Carl Maria von Weber (1786–1826)

Germany · Early romanticism

3 Canzonettas for voice and piano (or guitar), Op. 29 (1811)	Op. 29
3 Duets, Op. 31 (1811)	Op. 31
4 Songs & 2 Choruses, Op. 23	Op. 23
5 Songs & Canon, Op. 13	Op. 13
5 Songs for Voice & Guitar (Piano), Op. 25 (1811-12)	Op. 25
6 Favorite Waltzs of Empress Marie Louise of France for piano, J. 143-148 (1812)	J. 143-148
6 Fughettas, Op. 1 (1798)	Op. 1
6 Petites pièces faciles pour piano à 4 hands: 1.Sonatina in C major, Op. 3/1 (J. 9) (1802-03)	Op. 3/1 (J. 9)
6 Petites pièces faciles pour piano à 4 mains: 2.Romanze in F major, Op. 3/2 (J. 10) (1802-03)	Op. 3/2 (J. 10)
6 Petites pièces faciles pour piano à 4 mains: 3.Menuetto in B-flat major, Op. 3/3 (J. 11) (1802-03)	Op. 3/3 (J. 11)
6 Petites pièces faciles pour piano à 4 mains: 4.Andante con variazioni in G major, Op. 3/4 (J. 12) (1802-03)	Op. 3/4 (J. 12)
6 Petites pièces faciles pour piano à 4 mains: 5. Marcia in C major, Op. 3/5 (J. 13) (1802-03)	Op. 3/5 (J. 13)
6 Petites pièces faciles pour piano à 4 mains: 6. Rondo in C major, Op. 3/6 (J. 14) (1802-03)	Op. 3/6 (J. 14)
6 pièces faciles pour piano à 4 mains: 1.Moderato in E-flat major, Op. 10a/1 (1809)	Op. 10a/1
6 pièces faciles pour piano à 4 mains: 2.Andantino con moto in C minor, Op. 10a/2 (1809)	Op. 10a/2
6 pièces faciles pour piano à 4 mains: 3.Andante con variazioni in G major, Op. 10a/3 (1809)	Op. 10a/3
6 pièces faciles pour piano à 4 mains: 4.Masurka in C major, Op. 10a/4 (1809)	Op. 10a/4
6 pièces faciles pour piano à 4 mains: 5.Adagio in A-flat major, Op. 10a/5 (1809)	Op. 10a/5
6 pièces faciles pour piano à 4 mains: 6. Rondo in E-flat major, Op. 10a/6 (1809)	Op. 10a/6
6 Songs, Op. 80 (1821)	Op. 80
6 Songs for voice and piano, Op. 15 (1808-09)	Op. 15
6 Songs for voice and piano, Op. 30 (1804-13)	Op. 30
6 variations on “A Schüsserl und a Rein’dl” for viola and orchestra/piano, J. 49 (1802-06)	J. 49
6 Variations sur l’air de Naga de “Samori”, Op. 6 (1804)	Op. 6
7 Variations for Clarinet & Piano on a theme from “Silvana”, Op. 33 (1811)	Op. 33
7 Variations sur un chant tzigane in C major, Op. 55 (1817)	Op. 55
7 Volkslieder (5 Songs & 2 Duets), Op. 54 (1817)	Op. 54
8 Pièces brillantes à quatre mains pour le piano, Op. 60 (1818-19)	Op. 60
8 Variations on the Air de Ballet “Castore e Polluce” by Abbe Vogler, Op. 5 (1804)	Op. 5
8 Volkslieder (6 Songs, Duet & Chorus), Op. 64 (1818)	Op. 64
12 allemandes, Op. 4 (1801)	Op. 4
Adagio and Rondo, Op. 102	Op. 102
Adagio and Rondo in F major for harmonichord and orchestra, J. 115 (1811)	J. 115
Adagio patetico (pathetic adagio) for piano in C-sharp minor (apocryphal?), J.Anh.deest (1826)	J.Anh.deest
Adagio und Rondo (“Harmonie”) for 2 Clarinets, 2 Horns & 2 Bassoons in B-flat major, J.Anh. 31 (1808)	J.Anh. 31
Andante and Rondo Ungarese in C minor for viola or bassoon and orchestra, Op. 35 (1809)	Op. 35
Ballades & Songs, Op. 47 (1814-16)	Op. 47
Bassoon Concerto in F major, Op. 75 (1811)	Op. 75
Brilliant Polonaise “L’hilarite” for Piano in E major, Op. 72 (1819)	Op. 72
Cantata “Kampf und Sieg” for soloists, chorus & orchestra, Op. 44 (1815)	Op. 44
Clarinet Concerto No. 1 in F minor, Op. 73 (1811)	Op. 73
