Pyotr Tchaikovsky (1840–1893)

Russia · Romanticism (1815—1890)

“A Grateful Greeting”, elegy for string orchestra, TH 51 (1884)	TH 51
“A Greeting to Anton Rubinstein”, for unaccompanied mixed chorus, TH 86 (1889)	TH 86
“A Tear Trembles”, song for voice and piano, Op. 6/4 (1869)	Op. 6/4
“Accept Just Once”, song for voice and piano, Op. 16/3 (1872-73)	Op. 16/3
Adagio in F major for wind octet, TH 160 (1863-64)	TH 160
Adagio molto in E-flat major for harp and string quartet, TH 158 (1863-64)	TH 158
“Again, As Before, Alone”, song for voice and piano, Op. 73/6 (1893)	Op. 73/6
Agitato and Allegro in E minor for small orchestra, TH 163 (1863-64)	TH 163
All-Night Vigil for unaccompanied mixed chorus, Op. 52 (1881-82)	Op. 52
Allegretto for string quartet in E major, TH 153 (1863-64)	TH 153
Allegretto moderato for string trio in D major, TH 152 (1863-64)	TH 152
Allegro in C minor for piano and string quintet, TH 159 (1863-64)	TH 159
Allegro in F minor for piano, fragment of an unfinished sonata, TH 203 (1863-64)	TH 203
Allegro ma non tanto in G major for string orchestra, TH 161 (1863-64)	TH 161
Allegro vivace in B-flat major for string quartet, TH 154 (1863-64)	TH 154
Allegro vivo in C minor for small orchestra, TH 165 (1863-64)	TH 165
“Amid Sombre Days”, song for voice and piano, Op. 73/5 (1893)	Op. 73/5
“Amid the Din of the Ball”, song for voice and piano, Op. 38/3 (1878)	Op. 38/3
“Anastasie-valse” in F major for piano, TH 119 (1854)	TH 119
Andante and Finale for piano and orchestra, completed by Sergey Taneyev, Op. 79 (1894-96)	Op. 79
Andante cantabile in B major for cello and string orchestra, TH 63 (1888)	TH 63
Andante ma non troppo in A major for small orchestra, TH 164 (1863-64)	TH 164
Andante ma non troppo in E minor for string quintet, TH 157 (1863-64)	TH 157
Andante molto in G major for string quartet, TH 155 (1863-64)	TH 155
“As Over the Burning Ashes”, song for voice and piano, Op. 25/2 (1875)	Op. 25/2
As They Kept Saying: "Fool", song for voice and piano, Op. 25/6 (1875)	Op. 25/6
“At Bedtime”, for mixed chorus and orchestra, TH 70/2 (1863-64)	TH 70/2
“At Bedtime”, for unaccompanied mixed chorus, TH 70/1 (1863-64)	TH 70/1
“At Bedtime”, song for voice and piano, Op. 27/1 (1875)	Op. 27/1
“Autumn”, song for voice and piano, Op. 54/14 (1883)	Op. 54/14
“Aveu passionné” in E minor for piano, TH 148 (c. 1891)	TH 148
“Base Dog, Shameless Bishka”, musical joke, TH 195 (1876)	TH 195
“Beyond the Window, in the Shadows”, song for voice and piano, Op. 60/10 (1886)	Op. 60/10
“Bitterly and Sweetly”, song for voice and piano, Op. 6/3 (1869)	Op. 6/3
“Blessed Are They Whom Thou Hast Chosen” for unaccompanied mixed chorus, TH 78/7 (1884-85)	TH 78/7
“Blessed Is He Who Smiles”, for unaccompanied men’s chorus, TH 83 (1887)	TH 83
“Blue Eyes of Spring”, song for voice and piano, TH 96/2 (1873)	TH 96/2
