Marc-Antoine Charpentier

MARC-ANTOINE CHARPENTIER (1643–1704)




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2 minuets for German flutes and continuo (1679) H.541
3 Hymnes à saint Nicaise (1671) H. 55-57
3 pieces for Flutes and Oboes (1679) H.520
Airs sur les stances du Cid H.457-459
Anni tempestates (Four Seasons): Ver H. 335 H.335
Anni tempestates (Four Seasons): Aestas H. 336 H.336
Anni tempestates (Four Seasons): Autumnus H. 337 H.337
Anni tempestates (Four Seasons): Hiems H. 338 H.338
Canticum de Sancto Xaverio reformatum for soli, chorus and orchestra (ca. 1692) H.355a
Canticum in honorem Beatae Virginis Mariae (H. 400) H.400
Incipit Lamentatio Jeremiae Prophetae H. 95
Les Antiennes O de lAvent H.36-43 H. 36-43
Miserere, H.193 H.193
Motet `Dilecti mi` H.436
Nativité de la Vierge (H. 309) H.309
Noels pour les instruments H531-.534 H.531-534
Parts of compositions
Pour la fête de l`Épiphanie (H. 395) H.395
Prélude pour le Magnificat à quatre voix (H.533) H.533
Prélude pour Salve Regina a 3 (H. 23 a) - Salve Regina (H.23) H. 23
Psalm `Nisi Dominus` H. 231 H.231
Psalm `Notus in Judaea` H. 179 H.179
Psalm `Quemadmodum desiderat cervus` H. 174 H.174
Sonata a 8 H. 548 H.548
Sonate a huit
Symphonie devant Regina coeli: Prelude a 3 (H. 509) - Pour la conception de la Vierge (H. 313) H.313
Troisieme Leqon de Tenebres du Jeudi Saint (1670) H. 93
Troisieme Leqon de Tenebres du Mercredi Saint (1670) H. 92
Troisieme Leqon de Tenebres du Vendredi Saint (1671) H. 94
Lettres hébraïques, Lamentation for 2 sopranos, alto, continuo (1680) H. 99
Alma Redemptoris Mater, Antiphon for 2 sopranos, continuo (ca. 1675) H. 21
Antiphon `Alma Redemptoris` H. 44
Assumpta est Maria, antiphon for voice, strings (no violas), continuo H. 50
Antiphon `Ave Regina caelorum` H. 45
Ave Regina, antiphon for 2 sopranos, continuo (1677) H. 22
Ave Regina, antophon for 2 sopranos, alto, continuo (ca. 1672) H. 19
Beata es Maria, antiphon for alto, tenor, 2 violins, continuo (ca. 1677) H. 25
Antiphon `Domine quinque talenta` H. 33
Domine quinque talenta, Antiphon for 3 voices, continuo H. 33
Fidelis servus et prudens, antiphon for 2 voices, strings (no violas), continuo
Gloriosam Christi, Antiphon for soprano and continuo H. 29
In odorem unguentorum, antiphon for voice, 2 flutes, continuo H. 51
Pulchra es et decora, antiphon for 3 voices, continuo H. 52
Antiphon `Regina caeli` H. 46
Regina coeli, Antiphon (1687) H.30
Antiphon `Salve Regina` H. 47
Serve bone et fidelis, antiphon for 2 voices, continuo H. 35
Veni sponsa Christi, Antiphon (1672) H. 17
En vain, rivaux assidus, aria (1678) H.452 H.452
Ave maris stella, hymn for 2 sopranos, bass, 2 violins, continuo (ca. 1675) H. 60
Ave maris stella, hymn for soprano, alto, continuo (ca. 1683) H. 63
`Les plaisirs de Versailles`, divertissement for 4 voices & orchestra (1682) H.480
Idyll on the Return of the King`s Health (1687) H.489
Circé, Interlude (1675) H.496
Kantata `The Descent of Orpheus to the Underworld` (1683-84) H.471
Epitaph, cantata H 474 H.474
Caprice for 2 violins, continuo (ca. 1679) H.542
Countess d`Eskarbanya, comedy-ballet H.494, 1672 H.494
`Le malade imaginaire`, music to comedy by Jean-Baptiste Moliere (1673) H.495
Concert pour 4 parties de violes H.545
