to the opera `I due baroni die Rocca Azzura` by Domenico Cimarosa

Aria `Alma grande e nobil core` for soprano and orchestra (1789), KV578 (Mozart)
Wiener Kammerorchester - Gyorgy Fischer. Rec. 1991 (CD “Mozart Arias”).
      (7)

to the opera `Il burbero di buon core` by Martin y Soler

Aria `Chi sa, chi sa qual sia` for soprano and orchestra (1789), KV582 (Mozart)
Wiener Kammerorchester – Gy?rgy Fischer. Rec. 1991 (CD “Mozart Arias”).
      (7)

Aria `Chi sa, chi sa qual sia` for soprano and orchestra (1789), KV582 (Mozart)
      (2)

Aria `Chi sa, chi sa qual sia` for soprano and orchestra (1789), KV582 (Mozart)
Cecilia Bartoli - mezzo soprano. Lucerne Festival Orchestra, Claudio Abbado - conductor. Konzertsaal des Kultur-und Kongresszentrums, Luzern, 10 August 2006.
      (2)


Aria `Resta, oh cara` for soprano and orchestra (1787), KV528 (Mozart)
      (1)

Kanzonetta

Aria `Ridente la calma` for voice and piano (1775), KV152 (210a) (Mozart)
Recorded: August 5-8, 1992, Vienna.
      (4)


Aria `Un moto di gioia mi sento` / `Schon klopfet mein liebender Busen` for soprano and fortepiano (orchestra) (1789), KV579 (Mozart)
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Un moto di gioia, K 579. Roma Orchestra dell`Accademia Nazionale di Santa Cecilia –
      (6)


Arietta `Oiseaux, si tous les ans` for voice and piano (1777), KV307 (284d) (Mozart)
Oiseaux, si tous les ans, song for voice & piano, K. 307 (K. 284d). Jean-Yves Thibaudet, piano. Rec. 1998 (ÑD “Live in Italy”).
      (6)

The Penitent David

Cantata `Davide penitente` (1785), KV469 (Mozart)
Lungi Le Cure Ingrate. Recorded: March/April 1993, Vienna.
      (8)

1. Aria I Allegro `Exsultate jubilate`
2. Recitativo `Fulget amica dies`
3. Aria II Andante `Tu virginum corona`
4. Aria III Allegro `Alleluja`

Motet `Exsulate, jubilate` for soprano and orchestra (1773), KV165 (158a) (Mozart)
      (7)

Motet `Exsulate, jubilate` for soprano and orchestra (1773), KV165 (158a) (Mozart)
Konzertsaal des Kultur-und Kongresszentrums, Luzern, 10 August 2006.
      (18)

Motet `Exsulate, jubilate` for soprano and orchestra (1773), KV165 (158a) (Mozart)
Organ – Ingomar Raimer. Recorded: March/April 1993, Vienna.
      (3)


Opera `Cosi fan tutte` (1789), KV588 (Mozart)
Fiordiligi – Lella Cuberli; Dorabella – Cecilia Bartoli; Despina – Joan Rodgers; Ferrando – Kurt Streit; Guglielmo – Ferruccio Furlanetto; Don Alfonso – John Tomlinson. RIAS Kammerchor. Berliner Philharmoniker - Daniel Barenboim. 1989.
      (9)


Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
`E amore un ladroncello`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (6)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Temerari!...Come Scoglio. Recorded: March/April 1993, Vienna.
      (4)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
`In Uomini, in Soldati`. Recorded: March/April 1993, Vienna.
      (3)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Ei Parte...Per Pieta, Ben Mio. Recorded at Mozartsaal, Konzerthaus, Vienna, March/April 1993.
      (3)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
«Passeggiamo anche noi», «Il core vi dono, bell`idol mio». Recorded: June 6-10, 1998, Rome.
      (3)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Duetto `Ah guarda, sorella`, recorded 1996
      (0)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Aria `E amore un ladroncello`, recorded 1996
      (1)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Terzettino `Soave sia il vento`, recorded 1996
      (2)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Duetto `Prendero quel brunettino`, recorded 1996
      (2)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Duetto `Il core vi dono, bell`idolo mio`, recorded 1996
      (2)