Cantata for the Opening of the Polytechnic Exhibition for tenor, chorus and orchestra, TH 67 (1872)	TH 67
Capriccio in G-flat major for piano, Op. 8 (1870)	Op. 8
“Cherevichki” — arias and excerpts, TH 8 (1885)	TH 8
“Cherevichki”, comic-fantastic opera in four acts, TH 8 (1885)	TH 8
“Cherubic Hymn No. 1” for unaccompanied mixed chorus, TH 78/1 (1884-85)	TH 78/1
“Cherubic Hymn No. 2” for unaccompanied mixed chorus, TH 78/2 (1884-85)	TH 78/2
“Cherubic Hymn No. 3” for unaccompanied mixed chorus, TH 78/3 (1884-85)	TH 78/3
“Child's Song: My Lizochek”, song for voice and piano, Op. 54/16 (1880-81)	Op. 54/16
“Children’s Album” — excerpts, Op. 39 (1878)	Op. 39
“Children’s Album”, twenty-four easy pieces for piano, Op. 39 (1878)	Op. 39
Chorus for the Jubilee of Osip Petrov for tenor, chorus and orchestra, TH 68 (1875)	TH 68
“Chorus of Flowers and Insects” from the unfinished opera “Mandragora”, TH 71 (1869-70)	TH 71
Concert Fantasia in G major for piano and orchestra, Op. 56 (1884)	Op. 56
Coronation March in D major, TH 50 (1883)	TH 50
“Cradle Song”, song for voice and piano, Op. 16/1 (1872-73)	Op. 16/1
Dargomyzhsky–Tchaikovsky: “Little-Russian Kazachok”, fantasia for piano, TH 174 (1866-67)	TH 174
“Dawn”, duet for two voices and piano, Op. 46/6 (1880)	Op. 46/6
“Death”, song for voice and piano, Op. 57/5 (1884)	Op. 57/5
“Déception”, song for voice and piano, Op. 65/2 (1888)	Op. 65/2
“Dmitry the Pretender and Vasily Shuysky”, incidental music to Ostrovsky’s drama, TH 16 (1867)	TH 16
“Do Not Ask”, song for voice and piano, Op. 57/3 (1884)	Op. 57/3
“Do Not Believe, My Friend”, song for voice and piano, Op. 6/1 (1869)	Op. 6/1
“Do Not Leave Me”, song for voice and piano, Op. 27/3 (1875)	Op. 27/3
“Does the Day Reign?”, song for voice and piano, Op. 47/6 (1880)	Op. 47/6
“Don Juan's Serenade”, song for voice and piano, Op. 38/1 (1878)	Op. 38/1
“Dumka”, Russian rustic scene in C minor for piano, Op. 59 (1886)	Op. 59
“Dusk Fell on the Earth”, song for voice and piano, Op. 47/3 (1880)	Op. 47/3
Eighteen Pieces for piano, Op. 72 (1893)	Op. 72
“Eugene Onegin” — arias and excerpts, Op. 24 (1877-78)	Op. 24
“Eugene Onegin”, lyrical scenes in three acts and seven tableaux, Op. 24 (1877-78)	Op. 24
“Evening”, duet for two voices and piano, Op. 46/1 (1880)	Op. 46/1
“Evening”, for unaccompanied men’s chorus, TH 74 (c. 1871)	TH 74
“Evening”, song for voice and piano, Op. 27/4 (1875)	Op. 27/4
“Exploit”, song for voice and piano, Op. 60/11 (1886)	Op. 60/11
“Fatum”, symphonic fantasia, Op. 77 (1868)	Op. 77
Festival Overture on the Danish National Anthem in D major, Op. 15 (1866)	Op. 15
Fifty Russian Folksongs for piano four hands, TH 176 (1868-69)	TH 176
Flute Concerto, completed by James Strauss from Tchaikovsky’s sketches, TH 247	TH 247
“Forgive!”, song for voice and piano, Op. 60/8 (1886)	Op. 60/8
“Francesca da Rimini”, symphonic fantasia after Dante, Op. 32 (1876)	Op. 32
