| |
William Sterndale Bennett (1816–1875)
Great Britain · Romanticism (1815—1890)
|
30 Preludes and Lessons, op.33 (1842-53) |
op.331842-53
|
|
A Theme and Variations, op.31 (1850) |
op.311850
|
|
Abide with me (1867) |
1867
|
|
Adagio for Piano and Orchestra (1834) |
1834
|
|
As Lonesome through the Woods, op.35, ¹ 5 (1837-44) |
op.35, ¹ 51837-44
|
|
Capriccio, op. 2 (1834) |
op. 21834
|
|
Caprice for piano and orchestra in E major, op.22 (1836-38) |
op.221836-38
|
|
Castle Gordon, op.35, ¹ 4 (1837-44) |
op.35, ¹ 41837-44
|
|
Concert ¹ 1 for Piano and Orchestra in D minor, op. 1 (1832) |
op. 11832
|
|
Concert ¹ 4 for Piano and Orchestra, op.19 (1838) |
op.191838
|
|
Concert ¹3 for Piano and Orchestra in C minor, op. 9 (1836) |
op. 91836
|
|
Concerto ¹ 2 for piano and orchestra in E flat major, op. 4 (1833) |
op. 41833
|
|
Concerto ¹ 5 for Piano and Orchestra in F minor (1836) |
1836
|
|
Dawn Gentle Flower, op.35, ¹ 3 (1837-44) |
op.35, ¹ 31837-44
|
|
Die Waldnymphe, Overture, op.20 (1838) |
op.201838
|
|
Etude in the form of Caprice No. 1, op.11, ¹1 (1834-35) |
op.11, ¹11834-35
|
|
Etude in the form of Caprice No. 2, op.11, ¹2 (1834-35) |
op.11, ¹21834-35
|
|
Etude in the form of Caprice No. 3, op.11, ¹3 (1834-35) |
op.11, ¹31834-35
|
|
Etude in the form of Caprice No. 4, op.11, ¹4 (1834-35) |
op.11, ¹41834-35
|
|
Etude in the form of Caprice No. 5, op.11, ¹5 (1834-35) |
op.11, ¹51834-35
|
|
Etude in the form of Caprice No. 6, op.11, ¹6 (1834-35) |
op.11, ¹61834-35
|
|
Fantasia, op.16 (1837) |
op.161837
|
|
Fantasia-Ouverture zu Thomas Moore`s `Paradies und Peri` fur grosses Orchester, op.42 (1862) |
op.421862
|
|
Forget-me-not, op.23, ¹ 3 (1834-42) |
op.23, ¹ 31834-42
|
|
Genevieve, op.posth (1839) |
op.posth1839
|
|
Gentle Zephyr, op.23, ¹ 6 (1834-42) |
op.23, ¹ 61834-42
|
|
God is a Spirit, Oratorio (1867-68) |
1867-68
|
|
Graciosa Allegro, op.18 (1838) |
op.181838
|
|
Indian Love, op.35, ¹ 1 (1837-44) |
op.35, ¹ 11837-44
|
|
L`Amabile, Etude in E Flat Major, op.29, ¹1 (1841) |
op.29, ¹11841
|
|
L`Appassionata, Etude in g-moll, op.29, ¹2 (1841) |
op.29, ¹21841
|
|
May-dew, op.23, ¹ 2 (1834-42) |
op.23, ¹ 21834-42
|
|
Musing on the Roaring Ocean, op.23, ¹ 1 (1834-42) |
op.23, ¹ 11834-42
|
|
O that I knew where I might find him (1861) |
1861
|
|
Overture `Parisina` (1835) |
1835
|
|
Overture `The Queen of May` (1844) |
1844
|
|
Overture Naiad, op.15 (1836) |
op.151836
|
|
Piano Sonata, op.13 (1836-37) |
op.131836-37
|
|
Rondeau a la Polonaise, op.37 (1857) |
op.371857
|
|
Rondo, op.25 (1842) |
op.251842
|
|
Rondo `Pas Triste, Pas Gai`, op.34 (1854) |
op.341854
|
|
Scherzo, op.27 (1845) |
op.271845
|
|
Sextet in f sharp moll, op. 8 (1835) |
op. 81835
|
|
Sing Maiden Sing, op.35, ¹ 6 (1837-44) |
op.35, ¹ 61837-44
|
|
Sonata for Cello and Piano, op.32 (1852) |
op.321852
|
|
Suite for fortepiano, op.24 (1841-42) |
op.241841-42
|
|
Symphony in g-moll, op.43 (1864-67) |
op.431864-67
|
|
The Maid of Orleans, Piano Sonata, op.46 (1869) |
op.461869
|
|
The Past, op.23, ¹ 5 (1834-42) |
op.23, ¹ 51834-42
|
|
The Woman of Samaria, Cantata, op.44 (1867-68) |
op.441867-68
|
|
Three Impromptu, op.12 (1836) |
op.121836
|
|
Three Musical Sketches, op.10 (1835-36) |
op.101835-36
|
|
Three Pieces for Piano, op.28 (1846–1853) |
op.281846–1853
|
|
Three Romances, op.14 (1836-37) |
op.141836-37
|
|
To Chloe, op.23, ¹ 4 (1834-42) |
op.23, ¹ 41834-42
|
|
Toccata for Piano, op.38 (1854) |
op.381854
|
|
Trio for Piano Violin and Cello, op.26 (1839) |
op.261839
|
|
Winter`s Gone, op.35, ¹ 2 (1837-44) |
op.35, ¹ 21837-44
|
|
|
