Gioachino Rossini (1792–1868)

Italy · Early romanticism

3 marches for the military ensemble for the marriage of the Duke of Orleans, GR V.18 (1837-38)	GR V.18
3 religious choirs for female voices and piano, GR IIIb. 7 (1844)	GR IIIb. 7
5 duets for 2 horns in E-flat major, GR V. 3 (1806)	GR V. 3
24 Pieces for piano, QR 117-140	QR 117-140
“À ma belle-mère”, elegy on “Requiem aeternam”, QR 112 (1859)	QR 112
Addio ai viennesi (“Da voi parto, amate sponde”), GR IV.17 (1822)	GR IV.17
“Adieux à la vie: elegie sur une seule note”, QR 19	QR 19
Allegretto for harp, GR V.23 (1853)	GR V.23
“Amour sans espoir. Tirana à l’espagnole rossinisée”, song for soprano and piano, QR 111	QR 111
Andante and Variations on a theme from the opera “Tancredi” “Di tanti palpiti” for Flute and Harp in F major, GR V.11 (1820)	GR V.11
Andante, e Tema con Variazioni per quattro strumenti a fiato, GR V. 9 (1812)	GR V. 9
Anthem (choir) of the Civil Guard of Bologna, GR II. 6 (1848)	GR II. 6
“Aragonese «Mi lagnerò tacendo»”, song for soprano and piano, QR 114	QR 114
Aria “Alla gloria un genio eletto” for tenor and orchestra, GR IV. 5 (1812)	GR IV. 5
Aria “Alla voce della gloria” for bass and orchestra, GR IV. 8 (1813)	GR IV. 8
Aria “Dolce aurette che spirate” for tenor and orchestra, GR IV. 3 (1809)	GR IV. 3
Aria “Guido Marte i nostri passi” for tenor, chorus and orchestra, GR IV.10a (1817)	GR IV.10a
Aria “Qual voce, quai note” for soprano and piano, GR IV. 7 (1813)	GR IV. 7
“Arietta all’antica dal Salutaris hostia «Mi lagnerò tacendo»”, song for soprano and piano, QR 115	QR 115
“Ariette à l’ancienne”, QR 33 (1858)	QR 33
“Ariette villageoise”, song for soprano and piano, QR 109	QR 109
“Assez de memento: dansons” for piano, QR 58	QR 58
“Au chevet d’un mourant”, song for soprano and piano, QR 30	QR 30
“Ave Maria su due note”, QR 7	QR 7
“Ave Maria”, QR 26	QR 26
“Barcarole” for piano, QR 62	QR 62
Bassoon Concerto “Concerto da esperimento” (attributed to Rossini), GR V.21 (c. 1845)	GR V.21
Beltà crudele (“Amori scendete propizi al mio cuore”), GR IV.13 (1821)	GR IV.13
“Bolèro tartare” for piano, QR 82	QR 82
“Brindisi”, QR 158	QR 158
“Canon antisavant a 3”, QR 149	QR 149
“Canone perpetuo” for four sopranos and piano, QR 148	QR 148
Cantata “Complaint Harmony on the death of Orpheus”, GR I. 1 (1808)	GR I. 1
Cantata “Dalle quete e pallid’ombre”, GR I. 3 (1812)	GR I. 3
Cantata “Egle and Irena” for 2 voices and piano, GR I. 4 (1814)	GR I. 4
Cantata “Gratitude” In honor of Marie Louise, Duchess of Lucca, GR I. 9 (1821)	GR I. 9
Cantata “Joan of Arc”, GR I.17 (1832)	GR I.17
Cantata “Juno” for soprano, chorus and orchestra, GR I.10 (1822)	GR I.10
Cantata “Sincere Tribute”, GR I.12 (1822)	GR I.12
Cantata “The Marriage of Peleus and Thetis”, GR I. 6 (1816)	GR I. 6
Cantata “The Muses complaint to the death of Byron”, GR I.14 (1824)	GR I.14
Cantata in honor of Pope Pius IX, GR I.18 (1847)	GR I.18
“Cantemus”, QR 32	QR 32
Canzonetta “La passeggiata” (Anacreontica), GR IV.24 (1831)	GR IV.24
Canzonetta “La pastorella” for soprano and piano, GR IV.14 (1821)	GR IV.14