“Gaudeamus Igitur”, arrangement for men’s chorus and piano, TH 187 (1874)	TH 187
Grand Sonata in G major for piano, Op. 37 (1878)	Op. 37
“Granny and Grandson”, song for voice and piano, Op. 54/1 (1883)	Op. 54/1
“Hamlet”, incidental music to Shakespeare’s tragedy, Op. 67b (1891)	Op. 67b
“Hamlet”, overture-fantasia in F minor for orchestra, Op. 67 (1888)	Op. 67
Haydn–Tchaikovsky: “Gott erhalte Franz den Kaiser” for orchestra, TH 185 (1874)	TH 185
“He Loved Me So Much”, song for voice and piano, Op. 28/4 (1875)	Op. 28/4
Hymn in Honour of Saints Cyril and Methodius for unaccompanied mixed chorus, TH 79 (1885)	TH 79
“I Bless You, Forests”, song for voice and piano, Op. 47/5 (1880)	Op. 47/5
“I Did Not Love You at First”, song for voice and piano, Op. 63/1 (1887)	Op. 63/1
“I Do Not Please You”, song for voice and piano, Op. 63/3 (1887)	Op. 63/3
“I Never Spoke to Her”, song for voice and piano, Op. 25/5 (1875)	Op. 25/5
“I Opened the Window”, song for voice and piano, Op. 63/2 (1887)	Op. 63/2
“I Should Like in a Single Word”, song for voice and piano, TH 100/1 (1875)	TH 100/1
“I'll Tell You Nothing”, song for voice and piano, Op. 60/2 (1886)	Op. 60/2
“If Only I Had Known”, song for voice and piano, Op. 47/1 (1880)	Op. 47/1
Impromptu in A-flat major for piano, TH 147 (1889)	TH 147
Impromptu-Caprice in G major for piano, TH 144 (1884)	TH 144
“In the Garden, By the Ford”, duet for two voices and piano, Op. 46/4 (1880)	Op. 46/4
“In This Moonlit Night”, song for voice and piano, Op. 73/3 (1893)	Op. 73/3
“Iolanta” — arias and excerpts, Op. 69 (1891)	Op. 69
“Iolanta”, lyric opera in one act, Op. 69 (1891)	Op. 69
“It Is Truly Fitting” for unaccompanied mixed chorus, TH 78/5 (1884-85)	TH 78/5
“It was in the Early Spring”, song for voice and piano, Op. 38/2 (1878)	Op. 38/2
Italian Capriccio for orchestra, Op. 45 (1880)	Op. 45
Jurisprudence March in D major for orchestra, TH 52 (1885)	TH 52
Jurists’ Song for unaccompanied mixed chorus, TH 80 (1885)	TH 80
Largo and Allegro in D major for two flutes and strings, TH 162 (1863-64)	TH 162
“Last Night”, song for voice and piano, Op. 60/1 (1886)	Op. 60/1
“Legend”, for unaccompanied mixed chorus, TH 85 (1889)	TH 85
“Legend”, song for voice and piano, Op. 54/5 (1883)	Op. 54/5
“Les larmes”, song for voice and piano, Op. 65/5 (1888)	Op. 65/5
“Let My Prayer Ascend” for unaccompanied mixed chorus, TH 78/8 (1884-85)	TH 78/8
“Little Bird”, song for voice and piano, Op. 54/2 (1883)	Op. 54/2
Liturgy of Saint John Chrysostom for unaccompanied mixed chorus, Op. 41 (1878)	Op. 41
“Look, Yonder Cloud”, song for voice and piano, Op. 27/2 (1875)	Op. 27/2
“Lullaby in a Storm”, song for voice and piano, Op. 54/10 (1883)	Op. 54/10
“Manfred”, Symphony in B minor after Byron, Op. 58 (1885)	Op. 58
“Mazepa” — arias and excerpts, TH 7 (1881-83)	TH 7
“Mazepa”, opera in three acts and six tableaux, TH 7 (1881-83)	TH 7
Mazurka in D minor for piano, from “Dmitry the Pretender and Vasily Shuysky”, TH 16/2a (1867)	TH 16/2a
