| |
Ignacio de Jerusalem-y-Stella (1707–1769)
Italy · Barocco (1600—1760)
|
6 Versets for orchestra (1750) |
|
Cuando Alegre, cantata for soprano, orchestra and basso continuo |
|
Cuando la Primavera, cantata for soprano, orchestra and basso continuo |
|
Duo `Gorjeos Trinando` for soprano, mezzo-soprano, 2 violins and b. c. |
|
Grand Mass in D-dur |
|
Matins for the Virgin of Guadalupe for soloists, chorus, orchestra and b. c. (1764) |
Ode to the coronation of Charles III `Al Combate` for viola, bass, chorus, orchestra and b. c. (1759)  |
|
Quae est ista, quae processit, responsory for soloists, choir, orchestra and b. c. |
|
Quem terra pontus sidera, Hymn for choir, orchestra and basso continuo |
|
Second Responsory for St. Joseph, for choir, orchestra and b. c. |
|
Signum magnum apparuit in caelo, responsory for soloists, choir, orchestra and b. c. |
|
Symphony for 2 violins, 2 Corno da Caccia, strings and b. c. in D-dur (1760) |
|
Symphony for 2 violins, 2 Corno da Caccia, strings and b. c. in G-dur (1760) |
|
Te Deum, motet for soloists, choir, orchestra and b. c. |
|
Vidi speciosam sicut columbam, responsory for soloists, choir, orchestra and b. c. |
|
`A la milagrosa escuela` (The miraculous school), villancico 4 vv, violins and b.c. (1750) |
|
`Ay que chiquito`, villancico a tre for 2 sopranos and bass solos, instruments and continuo (contrafactum, ca 1750) |
|
`Ea, feliz vajel`, aria for soprano and bass solos, instruments and continuo (contrafactum, ca 1750) |
|
`O golpe suave`, villancico a solo for soprano and marimba (contrafactum, ca 1750) |
|
|