Canzonetta “La separazione” (Separation), GR IV.31 (1858)	GR IV.31
Canzonetta spagnuola “En medio a mis colores”, GR IV.15 (1821)	GR IV.15
Carnival in Venice, GR IV.12 (1821)	GR IV.12
“Chanson de Zora. La petite bohémienne”, QR 15	QR 15
“Chansonnette” for piano, QR 93	QR 93
“Chant funebre à Meyerbeer”, QR 23 (1864)	QR 23
“Choeur de chasseurs démocrates”, QR 22 (1862)	QR 22
Collection “Péchés de vieillesse”, QR 1-161	QR 1-161
Concert Piece No. 1 in C minor for two clarinets and orchestra
Concert Piece No. 2 in E-flat major for two clarinets and orchestra
“Danse sibérìenne” for piano, QR 128 (1864)	QR 128
“Des trìtons s’il vous plaìt” for piano, QR 104	QR 104
Deux nouvelles compositions: No. 1, À Grenade (Ariette espagnole), GR IV.32.1 (1860)	GR IV.32.1
Deux nouvelles compositions: No. 2, La veuve andalouse, GR IV.32.2 (1860)	GR IV.32.2
Duet “Ah, per pieta, t’arresta” for 2 voices and orchestra, GR IV.10b (1817)	GR IV.10b
Duet for cello and contrabass, three parts, GR V.14 (1824)	GR V.14
“Duetto buffo di due gatti” for two voices and piano
“Échantiìlon du chant de Noèl à l’italienne” for piano, QR 96	QR 96
“Echantillon de blague mélodique sur les noires de maìn droite” for piano, QR 101	QR 101
“Encore un peu de blague”, QR 153	QR 153
“Étude asthmatique” for piano, QR 65	QR 65
Fantasia for clarinet and piano in E-flat major, GR V.16 (1829)	GR V.16
“Fausse couche de polka-mazurka” for piano, QR 64	QR 64
Figaro’s Cavatina “Largo al factotum” from “Il barbiere di Siviglia” (1816)
Francesca da Rimini (“Farò come colui che piange e dice”), GR IV.30 (1848)	GR IV.30
Grand Concert Duo in E-flat major for clarinet, bassoon and orchestra (1808-12)
“Gymnastique d’écartement” for piano, QR 67	QR 67
“Hachis romantique” for piano, QR 54	QR 54
Hymn “De l’Italie et de la France” (From Italy and France) for soloists, chorus and orchestra, GR II. 2 (1825)	GR II. 2
Hymn to Napoleon III and the Valiant People for bass, chorus and orchestra, GR II. 8 (1867)	GR II. 8
Hymn to Peace (Inno alla pace) for bass, male choir and piano, GR II. 7 (1850)	GR II. 7
Hymn to Pope Pius IX (Exclamation of thanks to the Pontiff), GR II. 5 (1846)	GR II. 5
“I gondolieri”, QR 1	QR 1
“Il candore in fuga”, QR 116	QR 116
“Il fanciullo smarrito”, QR 9 (1861)	QR 9
“Il rimprovero”, canzonetta for voice and piano, GR IV.26.2 (1830-35)	GR IV.26.2
Il trovatore, GR IV.11 (1818)	GR IV.11
“Impromptu anodine” for piano, QR 48	QR 48
“Impromptu tarantellisé” for piano, QR 95	QR 95
Introduction and Variations in B-flat major for clarinet and orchestra, GR V.10 (c. 1819)	GR V.10
Introduction in E-flat major and Variations in B-flat major for clarinet and orchestra (c. 1819)
Kyrie (1810)
L’âme délaissée, GR IV.29 (1844)	GR IV.29
“L’amour à Pekin”, QR 27 (1867)	QR 27
“L’esule”, arietta, QR 24 (1858)	QR 24
“L’innocence italienne. La candeur française” for piano, QR 49	QR 49
“L’invito”, bolero for voice and piano, GR IV.26.5 (1830-35)	GR IV.26.5
“L’orgia”, arietta for voice and piano, GR IV.26.4 (1830-35)	GR IV.26.4
“L’orpheline du Tyrol”, QR 21	QR 21