Jerusalem, convertere, Lamentation for 2 sopranos and continuo (1670) H. 94
Litanies de la Vierge (1683-84) H. 83
Magnificat H. 76
Magnificat (1670-71) H. 73
Magnificat a 4 H.78
Magnificat à 4 voix avec instruments (1692) H. 79
Magnificat H. 81
Mass for Easter Saturday (1690) H. 8
Meditations for Lent for soli and continuo H.380-389
Missa `Assumpta est Maria` for 6 voices, chorus, orchestra & continuo H. 11
Le jugement dernier: Extremum Dei judicium, Mass H.401
Messe à quatre choeurs (1672) H. 4
Mass for eight voices, eight violins and flutes, H.3 H. 3
Mass for eight soloists, two choirs and orchestra H.2 H. 2
Mass for Mr. Maurois for soloists, chorus, orchestra and b.c (c.1691) H. 6
Élévation au St Sacrement, motet (1690-99) H.264
Ad beatam Virginem canticum, motet for soli, 2 recorders, 2 violins, continuo (1686) H.340
Motet `Alleluia. O filii et filiae` (1685) H.339
Alma Dei creatoris, motet for soprano, continuo H.334
Motet `Annuntiate superi` H.333
Ascendat ad te, Domine, motet for bass, 2 violins, continuo (ca. 1683) H.250
Ave verum corpus, motet for soprano, alto, 2 violins, continuo H.233
Bone pastor, motet for 2 sopranos, bass, continuo H.439
`Caecilia virgo et martyr` H.397 (1677-1678) H.397
Caro mea vere est cibus, motet for soprano, alto, bass, continuo (ca. 1678) H.246
Confitebor tibi Domine, motet for 4 voices and continuo H.220
Confitebor tibi Domine, motet for 4 voices, 2 violins, continuo (1680) H.200
Confitebor tibi... in concilio, motet H.225
Credidi propter, motet for 4 voices, continuo H.209
Cur mundus militat, motet for 3 voices and continuo H.379
De profundis, motet H.189
De Profundis, motet (1675) H.232
Dies irae, motet (1671-72) H. 12
Dixit Dominus, motet H.204
Dixit Dominus, motet (1688-90) H.202
Domine Dominus noster, motet (1674-76) H.163
Domine salvum, motet H.305
Domine salvum, motet (1670-71) H.283
Domine salvum, motet (1670-71) H.284
Domine salvum, motet (1672) H.285
Domine salvum, motet (1673) H.282
Domine salvum, motet (1675) H.286
Domine salvum, motet (1675) H.287
Ecce panis Angelorum, motet for soprano, continuo H.242
Ego mater agnitionis, motet (1696) H.371
Egredimini filiæ Sion, motet H.280
Euge serve bone, motet H.375
Exaudiat te Dominus, motet H.180
Exaudiat, motet (1672) H.162
`Famem meam quis replebit` H.408 (1683) H.408
Gloria in excelsis Deo, motet H.370
Gustate et videte, motet for soprano, continuo H.257
In Assumptione Beatae Mariae Virginis, motet (1690) H.353
In honorem Sancti Xaverij canticum, motet H.355
In nativitatem Domini canticum, motet (1682) H.393
In nativitatem Domini canticum, motet (1690) H.416
In nativitatem Domini canticum, motet (1698) H.421
Motet `In nativitatem Domini Nostri Jesu Christi Canticum` (1684) H.414
`In obitum augustissima nec non piissimo Gallorum regina lamentum` H.409 (1683) H.409
Motet `In tympanis et organis` (1679) H.323
Laetatus sum, motet (1671) H.161
Lauda Jerusalem, motet (1670-71) H.158
Lauda Sion, motet for Tenor voice, continuo (1695) H.268
Motet `Laudate Dominum omnes gentes` H.227
Laudate Dominum, motet (1674) H.159
Laudate pueri Dominum, motet (1680) H.203
Le Reniement de Saint Pierre, motet, H. 424 H.424
Litanies de la Vierge, motet H.83 H. 83
Magdalena lugens, motet for voice (G2 clef), 2 treble string instruments, continuo H.343
