Marc-Antoine Charpentier

Marc-Antoine Charpentier (1643–1704)
Élévation au St Sacrement, motet (1690-99) H.264
2 minuets for German flutes and continuo (1679) H.541
3 Hymnes à saint Nicaise (1671) H. 55-57
3 pieces for Flutes and Oboes (1679) H.520
Acteon, pastorale (1684) H.481
Ad beatam Virginem canticum, motet for soli, 2 recorders, 2 violins, continuo (1686) H.340
Airs sur les stances du Cid H.457-459
Alma Dei creatoris, motet for soprano, continuo H.334
Alma Redemptoris Mater, Antiphon for 2 sopranos, continuo (ca. 1675) H. 21
Amicus meus, Responsorie for haute-contre (or alto), continuo H.113
Amicus meus, Responsorie for tenor, 2 recorders, continuo (ca. 1690) H.127
Anni tempestates (Four Seasons): Aestas H. 336 H.336
Anni tempestates (Four Seasons): Autumnus H. 337 H.337
Anni tempestates (Four Seasons): Hiems H. 338 H.338
Anni tempestates (Four Seasons): Ver H. 335 H.335
Anthem `Ave maris stella` for 3 voices and continuo (c. 1687?) H. 67
Antiphon `Alma Redemptoris` H. 44
Antiphon `Aprs Confitebor` for instruments and continuo (1673?) H.516
Antiphon `Ave Regina caelorum` H. 45
Antiphon `Domine quinque talenta` H. 33
Antiphon `Fidelis servus` for 2 voices, 2 violins and continuo (c. 1693) H. 34
Antiphon `Regina caeli` H. 46
Antiphon `Regina coeli` for 2 female voices and continuo (c. 1685) H. 32
Antiphon `Salve Regina` H. 47
Antiphon `Salve Regina` (To the Jesuits) for tenor and continuo (1670s?) H. 27
Antiphon `Salve Regina` for 3 choirs and continuo (c. 1675) H. 24
Antiphon `Sub tuum praesidium` for choir without continuo (1670s?) H. 28
Ascendat ad te, Domine, motet for bass, 2 violins, continuo (ca. 1683) H.250
Assumpta est Maria, antiphon for voice, strings (no violas), continuo H. 50
Ave maris stella, hymn for 2 sopranos, bass, 2 violins, continuo (ca. 1675) H. 60
Ave maris stella, hymn for soprano, alto, continuo (ca. 1683) H. 63
Ave Regina, antiphon for 2 sopranos, continuo (1677) H. 22
Ave Regina, antophon for 2 sopranos, alto, continuo (ca. 1672) H. 19
Ave verum corpus, motet for soprano, alto, 2 violins, continuo H.233
Beata es Maria, antiphon for alto, tenor, 2 violins, continuo (ca. 1677) H. 25
Beatus vir, psalm for 4 voices, continuo H.221
Beatus vir, psalm for 4 voices, continuo H.199
Beatus vir, psalm for 4 voices, orchestra, continuo H.208
Beatus vir, psalm for Haute-contre voice, continuo H.376
Bone pastor, motet for 2 sopranos, bass, continuo H.439
Canticum de Sancto Xaverio reformatum for soli, chorus and orchestra (ca. 1692) H.355a
Canticum in honorem Beatae Virginis Mariae (H. 400) H.400
Caprice for 2 violins, continuo (ca. 1679) H.542
Caro mea vere est cibus, motet for soprano, alto, bass, continuo (ca. 1678) H.246
Circé, Interlude (1675) H.496
Commencement douverture for strings and continuo H.546
Concert pour 4 parties de violes H.545
Confitebor tibi Domine, motet for 4 voices and continuo H.220
Confitebor tibi Domine, motet for 4 voices, 2 violins, continuo (1680) H.200
Confitebor tibi... in concilio, motet H.225
Countess d`Eskarbanya, comedy-ballet H.494, 1672 H.494
Credidi propter, motet for 4 voices, continuo H.209
Cur mundus militat, motet for 3 voices and continuo H.379
David et Jonathas, opera (1688) H.490
De profundis, motet H.189
De Profundis, motet (1675) H.232
De Profundis, Psalm 129
Death of Jonathan and Saul, Oratorio (1681-82) H.403
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Descent of Orpheus to hell, (1686) H.488 H.488
Dies irae, motet (1671-72) H. 12
Dixit Dominus, motet H.204
Dixit Dominus, motet (1688-90) H.202
Domine Dominus noster, motet (1674-76) H.163