“L’ultimo ricordo”, QR 4	QR 4
“La chanson du bébé”, QR 110	QR 110
“La danza”, tarantella for voice and piano, GR IV.26.8 (1830-35)	GR IV.26.8
“La fioraia fiorentina”, song for soprano and piano, QR 5	QR 5
“La gita in gondola”, barcarolle for voice and piano, GR IV.26.7 (1830-35)	GR IV.26.7
“La grande coquette”, QR 13	QR 13
“La lagune de Venise à l’expiration de l’année 1861!!!” for piano, QR 51	QR 51
“La Légende de Marguerite”, song for voice and piano
“La lontananza”, QR 2 (1858)	QR 2
La mia pace io gia perdei. Aria for tenor and orchestra, GR IV. 6 (1812)	GR IV. 6
“La nuit de Noël”, QR 16	QR 16
“La partenza”, canzonetta for voice and piano, GR IV.26.3 (1830-35)	GR IV.26.3
“La passeggiata”, QR 10	QR 10
“La pastorella delle Alpi”, Tyrolean song for voice and piano, GR IV.26.6 (1830-35)	GR IV.26.6
“La pesarése” for piano, QR 59	QR 59
“La pesca”, nocturne for two voices with piano, GR IV.26.10 (1830-35)	GR IV.26.10
“La promessa”, canzonetta for voice and piano, GR IV.26.1 (1830-35)	GR IV.26.1
“La regata veneziana”, nocturne for two voices with piano, GR IV.26.9 (1830-35)	GR IV.26.9
“La Savoie aimante” for piano, QR 92	QR 92
“La serenata”, nocturne for two voices with piano, GR IV.26.11 (1830-35)	GR IV.26.11
“La Venitienne”, QR 150	QR 150
“Le chant des Titans”, QR 28 (1861)	QR 28
“Le départ des promis”, QR 34	QR 34
“Le dodo des enfants”, QR 17	QR 17
“Le gittane”, QR 6 (1861)	QR 6
“Le lazzarone”, QR 18	QR 18
“Le Rendez-vous de chasse” for 4 Horns & Orchestra, GR V.15 (1828)	GR V.15
“Le Sylvain”, QR 31	QR 31
“Les amants de Séville”, QR 25	QR 25
“Li marinari”, duet with piano, GR IV.26.12 (1830-35)	GR IV.26.12
March “La Corona d’Italia” (Crown of Italy) for military ensemble, GR V.25 (1868)	GR V.25
March for Sultan Abdul-Majid I for a military ensemble, GR V.22 (1852)	GR V.22
“Marche et réminescences pour mon dernier voyage” for piano, QR 97	QR 97
“Marche” for piano, QR 78	QR 78
“Melodìe candide in la maggiore” for piano, QR 91	QR 91
“Melodie italienne” for piano, QR 107	QR 107
“Memento homo” for piano, QR 57	QR 57
Messa di Bologna, GR IIIa. 3 (1808)	GR IIIa. 3
Messa di Gloria, GR IIIa. 6 (1820)	GR IIIa. 6
Messa di Milano, GR IIIa. 1 (1806-08)	GR IIIa. 1
Messe de Ravenne, GR IIIa. 4 (1808)	GR IIIa. 4
Messe de Rimini, GR IIIa. 5 (1809)	GR IIIa. 5
“Metastasio”, QR 157	QR 157
“Mi lagnerò tacendo”, canzonetta (versions from different years), GR IV.33	GR IV.33
Miserere, GR IIIb. 2 (1810-13)	GR IIIb. 2
“Mon prelude hygìènique du matin” for piano, QR 55	QR 55
Motet “Dixit Dominus” for soloists, choir and orchestra (possibly apocryphal)
Motet “Laus Deo” for mezzo-soprano and piano, GR IIIb.10 (1861)	GR IIIb.10
Motet “Salve amabilis Maria” for chorus and piano, QR 117	QR 117
Nizza, GR IV.28 (1836)	GR IV.28
O salutaris Hostia, GR IIIb. 9 (1857)	GR IIIb. 9
“O salutaris, de campagne”, QR 113	QR 113
Oedipus at Colonus, music to Sophocles“ tragedy, for bass, chorus and orchestra”, GR Ia (1816)	GR Ia
Opera “Adelaide di Borgogna, ossia Ottone re d’Italia”, EC 23 (1817)	EC 23