Clarinet Concerto No. 2 in E-flat major, Op. 74 (1811)	Op. 74
Concertino for Clarinet and Orchestra in C minor / E-flat major, Op. 26 (1811)	Op. 26
Concertino for Oboe & Winds in C major, J.Anh.deest (1809)	J.Anh.deest
Divertimento for Clarinet & Orchestra in E-flat major, J.Anh.deest	J.Anh.deest
Divertimento for Guitar and Piano, Op. 38 (1816)	Op. 38
Fantasia “Les adieux” (Farewell) for piano (apocryphal), J.Anh.105	J.Anh.105
Grand Concert Duet for Clarinet and Piano in E-flat major, Op. 48 (1815-16)	Op. 48
Grand Potpourri for Cello and Orchestra in D major, Op. 20 (1808)	Op. 20
Grande polonaise in E-flat major, Op. 21 (1808)	Op. 21
“Horch! Leise horch, Geliebte!”, serenade in A major for voice and piano or guitar, J. 65 (1809)	J. 65
Horn Concertino in E minor, Op. 45 (1815)	Op. 45
Incidental music for “Donna Diana”, J.Anh. 97 (1817)	J.Anh. 97
Incidental music for “Turandot”, Op. 37 (1804-09)	Op. 37
Incidental music for Pius Alexander Wolff’s “Preciosa”, for soloists, chorus and orchestra, Op. 78 (1820-21)	Op. 78
Introduction, Theme and Variations for clarinet and strings (attributed to Weber), J.Anh.deest	J.Anh.deest
“Invitation to the Dance”, Rondo brillant in D-flat major for piano, Op. 65 (1819)	Op. 65
“John Anderson, my jo”, No. 7 from the Scottish National Songs, J. 301 (1825)	J. 301
Jubilee Overture, Op. 59 (1818)	Op. 59
Komisches musikalisches Sendschreiben: No. 2 - An Franz Danzi, J. 60, № 2 (1808)	J. 60, № 2
Konzertstuck for Piano and Orchestra in F minor, Op. 79 (1821)	Op. 79
Lied “Rase, Sturmwind, blase” for Voice & Guitar, J. 111 (1811)	J. 111
Lied “Sagt, woher stammt Liebeslust” for Voice & Guitar, J. 280 (1821)	J. 280
March for brass in C major, J. 307 (1826)	J. 307
Marcia vivace (Vivat March) for 10 trumpets and timpani, J. 288 (1822)	J. 288
Mass No. 1 in E-flat major for soloists, chorus and orchestra, Op. 75a (1817-18)	Op. 75a
Mass No. 2 in G major, “Jubelmesse”, for soloists, chorus and orchestra, Op. 76 (1818-19)	Op. 76
Melody in F major for clarinet with or without piano, J. 119 (1811)	J. 119
“Momento capriccioso” for Piano in B-flat major, Op. 12 (1808)	Op. 12
Nine Variations for piano on a Russian Theme “Schöne Minka”, Op. 40 (1814-15)	Op. 40
“O my love’s like the red, red rose”, No. 8 from the Scottish National Songs, J. 302 (1825)	J. 302
Opera “Abu Hassan”, J. 106 (1810)	J. 106
Opera “Abu Hassan” (excerpts) (1810)
Opera “Der Freischütz”, Op. 77 (1817-21)	Op. 77
Opera “Der Freischütz” (excerpts) (1817-21)
Opera “Die drei Pintos” (completed by Gustav Mahler), J.Anh. 5 (1820-24)	J.Anh. 5
Opera “Euryanthe”, Op. 81 (1822-23)	Op. 81
Opera “Euryanthe” (excerpts) (1822-23)
Opera “Oberon, or The Elf King’s Oath”, J. 306 (1825-26)	J. 306
Opera “Oberon” (excerpts) (1825-26)
Opera “Peter Schmoll und seine Nachbarn”, Op. 8 (1801-02)	Op. 8
Opera “Peter Schmoll und seine Nachbarn” (excerpts) (1801-02)
Opera “Silvana”, J. 87 (1810)	J. 87
Overture “Der Beherrscher der Geister”, Op. 27 (1811)	Op. 27
Overtures
Parts of Works
Piano Concerto No. 1 in C major, Op. 11 (1810)	Op. 11
Piano Concerto No. 2 in E-flat major, Op. 32 (1812)	Op. 32
Piano Quartet in B-flat major, Op. 18 (1806-09)	Op. 18
