Sergey Taneyev (1856–1915)

Russia · Late romanticism

As a performer: pianist

2 a cappella quartets for mixed voices: No. 2 “Adelie” (Pushkin), Op. 24/2 (1907)	Op. 24/2
2 choruses for male voices a cappella, ST. 58 (1881)	ST. 58
2 comic choruses (fugues) to words by Kozma Prutkov: No. 2 “A specialist is like a flux”, ST. 43/2 (1880)	ST. 43/2
2 comic choruses to the words of Kozma Prutkov: No. 1 “If you have a fountain”, ST. 43/1 (1880)	ST. 43/1
2 duets for 2 basses & piano: No. 1 “Night Zephyr”, ST. 94 (1886)	ST. 94
2 duets for 2 basses & piano: No. 2 “Fantastic shadows grow, grow”, ST. 32/2 (1879)	ST. 32/2
2 duets for 2 voices & piano, Op. 18 (1900-05)	Op. 18
2 Duets for Soprano, Contralto & Piano: No. 2 “Mountain Peaks”, ST. 108/2 (1891)	ST. 108/2
2 Vocal Trios for male voices and piano, ST. 52 (1880)	ST. 52
3 choruses for male voices a cappella: No. 2 “Nocturne”, ST. 42/2 (1880)	ST. 42/2
3 choruses for male voices a cappella: No. 3 “Merry Hour”, ST. 42/3 (1880)	ST. 42/3
3 Scherzos for Piano, ST. 12 (1874-75)	ST. 12
7 poems by Y. Polonsky: No. 1 “The last conversation”, Op. 34/1 (1911-12)	Op. 34/1
7 poems by Y. Polonsky: No. 2 “Are not my passions?”, Op. 34/2 (1911-12)	Op. 34/2
7 poems by Y. Polonsky: No. 3 “Mask”, Op. 34/3 (1911-12)	Op. 34/3
7 poems by Y. Polonsky: No. 4 “Loving ears of corn, soft rustle”, Op. 34/4 (1911-12)	Op. 34/4
7 poems by Y. Polonsky: No. 5 “Last breath”, Op. 34/5 (1911-12)	Op. 34/5
7 poems by Y. Polonsky: No. 6 “Night in the Crimea”, Op. 34/6 (1911-12)	Op. 34/6
7 poems by Y. Polonsky: No. 7 “My heart is a spring”, Op. 34/7 (1911-12)	Op. 34/7
10 poems from Ellis’s collection “Immortelles”: 1. “The Birth of the Harp”, Op. 26/1 (1908)	Op. 26/1
10 poems from Ellis’s collection “Immortelles”: 2. Canzone XXXII, Op. 26/2 (1908)	Op. 26/2
10 poems from Ellis’s collection “Immortelles”: 3. Reflections, Op. 26/3 (1908)	Op. 26/3
10 poems from Ellis’s collection “Immortelles”: 4. Music, Op. 26/4 (1908)	Op. 26/4
10 poems from Ellis’s collection “Immortelles”: 5. “Dense forests”, Op. 26/5 (1908)	Op. 26/5
10 poems from Ellis’s collection “Immortelles”: 6. “Stalactites”, Op. 26/6 (1908)	Op. 26/6
10 poems from Ellis’s collection “Immortelles”: 7. “Fountains”, Op. 26/7 (1908)	Op. 26/7
10 poems from Ellis’s collection “Immortelles”: 8. “And the enemies trembled”, Op. 26/8 (1908)	Op. 26/8
10 poems from Ellis’s collection “Immortelles”: 9. “Minuet”, Op. 26/9 (1908)	Op. 26/9
10 poems from Ellis’s collection “Immortelles”: 10. “Among the Enemies”, Op. 26/10 (1908)	Op. 26/10
12 choruses a cappella on the poems of Polonsky, Op. 27 (1909)	Op. 27
16 Choirs For Men’s Voices After Verses by K. Balmont, Op. 35 (1911-14)	Op. 35
Adagio for orchestra in C major, ST. 13 (1875)	ST. 13
Andantino semplice for Piano, ST. 131 (1900-09)	ST. 131
“Angel”, romance (No. 2 of Four Romances on poems by Y. Polonsky), Op. 32/2 (1911)	Op. 32/2
Ballad “Old Knight” for voice and piano, ST. 19 (1876)	ST. 19
“Blissful dreams gone star”, romance (No. 4 of Ten Romances), Op. 17/4 (1905)	Op. 17/4
“Both Now and Ever…”, Znamenny chant for chorus, ST. 106 (1890)	ST. 106
Cantata “At the Reading of a Psalm” for Soloists, Double Chorus and Orchestra, Op. 36 (1912-15)	Op. 36
Cantata “Exegi monumentum” for Chorus and Orchestra, ST. 44 (1880)	ST. 44
Cantata “John of Damascus” for Chorus and Orchestra, Op. 1 (1884)	Op. 1