“Mezza notte”, Italian song for voice and piano, TH 91 (1860-61)	TH 91
“Mignon's Song”, song for voice and piano, Op. 25/3 (1875)	Op. 25/3
Military March for the Yurevsky Regiment in B-flat major for piano, TH 150 (1893)	TH 150
“Modern Greek Song”, song for voice and piano, Op. 16/6 (1872-73)	Op. 16/6
Moment lyrique in A-flat major for piano, TH 149 (1892)	TH 149
“Moscow”, coronation cantata for soloists, chorus and orchestra, TH 69 (1883)	TH 69
“My Genius, My Angel, My Friend”, song for voice and piano, TH 89 (1857-58)	TH 89
“My Little Garden”, song for voice and piano, Op. 54/4 (1883)	Op. 54/4
“My Spoiled Darling”, song for voice and piano, Op. 27/6 (1875)	Op. 27/6
“Nathalie-Valse” for piano, TH 142 (1878)	TH 142
“Nature and Love” for two sopranos, contralto, women’s chorus and piano, TH 72 (1870)	TH 72
“Night: Monologue for Baritone”, song for voice and piano, Op. 60/9 (1886)	Op. 60/9
“Night”, song for voice and piano, Op. 73/2 (1893)	Op. 73/2
“Night”, vocal quartet with piano on a theme by Mozart, TH 88 (1893)	TH 88
“No Response, or Word, or Greeting”, song for voice and piano, Op. 28/5 (1875)	Op. 28/5
“No, I Shall Never Tell”, song for voice and piano, Op. 28/1 (1875)	Op. 28/1
Nocturne in C-sharp minor for piano, Op. 19/4 (1873)	Op. 19/4
“None but the Lonely Heart”, song for voice and piano, Op. 6/6 (1869)	Op. 6/6
“Not a Word, O My Friend”, song for voice and piano, Op. 6/2 (1869)	Op. 6/2
“Now the Heavenly Powers” for unaccompanied mixed chorus, TH 78/9 (1884-85)	TH 78/9
“O, If Only You Could”, song for voice and piano, Op. 38/4 (1878)	Op. 38/4
“O, If Only You Knew”, song for voice and piano, Op. 60/3 (1886)	Op. 60/3
“O, Sing That Song”, song for voice and piano, Op. 16/4 (1872-73)	Op. 16/4
“Ode to Joy”, cantata for soloists, chorus and orchestra, TH 66 (1865)	TH 66
“On the Bank”, song for voice and piano, Op. 54/6 (1883)	Op. 54/6
“On the Golden Cornfields”, song for voice and piano, Op. 57/2 (1884)	Op. 57/2
“Only You Alone”, song for voice and piano, Op. 57/6 (1884)	Op. 57/6
“Our Father” for unaccompanied mixed chorus, TH 78/6 (1884-85)	TH 78/6
Overture for Orchestra in c-moll, TH 38 (1865)	TH 38
Overture for Orchestra in F-dur, TH 39 (1865)	TH 39
Parts of compositions
“Passion Spent”, duet for two voices and piano, Op. 46/5 (1880)	Op. 46/5
Pezzo capriccioso in B minor for cello and orchestra, Op. 62 (1887)	Op. 62
Piano Concerto No.1 in B-flat minor, Op. 23 (1874-75)	Op. 23
Piano Concerto No.2 in G major, Op. 44 (1879-80)	Op. 44
Piano Concerto No.3 in E-flat major, Op. 75 (1893)	Op. 75
Piano Sonata in C-sharp minor, Op. 80 (1865)	Op. 80
Piano Trio “In Memory of a Great Artist” (Памяти великого художника), Op. 50 (1882)	Op. 50
“Pimpinella: Florentine Song”, song for voice and piano, Op. 38/6 (1878)	Op. 38/6
Polka de Salon in C major, musical joke, TH 199 (1893)	TH 199