Opera “Adelaide di Borgogna, ossia Ottone re d’Italia” (excerpts), EC 23 (1817)	EC 23
Opera “Adina, ossia Il califfo di Bagdad”, EC 25 (1818)	EC 25
Opera “Armida”, EC 22 (1817)	EC 22
Opera “Armida” (excerpts), EC 22 (1817)	EC 22
Opera “Aureliano in Palmira”, EC 12 (1813)	EC 12
Opera “Aureliano in Palmira” (excerpts), EC 12 (1813)	EC 12
Opera “Bianca e Falliero, ossia Il consiglio dei tre”, EC 30 (1819)	EC 30
Opera “Bianca e Falliero, ossia Il consiglio dei tre” (excerpts), EC 30 (1819)	EC 30
Opera “Ciro in Babilonia, ossia La caduta di Baldassarre”, EC 5 (1812)	EC 5
Opera “Demetrio e Polibio”, EC 1 (1808-10)	EC 1
Opera “Demetrio e Polibio” (excerpts), EC 1 (1808-10)	EC 1
Opera “Edoardo e Cristina”, EC 28 (1819)	EC 28
Opera “Elisabetta, regina d’Inghilterra”, EC 15 (1815)	EC 15
Opera “Elisabetta, regina d’Inghilterra” (excerpts), EC 15 (1815)	EC 15
Opera “Ermione”, EC 27 (1819)	EC 27
Opera “Ermione” (excerpts), EC 27 (1819)	EC 27
Opera “Guillaume Tell”, EC 39 (1828-29)	EC 39
Opera “Guillaume Tell” (excerpts), EC 39 (1828-29)	EC 39
Opera “Il barbiere di Siviglia”, EC 17 (1816)	EC 17
Opera “Il barbiere di Siviglia” (excerpts), EC 17 (1816)	EC 17
Opera “Il signor Bruschino, ossia Il figlio per azzardo”, EC 9 (1813)	EC 9
Opera “Il signor Bruschino, ossia Il figlio per azzardo” (excerpts), EC 9 (1813)	EC 9
Opera “Il turco in Italia”, EC 13 (1814)	EC 13
Opera “Il turco in Italia” (excerpts), EC 13 (1814)	EC 13
Opera “Il viaggio a Reims, ossia L’albergo del giglio d’oro”, EC 35 (1825)	EC 35
Opera “Il viaggio a Reims, ossia L’albergo del giglio d’oro” (excerpts), EC 35 (1825)	EC 35
Opera “L’equivoco stravagante”, EC 3 (1811)	EC 3
Opera “L’inganno felice”, EC 4 (1812)	EC 4
Opera “L’italiana in Algeri”, EC 11 (1813)	EC 11
Opera “L’italiana in Algeri” (excerpts), EC 11 (1813)	EC 11
Opera “L’occasione fa il ladro, ossia Il cambio della valigia”, EC 8 (1812)	EC 8
Opera “L’occasione fa il ladro, ossia Il cambio della valigia” (excerpts), EC 8 (1812)	EC 8
Opera “La cambiale di matrimonio”, EC 2 (1810)	EC 2
Opera “La cambiale di matrimonio” (excerpts), EC 2 (1810)	EC 2
Opera “La Cenerentola, ossia La bontà in trionfo”, EC 20 (1817)	EC 20
Opera “La Cenerentola, ossia La bontà in trionfo” (excerpts), EC 20 (1817)	EC 20
Opera “La donna del lago”, EC 29 (1819)	EC 29
Opera “La donna del lago” (excerpts), EC 29 (1819)	EC 29
Opera “La gazza ladra”, EC 21 (1817)	EC 21
Opera “La gazza ladra” (excerpts), EC 21 (1817)	EC 21
Opera “La gazzetta, ossia Il matrimonio per concorso”, EC 18 (1816)	EC 18
Opera “La pietra del paragone”, EC 7 (1812)	EC 7
Opera “La pietra del paragone” (excerpts), EC 7 (1812)	EC 7
Opera “La pietra del paragone” (excerpts), EC 7 (1812)	EC 7
Opera “La scala di seta”, EC 6 (1812)	EC 6
Opera “La scala di seta” (excerpts), EC 6 (1812)	EC 6
Opera “Le Comte Ory”, EC 38 (1828)	EC 38
Opera “Le Comte Ory” (excerpts), EC 38 (1828)	EC 38
Opera “Le Siège de Corinthe”, EC 36 (1826)	EC 36
Opera “Le Siège de Corinthe” (excerpts), EC 36 (1826)	EC 36
Opera “Maometto II”, EC 31 (1820)	EC 31
Opera “Maometto II” (excerpts), EC 31 (1820)	EC 31