Canzone for Clarinet and String Orchestra, ST. 69 (1883)	ST. 69
Cherubic Hymn for mixed choir, ST. 41 (1880)	ST. 41
Choir “Evening Song” for male voices a cappella, ST. 59 (1881)	ST. 59
Choir “Pine” for mixed voices a cappella, ST. 24 (1877)	ST. 24
Choir “Sunrise” (lyrics by F. Tyutchev) for mixed voices, Op. 8 (1897)	Op. 8
Chorale Variations for Organ, ST. 112 (1894)	ST. 112
Chorus “Adelie” for 4 basses a cappella, ST. 99 (1887)	ST. 99
Chorus “Echo” for mixed voices a cappella, ST. 101 (1888)	ST. 101
Chorus “Serenade” for mixed voices a cappella, ST. 22 (1877)	ST. 22
Chorus “Venice at night” for mixed voices a cappella, ST. 26 (1877)	ST. 26
Chorus (joke) “Toad” for female voices, ST. 54 (1880)	ST. 54
Concert Suite for Violin and Orchestra in G minor, Op. 28 (1908-09)	Op. 28
“Dreams wither in solitude”, romance (No. 2 of Ten Romances), Op. 17/2 (1905)	Op. 17/2
Four improvisations for piano, ST. 121 (1896)	ST. 121
“From Border to Border”, for Double Mixed Chorus, Op. 10 (1898-99)	Op. 10
“From Medieval Life”, song for voice and piano, ST. 20 (1876-80)	ST. 20
Grand Solemn March for piano 4 hands/orchestra, ST. 36 (1879)	ST. 36
“He Maketh His Angels Spirits” (version 1), Greek chant for chorus, ST. 73a (1883)	ST. 73a
“He Maketh His Angels Spirits” (version 2), Greek chant for chorus, ST. 73b (1883)	ST. 73b
“I Will Take the Cup of Salvation”, Kievan chant for chorus, ST. 92	ST. 92
“In the hour of loss”, romance (No. 1 of Four Romances on poems by Y. Polonsky), Op. 32/1 (1911)	Op. 32/1
“In the Invisible Mist”, romance (No. 8 of Ten Romances), Op. 17/8 (1905)	Op. 17/8
Irmos 1 of the Epiphany Canon, ST. 65 (1881)	ST. 65
“Island”, romance (No. 1 of Ten Romances), Op. 17/1 (1905)	Op. 17/1
“Let him resound”, romance (No. 3 of Ten Romances), Op. 17/3 (1905)	Op. 17/3
“Light of Rising Stars”, romance (No. 2 of Five Romances on poems by Y. Polonsky), Op. 33/2 (1911)	Op. 33/2
“Lord, I Call upon Thee” (Tone 1), Znamenny chant for chorus, ST. 88 (1885-90)	ST. 88
Lullaby for piano, ST. 62 (1881)	ST. 62
Lullaby for voice and piano, ST. 120 (1896)	ST. 120
March in D minor, ST. 35 (1879)	ST. 35
Musical joke “Composer’s birthday” for reader and piano 4 hands, ST. 110 (1892)	ST. 110
“My mind was depressed by melancholy”, romance (No. 3 of Four Romances on poems by Y. Polonsky), Op. 32/3 (1911)	Op. 32/3
“Nakhodka (from Goethe)”, song for voice and piano, ST. 30 (1878)	ST. 30
“Night in the mountains of Scotland”, romance (No. 1 of Five Romances on poems by Y. Polonsky), Op. 33/1 (1911)	Op. 33/1
“Nights”, Three Vocal Trios on Poems by Fyodor Tyutchev, Op. 23 (1907)	Op. 23
“Nocturne: Fragrant spring night”, romance (No. 7 of Ten Romances), Op. 17/7 (1905)	Op. 17/7
“Not the Wind Blowing from the Heights”, romance (No. 5 of Ten Romances), Op. 17/5 (1905)	Op. 17/5
“O Gladsome Light” (version 1), Znamenny chant for chorus, ST. 90a	ST. 90a
“O Gladsome Light” (version 2), Znamenny chant for chorus, ST. 90b	ST. 90b
Opera “The Oresteia”, ST. 111 (1887-94)	ST. 111
Overture in D minor, ST. 15 (1875)	ST. 15
Overture on a Russian Theme for orchestra, ST. 67 (1882)	ST. 67
Piano Concerto in E-flat major (unfinished), ST. 18 (1876)	ST. 18
Piano Quartet in E major, Op. 20 (1902-06)	Op. 20
Piano Quintet in G minor, Op. 30 (1911)	Op. 30
Piano Sonata in E-flat major (unfinished), ST. 7 (1874-75)	ST. 7
Piano trio in D major, Op. 22 (1906-08)	Op. 22