Potpourri on themes from “The Voyevoda” for piano, TH 128 (1868)	TH 128
“Qu'importe que l'hiver”, song for voice and piano, Op. 65/4 (1888)	Op. 65/4
“Reconciliation”, song for voice and piano, Op. 25/1 (1875)	Op. 25/1
Romance in F minor for piano, Op. 5 (1868)	Op. 5
“Romeo and Juliet”, duet for soprano, tenor and orchestra, completed by Sergey Taneyev, TH 215 (1878-81)	TH 215
“Romeo and Juliet”, overture-fantasia after Shakespeare, TH 42 (1869)	TH 42
“Rondel”, song for voice and piano, Op. 65/6 (1888)	Op. 65/6
Schumann–Tchaikovsky: two excerpts from “Symphonic Studies”, orchestration, TH 169 (1863-64)	TH 169
“Scottish Ballad: Edward”, duet for two voices and piano, Op. 46/2 (1880)	Op. 46/2
Serenade for Nikolay Rubinstein’s Name-Day for orchestra, TH 43 (1872)	TH 43
Serenade in C major for string orchestra, Op. 48 (1880)	Op. 48
Sérénade mélancolique in B-flat minor for violin and orchestra, Op. 26 (1875)	Op. 26
Sérénade: “J'aime dans le rayon”, song for voice and piano, Op. 65/3 (1888)	Op. 65/3
Sérénade: “Où vas-tu, souffle d'aurore”, song for voice and piano, Op. 65/1 (1888)	Op. 65/1
“Serenade: O Child! Beneath Your Window”, song for voice and piano, Op. 63/6 (1887)	Op. 63/6
“Simple Words”, song for voice and piano, Op. 60/5 (1886)	Op. 60/5
Six French Songs for voice and piano, Op. 65 (1888)	Op. 65
Six Pieces for piano, Op. 19 (1873)	Op. 19
Six Pieces for piano, Op. 51 (1882)	Op. 51
Six Pieces on a Single Theme for piano, Op. 21 (1873)	Op. 21
Six Romances to words by Daniil Rathaus for voice and piano, Op. 73 (1893)	Op. 73
Sixteen Songs for Children for voice and piano, Op. 54 (1880-83)	Op. 54
Slavonic March in B-flat minor for orchestra, Op. 31 (1876)	Op. 31
“Sleep, Poor Friend”, song for voice and piano, Op. 47/4 (1880)	Op. 47/4
“Sleep!”, song for voice and piano, Op. 57/4 (1884)	Op. 57/4
“Sleepless Nights”, song for voice and piano, Op. 60/6 (1886)	Op. 60/6
“So What?”, song for voice and piano, Op. 16/5 (1872-73)	Op. 16/5
“Softly the Spirit Flew up to Heaven”, song for voice and piano, Op. 47/2 (1880)	Op. 47/2
“Song of a Gypsy Girl”, song for voice and piano, Op. 60/7 (1886)	Op. 60/7
“Souvenir d’un lieu cher”, three pieces for violin and piano, Op. 42 (1878)	Op. 42
“Souvenir de Florence”, string sextet in D minor, Op. 70 (1890)	Op. 70
“Souvenir de Hapsal”, three pieces for piano, Op. 2 (1867)	Op. 2
“Spring Song”, song for voice and piano, Op. 54/13 (1883)	Op. 54/13
“Spring: The Grass Grows Green”, song for voice and piano, Op. 54/3 (1883)	Op. 54/3
“Spring: The Snow is Already Melting”, song for voice and piano, Op. 54/9 (1883)	Op. 54/9
“Spring”, for unaccompanied women’s chorus, TH 73 (c. 1871)	TH 73
String Quartet in B-flat major, surviving movement, TH 110 (1865)	TH 110
String Quartet No.1 in D major, Op. 11 (1871)	Op. 11
String Quartet No.2 in F major, Op. 22 (1873-74)	Op. 22
String Quartet No.3 in E-flat minor, Op. 30 (1876)	Op. 30