Piano Sonata No. 1 C major, Op. 24 (1812)	Op. 24
Piano Sonata No. 2 A-flat major, Op. 39 (1814-16)	Op. 39
Piano Sonata No. 3 D minor, Op. 49 (1816)	Op. 49
Piano Sonata No. 4 E minor, Op. 70 (1819-22)	Op. 70
Quintet for Clarinet and String Quartet in B-flat major, Op. 34 (1811-15)	Op. 34
Recitative and rondo “Il momento s’avvicina” for soprano and orchestra, Op. 16 (1810)	Op. 16
Romance “Ein König einst gefangen sass” for Voice and Guitar, J. 195 (1816)	J. 195
Romance “Elle était simple et gentilette” for voice and piano, J. 292 (1824)	J. 292
Romance “Leise weht es” for Voice & Guitar, J. 223 (1818)	J. 223
Romance from “Donna Diana” for 2 guitars, J. 220 (1817)	J. 220
Romanza siciliana for Flute & Orchestra in G minor, J. 47 (1805)	J. 47
Romanze appassionata for Bassoon & Orchestra, J.Anh.deest	J.Anh.deest
Rondo brilliant “La gaite” for Piano in E-flat major, Op. 62 (1819)	Op. 62
Scene and Aria “Non paventar mia vita”, Op. 51 (1815)	Op. 51
Schottische National-Gesänge : No. 1 - “The Soothing Shades of Gloaming”, J. 295 (1825)	J. 295
Schottische National-Gesänge : No. 2 - “The Troubadour”, J. 296 (1825)	J. 296
Schottische National-Gesänge : No. 3 - “O poortith cauld”, J. 297 (1825)	J. 297
Schottische National-Gesänge : No. 4 - “Bonny Dundee”, J. 298 (1825)	J. 298
Schottische National-Gesänge : No. 5 - “Yes, thou may’st walk”, J. 299 (1825)	J. 299
Schottische National-Gesänge : No. 6 - “A soldier am I”, J. 300 (1825)	J. 300
Schottische National-Gesänge : No. 9 - “Robin is my joy”, J. 303 (1825)	J. 303
Seven Variations on a Theme from Mehul’s Opera “Joseph”, Op. 28 (1812)	Op. 28
Seven Variations on an Original Theme, Op. 9 (1808)	Op. 9
Seven Variations on the Aria “Vien’qua dorina bella”, Op. 7 (1807)	Op. 7
Six songs for voice and piano, Op. 66	Op. 66
Six songs for voice with piano or guitar, Op. 71	Op. 71
Six Variations on an Original Theme, Op. 2 (1800)	Op. 2
Sonata for Violin and Piano No. 1 in F major, Op. 10b, № 1 (1810)	Op. 10b, № 1
Sonata for Violin and Piano No. 2 in G major, Op. 10b, № 2 (1810)	Op. 10b, № 2
Sonata for Violin and Piano No. 3 in D minor, Op. 10b, № 3 (1810)	Op. 10b, № 3
Sonata for Violin and Piano No. 4 in E-flat major, Op. 10b, № 4 (1810)	Op. 10b, № 4
Sonata for Violin and Piano No. 5 in A major, Op. 10b, № 5 (1810)	Op. 10b, № 5
Sonata for Violin and Piano No. 6 in C major, Op. 10b, № 6 (1810)	Op. 10b, № 6
Song Cycle “Die Temperamente beim Verluste der Geliebten”, Op. 46 (1815-16)	Op. 46
Song Cycle “Leyer und Schwert”, Op. 41 (1814)	Op. 41
Swabian dance song for vocal quartet or voice and piano, J. 135 (1812)	J. 135
Symphony No. 1 in C major, Op. 19 (1807)	Op. 19
Symphony No. 2 in C major, J. 51 (1808)	J. 51
Trio for Flute, Cello & Piano in G minor, Op. 63 (1818-19)	Op. 63
Variations for Cello and Orchestra in D minor, J. 94 (1810)	J. 94
Variations on a Norwegian melody for violin and piano in D minor, Op. 22 (1808)	Op. 22
Vocal cycle “Lyre and Sword” (“Leyer und Schwert”), 6 songs for male choir, Op. 42 (1814)	Op. 42
Waltz “Max” for piano in E-flat major, J.Anh. 81 (1825)	J.Anh. 81
“Whar’ hae ye been a’ day”, No. 10 from the Scottish National Songs, J. 304 (1825)	J. 304