Motet `Memorare o piissima Virgo Maria` H.367
Nisi Dominus, motet H.160
Nonne Deo subjecta erit, motet H.258
Motet `Notus in Judea` H.206
O amor, o bonitas, motet H.279
O amor, motet (1683-84) H.253
O coelestis Jerusalem, motet (1680-89) H.252
O crux, ave spes unica, motet (1690) H.349
O crux, ave spes unica, motet (1690) H.351
Motet `O Deus o salvator noster` H.372
O filii, motet (1671) H.312
O filii, motet (1685) H.356
O pretiosum et admirabile convivium, motet H.247
O pretiosum, O salutiferum, motet (1670) H.245
O Salutaris, motet H.262
O vos amici mei, motet H.377
`Oculi omnium in te sperant` (1687) H.346
Pange lingua, motet H. 58
Panis angelicus voce sola, motet (1679) H.243
Motet `Paravit Dominus` H.434
Peccavi Domine, motet H.378
Petit motet pour la Vierge H. 30
Quae est ista, motet (1672) H.426
Quam dilecta, motet (1682) H.186
Quam pulchra es, motet (1675) H.322
Salve regina, motet (1680) H.18
Motet `Stabat mater pour des réligieuses` for soprano, chorus & continuo H. 15
Sub tuum praesidium, motet (1687) H.352
Motet `Te Deum` H.146
Motet `Te Deum` H.147
Te Deum, motet for eight voices, strings, and flutes, H.145 H.145
Transfige dulcissime Jesu, motet H.251
Veni creator Spiritus, motet (1670-71) H.54
Veni creator Spiritus, motet (1690) H. 69
Veni Sancte Spiritus, motet (1692) H.366
Venite fideles, motet (1677) H.241
Verbum caro, panum verbum, motet (1692) H.267
Victimae paschali laudes, motet (1671) H. 13
Josué, motet (1682) H.404
Motet H. 311 for five soloists, strings and b. c. H.311
Motet Pour Ste. Anne (1674-75) H.315
Motet on the death of Maria Theresa, H.331 (1683) H.331
Motet for Saint Augustine dying H.419
Les arts florissants, opera (1685-86) H.487
David et Jonathas, opera (1688) H.490
pera `Medea` (1693) H.491
Descent of Orpheus to hell, (1686) H.488 H.488
Extremum Dei judicium, oratorio H.401
Filius prodigus H.399
Historia Esther, oratorio (1677) H.396
Death of Jonathan and Saul, Oratorio (1681-82) H.403
Judith, oratorio (1674-76) H.391
Offerte for Orchestra (1670-71) H.514
Pastoraletta `Amor vince ogni cosa` H.492
Acteon, pastorale (1684) H.481
The wreath of flowers, Pastorale (1685) H.486
Pastorale for birth of our Lord Jesus Christ (1684) H.483
Pastorale On the birth of our Lord Jesus Christ (1684) H.482
Messe de minuit pour noel (1690) H. 9
Midnight Mass for Christmas (1690) H. 1
Prélude for 2 instruments, continuo (1673) H.510
Prélude for 2 instruments, continuo (1673) H.512
Pour O filii, Prelude for 2 instruments, continuo (1673) H.511
Prélude pour Dixit Dominus (1698) H.539
Prélude pour le Domine salvum (1694) H.535
Prélude pour Lauda Jerusalem (1698) H.538
Prélude pour Sub tuum (1690) H.527
Beatus vir, psalm for 4 voices, continuo H.221
Beatus vir, psalm for 4 voices, continuo H.199
Beatus vir, psalm for 4 voices, orchestra, continuo H.208
Beatus vir, psalm for Haute-contre voice, continuo H.376
Psalm 110 `Dixit Dominus` H.226
Psalm 110 `Dixit Dominus` (ca.1688-90) H.197
De Profundis, Psalm 129
Miserere (Psaume 50) (1673) H.157
Psalm 50 `Miserere` (ca.1694) H.219
Pièce pour une viole (1679) H.543
For the consecration of a bishop 5 H.518
Piece Pour un reposoir for strings H.508
Requiem H. 10
Repons Eram quasi agnus innocens H.115
Repons O Juda H.119
Repons O vos omnes H.134
