Ballet `Job: A Masque for Dancing` (1931),  (Vaughan-Williams)
1992 - Bornemouth Symphony Orchestra - Richard Hickox
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I. `Agnus Dei` Lento
II. `Beat! beat! drums!` Allegro moderato
III. Reconciliation Andantino
IV. Dirge for Two Veterans Moderato alia marcia
V. `The Angel of Death has been abroad` L`istesso tempo
VI. `0 man greatly beloved`

Cantata `Dona Nobis Pacem` (1936),  (Vaughan-Williams)
1993
      (3)


Cantata: A Cotswold Romance (1951) (Concert peformance version of Hugh the Drover (1910-14),  (Vaughan-Williams)
1990 - with London Philharmonic Choir
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Concerto Accademico for violin and orchestra,  (Vaughan-Williams)
1987
      (3)

Five Mystical Songs for baritone chorus and orchestra settings of George Herbert 1911

The work is written for a baritone soloist with several choices for accompaniment

Piano only.
Piano and string quintet.
Wind Ensemble.
Orchestra with optional SATB chorus. This was the choice used at the premiere

1. Easter
2. I Got Me Flowers
3. Love Bad
4. The Call
5. Antiphon

Easter from Herbert`s Easter

Rise heart; thy Lord is risen.
Sing his praise without delayes
Who takes thee by the hand
that thou likewise with him may`st rise;
That as his death calcined thee to dust
His life may make thee gold and much more just.

Awake my lute and struggle for thy part with all thy art.
The crosse taught all wood to resound his name who bore the same.
His stretched sinews taught all strings what key
Is the best to celebrate this most high day.

Consort both heart and lute and twist a song pleasant and long;
Or since all musick is but three parts vied and multiplied.
O let thy blessed Spirit bear a part
And make up our defects with his sweet art.

I Got Me Flowers from the second half of Easter

I got me flowers to strew thy way;
I got me boughs off many a tree
But thou wast up by break of day
And brought`st thy sweets along with thee.

The Sunne arising in the East.
Though he give light and th`East perfume;
If they should offer to contest
With thy arising they presume.

Can there be any day but this
Though many sunnes to shine endeavour?
We count three hundred but we misse
There is but one and that one ever.

Love Bade Me Welcome from Love III

Love bade me welcome yet my soul drew back.
Guiltie of dust and sinne.
But quick-ey`d Love observing me grow slack
From my first entrance in
Drew nearer to me sweetly questioning
If I lack`d anything.

A guest I answer`d worthy to be here
Love said You shall be he.
I the unkinde ungrateful? Ah my deare
I cannot look on thee.
Love took my hand and smiling did reply
Who made the eyes but I?

Truth Lord but I have marr`d them let my shame
Go where it doth deserve.
And know you not sayes Love who bore the blame?
My deare then I will serve.
You must sit down sayes Love and taste my meat
So I did sit and eat.

The Call from The Call

Come my Way my Truth my Life
Such a Way as gives us breath
Such a Truth as ends all strife
Such a Life as killeth death.

Come my Light my Feast my Strength
Such a Light as shows a feast
Such a Feast as mends in length
Such a Strength as makes his guest.

Come my Joy my Love my Heart
Such a Joy as none can move
Such a Love as none can part
Such a Heart as joyes in love.

Antiphon from Antiphon I

Let all the world in ev`ry corner sing
My God and King.
The heavens are not too high
His praise may thither flie;
The earth is not too low
His praises there may grow.

Let all the world in ev`ry corner sing
My God and King.
The Church with psalms must shout
No doore can keep them out;
But above all the heart
Must bear the longest part.

Let all the world in ev`ry corner sing
My God and King.

Five Mystical Songs - for baritone, chorus and orchestra (1911),  (Vaughan-Williams)
Sinfonia Chorus. 1984.
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Masque `On Christmas Night` (1926),  (Vaughan-Williams)
2005 - with The Joyful Company of Singers
      (1)


Norfolk Rhapsody No. 1 in E minor (1905-06),  (Vaughan-Williams)
16-18 January 2002
      (2)


Norfolk Rhapsody No. 2 in D minor (1906),  (Vaughan-Williams)
16-18 January 2002 - Reconstructed by Stephen Hogger
      (2)


Old King Cole, ballet for orchestra and optional chorus,  (Vaughan-Williams)
Sinfonia Chorus. Chess master - Alan Fearon. 1983
      (2)

Sir John in Love 192428. Opera in 4 acts based on The Merry Wives of Windsor by Shakespeare with interpolations from other authors.