Domine salvum, motet H.305
Domine salvum, motet (1670-71) H.283
Domine salvum, motet (1670-71) H.284
Domine salvum, motet (1672) H.285
Domine salvum, motet (1673) H.282
Domine salvum, motet (1675) H.286
Domine salvum, motet (1675) H.287
Ecce panis Angelorum, motet for soprano, continuo H.242
Ecce quomodo moritur, Responsorie for alto, strings, continuo (1690) H.131
Ego mater agnitionis, motet (1696) H.371
Egredimini filiæ Sion, motet H.280
En vain, rivaux assidus, aria (1678) H.452 H.452
Epitaph, cantata H 474 H.474
Epithalam in honor of the Most Serene Elector of Bavaria Maximilian II for choir with instruments (1685?) H.473
Euge serve bone, motet H.375
Exaudiat te Dominus, motet H.180
Exaudiat, motet (1672) H.162
Extremum Dei judicium, oratorio H.401
Fidelis servus et prudens, antiphon for 2 voices, strings (no violas), continuo
Filius prodigus H.399
For the consecration of a bishop 5 H.518
Gloria in excelsis Deo, motet H.370
Gloriosam Christi, Antiphon for soprano and continuo H. 29
Gustate et videte, motet for soprano, continuo H.257
Historia Esther, oratorio (1677) H.396
Hymn `Gaudia Virginis Mariae` for 3 voices and continuo (c. 1673) H. 59
Idyll on the Return of the King`s Health (1687) H.489
In Assumptione Beatae Mariae Virginis, motet (1690) H.353
In honorem Sancti Xaverij canticum, motet H.355
In monte Oliveti, Responsorie (1680) H.111
In nativitatem Domini canticum, motet (1682) H.393
In nativitatem Domini canticum, motet (1690) H.416
In nativitatem Domini canticum, motet (1698) H.421
In odorem unguentorum, antiphon for voice, 2 flutes, continuo H. 51
Jerusalem surge, Responsorie (1690) H.130
Josué, motet (1682) H.404
Judith, oratorio (1674-76) H.391
Kantata `The Descent of Orpheus to the Underworld` (1683-84) H.471
Laetatus sum, motet (1671) H.161
Lauda Jerusalem, motet (1670-71) H.158
Lauda Sion, motet for Tenor voice, continuo (1695) H.268
Laudate Dominum, motet (1674) H.159
Laudate pueri Dominum, motet (1680) H.203
Le jugement dernier: Extremum Dei judicium, Mass H.401
Le Reniement de Saint Pierre, motet, H. 424 H.424
Les Antiennes O de lAvent H. 36-43
Les arts florissants, opera (1685-86) H.487
Lesson of Darkness on Good Friday for 2 groups of 3 soli, 2 recorders, 2 violins, continuo (1690) H.137
Lesson of Darkness on Good Friday for 2 sopranos, 2 violins, continuo (1670) H. 95
Lesson of Darkness on Good Friday for 2 sopranos, alto, continuo (1680) H.110
Lesson of Darkness on Good Friday for alto, continuo (1690) H.140
Lesson of Darkness on Good Friday for bass and Orchestra (1680) H.122
Lesson of Darkness on Good Friday for bass solo, oboe (or recorder), flute, 2 violins, continuo (1688) H.125
Lesson of Darkness on Good Friday for soprano, continuo (1680) H.106
Lesson of Darkness on Good Friday for soprano, treble viol, continuo (1680) H.105
Lesson of Darkness on Good Friday for sopranos, alto, 2 flutes, continuo (1670) H. 91
Lesson of Darkness on Holy Thursday (1690) H.136
Lesson of Darkness on Holy Thursday for 2 sopranos, alto, continuo (1680) H.109
Lesson of Darkness on Holy Thursday for 2 sopranos, continuo (1678) H.103
Lesson of Darkness on Holy Thursday for alto, continuo (1690) H.139
Lesson of Darkness on Holy Thursday for baritone and orchestra (1688) H.124
Lesson of Darkness on Holy Thursday for bass and orchestra (1680) H.121
Lesson of Darkness on Holy Thursday for soprano, continuo (1678( H.102
Lesson of Darkness on Holy Thursday for soprano, continuo (1678) H.104
Lesson of Darkness on Holy Thursday for soprano, continuo (1680) H.107
Lesson of Darkness on Holy Wednesday (1690) H.135
Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1678) H. 98
Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1680) H.108
Lesson of Darkness on Holy Wednesday for alto and continuo (1690) H.138
Lesson of Darkness on Holy Wednesday for bass and orchestra (1680) H.120
Lesson of Darkness on Holy Wednesday for bass and orchestra (1688) H.123
Lesson of Darkness on Holy Wednesday for soprano, continuo (1670) H. 96
Lesson of Darkness on Holy Wednesday for soprano, continuo (1678) H. 97
Lettres hébraïques, Lamentation for 2 sopranos, alto, continuo (1680) H. 99
Litanies de la Vierge (1683-84) H. 83
Litany of the Most Holy Theotokos for 2 voices and continuo (c. 1687?) H. 86
Litany of the Most Holy Theotokos for 3 voices, instruments and continuo (c. 1685?) H. 84
Magdalena lugens, motet for voice (G2 clef), 2 treble string instruments, continuo H.343
Magnificat H. 76
Magnificat H. 81
Magnificat à 4 voix avec instruments (1692) H. 79
Magnificat (1670-71) H. 73
Magnificat a 4 H. 78
Magnificat for 3 voices, strings and continuo (c. 1685) H. 75
Magnificat for 4 voices, 2 violins and continuo (c. 1670) H. 72
Magnificat for soloists, choir, violins and continuo (c. 1690?) H. 80
Magnificat for soloists, double choir and 8 instruments (c. 1682) H. 74
Mass for Easter Saturday (1690) H. 8
Mass for eight soloists, two choirs and orchestra H.2 H. 2
Mass for eight voices, eight violins and flutes, H.3 H. 3
Mass for instruments and continuo without organ and vocals (1680?) H.513
Mass for Mr. Maurois for soloists, chorus, orchestra and b.c (c.1691) H. 6
Mass for soloists, choir, strings and continuo (1670?) H. 1
Mass for the Abbey of Port-Royal for soloists, female choir and organ (1680?) H. 5
Meditations for Lent for soli and continuo H.380-389
Messe à quatre choeurs (1672) H. 4
Messe de minuit pour noel (1690) H. 9
Miserere (Psaume 50) (1673) H.157
Miserere, H.193 H.193
Missa `Assumpta est Maria` for 6 voices, chorus, orchestra & continuo H. 11
Motet for Saint Augustine dying H.419
Motet H. 311 for five soloists, strings and b. c. H.311
Motet on the death of Maria Theresa, H.331 (1683) H.331
Motet Pour Ste. Anne (1674-75) H.315
Motet `Alleluia. O filii et filiae` (1685) H.339
Motet `Annuntiate superi` H.333
Motet `Dilecti mi` H.436
Motet `In nativitatem Domini Nostri Jesu Christi Canticum` (1684) H.414
Motet `In tympanis et organis` (1679) H.323
Motet `Laudate Dominum omnes gentes` H.227
Motet `Laudate Pueri` (Psalm 112) for soloists, strings and continuo (c. 1694?) H.149
Motet `Memorare o piissima Virgo Maria` H.367
Motet `Notus in Judea` H.206
Motet `O Deus o salvator noster` H.372
Motet `Paravit Dominus` H.434
Motet `Stabat mater pour des réligieuses` for soprano, chorus & continuo H. 15
Motet `Te Deum` H.146
Motet `Te Deum` H.147
Nativité de la Vierge (H. 309) H.309
Nisi Dominus, motet H.160
Noels pour les instruments H531-.534 H.531-534
Nonne Deo subjecta erit, motet H.258
O amor, motet (1683-84) H.253
O amor, o bonitas, motet H.279
O coelestis Jerusalem, motet (1680-89) H.252
O crux, ave spes unica, motet (1690) H.349
O crux, ave spes unica, motet (1690) H.351
O filii, motet (1671) H.312
O filii, motet (1685) H.356
O pretiosum et admirabile convivium, motet H.247
O pretiosum, O salutiferum, motet (1670) H.245
O Salutaris, motet H.262
O vos amici mei, motet H.377
Offerte for Orchestra (1670-71) H.514
Offertory for Instruments and Continuo (1670s) H.522
Ouverture pour le sacre dun évêque for orchestra (1690) H.536
Ouverture pour le sacre dun évêque for orchestra (1690) H.537
Ouverture pour léglise for 4 instruments (1683) H.524