Amicus meus, Responsorie for haute-contre (or alto), continuo H.113
Amicus meus, Responsorie for tenor, 2 recorders, continuo (ca. 1690) H.127
Ecce quomodo moritur, Responsorie for alto, strings, continuo (1690) H.131
Eram quasi agnus, Responsorie (1680) H.115
In monte Oliveti, Responsorie (1680) H.111
Jerusalem surge, Responsorie (1690) H.130
Revelabunt coeli, Responsorie (1680) H.118
Seniores populi, Responsorie H.117
Tanquam ad latronem, Responsorie (1690) H.133
Tenebrae factae sunt, Responsorie (1690) H.129
Tristis est anima mea, Responsorie H.126
Tristis est anima mea, Responsorie (1680) H.112
Una hora, Responsorie (1680) H.116
Unus ex discipulis meis, Responsorie (1690) H.132
Velum templi, Responsorie (1690) H.128
Sù, sù, sù, non dormite, Serenata (1685) H.472
Symphonie à 3 flûtes (1690) H.529
Symphonies pour un reposoir (1672) H.515
Symphonie devant Regina (1673) H.509
Trio followed by two minuets for 2 instruments, continuo
Marche de triomphe et air for orchestra H.547
Commencement douverture for strings and continuo H.546
Ouverture pour quelque belle entreprise à cinq H.540
Ouverture pour léglise for 4 instruments (1683) H.524
Ouverture pour le sacre dun évêque for orchestra (1690) H.536
Ouverture pour le sacre dun évêque for orchestra (1690) H.537
Lesson of Darkness on Holy Thursday (1690) H.136
Lesson of Darkness on Holy Thursday for 2 sopranos, continuo (1678) H.103
Lesson of Darkness on Holy Thursday for 2 sopranos, alto, continuo (1680) H.109
Lesson of Darkness on Holy Thursday for alto, continuo (1690) H.139
Lesson of Darkness on Holy Thursday for baritone and orchestra (1688) H.124
Lesson of Darkness on Holy Thursday for bass and orchestra (1680) H.121
Lesson of Darkness on Holy Thursday for soprano, continuo (1678( H.102
Lesson of Darkness on Holy Thursday for soprano, continuo (1678) H.104
Lesson of Darkness on Holy Thursday for soprano, continuo (1680) H.107
Lesson of Darkness on Good Friday for 2 groups of 3 soli, 2 recorders, 2 violins, continuo (1690) H.137
Lesson of Darkness on Good Friday for 2 sopranos, 2 violins, continuo (1670) H. 95
Lesson of Darkness on Good Friday for alto, continuo (1690) H.140
Lesson of Darkness on Good Friday for bass and Orchestra (1680) H.122
Lesson of Darkness on Good Friday for bass solo, oboe (or recorder), flute, 2 violins, continuo (1688) H.125
Lesson of Darkness on Good Friday for soprano, continuo (1680) H.106
Lesson of Darkness on Good Friday for 2 sopranos, alto, continuo (1680) H.110
Lesson of Darkness on Good Friday for sopranos, alto, 2 flutes, continuo (1670) H. 91
Lesson of Darkness on Good Friday for soprano, treble viol, continuo (1680) H.105
Lesson of Darkness on Holy Wednesday (1690) H.135
Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1678) H. 98
Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1680) H.108
Lesson of Darkness on Holy Wednesday for alto and continuo (1690) H.138
Lesson of Darkness on Holy Wednesday for bass and orchestra (1680) H.120
Lesson of Darkness on Holy Wednesday for bass and orchestra (1688) H.123
Lesson of Darkness on Holy Wednesday for soprano, continuo (1670) H. 96
Lesson of Darkness on Holy Wednesday for soprano, continuo (1678) H. 97
Parts of compositions
 
     
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