Marc-Antoine Charpentier (1643–1704) Sort by: name | opus | popularity | playlist Élévation au St Sacrement, motet (1690-99) H.264 2 minuets for German flutes and continuo (1679) H.541 3 Hymnes à saint Nicaise (1671) H. 55-57 3 pieces for Flutes and Oboes (1679) H.520 Acteon, pastorale (1684) H.481 Ad beatam Virginem canticum, motet for soli, 2 recorders, 2 violins, continuo (1686) H.340 Airs sur les stances du Cid H.457-459 Alma Dei creatoris, motet for soprano, continuo H.334 Alma Redemptoris Mater, Antiphon for 2 sopranos, continuo (ca. 1675) H. 21 Amicus meus, Responsorie for haute-contre (or alto), continuo H.113 Amicus meus, Responsorie for tenor, 2 recorders, continuo (ca. 1690) H.127 Anni tempestates (Four Seasons): Aestas H. 336 H.336 Anni tempestates (Four Seasons): Autumnus H. 337 H.337 Anni tempestates (Four Seasons): Hiems H. 338 H.338 Anni tempestates (Four Seasons): Ver H. 335 H.335 Anthem `Ave maris stella` for 3 voices and continuo (c. 1687?) H. 67 Antiphon `Alma Redemptoris` H. 44 Antiphon `Aprеs Confitebor` for instruments and continuo (1673?) H.516 Antiphon `Ave Regina caelorum` H. 45 Antiphon `Domine quinque talenta` H. 33 Antiphon `Fidelis servus` for 2 voices, 2 violins and continuo (c. 1693) H. 34 Antiphon `Regina caeli` H. 46 Antiphon `Regina coeli` for 2 female voices and continuo (c. 1685) H. 32 Antiphon `Salve Regina` H. 47 Antiphon `Salve Regina` (To the Jesuits) for tenor and continuo (1670s?) H. 27 Antiphon `Salve Regina` for 3 choirs and continuo (c. 1675) H. 24 Antiphon `Sub tuum praesidium` for choir without continuo (1670s?) H. 28 Ascendat ad te, Domine, motet for bass, 2 violins, continuo (ca. 1683) H.250 Assumpta est Maria, antiphon for voice, strings (no violas), continuo H. 50 Ave maris stella, hymn for 2 sopranos, bass, 2 violins, continuo (ca. 1675) H. 60 Ave maris stella, hymn for soprano, alto, continuo (ca. 1683) H. 63 Ave Regina, antiphon for 2 sopranos, continuo (1677) H. 22 Ave Regina, antophon for 2 sopranos, alto, continuo (ca. 1672) H. 19 Ave verum corpus, motet for soprano, alto, 2 violins, continuo H.233 Beata es Maria, antiphon for alto, tenor, 2 violins, continuo (ca. 1677) H. 25 Beatus vir, psalm for 4 voices, continuo H.221 Beatus vir, psalm for 4 voices, continuo H.199 Beatus vir, psalm for 4 voices, orchestra, continuo H.208 Beatus vir, psalm for Haute-contre voice, continuo H.376 Bone pastor, motet for 2 sopranos, bass, continuo H.439 Canticum de Sancto Xaverio reformatum for soli, chorus and orchestra (ca. 1692) H.355a Canticum in honorem Beatae Virginis Mariae (H. 400) H.400 Caprice for 2 violins, continuo (ca. 1679) H.542 Caro mea vere est cibus, motet for soprano, alto, bass, continuo (ca. 1678) H.246 Circé, Interlude (1675) H.496 Commencement d’ouverture for strings and continuo H.546 Concert pour 4 parties de violes H.545 Confitebor tibi Domine, motet for 4 voices and continuo H.220 Confitebor tibi Domine, motet for 4 voices, 2 violins, continuo (1680) H.200 Confitebor tibi... in concilio, motet H.225 Countess d`Eskarbanya, comedy-ballet H.494, 1672 H.494 Credidi propter, motet for 4 voices, continuo H.209 Cur mundus militat, motet for 3 voices and continuo H.379 David et Jonathas, opera (1688) H.490 De profundis, motet H.189 De Profundis, motet (1675) H.232 De Profundis, Psalm 129 Death of Jonathan and Saul, Oratorio (1681-82) H.403 DELETE DELETE DELETE DELETE Descent of Orpheus to hell, (1686) H.488 H.488 Dies irae, motet (1671-72) H. 12 Dixit Dominus, motet H.204 Dixit Dominus, motet (1688-90) H.202 Domine Dominus noster, motet (1674-76) H.163 Domine salvum, motet H.305 