Opera `Sir John in Love` (1924–28),  (Vaughan-Williams)
Live - 13 October 1997 - Donald Maxwell (Falstaff), Matthew Best (Ford), Pamela Helen Stephen (Mistress Ford), Roderick Williams (Page), Susan Gritton (Mistress Page), Nancy Argenta (Anne Page), Stephen Varcoe (Evans), Richard Suart (Host of the Garter), Adrian Thompson (Dr Caius and Shallow), Anne-Marie Owens (Mistress Quickly), Mark Richardson (Rugby), Mark Padmore (Fenton), Henry Moss (Slender), James Gilchrist (Peter Simple), John Bowen (Bardolph), Richard Lloyd-Morgan (Nym), Brian Bannatyne
      (1)


Opera `The Poisoned Kiss` (1936),  (Vaughan-Williams)
1984 - Overture
      (2)

Opera `The Poisoned Kiss` (1936),  (Vaughan-Williams)
January 2003 - with Richard Suart, Pamela Helen Stephen, Roderick Williams, Mark Richardson, Neal Davies, Jane Gilchrist, Gail Pearson, Helen Williams, Emer McGilloway, Anne Collins - Adrian Partington Singers
      (1)


Parts of Works,  (Vaughan-Williams)
Overture from the opera `Poisoned Kiss`. 1983
      (1)


Prelude 49th Parallel,  (Vaughan-Williams)
1984
      (1)


Prelude on an Old Carol Tune,  (Vaughan-Williams)
1984
      (2)


Sea Songs - March,  (Vaughan-Williams)
1984 Orchestral version.
      (2)


Serenade to Music (orchestra version),  (Vaughan-Williams)
1983.
      (6)

Serenade to Music (orchestra version),  (Vaughan-Williams)
1984
      (2)

1. Molto moderato
2. Lento moderato
3. Moderato pesante
4. Lento - Moderato maestoso

Symphony No.3 A Pastoral for full orchestra with soprano (or tenor) voice (1921),  (Vaughan-Williams)
16-18 January 2002
      (1)


Symphony ¹ 2, A London Symphony,  (Vaughan-Williams)
2001 - Original 1913 Version - London Symphony Orchestra
      (1)


Three Preludes for Organ founded on Welsh hymn tunes (1920),  (Vaughan-Williams)
2. Rhosymedre 3. Hyfrydol. 1987
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Two Hymn-Preludes for little orchestra,  (Vaughan-Williams)
1984
      (1)


Variation on the theme of Christmas carols for baritone, chorus and orchestra,  (Vaughan-Williams)
London Symphony Chorus. 1989 Version for a large orchestra.
      (1)


Variations for Orchestra,  (Vaughan-Williams)
      (1)


`49th Parallel` - Film Score (1941),  (Vaughan-Williams)
1984 - Excerpt: Prelude
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`The Death of Tintagiles` (1913) Incidental music to the play by Maurice Maeterlinck,  (Vaughan-Williams)
1990
      (0)


`The First Nowell` (1958): nativity play adapted from medieval pageants by Simona Pakenham; score completed by Roy Douglas,  (Vaughan-Williams)
1990 - The Joyful Company of Singers
      (1)


`The Pilgrim`s Progress` (e): Opera (1951–52),  (Vaughan-Williams)
November 1997 - Gerald Finlay, Peter Coleman-Wright, Jeremy White, Richard Coxon, Roderick Williams, Gidon Saks, Francis Egerton, Rebecca Evans, Susan Gritton, Mark Padmore, Robert Hayward, Adrian Thompson, Anne-Marie Owens - Chorus and Orchestra of the Royal Opera House, Covent Garden, London - Richard Hickox
      (0)


`The Running Set` (1933): Traditional Dance Tunes for orchestra,  (Vaughan-Williams)
1984
      (2)

`The Running Set` (1933): Traditional Dance Tunes for orchestra,  (Vaughan-Williams)
16-18 January 2002
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