Ouverture pour quelque belle entreprise à cinq H.540
Overture to the beginning of the procession in front of the Altar for instruments and continuo (1680?) H.523
Pange lingua, motet H. 58
Panis angelicus voce sola, motet (1679) H.243
Parts of compositions
Pastorale for birth of our Lord Jesus Christ (1684) H.483
Pastorale On the birth of our Lord Jesus Christ (1684) H.482
Pastoraletta `Amor vince ogni cosa` H.492
Peccavi Domine, motet H.378
Petit motet pour la Vierge H. 30a
Pièce pour une viole (1679) H.543
Piece Pour un reposoir for strings H.508
Pour la fête de l`Épiphanie (H. 395) H.395
Pour O filii, Prelude for 2 instruments, continuo (1673) H.511
Prélude for 2 instruments, continuo (1673) H.510
Prélude for 2 instruments, continuo (1673) H.512
Prélude pour Dixit Dominus (1698) H.539
Prélude pour Lauda Jerusalem (1698) H.538
Prélude pour le Domine salvum (1694) H.535
Prélude pour le Magnificat à quatre voix (H.533) H.533
Prélude pour Salve Regina a 3 (H. 23 a) - Salve Regina (H.23) H. 23
Prélude pour Sub tuum (1690) H.527
Prelude to Anything for Instruments and Continuo (1674?) H.521
Psalm 110 `Dixit Dominus` H.226
Psalm 110 `Dixit Dominus` (ca.1688-90) H.197
Psalm 50 `Miserere` (ca.1694) H.219
Psalm `Nisi Dominus` H. 231 H.231
Psalm `Notus in Judaea` H. 179 H.179
Psalm `Quemadmodum desiderat cervus` H. 174 H.174
Pulchra es et decora, antiphon for 3 voices, continuo H. 52
Quae est ista, motet (1672) H.426
Quam dilecta, motet (1682) H.186
Quam pulchra es, motet (1675) H.322
Regina coeli, Antiphon (1687) H. 30
Repons Eram quasi agnus innocens H.115
Repons O Juda H.119
Repons O vos omnes H.134
Requiem H. 10
Requiem (Messe des morts) for choir and continuo (1690?) H. 7
Revelabunt coeli, Responsorie (1680) H.118
Sù, sù, sù, non dormite, Serenata (1685) H.472
Salve regina, motet (1680) H. 18
Seniores populi, Responsorie H.117
Serve bone et fidelis, antiphon for 2 voices, continuo H. 35
Sonata a 8 H. 548 H.548
Sub tuum praesidium, motet (1687) H.352
Symphonie à 3 flûtes (1690) H.529
Symphonie devant Regina (1673) H.509
Symphonie devant Regina coeli: Prelude a 3 (H. 509) - Pour la conception de la Vierge (H. 313) H.313
Symphonies pour un reposoir (1672) H.515
Tanquam ad latronem, Responsorie (1690) H.133
Te Deum, motet for eight voices, strings, and flutes, H.145 H.145
Tenebrae factae sunt, Responsorie (1690) H.129
The wreath of flowers, Pastorale (1685) H.486
Transfige dulcissime Jesu, motet H.251
Trio followed by two minuets for 2 instruments, continuo
Tristis est anima mea, Responsorie H.126
Tristis est anima mea, Responsorie (1680) H.112
Troisieme Leqon de Tenebres du Jeudi Saint (1670) H. 93
Troisieme Leqon de Tenebres du Mercredi Saint (1670) H. 92
Troisieme Leqon de Tenebres du Vendredi Saint (1671) H. 94
Una hora, Responsorie (1680) H.116
Unus ex discipulis meis, Responsorie (1690) H.132
Velum templi, Responsorie (1690) H.128
Veni creator Spiritus, motet (1670-71) H. 54
Veni creator Spiritus, motet (1690) H. 69
Veni Sancte Spiritus, motet (1692) H.366
Veni sponsa Christi, Antiphon (1672) H. 17
Venite fideles, motet (1677) H.241
Verbum caro, panum verbum, motet (1692) H.267
Victimae paschali laudes, motet (1671) H. 13
`Caecilia virgo et martyr` H.397 (1677-1678) H.397
`Famem meam quis replebit` H.408 (1683) H.408
`In obitum augustissima nec non piissimo Gallorum regina lamentum` H.409 (1683) H.409
`Le malade imaginaire`, music to comedy by Jean-Baptiste Moliere (1673) H.495
`Les plaisirs de Versailles`, divertissement for 4 voices & orchestra (1682) H.480
`Oculi omnium in te sperant` (1687) H.346
pera `Medea` (1693) H.491