“Praise the Name of the Lord”, Znamenny chant for chorus, ST. 72 (1883)	ST. 72
Prelude and Fugue in G-sharp minor for piano, Op. 29 (1910)	Op. 29
Prelude in F major for Piano, ST. 115 (1894-95)	ST. 115
“Prisoner”, romance (No. 5 of Five Romances on poems by Y. Polonsky), Op. 33/5 (1911)	Op. 33/5
Psalm 66, “God Be Merciful to Us”, for Chorus, ST. 8 (1874-75)	ST. 8
Psalm 103, “Bless the Lord, O My Soul”, for Chorus, ST. 38 (1879)	ST. 38
Psalm 116, “Praise the Lord, All Nations”, for Chorus, ST. 9 (1874-75)	ST. 9
Quadrille in A major for piano, ST. 37 (1879)	ST. 37
“Rejoice in the Lord, O Ye Righteous”, Kievan chant for chorus, ST. 89	ST. 89
“Repose”, Elegy in F-sharp minor for Piano, ST. 49 (1880)	ST. 49
Romance “In a difficult moment of life” for voice and piano, ST. 122 (1896)	ST. 122
Romance “Summer Night” for voice and piano, ST. 4 (1874)	ST. 4
Scherzo in E-flat minor for Piano, ST. 11 (1874-75)	ST. 11
Sonata for Violin and Piano in A minor, ST. 152 (1911)	ST. 152
String Quartet in A major, ST. 76 (1881-83)	ST. 76
String Quartet in C major, ST. 75 (1880-83)	ST. 75
String Quartet in E-flat major, ST. 50 (1880)	ST. 50
String quartet No. 1 in B-flat minor, Op. 4 (1890)	Op. 4
String Quartet No. 2 in C major, Op. 5 (1895)	Op. 5
String Quartet No. 3 in D minor, Op. 7 (1896)	Op. 7
String Quartet No. 4 in A minor, Op. 11 (1898-99)	Op. 11
String Quartet No. 5 in A major, Op. 13 (1902-03)	Op. 13
String Quartet No. 6 in B-flat major, Op. 19 (1903-05)	Op. 19
String Quintet in C major, Op. 16 (1903-04)	Op. 16
String Quintet in G major, Op. 14 (1901)	Op. 14
String Trio in B minor, without Op. (unfinished), ST. 156 (1913)	ST. 156
Sunday Troparion, ST. 91	ST. 91
Symphony No. 1 in E minor, ST. 2 (1873-74)	ST. 2
Symphony No. 2 in B-flat major (unfinished), ST. 29 (1877-78)	ST. 29
Symphony No. 3 in D minor, ST. 81 (1884)	ST. 81
Symphony No. 4 in C minor, Op. 12 (1896-98)	Op. 12
Tercet “Once upon a time a worm hit the neck” for basses and piano, ST. 48 (1880)	ST. 48
“The Kiss”, romance (No. 3 of Five Romances on poems by Y. Polonsky), Op. 33/3 (1911)	Op. 33/3
“The Oresteia”, Concert Overture, Op. 6 (1889)	Op. 6
“The Restless Heart is Beating”, romance (No. 9 of Ten Romances), Op. 17/9 (1905)	Op. 17/9
“The Righteous Shall Be in Everlasting Remembrance”, Kievan chant for chorus, ST. 87	ST. 87
“The world is asleep”, romance (No. 10 of Ten Romances), Op. 17/10 (1905)	Op. 17/10
“Thou Hast Wrought Salvation” (version 1), Kievan chant for six voices, ST. 74a (1883)	ST. 74a
“Thou Hast Wrought Salvation” (version 2), Kievan chant for six voices, ST. 74b (1883)	ST. 74b
“Through All the Earth”, chant for chorus, ST. 86	ST. 86
“To Thee, the Champion Leader”, kontakion in Znamenny chant for chorus, ST. 85	ST. 85
Trio for two Violins and Viola in D major, Op. 21 (1907)	Op. 21
Trio for Violin, Viola and Cello in D major, ST. 51 (1880)	ST. 51
Trio for Violin, Viola and Cello in E-flat major, Op. 31 (1910-11)	Op. 31
Two choruses a cappella, Op. 15 (1900)	Op. 15
Two romances, Op. 9 (1896-97)	Op. 9
Variations for Piano in C minor, ST. 5 (1874)	ST. 5
Vocal quartet “Lie in bed”, ST. 45 (1880)	ST. 45
“What is she to me?”, romance (No. 4 of Five Romances on poems by Y. Polonsky), Op. 33/4 (1911)	Op. 33/4
“When, spinning, autumn leaves”, romance (No. 6 of Ten Romances), Op. 17/6 (1905)	Op. 17/6
“Winter Way”, romance (No. 4 of Four Romances on poems by Y. Polonsky), Op. 32/4 (1911)	Op. 32/4