Vincenzo Bellini (1801–1835)

Italy · Romanticism (1815—1890)

“Adelson e Salvini”, opera, B I. 1 (1824-25)	B I. 1
Allegretto for piano in G minor, B III. 3	B III. 3
Arias from the opera “I Capuleti e i Montecchi”, B I. 6 (1830)	B I. 6
Arias from the opera “I puritani”, B I. 10 (1834-35)	B I. 10
Arias from the opera “Il pirata”, B I. 3 (1827)	B I. 3
Arias from the opera “La sonnambula”, B I. 7 (1831)	B I. 7
Arias from the opera “Norma”, B I. 8 (1831)	B I. 8
“Beatrice di Tenda”, opera, B I. 9 (1833)	B I. 9
“Bella Nice, che d’amore”, arietta for voice and piano, B II. 5.3 (1829)	B II. 5.3
“Bianca e Fernando”, opera, B I. 2 (1826-28)	B I. 2
Canon “Dalla guancia scolorita” for soprano and tenor, B II. 15 (1835)	B II. 15
Capriccio for piano, dedicated to Luisella d’Andreana, B III. 7 (1832)	B III. 7
“Casta diva”, aria from the opera “Norma” (1831)
Credo in C major for four voices and orchestra, B IV. 2 (1820-24)	B IV. 2
“Dolente immagine di Fille mia”, arietta for voice and piano, B II. 2 (1821)	B II. 2
“E nello stringerti a questo core”, aria for soprano and orchestra, B IIa. 5 (1820-29)	B IIa. 5
Eight Sinfonias for orchestra, B III. 1 (1820-25)	B III. 1
“Ernani”, opera (unfinished), B I. deest (1830)	B I. deest
Excerpts from the opera “Beatrice di Tenda”, B I. 9 (1833)	B I. 9
Excerpts from the opera “La straniera”, B I. 4 (1828-29)	B I. 4
“Gioite, amiche contrade”, Ceres’s recitative and aria for soprano and orchestra, B IIa. 4 (1822)	B IIa. 4
“I Capuleti e i Montecchi”, opera, B I. 6 (1830)	B I. 6
“I puritani”, opera, B I. 10 (1834-35)	B I. 10
“Il fervido desiderio”, arietta for voice and piano, B II. 16 (1827-33)	B II. 16
“Il pirata”, opera, B I. 3 (1827)	B I. 3
“Il zeffiro” (Venticel, che l’ali d’oro), arietta for voice and piano, B II. 4 (1828-30)	B II. 4
“L’abbandono”, arietta for voice and piano, B II. 8 (1833-34)	B II. 8
“L’allegro marinaro”, ballad for voice and piano, B II. 9 (1834)	B II. 9
“La farfalletta”, canzonetta for voice and piano, B II. 1 (1813)	B II. 1
“La ricordanza” for voice and piano, B II. 10 (1834)	B II. 10
“La sonnambula”, opera, B I. 7 (1831)	B I. 7
“La straniera”, opera, B I. 4 (1828-29)	B I. 4
Largo and theme in F minor for piano, B III. 8 (1834)	B III. 8
“Le souvenir présent céleste”, romance for voice and piano, B II. 19 (1835)	B II. 19
“Les joyeux matelots”, song for voice and piano, B II. 14 (1834-35)	B II. 14
Mass No. 1 in E minor for soloists, choir and orchestra, B IV. 16 (1823)	B IV. 16
Mass No. 2 in G minor for soloists, chorus and orchestra, B IV. 17 (1823)	B IV. 17
Messa di Gloria in A minor for soloists, chorus and orchestra, B IV. 15 (1821)	B IV. 15
Motet “Te Deum” for soloists, chorus and orchestra, B IV. 34 (1823)	B IV. 34
“Norma”, opera, B I. 8 (1831)	B I. 8
“O crudel, che il mio pianto non vedi”, arietta for voice and piano, B II. 12 (1835)	B II. 12
Oboe Concerto in E-flat major, B III. 2 (c. 1823)	B III. 2
“Odia la pastorella”, arietta for voice and piano, B II. 11 (1834)	B II. 11
Opera arias
Opera Overtures
Organ Sonata in G major, B III. 6 (1825)	B III. 6
“Pensiero musicale” for piano, B III. 5	B III. 5
Piece (Andantino) in G minor for piano, B III. 4 (1820-29)	B III. 4
“Quando incise su quel marmo”, scena and aria for contralto and orchestra, B IIa. 7 (1824)	B IIa. 7
“Quando verrà quel dì”, romance for voice and piano, B II. 3 (1828)	B II. 3
Romance “Guarda che bianca luna” for voice and piano, B II. 6 (1832)	B II. 6
Romance “Rêve d’enfance” for voice and piano, B II. 13 (1834-35)	B II. 13
“Salve Regina”, antiphon for chorus and orchestra in A major, B IV. 23 (1820)	B IV. 23
“Salve Regina”, antiphon for solo voice and organ or orchestra in F minor, B IV. 24 (1820)	B IV. 24
“Sì per te, Gran Nume eterno”, cavatina for soprano and orchestra, B IIa. 3 (1820-29)	B IIa. 3
Six Ariettas for voice and piano, B II. 5 (1829)	B II. 5
Spiritual aria “Gratias agimus” for soprano and orchestra, B IV. 9 (1822)	B IV. 9
Spiritual aria (psalm 109) “Tecum principium” for soprano and orchestra, B IV. 6 (1823)	B IV. 6
Three Ariettas for voice and piano, B posth	B posth
“Torna, vezzosa Fillide”, romance for voice and piano, B IIa. 6 (c. 1825)	B IIa. 6
“Vaga luna, che inargenti”, arietta for voice and piano, B II. 7 (1833)	B II. 7
“Vanne, o rosa fortunata”, arietta for voice and piano, B II. 5.2 (1829)	B II. 5.2
“Zaira”, opera, B I. 5 (1829)	B I. 5