Domine salvum, motet (1670-71) H.283 Domine salvum, motet (1670-71) H.284 Domine salvum, motet (1672) H.285 Domine salvum, motet (1673) H.282 Domine salvum, motet (1675) H.286 Domine salvum, motet (1675) H.287 Ecce panis Angelorum, motet for soprano, continuo H.242 Ecce quomodo moritur, Responsorie for alto, strings, continuo (1690) H.131 Ego mater agnitionis, motet (1696) H.371 Egredimini filiæ Sion, motet H.280 En vain, rivaux assidus, aria (1678) H.452 H.452 Epitaph, cantata H 474 H.474 Epithalam in honor of the Most Serene Elector of Bavaria Maximilian II for choir with instruments (1685?) H.473 Euge serve bone, motet H.375 Exaudiat te Dominus, motet H.180 Exaudiat, motet (1672) H.162 Extremum Dei judicium, oratorio H.401 Fidelis servus et prudens, antiphon for 2 voices, strings (no violas), continuo Filius prodigus H.399 For the consecration of a bishop а 5 H.518 Gloria in excelsis Deo, motet H.370 Gloriosam Christi, Antiphon for soprano and continuo H. 29 Gustate et videte, motet for soprano, continuo H.257 Historia Esther, oratorio (1677) H.396 Hymn `Gaudia Virginis Mariae` for 3 voices and continuo (c. 1673) H. 59 Idyll on the Return of the King`s Health (1687) H.489 In Assumptione Beatae Mariae Virginis, motet (1690) H.353 In honorem Sancti Xaverij canticum, motet H.355 In monte Oliveti, Responsorie (1680) H.111 In nativitatem Domini canticum, motet (1682) H.393 In nativitatem Domini canticum, motet (1690) H.416 In nativitatem Domini canticum, motet (1698) H.421 In navitatem Domini canticum for bass, choir and orchestra H.314 H.314 In odorem unguentorum, antiphon for voice, 2 flutes, continuo H. 51 Jerusalem surge, Responsorie (1690) H.130 Josué, motet (1682) H.404 Judith, oratorio (1674-76) H.391 Kantata `The Descent of Orpheus to the Underworld` (1683-84) H.471 Laetatus sum, motet (1671) H.161 Lauda Jerusalem, motet (1670-71) H.158 Lauda Sion, motet for Tenor voice, continuo (1695) H.268 Laudate Dominum, motet (1674) H.159 Laudate pueri Dominum, motet (1680) H.203 Le jugement dernier: Extremum Dei judicium, Mass H.401 Le Reniement de Saint Pierre, motet, H. 424 H.424 Les Antiennes “O” de l’Avent H. 36-43 Les arts florissants, opera (1685-86) H.487 Lesson of Darkness on Good Friday for 2 groups of 3 soli, 2 recorders, 2 violins, continuo (1690) H.137 Lesson of Darkness on Good Friday for 2 sopranos, 2 violins, continuo (1670) H. 95 Lesson of Darkness on Good Friday for 2 sopranos, alto, continuo (1680) H.110 Lesson of Darkness on Good Friday for alto, continuo (1690) H.140 Lesson of Darkness on Good Friday for bass and Orchestra (1680) H.122 Lesson of Darkness on Good Friday for bass solo, oboe (or recorder), flute, 2 violins, continuo (1688) H.125 Lesson of Darkness on Good Friday for soprano, continuo (1680) H.106 Lesson of Darkness on Good Friday for soprano, treble viol, continuo (1680) H.105 Lesson of Darkness on Good Friday for sopranos, alto, 2 flutes, continuo (1670) H. 91 Lesson of Darkness on Holy Thursday (1690) H.136 Lesson of Darkness on Holy Thursday for 2 sopranos, alto, continuo (1680) H.109 Lesson of Darkness on Holy Thursday for 2 sopranos, continuo (1678) H.103 Lesson of Darkness on Holy Thursday for alto, continuo (1690) H.139 Lesson of Darkness on Holy Thursday for baritone and orchestra (1688) H.124 Lesson of Darkness on Holy Thursday for bass and orchestra (1680) H.121 Lesson of Darkness on Holy Thursday for soprano, continuo (1678( H.102 Lesson of Darkness on Holy Thursday for soprano, continuo (1678) H.104 Lesson of Darkness on Holy Thursday for soprano, continuo (1680) H.107 Lesson of Darkness on Holy