Opera “Matilde di Shabran, ossia Bellezza e cuor di ferro”, EC 32 (1821)	EC 32
Opera “Matilde di Shabran, ossia Bellezza e cuor di ferro” (excerpts), EC 32 (1821)	EC 32
Opera “Moïse et Pharaon, ou Le Passage de la mer Rouge”, EC 37 (1827)	EC 37
Opera “Mosè in Egitto”, EC 24 (1818)	EC 24
Opera “Mosè in Egitto” (excerpts), EC 24 (1818)	EC 24
Opera “Otello, ossia Il moro di Venezia”, EC 19 (1816)	EC 19
Opera “Otello, ossia Il moro di Venezia” (excerpts), EC 19 (1816)	EC 19
Opera “Ricciardo e Zoraide”, EC 26 (1818)	EC 26
Opera “Ricciardo e Zoraide” (excerpts), EC 26 (1818)	EC 26
Opera “Semiramide”, EC 34 (1822-23)	EC 34
Opera “Semiramide” (excerpts), EC 34 (1822-23)	EC 34
Opera “Sigismondo”, EC 14 (1814)	EC 14
Opera “Tancredi”, EC 10 (1813)	EC 10
Opera “Tancredi” (excerpts), EC 10 (1813)	EC 10
Opera “Torvaldo e Dorliska”, EC 16 (1815)	EC 16
Opera “Zelmira”, EC 33 (1821-22)	EC 33
Opera “Zelmira” (excerpts), EC 33 (1821-22)	EC 33
“Ouf! les petits pois” for piano, QR 52	QR 52
Pasticcio Opera “Ivanhoé” (1826)
Pasticcio Opera “Robert Bruce” (1846)
“Petit caprice en la bémol” for piano, QR 108	QR 108
“Petite fanfare à quatre mains” for piano, QR 102	QR 102
Petite Messe Solennelle (excerpts), GR IIIa. 7 (1863)	GR IIIa. 7
Petite Messe Solennelle for soloists, chorus, two pianos and harmonium, GR IIIa. 7 (1863)	GR IIIa. 7
“Petite pensée” for piano, QR 105	QR 105
“Petite polka chinoise” for piano, QR 69	QR 69
“Petite promenade de Paris a Courbevoie”, QR 151	QR 151
“Petite valse “L’huile de Ricin”” for piano, QR 72	QR 72
“Petite valse de boudoir” for piano, QR 70	QR 70
Piano Cycle “Quatre mendiants et quatre hors-d’œuvre”, QR 35-43	QR 35-43
“Plain-chant chinois” for piano, QR 74	QR 74
Prayer (Preghiera) “Deh tu pietoso cielo” for soprano and piano, GR IIIb. 4 (1820)	GR IIIb. 4
“Preghiera”, QR 29	QR 29
“Prélude baroque” for piano, QR 56	QR 56
“Prélude blagueur” for piano, QR 103	QR 103
“Prélude convulsif” for piano, QR 50	QR 50
“Prélude fugassé” for piano, QR 68	QR 68
“Prélude inoffensif” for piano, QR 71	QR 71
“Prélude italien” for piano, QR 99	QR 99
“Prélude moresque” for piano, QR 46	QR 46
“Prélude pétulant rococò” for piano, QR 80	QR 80
“Prélude prétentieux” for piano, QR 83	QR 83
“Prélude sémipastoral” for piano, QR 86	QR 86
“Prélude soi-disant dramatique” for piano, QR 89	QR 89
Prelude, Theme and Variations for horn and piano, QR 98 (1857)	QR 98
“Première communion” for piano, QR 43	QR 43
Quoniam, GR IIIb. 3 (1813)	GR IIIb. 3
Ridiamo, cantiamo che tutto sen va, GR IV.19 (1824)	GR IV.19
“Ritournello gothique”, QR 155	QR 155
“Roméo”, arietta for tenor and piano, QR 12	QR 12
Scherzo for Piano in A minor, GR V.19 (1843-50)	GR V.19
Se il vuol la molinara, GR IV. 1 (1801)	GR IV. 1
Serenata per piccolo complesso, GR V.13 (1823)	GR V.13
Sonata for Harp Solo in E-flat major, GR V.17 (1832)	GR V.17
Sonata No. 1 in G major for two violins, cello and double bass, GR V. 1.1 (1804)	GR V. 1.1
Sonata No. 2 in A major for two violins, cello and double bass, GR V. 1.2 (1804)	GR V. 1.2
Sonata No. 3 in C major for two violins, cello and double bass, GR V. 1.3 (1804)	GR V. 1.3
