 |
Ta. 37
|
|
Chorale (guitar transcription), Ta. 23 |
Ta. 23
|
|
“Danza mora”, dance, TF. 9 (1900) |
TF. 91900
|
|
“Danza odalisca”, dance, TF. 10 |
TF. 10
|
|
“El columpio”, piece, TF. 12 |
TF. 12
|
|
“El ratón”, tango, TF. 101 |
TF. 101
|
|
“Emilia”, polka, TF. 13 |
TF. 13
|
|
“Endecha”, prelude, TF. 14 |
TF. 14
|
|
Ensemble and Finale from Meyerbeer’s Opera “L’Africaine” (guitar transcription), Ta. 29 |
Ta. 29
|
|
Excerpts from Boito’s Opera “Mefistofele” (guitar transcription), Ta. 14 |
Ta. 14
|
|
Fantasia (variations) on Theme from Verdi’s “La Traviata”, TF. 48 |
TF. 48
|
|
Fantasiestücke (Op.12) (guitar transcription), Ta. 46 |
Ta. 46
|
|
Fantasy on Themes from the Zarzuela “Marina”, TF. 47 |
TF. 47
|
|
From “Album for Youth”, Op.68: XII. Knecht Ruprecht (guitar transcription), Ta. 47 |
Ta. 47
|
|
“Gran vals”, waltz, TF. 50 (1902) |
TF. 501902
|
|
Hob.IX:27: Ox Minuet (guitar transcription), Ta. 18 |
Ta. 18
|
|
Introduction and Variations on a Jota, TF. 2 (1872) |
TF. 21872
|
|
Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto (guitar transcription), Ta. 20 |
Ta. 20
|
|
Kinderszenen, Op.15: VII. Träumerei (guitar transcription), Ta. 44 |
Ta. 44
|
|
“La cartagenera”, potpourri, TF. 53 |
TF. 53
|
|
“La mariposa”, study, TF. 56 |
TF. 56
|
|
“La paloma”, habanera by Iradier (guitar transcription), Ta. 28 |
Ta. 28
|
|
“Lágrima”, prelude, TF. 55 (1891-92) |
TF. 551891-92
|
|
“Las dos hermanitas”, waltz, TF. 57 |
TF. 57
|
|
“Malagueña fácil”, dance, TF. 59 |
TF. 59
|
|
March from Wagner’s Opera “Tannhäuser”, WWV 70 (guitar transcription), Ta. 15 |
Ta. 15
|
|
“María”, gavotte, TF. 60 |
TF. 60
|
|
“María”, tango (disputed attribution), TF. 61 |
TF. 61
|
|
Mazurka “Adelita”, TF. 1 |
TF. 1
|
|
Mazurka “Marieta”, TF. 62 (1902) |
TF. 621902
|
|
Mazurka for Two Guitars, TF. 65 |
TF. 65
|
|
Mazurka in A minor (Op.67 No. 4) (guitar transcription), Ta. 35 |
Ta. 35
|
|
Mazurka in B minor (Op.33 No. 4) (guitar transcription), Ta. 36 |
Ta. 36
|
|
Mazurka in C major, TF. 64 |
TF. 64
|
|
Mazurka in G major, TF. 63 (1897) |
TF. 631897
|
|
Mélodrame. Adagio from Bizet’s Incidental Music to “L’Arlésienne”, Op. 23 (guitar transcription), Ta. 13 |
Ta. 13
|
|
Minuet from a String Quartet in B-flat major (attributed to Haydn) (guitar transcription), Ta. deest |
Ta. deest
|
|
Minuet from Handel’s Oratorio “Samson”, HWV 57 (guitar transcription), Ta. 22 |
Ta. 22
|
|
Minuet in E major, TF. 66 |
TF. 66
|
|
Minuet WoO 10 No. 3 (guitar transcription), Ta. 6 |
Ta. 6
|
|
Novelletten, Op.21: I. Romanza (guitar transcription), Ta. 49 |
Ta. 49
|
|
“O sole mio”, song by Di Capua (guitar transcription), Ta. 27 |
Ta. 27
|
|
“Oremus”, prelude, TF. 69 (1909) |
TF. 691909
|
|
“Paquito”, waltz, TF. 70 |
TF. 70
|
|
Parts of Works |
|
|
Pavan, TF. 71 |
TF. 71
|
|
Polka “Pepita”, TF. 72 |
TF. 72
|
|
Polka “Rosita”, TF. 97 |
TF. 97
|
|
Polka from Valverde’s Zarzuela “El pobre Valbuena” (guitar transcription), Ta. 17 |
Ta. 17
|
|