Wednesday (1690) H.135 Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1678) H. 98 Lesson of Darkness on Holy Wednesday for 2 soprano, continuo (1680) H.108 Lesson of Darkness on Holy Wednesday for alto and continuo (1690) H.138 Lesson of Darkness on Holy Wednesday for bass and orchestra (1680) H.120 Lesson of Darkness on Holy Wednesday for bass and orchestra (1688) H.123 Lesson of Darkness on Holy Wednesday for soprano, continuo (1670) H. 96 Lesson of Darkness on Holy Wednesday for soprano, continuo (1678) H. 97 Lettres hébraïques, Lamentation for 2 sopranos, alto, continuo (1680) H. 99 Litanies de la Vierge (1683-84) H. 83 Litany of the Most Holy Theotokos for 2 voices and continuo (c. 1687?) H. 86 Litany of the Most Holy Theotokos for 3 voices, instruments and continuo (c. 1685?) H. 84 Magdalena lugens, motet for voice (G2 clef), 2 treble string instruments, continuo H.343 Magnificat H. 76 Magnificat H. 81 Magnificat à 4 voix avec instruments (1692) H. 79 Magnificat (1670-71) H. 73 Magnificat a 4 H. 78 Magnificat for 3 voices, strings and continuo (c. 1685) H. 75 Magnificat for 4 voices, 2 violins and continuo (c. 1670) H. 72 Magnificat for soloists, choir, violins and continuo (c. 1690?) H. 80 Magnificat for soloists, double choir and 8 instruments (c. 1682) H. 74 Mass for Easter Saturday (1690) H. 8 Mass for eight soloists, two choirs and orchestra H.2 H. 2 Mass for eight voices, eight violins and flutes, H.3 H. 3 Mass for instruments and continuo without organ and vocals (1680?) H.513 Mass for Mr. Maurois for soloists, chorus, orchestra and b.c (c.1691) H. 6 Mass for soloists, choir, strings and continuo (1670?) H. 1 Mass for the Abbey of Port-Royal for soloists, female choir and organ (1680?) H. 5 Meditations for Lent for soli and continuo H.380-389 Messe à quatre choeurs (1672) H. 4 Messe de minuit pour noel (1690) H. 9 Miserere (Psaume 50) (1673) H.157 Miserere, H.193 H.193 Missa `Assumpta est Maria` for 6 voices, chorus, orchestra & continuo H. 11 Motet for Saint Augustine dying H.419 Motet H. 311 for five soloists, strings and b. c. H.311 Motet on the death of Maria Theresa, H.331 (1683) H.331 Motet Pour Ste. Anne (1674-75) H.315 Motet `Alleluia. O filii et filiae` (1685) H.339 Motet `Annuntiate superi` H.333 Motet `Dilecti mi` H.436 Motet `In nativitatem Domini Nostri Jesu Christi Canticum` (1684) H.414 Motet `In tympanis et organis` (1679) H.323 Motet `Laudate Dominum omnes gentes` H.227 Motet `Laudate Pueri` (Psalm 112) for soloists, strings and continuo (c. 1694?) H.149 Motet `Memorare o piissima Virgo Maria` H.367 Motet `Notus in Judea` H.206 Motet `O Deus o salvator noster` H.372 Motet `Paravit Dominus` H.434 Motet `Stabat mater pour des réligieuses` for soprano, chorus & continuo H. 15 Motet `Te Deum` H.146 Motet `Te Deum` H.147 Nativité de la Vierge (H. 309) H.309 Nisi Dominus, motet H.160 Noels pour les instruments H531-.534 H.531-534 Nonne Deo subjecta erit, motet H.258 O amor, motet (1683-84) H.253 O amor, o bonitas, motet H.279 O coelestis Jerusalem, motet (1680-89) H.252 O crux, ave spes unica, motet (1690) H.349 O crux, ave spes unica, motet (1690) H.351 O filii, motet (1671) H.312 O filii, motet (1685) H.356 O pretiosum et admirabile convivium, motet H.247 O pretiosum, O salutiferum, motet (1670) H.245 O Salutaris, motet H.262 O vos amici mei, motet H.377 Offerte for Orchestra (1670-71) H.514 Offertory for Instruments and Continuo (1670s) H.522 Ouverture pour le sacre d’un évêque for orchestra (1690) H.536 Ouverture pour le sacre d’un évêque for orchestra (1690) H.537 Ouverture pour l’église for 4 instruments (1683) H.524 Ouverture pour quelque belle entreprise à cinq H.540 Overture to the beginning of the procession in front of the Altar for instruments and continuo (1680?) H.523 Pange lingua, motet H. 58 Panis angelicus voce sola, motet (1679) H.243 Parts of compositions Pastorale for birth of our Lord Jesus Christ (1684) H.483 Pastorale On the birth of our Lord Jesus Christ (1684) H.482 Pastoraletta `Amor vince ogni cosa` H.492 Peccavi Domine, motet H.378 Petit motet pour la Vierge H. 30a Pièce pour une viole (1679) H.543 Piece Pour un reposoir for strings H.508 Pour la fête de l`Épiphanie (H. 395) H.395 Pour O filii, Prelude for 2 instruments, continuo (1673) H.511 Prélude for 2 instruments, continuo (1673) H.510 Prélude for 2 instruments, continuo (1673) H.512 Prélude pour Dixit Dominus (1698) H.539 Prélude pour Lauda Jerusalem (1698) H.538 Prélude pour le Domine salvum (1694) H.535 Prélude pour le Magnificat à quatre voix (H.533) H.533 Prélude pour Salve Regina a 3 (H. 23 a) - Salve Regina (H.23) H. 23 Prélude pour Sub tuum (1690) H.527 Prelude to Anything for Instruments and Continuo (1674?) H.521 Psalm 110 `Dixit Dominus` H.226 Psalm 110 `Dixit Dominus` (ca.1688-90) H.197 Psalm 50 `Miserere` (ca.1694) H.219 Psalm `Nisi Dominus` H. 231 H.231 Psalm `Notus in Judaea` H. 179 H.179 Psalm `Quemadmodum desiderat cervus` H. 174 H.174 Pulchra es et decora, antiphon for 3 voices, continuo H. 52 Quae est ista, motet (1672) H.426 Quam dilecta, motet (1682) H.186 Quam pulchra es, motet (1675) H.322 Regina coeli, Antiphon (1687) H. 30 Repons Eram quasi agnus innocens H.115 Repons O Juda H.119 Repons O vos omnes H.134 Requiem H. 10 Requiem (Messe des morts) for choir and continuo (1690?) H. 7 Revelabunt coeli, Responsorie (1680) H.118 Sù, sù, sù, non dormite, Serenata (1685) H.472 Salve regina, motet (1680) H. 18 Seniores populi, Responsorie H.117 Serve bone et fidelis, antiphon for 2 voices, continuo H. 35 Sonata a 8 H. 548 H.548 Sub tuum praesidium, motet (1687) H.352 Symphonie à 3 flûtes (1690) H.529 Symphonie devant Regina (1673) H.509 Symphonie devant Regina coeli: Prelude a 3 (H. 509) - Pour la conception de la Vierge (H. 313) H.313 Symphonies pour un reposoir (1672) H.515 Tanquam ad latronem, Responsorie (1690) H.133 Te Deum, motet for eight voices, strings, and flutes, H.145 H.145 Tenebrae factae sunt, Responsorie (1690) H.129 The wreath of flowers, Pastorale (1685) H.486 Transfige dulcissime Jesu, motet H.251 Trio followed by two minuets for 2 instruments, continuo Tristis est anima mea, Responsorie H.126 Tristis est anima mea, Responsorie (1680) H.112 Troisieme Leqon de Tenebres du Jeudi Saint (1670) H. 93 Troisieme Leqon de Tenebres du Mercredi Saint (1670) H. 92 Troisieme Leqon de Tenebres du Vendredi Saint (1671) H. 94 Una hora, Responsorie (1680) H.116 Unus ex discipulis meis, Responsorie (1690) H.132 Velum templi, Responsorie (1690) H.128 Veni creator Spiritus, motet (1670-71) H. 54 Veni creator Spiritus, motet (1690) H. 69 Veni Sancte Spiritus, motet (1692) H.366 Veni sponsa Christi, Antiphon (1672) H. 17 Venite fideles, motet (1677) H.241 Verbum caro, panum verbum, motet (1692) H.267 Victimae paschali laudes, motet (1671) H. 13 `Caecilia virgo et martyr` H.397 (1677-1678) H.397 `Famem meam quis replebit` H.408 (1683) H.408 `In obitum augustissima nec non piissimo Gallorum regina lamentum` H.409 (1683) H.409 `Le malade imaginaire`, music to comedy by Jean-Baptiste Moliere (1673) H.495 `Les plaisirs de Versailles`, divertissement for 4 voices & orchestra (1682) H.480 Мотет `Oculi omnium in te sperant` (1687) H.346 Оpera `Medea` (1693) H.491