Suite for orchestra No 4 in G major “Mozartiana”, Op. 61 (1887)	Op. 61
Suite for orchestra No.1 in D minor, Op. 43 (1878-79)	Op. 43
Suite for orchestra No.2 in C major “Suite caractéristique”, Op. 53 (1883)	Op. 53
Suite for orchestra No.3 in G major, Op. 55 (1884)	Op. 55
“Swan Lake”, ballet in four acts, Op. 20 (1875-76)	Op. 20
“Swan Lake”, suite for orchestra, Op. 20a	Op. 20a
Symphony in B-flat major, sketch of an opening theme, TH 210 (1873)	TH 210
Symphony in E-flat major, reconstructed by Semyon Bogatyrev, TH 238	TH 238
Symphony No.1 in G minor, “Winter Daydreams”, Op. 13 (1866-68)	Op. 13
Symphony No.2 in C minor, Op. 17 (1872)	Op. 17
Symphony No.3 in D major, Op. 29 (1875)	Op. 29
Symphony No.4 in F minor, Op. 36 (1877)	Op. 36
Symphony No.5 in E minor, Op. 64 (1888)	Op. 64
Symphony No.6 in B minor, “Pathétique”, Op. 74 (1893)	Op. 74
“Take My Heart Away”, song for voice and piano, TH 96/1 (1873)	TH 96/1
“Tears”, duet for two voices and piano, Op. 46/3 (1880)	Op. 46/3
“Tell Me, What in the Shade of the Branches?”, song for voice and piano, Op. 57/1 (1884)	Op. 57/1
“The Angel Cried Out” for unaccompanied mixed chorus, TH 81 (1887)	TH 81
“The Canary”, song for voice and piano, Op. 25/4 (1875)	Op. 25/4
“The Corals”, song for voice and piano, Op. 28/2 (1875)	Op. 28/2
“The Cuckoo”, song for voice and piano, Op. 54/8 (1883)	Op. 54/8
“The Enchantress” — arias and excerpts, TH 9 (1885-87)	TH 9
“The Enchantress”, opera in four acts, TH 9 (1885-87)	TH 9
“The Fires in the Rooms Were Already Out”, song for voice and piano, Op. 63/5 (1887)	Op. 63/5
“The First Meeting”, song for voice and piano, Op. 63/4 (1887)	Op. 63/4
“The Gentle Stars Shone For Us”, song for voice and piano, Op. 60/12 (1886)	Op. 60/12
“The Golden Cloud Did Sleep”, for unaccompanied mixed chorus, TH 82 (1887)	TH 82
“The Little Flower”, song for voice and piano, Op. 54/11 (1883)	Op. 54/11
“The Love of a Dead Man”, song for voice and piano, Op. 38/5 (1878)	Op. 38/5
“The Maid of Orleans” - arias and excerpts, TH 6 (1878-79)	TH 6
“The Maid of Orleans”, opera in four acts and six tableaux, TH 6 (1878-79)	TH 6
“The Nightingale”, for unaccompanied mixed chorus, TH 84 (1889)	TH 84
“The Nightingale”, song for voice and piano, Op. 60/4 (1886)	Op. 60/4
“The Nutcracker” — excerpts, Op. 71 (1891-92)	Op. 71
“The Nutcracker”, ballet in two acts, Op. 71 (1891-92)	Op. 71
“The Nutcracker”, piano arrangement of the ballet, Op. 71 (1892)	Op. 71
“The Nutcracker”, suite for orchestra, Op. 71a (1892)	Op. 71a
“The Oprichnik” — arias and excerpts, TH 3 (1870-72)	TH 3
“The Oprichnik”, opera in four acts, TH 3 (1870-72)	TH 3
“The Queen of Spades” — arias and excerpts, Op. 68 (1890)	Op. 68
“The Queen of Spades”, opera in three acts and seven tableaux, Op. 68 (1890)	Op. 68
The Russian Volunteer Fleet March for piano, TH 140 (1878)	TH 140
“The Seasons”, twelve characteristic scenes for piano, Op. 37bis (1875-76)	Op. 37bis