Prelude in A major (Op.28 No. 7) (guitar transcription), Ta. 39 |
Ta. 39
|
|
Prelude in B minor (Op.28 No. 6) (guitar transcription), Ta. 42 |
Ta. 42
|
|
Prelude in C minor (Op.28 No. 20) (guitar transcription), Ta. 38 |
Ta. 38
|
|
Prelude in D-flat major (Op.28 No. 15) (guitar transcription), Ta. 41 |
Ta. 41
|
|
Prelude in E minor (Op.28 No. 4) (guitar transcription), Ta. 40 |
Ta. 40
|
|
“Recuerdos de la Alhambra”, piece, TF. 102 (1899) |
TF. 1021899
|
|
Romance “Nach Osten!” (guitar transcription), Ta. 16 |
Ta. 16
|
|
Scherzo from Beethoven’s Piano Sonata No. 2, Op. 2, No. 2 (guitar transcription), Ta. 9 |
Ta. 9
|
|
Septet, Op. 20: IV. Andante (1st Variation) (guitar transcription), Ta. 7 |
Ta. 7
|
|
“Sevilla” from Albéniz’s “Suite española”, Op. 47, No. 3 (guitar transcription), Ta. 1 |
Ta. 1
|
|
“Solitary Traveller” from Grieg’s “Lyric Pieces”, Op. 43, No. 2 (guitar transcription), Ta. 25 |
Ta. 25
|
|
Sonata No. 4, Op. 7: II. Largo (guitar transcription), Ta. 10 |
Ta. 10
|
|
Sonata No. 18 in G major, D.894: III. Minuet (guitar transcription), Ta. 43 |
Ta. 43
|
|
String Quartet No. 15 in D minor, K. 421: III. Minuet (guitar transcription), Ta. 32 |
Ta. 32
|
|
String Quartet, Hob.III:74: II. Largo assai (guitar transcription), Ta. 21 |
Ta. 21
|
|
String Quintet No. 5 in D major, K. 593: III. Minuet (guitar transcription), Ta. 33 |
Ta. 33
|
|
Study in A major, TF. 22 (1899) |
TF. 221899
|
|
Study in Speed, TF. 39 |
TF. 39
|
|
Study in the Form of a Minuet, TF. 26 (1906) |
TF. 261906
|
|
Study on a Fugue by Bach, TF. 36 |
TF. 36
|
|
Study on a Sonatina by Alard, TF. 38 |
TF. 38
|
|
Study on a Theme by Cramer, TF. 41 |
TF. 41
|
|
Study on a Theme by Schumann, TF. 31 |
TF. 31
|
|
Study on a Theme from Verdi’s “La traviata”, TF. 35 |
TF. 35
|
|
Study on Émile Prudent’s “Andante en étude”, TF. 40 |
TF. 40
|
|
“Sueño”, mazurka, TF. 99 |
TF. 99
|
|
“Sueño”, piece, TF. 100 |
TF. 100
|
|
Symphony No. 7, Op. 92: II. Allegretto (guitar transcription), Ta. 8 |
Ta. 8
|
|
Tempo di Borea from Bach’s Violin Partita No. 1, BWV 1002 (guitar transcription), Ta. 2 |
Ta. 2
|
|
“The Death of Åse” from Grieg’s Incidental Music to “Peer Gynt”, Op. 23 (guitar transcription), Ta. 24 |
Ta. 24
|
|
Two Bourrées from Bach’s Cello Suite No. 3, BWV 1009 (guitar transcription), Ta. 4 |
Ta. 4
|
|
Variations on Paganini’s “Carnival of Venice”, TF. 111 (1893-94) |
TF. 1111893-94
|
|
“Venetian Gondola Song” from Mendelssohn’s “Songs Without Words”, Op. 19b, No. 6 (guitar transcription), Ta. 30 |
Ta. 30
|
|
“Venetian Gondola Song” from Mendelssohn’s “Songs Without Words”, Op. 30, No. 6 (guitar transcription), Ta. 31 |
Ta. 31
|
|
Violin Sonata No. 1 in G minor, BWV 1001: II. Fugue (guitar transcription), Ta. 3 |
Ta. 3
|
|
Waltz, TF. 105 |
TF. 105
|
|
Waltz “Isabel”, TF. 52 |
TF. 52
|
|
Waltz for Two Guitars, TF. 107 |
TF. 107
|
|
Waltz in A minor (Op.34 No. 2) (guitar transcription), Ta. 34 |
Ta. 34
|
|
Waltz in D major, TF. 106 |
TF. 106
|
|
|