Sonata No. 4 in B-flat major for two violins, cello and double bass, GR V. 1.4 (1804)	GR V. 1.4
Sonata No. 5 in E-flat major for two violins, cello and double bass, GR V. 1.5 (1804)	GR V. 1.5
Sonata No. 6 in D major for two violins, cello and double bass, GR V. 1.6 (1804)	GR V. 1.6
Song “La dichiarazione” (May I Never Let You Love), GR IV.25 (1834)	GR IV.25
Song Collection “Les Soirées musicales” for voices and piano, GR IV.26 (1830-35)	GR IV.26
“Soupirs et sourire”, QR 20	QR 20
“Specimen de l’ancien regime” for piano, QR 79	QR 79
“Specimen de l’avenir” for piano, QR 90	QR 90
“Specimen de mon temps” for piano, QR 84	QR 84
“Stabat mater” for soloists, chorus and orchestra, GR IIIb. 6 (1831-32)	GR IIIb. 6
“Stabat mater” for soloists, chorus and orchestra (excerpts), GR IIIb. 6 (1831-32)	GR IIIb. 6
Stage monologue “Death of Dido”, GR I. 2 (1811)	GR I. 2
Symphony (overture) “Al Conventello” in D major, GR V. 2 (1806)	GR V. 2
Symphony (overture) “di Bologna” (Bologna) in D major, GR V. 4 (1808)	GR V. 4
Symphony (Overture) “di Odense” in E-flat major, GR V. 5 (1809)	GR V. 5
Symphony (overture) “obbligata a contrabasso” (with obbligato contrabass), GR V. 6 (1809)	GR V. 6
Tantum ergo, GR IIIb. 5 (1824)	GR IIIb. 5
Tantum Ergo, GR IIIb. 8 (1847)	GR IIIb. 8
“Tarantelle pur sang” for piano, QR 87	QR 87
Theme and Variations for Violin and Piano (with Giovacchino Giovacchini), GR V.20 (1845)	GR V.20
“Thème naif et variations” for piano, QR 44	QR 44
Theme with Variations and Coda by Moscheles in Pere E-flat major, GR V.24 (1860)	GR V.24
Three Canzonettas “La regata veneziana”, QR 8 (1858)	QR 8
“Tirana alla spagnola rossinizzata”, song for soprano and piano, QR 3	QR 3
“Toast pour le Nouvel-An”, QR 11	QR 11
“Tourniquet sur la gamme chromatique”, QR 154	QR 154
“Un cauchemar” for piano, QR 75	QR 75
“Un enterrement en Carnaval” for piano, QR 66	QR 66
“Un mot à Paganini”, QR 94	QR 94
“Un petit train de plaisir comico-imitatif” for piano, QR 63	QR 63
“Un profond sommeil; un réveil en sursaut” for piano, QR 73	QR 73
“Un regret. Un espoir” for piano, QR 81	QR 81
“Un rève” for piano, QR 88	QR 88
“Un Rien”, QR 156	QR 156
“Un sauté” for piano, QR 53	QR 53
“Un sou”, QR 14	QR 14
“Une caresse a ma femme” for piano, QR 61	QR 61
“Une pensée à Florence” for piano, QR 77	QR 77
“Une rejouissance”, QR 152	QR 152
“Une tarantelle” for piano, QR 106	QR 106
“Valse anti-dansante” for piano, QR 85	QR 85
“Valse boìteuse” for piano, QR 76	QR 76
“Valse lugubre” for piano, QR 47	QR 47
“Valse torturée” for piano, QR 60	QR 60
Variations “Une larme” for cello and piano, QR 100	QR 100
Variations for Clarinet and Orchestra in C major, GR V. 8 (1809-10)	GR V. 8
Variazioni a piu strumenti obbligati, GR V. 7 (1809)	GR V. 7
Vocal Quartet “Dall’oriente l’astro del giorno”, GR IV.18 (1824)	GR IV.18
Vocal Quartet “L’Asia in faville”
Waltz for piano in E-flat major, GR V.12 (1823)	GR V.12
“Ариетта ’L’ultimo pensiero’”, QR 161	QR 161
“Ариетта ’Questo palpito soave’”, QR 160	QR 160
“Соло для виолончели”, QR 159	QR 159