Opera `Cosi Fan Tutte` (overtures, arias, fragments), KV588 (Mozart)
Recitativo `Ah, scostati`, recorded 1996
      (1)


Opera `Die Zauberflöte` (overture, arias, fragments), KV620 (Mozart)
Duet: Pa-Pa-Pa-Pa-Pa-Pa-Papagena. Recorded: June 6-10, 1998, Rome.
      (21)


Opera `Don Giovanni` (1787), KV527 (Mozart)
Don Giovanni – Thomas Allen; Commendatore – Alexander Anisimov; Leporello – Alessandro Corbelli; Donna Anna – Carol Vaness; Don Ottavio – Goesta Winberg; Donna Elvira – Renee Fleming; Zerlina – Cecilia Bartoli; Masetto – Pierto Spagnoli. Live, March 9, 1993.
      (0)


Opera `Don Giovanni` (overture, arias, fragments), KV527 (Mozart)
Act 1: Batti, Batti, O Bel Masetto. Recorded: March/April 1993, Vienna.
      (10)

Opera `Don Giovanni` (overture, arias, fragments), KV527 (Mozart)
Don Giovanni: Là ci darem la mano (Act 1). Bryn Terfel - bass-baritone.
      (17)

Opera `Don Giovanni` (overture, arias, fragments), KV527 (Mozart)
`Vedrai, carino`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (4)

Opera `Don Giovanni` (overture, arias, fragments), KV527 (Mozart)
In Quali Eccessi...Mi Tradi Quell`alma Ingrata. Recorded: March/April 1993, Vienna.
      (7)

The action takes place on the island of Crete after the Trojan War.

Act 1
Captive Trojan princess mourns murdered father and missing brothers. But do not hate and love for his son of the Cretan king Idamantu owns her heart. Idamant loves Elijah and she wants to return for the freedom of prisoners Trojans. Electra betrothed bride Idamanta betrayed a fit of jealousy. Meanwhile Arbas brings news that the Cretan king Idomeneo returning from the walls of Troy to his homeland died at sea. To save his life and the lives of his companions Neptune Idomeneo vowed to bring him as a sacrifice of the first who will meet in their native shore. The first in a hurry to greet his father Idamant.

Act 2
Idomeneo consults Arbasom how to save his son. They send Idamanta with Elektra in her native Argos. Idomeneo will grant Trojan prisoners but Elijah asks to remain in Crete. Idomeneo realizes mutual love Elijah and Idamanta. Electra happy Idamant be hers. Once Idamant Electra and get into the ship the angry Neptune sent a sea monster to Crete. The people running away in fear.


Act 3
Despite the wrath of Neptune Idomeneo insists on leaving Idamanta but Idamant decides to join the battle with the monster and defeats him. The High Priest of Neptune King warns of disasters that befall his people for non oath. Idomeneo is ready to sacrifice his son. Elijah wants to pay for Idamanta life. Neptune moved by her love and by the oracle commands Idomeneo leave the throne and pass it Idamantu after his marriage to Elijah. People singing the praises of the gods but Elektra is not involved in jubilation pursued furies of jealousy she pierces his chest with a dagger.

Premiered on January 29 1781 in Munich.

