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Marin Marais (1656–1728)
France · Barocco (1600—1760)
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32 variations on a theme of Spanish `Folia`, II, 20 (≤ 1701) |
II, 20≤ 1701
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Alcides, or the Triumph of Hercules, opera (1693) |
1693
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Alcyone: Suite ¹ 1 Airs pour les Dryades & les Bergers (1705-06) |
1705-06
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Alcyone: Suite ¹ 2 `Airs pour les Eoliens & les Eoliennes` (1705-06) |
1705-06
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Alcyone: Suite ¹ 3 `Airs pour les Pretresses & les Magiciens` (1705-06) |
1705-06
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Alcyone: Suite ¹ 4 `Airs pour les Matelots & les Tritons` (1705-06) |
1705-06
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`Alcyone`, opera (1706) |
1706
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Allemande la Bailly Duchene, V, 95 (≤ 1725) |
V, 95≤ 1725
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Allemande La Marianne, V, 70 (≤ 1725) |
V, 70≤ 1725
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Chaconne in D major, III (≤ 1711) |
III≤ 1711
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Clocches ou Carillons, II, 38 (≤ 1701) |
II, 38≤ 1701
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Fantaisie in A Major |
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Fantasie, V, 64 (≤ 1725) |
V, 64≤ 1725
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Feste champêtre, IV, 61 (≤ 1717) |
IV, 61≤ 1717
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Fugue Gaye |
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Gavotte, V, 68 (≤ 1725) |
V, 68≤ 1725
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Gigue la pagode, V, 67 (≤ 1725) |
V, 67≤ 1725
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Gigue la resolüe, V, 104 (≤ 1725) |
V, 104≤ 1725
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Grand ballet, III, 13 (≤ 1711) |
III, 13≤ 1711
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L’autre jour ma Cloris |
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L`Ameriquaine (The Native American Girl), IV, 68 (≤ 1717) |
IV, 68≤ 1717
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L`arabesque, IV, 80 (≤ 1717) |
IV, 80≤ 1717
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La Gamme en forme de petit Opera (≤ 1723) |
≤ 1723
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La Georgienne dite la Maupertuis, V, 73 (≤ 1725) |
V, 73≤ 1725
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La guitare, III, 107 (≤ 1711) |
III, 107≤ 1711
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La polonoise, II, 40 (≤ 1701) |
II, 40≤ 1701
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`La reveuse` (The Dreaming Girl), IV, 82 (≤ 1717) |
IV, 82≤ 1717
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La simplicite paysanne, V, 94 (≤ 1725) |
V, 94≤ 1725
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Le badinage, IV, 87 (≤ 1717) |
IV, 87≤ 1717
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Le Basque, IV, 39-40 (≤ 1717) |
IV, 39-40≤ 1717
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Le caprice Bellemont, V, 107 (≤ 1725) |
V, 107≤ 1725
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`Le Labyrinthe` (The Labyrinth), chaconne for viola da gamba & continuo in A-Dur, IV, 74 (≤ 1717) |
IV, 74≤ 1717
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Le moulinet, III, 91 (≤ 1711) |
III, 91≤ 1711
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`Le Tableau de l`Operation de la Taille`, V, 108 (≤ 1725) |
V, 108≤ 1725
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Le tombeau pour Marais le Cadet, V, 71 (≤ 1725) |
V, 71≤ 1725
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Les Relevailles, V, 109 (≤ 1725) |
V, 109≤ 1725
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`Les Voix Humaines` for viola da gamba & continuo in D major, II, 63 (≤ 1701) |
II, 63≤ 1701
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Marche Persane dite la Savigny, V, 102 (≤ 1725) |
V, 102≤ 1725
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Marche tartare (≤ 1717) |
≤ 1717
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Musette, IV (≤ 1717) |
IV≤ 1717
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Musette for viola and continuo, IV, 72 (≤ 1717) |
IV, 72≤ 1717
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Opera `Ariadne and Bacchus` (1696) |
1696
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Passacaglia for Two Violins and a Digital Bass |
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Passacaglia in E Minor (≤ 1692) |
≤ 1692
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Pieces de viole, Book I . 66-72. Suite for 2 violas da gamba & continuo in D minor, I, 66-72 (1686) |
I, 66-721686
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Pieces de viole, Book I . 82. Chaconne for two violas da gamba & continuo in G major, I, 82 (1686) |
I, 821686
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Prelude, V, 63 (≤ 1725) |
V, 63≤ 1725
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Prelude, V, 92 (≤ 1725) |
V, 92≤ 1725
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Prelude, I, 1 (≤ 1686) |
I, 1≤ 1686
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Prelude in G Major |
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Rondeau, III, 54 (≤ 1711) |
III, 54≤ 1711
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Rondeau le Badin, V, 72 (≤ 1725) |
V, 72≤ 1725
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Sarabande, V, 66 (≤ 1725) |
V, 66≤ 1725
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Sarabande, V, 98 (≤ 1725) |
V, 98≤ 1725
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Semela, the opera (1709) |
1709
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Sonata to the Marésienne (≤ 1723) |
≤ 1723
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Suite for 2 violas da gamba and continuo in G-Dur, I, 73-81 (≤ 1686) |
I, 73-81≤ 1686
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Suite for viola and continuo in a-moll, III (≤ 1711) |
III≤ 1711
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Suite for viola and continuo in e-moll, IV (≤ 1717) |
IV≤ 1717
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Suite for Viola and Continuo in G minor, V (≤ 1725) |
V≤ 1725
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Suite in D minor, IV (≤ 1717) |
IV≤ 1717
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Suite in e-moll, II, 96-109 (≤ 1701) |
II, 96-109≤ 1701
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Suite in h-moll, II, 83-95 (≤ 1701) |
II, 83-95≤ 1701
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Suite No. 2 In D Minor |
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`The Bells of St. Genevieve`, for violin, viola da gamba and continuo (1723) |
1723
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Tombeau de mr. de Chambonnières, II |
II
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Tombeau pour monsieur de Lully (≤ 1701) |
≤ 1701
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Tombeau pour monsieur de Sainte-Colombe, II, 109 (≤ 1701) |
II, 109≤ 1701
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