“The Siskin”, musical joke, TH 196 (1876)	TH 196
“The Sleeping Beauty”, ballet in a prologue and three acts, Op. 66 (1888-89)	Op. 66
“The Sleeping Beauty”, suite for orchestra, Op. 66a	Op. 66a
“The Snow Maiden”, incidental music to Ostrovsky’s spring fairy tale, Op. 12 (1873)	Op. 12
“The Storm”, overture to Ostrovsky’s drama, Op. 76 (1864)	Op. 76
“The Sun Has Set”, song for voice and piano, Op. 73/4 (1893)	Op. 73/4
“The Swallow”, song for voice and piano, Op. 54/15 (1883)	Op. 54/15
“The Tempest”, symphonic fantasia after Shakespeare, Op. 18 (1873)	Op. 18
“The Terrible Moment”, song for voice and piano, Op. 28/6 (1875)	Op. 28/6
“The Voyevoda” — arias and excerpts, Op. 3 (1867-68)	Op. 3
“The Voyevoda”, opera in three acts, Op. 3 (1867-68)	Op. 3
“The Voyevoda”, symphonic ballad after Mickiewicz, Op. 78 (1890-91)	Op. 78
“The Year 1812”, festival overture for orchestra, Op. 49 (1880)	Op. 49
Theme with Variations in A minor for piano, TH 121 (1863-64)	TH 121
Three Pieces for piano, Op. 9 (1870)	Op. 9
“’Tis Not the Cuckoo in the Damp Pinewood”, for unaccompanied mixed chorus, TH 87/1 (1891)	TH 87/1
“To Forget So Soon”, song for voice and piano, TH 94 (c. 1870)	TH 94
Twelve Pieces of Moderate Difficulty for piano, Op. 40 (1878)	Op. 40
Two Pieces for piano, Op. 10 (1871-72)	Op. 10
Two Pieces for piano: “Scherzo à la russe” and Impromptu, Op. 1 (1863-67)	Op. 1
“Undina”, surviving opera fragments, TH 2 (1869)	TH 2
Valse-Caprice in D major for piano, Op. 4 (1868)	Op. 4
Valse-Scherzo in A major for piano, Op. 7 (1870)	Op. 7
Valse-Scherzo in A major for piano, TH 146 (1889)	TH 146
Valse-Scherzo in C major for violin and orchestra, Op. 34 (1877)	Op. 34
Variations on a Rococo Theme in A major for cello and orchestra, Op. 33 (1876-77)	Op. 33
Varlamov–Tchaikovsky: “It’s Not the Wind that Bends the Branch”, harmonisation, TH 194 (1893)	TH 194
Violin Concerto in D major, Op. 35 (1878)	Op. 35
“Wait!”, song for voice and piano, Op. 16/2 (1872-73)	Op. 16/2
“Was I Not a Little Blade of Grass in the Meadow?”, song for voice and piano, Op. 47/7 (1880)	Op. 47/7
“Was it the Mother Who Bore Me?”, song for voice and piano, Op. 27/5 (1875)	Op. 27/5
“We Have Not Far to Walk”, song for voice and piano, TH 100/2 (1875)	TH 100/2
“We Hymn Thee” for unaccompanied mixed chorus, TH 78/4 (1884-85)	TH 78/4
“We Sat Together”, song for voice and piano, Op. 73/1 (1893)	Op. 73/1
“Why Did the Voice of Joy Fall Silent?”, for unaccompanied men’s chorus, TH 87/2 (1891)	TH 87/2
“Why?”, song for voice and piano, Op. 28/3 (1875)	Op. 28/3
“Why?”, song for voice and piano, Op. 6/5 (1869)	Op. 6/5
“Winter Evening”, song for voice and piano, Op. 54/7 (1883)	Op. 54/7
“Winter”, song for voice and piano, Op. 54/12 (1883)	Op. 54/12
“Without Time, Without Season”, for unaccompanied women’s chorus, TH 87/3 (1891)	TH 87/3
“Zemfira’s Song”, for voice and piano, TH 90	TH 90