Opera `Idomeneo, Re di Creta ossia Ilia e Idamante` (1781), KV366 (Mozart)
Idomeneo – Placido Domingo; Idamante – Cecilia Bartoli; Arbace – Thomas Hampson; La voce – Bryn Terfel; Elettra – Carol Vaness; Ilia – Heidi Grant Murphy; Gran Cacerdote di Nettuno – Frank Lopardo; Due cretesi – Joyce Guyer, Jane Bunnell; Due troiani – Paul Groves, Yanni Yannissis. The Metropolitan Opera Orchestra and Chorus – James Levine. Rec. 1994, Manhattan Center Studios, New York
      (15)

Act One.
Vittel the daughter of the murdered emperor Titus wants to avenge the death of his father and persuades her lover to Sextus to participate in a conspiracy against him. Having learned however that the emperor refused his marriage to Veronica Tsilitsiyskoy and sent it to Jerusalem Vittel itself intends to become his wife and stops Sextus. Titus also wants to see his wife sister of Sextus Servilia which sends a message to Annius a friend Sextus who is himself in love with Servilia long. Titus Servilia decides to tell the truth but he says that if the Emperor would insist on marriage she obeyed. Titus touched by candor Servilia gives the nod to their marriage with Annius.

Meanwhile Vittel having learned that the emperor chose his wife Servilia again imbued with hatred for him and asks Sextus kill Titus. Shortly after leaving Sextus appear Annius and Publius who report Vittel that the emperor wished to see her his wife. Vittel in turmoil.

Sextus led rebels close to the imperial palace the crowd sets fire to it. Sextus reports that he saw Titus died. Action ends the general chorus mourned the Emperor.

Act II.
Soon discover however that Titus is alive but instead it took the death of one of his entourage dressed in imperial clothes. Rebellion suppressed and Sextus wants to commit suicide but Vittel takes him a dagger. Publius Sextus arrest and bring him to the court of the Senate. Senate condemns him to death but Titus decides to talk to him and find out the truth about the mutiny. Sextus takes all the blame on himself not wanting to give Vittel and Titus in spite of internal impulses sign a death sentence.

On the day of execution Vittel decides to confess all to Titus who generously forgives her and Sextus. The opera ends with a general chorus praising the wisdom and mercy of the emperor.

Premiere - the Estates Theatre in Prague September 6 1791.

Opera `La Clemenza di Tito` (1791), KV621 (Mozart)
Tito - Uwe Heilmann, Sesto - Cecilia Bartoli, Servilia - Barbara Bonney, Vitellia - Della Jones, Annio - Diana Montague, Publio - Gilles Cachemaille. 1991, London.
      (5)


Opera `La Clemenza di Tito` (overture, arias, fragments), KV621 (Mozart)
Parto, parto. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (4)

Opera `La Clemenza di Tito` (overture, arias, fragments), KV621 (Mozart)
`Deh, per questo`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (4)

Opera `La Clemenza di Tito` (overture, arias, fragments), KV621 (Mozart)
`Ecco il punto, o Vitellia… Non piu di fiori`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (4)

Opera `La Clemenza di Tito` (overture, arias, fragments), KV621 (Mozart)
March 22, 2012.
      (3)

Opera `La Clemenza di Tito` (overture, arias, fragments), KV621 (Mozart)
`Parto, parto ma tu ben mio`. Konzertsaal des Kultur-und Kongresszentrums, Luzern, 10 August 2006.
      (4)


Opera `Le Nozze di Figaro` (1786), KV492 (Mozart)
Original version, Vienna 1786. Il Conte di Almaviva – Boje Skovhus; La Contessa di Almaviva – Cheryl Studer; Susanna – Sylvia McNair; Figaro – Lucio Gallo; Cherubino – Cecilia Bartoli; Marcellina – Anna Caterina Antonacci; Bartolo - Ildebrando d` Arcangelo; Basilio - Carlo Allemano; Don Curzio – Peter Jelosits; Barbarina – Andrea Rost; Antonio - Istvan Gati. Recorded: January/February 1994, Vienna.
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Opera `Le Nozze di Figaro` (1786), KV492 (Mozart)
Il Conte di Almaviva - Andeas Schmidt, La Contessa di Almaviva - Lella Cuberli, Susanna - Joan Rodgers, Figaro - John Tomlinson, Cherubino - Cecilia Bartoli, Marcellina - Phyllis Pancella, Don Curzio - Richard Brünner, Antonio - Peter Rose, Basilio - Graham Clark, Bartolo - Günter von Kannen, Barbarina - Hilde Leidland. 1990.
      (3)


Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
`Voi che sapete`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (11)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Le nozze di Figaro, (Original version, Vienna 1786: Voi che sapete (Act 2).
      (13)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Act 3: `E Susanna Non Vien!...Dove Sono I Bei Momenti`. Recorded: March/April 1993, Vienna.
      (6)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
`Non so piu`. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (8)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Giunse alfin il momento… Deh vieni. Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (7)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Act 4: `Giunse alfin il momento al desio`. Recorded: March/April 1993, Vienna.
      (8)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
«Cinque… dieci… venti… trenta…», «Cosa stai misurando, caro il mio Figaretto?», «Se a caso madama la notte ti chiama», «Or bene, ascolta, e taci», «Se vuol ballare signor Contino». Recorded: June 6-10, 1998, Rome.
      (4)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
«Signor… la vostra sposa ha i soliti vapori», «Crudel! perché finora farmi languir così». Recorded: June 6-10, 1998, Rome.
      (5)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: `Voi che sapete`. Recorded live at the Teatro Olimpico, Vicenza, June 1998.
      (4)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
`Voi che sapete aria from Le Nozze di Figaro`. Konzertsaal des Kultur-und Kongresszentrums, Luzern, 10 August 2006.
      (7)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Arietta `Voi, Che Sapete Che Cosa E Amor`, Recorded 1996
      (0)

Opera `Le Nozze di Figaro` (overtures, arias, fragments), KV492 (Mozart)
Aria `Non so piu cosa son, cosa faccio`, recorded 1996
      (0)


Opera `Lucio Silla` (1772), KV135 (Mozart)
Lucius Sulla - Peter Schreier
      (6)


Opera `Lucio Silla` (overture, arias, fragments), KV135 (Mozart)
Aria `Il tenero momento`, 1996
      (1)

Opera `Lucio Silla` (overture, arias, fragments), KV135 (Mozart)
Aria `Pupille amate`, recorded 1996
      (0)

Opera `Lucio Silla` (overture, arias, fragments), KV135 (Mozart)
Duetto `D`elisio in sen m`attendi`, recorded 1996
      (1)

Opera `Lucio Silla` (overture, arias, fragments), KV135 (Mozart)
`Accompagnato', recorded 1996
      (1)


Opera `Mitridate, re di Ponto` (1770), KV  87 (74a) (Mozart)
Mitridate – Giuseppe Sabbatini; Aspasia – Natalie Dessay; Sifare – Cecilia Bartoli; Farnace – Brian Asawa; Ismene – Sandrine Piau; Marzio – Juan Diego Flórez; Arbate – Hélène Le Corre. Les Talens Lyriques – Christophe Rousset.
      (10)


Rechitative & Rondo `Chio mi scordi di te - Non temer, amato bene` for soprano, piano and orchestra (1786), KV505 (Mozart)
Recorded: Grosser Saal, Wiener Konzerthaus, Vienna, August 1989, April/May 1990.
      (5)


Recitative, aria and cavatina `Ah, lo previdi - Ah, t invola agl`occhi miei - Deh, non varcar` for soprano and orchestra (1777), KV272 (Mozart)
      (0)

Das von Franz Xaver Süssmayr vervollständigte Requiem in der traditionellen Gestalt

Requiem in d-moll (1791), KV626 (Mozart)
Arleen Auger (soprano), Cecilia Bartoli (mezzo-soprano), Vinson Cole (tenor), René Pape (bass), Vienna State Opera Concert Chorus, Vienna Philarmonic Orchestra - Sir Georg Solti. 5 December 1991 (on The Bicentenary of the Composer`s Death). St. Stephen’s Cathedral, Vienna.
      (10)
 
     

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