Élégie for piano No. 2 (1877), S.197 (Liszt)
Entry - April 23-28, 1990
      (2)

1st version of S.143

Étude de perfectionnement for piano, 1st version (`Morceau de salon`) (1840), S.142 (Liszt)
Recorded - October 17-19, 1994
      (3)

2nd version of S.142

Étude de perfectionnement for piano, 2nd version (`Ab irato`) (1852), S.143 (Liszt)
Entry - June 20 21, 1995
      (7)

2nd version
1. Lento after Miserere by Gregorio Allegri
2. Andante con pietà after Ave verum corpus K.618 by W.A.Mozart

Évocation à la Chapelle Sixtine for piano (1862), S.461ii (Liszt)
Entry - October 24-26, 1990
      (3)

ased on the Miserere by Gregorio Allegri and Ave verum corpus K.618 by Wolfgang Amadeus Mozart; 1st version

Évocation à la Chapelle Sixtine for piano (1862), S.461i (Liszt)
Entry 1997
      (2)

dditions and corrections by Liszt to the pf piece by Kornél Ábrányi

(Ábrányi) `Virag Dál` (Chant des Fleurs) for piano (1880), S.383a (Liszt)
Recorded: October 20-21, 1994, UK.
      (13)


(Alabieff) Piano transcription of Romance `Le rossignol`, 1st version (1842), S.249d (Liszt)
Recorded: August 21-22, 1995, UK.
      (2)


(Alabieff) Piano transcription of Romance `Le rossignol`, 2nd version (1842), S.250/1 (Liszt)
Entry - October 20 21, 1994
      (11)

ased on a theme from the opera La fiancée by Auber also used in S.385a; 1st version of S.385ii S.385iii

(Auber) Grande fantaisie sur la tyrolienne de l`opéra `La fiancée`, 1st version (1829), S.385i (Liszt)
      (2)


(Auber) Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici`, 1st version (1846), S.386i (Liszt)
Recording - August 21 22, 1995.
      (2)


(Auber) Tarantelle di bravura d’après la tarantelle de La muette de Portici, 2nd version (1869), S.386ii (Liszt)
      (2)

Based on the same folk song as used by Daniel Auber in his opera `La fiancée` and arr. by Liszt in his Fantaisie on that opera S.385i

(Auber) Tyrolean Melody for piano (1826?), S.233c (Liszt)
      (4)

(Auber) Tyrolean Melody for piano (1826?), S.233c (Liszt)
Recorded: August 1995.
      (3)

1. Introduction
2. Prière
3. Cavatine

(Aubert) 3 Klavierstücke aus der Oper `La muette de Portici` (1846?), S.387/1 (Liszt)
Entry - December 7.9, 1989
      (2)

ased on an unidentified theme

(Aubert) Klavierstück über ein fremdes Thema (1847), S.387/2 (Liszt)
Entry - December 7.9, 1989
      (2)

3rd version of S.385i S.385ii

(Aubert) Souvenir de `La fiancée` - Grande fantaisie sur la tyrolienne, 3rd version (1842), S.385iii (Liszt)
      (4)

rr. of the song Wenn sie euch grüsst mit freundlicher Gebärde Op.22 by Hans von Bülow

(Bülow) Piano transcription of Dante`s Sonett `Tanto gentile e tanto onesta` (1874), S.479 (Liszt)
Recorded - March 11-12, 1995
      (3)


(Bach) Piano transcription of Orgel Fantasie und Fuge BWV 542 (1868), 2nd version (1868), S.463ii (Liszt)
Entry - October 24-26, 1990
      (2)


(Bach) Piano transcription of Orgel Fantasie und Fuge G minor BWV 542, 1st version (1861?), S.463i (Liszt)
      (7)


(Bach) Prelude on a theme from Cantata `Weinen, Klagen, Sorgen, Zagen` BWV12 for piano (1859), S.179 (Liszt)
Recorded - February 8-10, 1988
      (3)


(Bach) Six Preludes and Fugues (1842-1850) S462, S.462 (Liszt)
Recorded - October 24-26, 1990
      (3)

(Bach) Six Preludes and Fugues (1842-1850) S462, S.462 (Liszt)
¹ 6 - Präludium und Fuge BWV 544.
      (1)

Basso continuo des erster Satzes der Kantate 12 `Weinen Klagen Sorgen Zagen` und des `Crucifixus` der h-Moll Messe

(Bach) Variations on a theme from Bach`s cantata `Weinen, Klagen, Sorgen, Zagen` for piano (1862), S.180 (Liszt)
Recorded - February 8-10, 1988
      (5)


(Beethoven) Cadenza to the first movement of Piano Concerto ¹ 3 (1878-79), S.389a (Liszt)
Recorded - February 29, 1996
      (4)

Based on themes from Die Ruinen von Athen Op.113 by Ludwig van Beethoven; themes also used in S.388b S.122

(Beethoven) Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846), S.388 (Liszt)
Recordings 1991-92
      (4)

Arr. of S.388b 2nd version

(Beethoven) Fantasia on themes of `The Ruins of Athens` for piano and orchestra (1848-52), S.122ii (Liszt)
Recorded - November 1997
      (1)

Based on the `Marsch und Chor` No.6 from `Die Ruinen von Athen` Op.113 by Beethoven; arr for pf orch as S.122i

(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1837), S.388b (Liszt)
Recorded - May 6-8, 1996
      (2)

rr. of S.122ii

(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1852), S.389 (Liszt)
Notes 1991-92.
      (2)

Extract from S.388

(Beethoven) Marche turque des `Ruines d`Athènes` for piano (1846), S.388a (Liszt)
      (3)

rr. of No.4 from S.69/1 incomplete

(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 1st version (1850), S.507a (Liszt)
      (3)

rr. of No.4 from S.69ii

(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 2nd version (1861), S.508 (Liszt)
      (3)


(Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840), S.465 (Liszt)
Entry - March 18, 1992
      (2)

2nd version of 5th movement

(Beethoven) Piano transcription of 5th movement from Symphonie No.6 (1837), S.463c (Liszt)
recorded-March 1, 1996
      (4)


(Beethoven) Piano transcription of Symphony No.1 (1863–64), S.464/1 (Liszt)
March 16, 1990.
      (1)

1. Adagio molto -
2. Larghetto
3. Scherzo Allegro - Trio
4. Allegro molto

(Beethoven) Piano transcription of Symphony No.2 (1863–64), S.464/2 (Liszt)
April 28, 1992.
      (3)


(Beethoven) Piano transcription of Symphony ¹ 3 (1863–64), S.464/3 (Liszt)
April 28, 1992.
      (3)

1. Adagio - Allegro
2. Adagio
3. Menuetto Allegro vivace - Trio
4. Allegro ma non troppo

(Beethoven) Piano transcription of Symphony ¹ 4 (1863–64), S.464/4 (Liszt)
April 29, 1992.
      (4)


(Beethoven) Piano transcription of Symphony ¹ 5, 1st version (1837), S.463a (Liszt)
Recorded - February 29, 1996
      (5)


(Beethoven) Piano transcription of Symphony ¹ 5, 2nd version (1863–64), S.464/5 (Liszt)
December 18, 1990.
      (4)


(Beethoven) Piano transcription of Symphony ¹ 6, 1st version  (1837), S.463b (Liszt)
Recorded - March 1, 1996
      (1)


(Beethoven) Piano transcription of Symphony ¹ 6, 3rd version (1863–64), S.464/6 (Liszt)
December 19, 1990.
      (2)


(Beethoven) Piano transcription of Symphony ¹ 8 (1863–64), S.464/8 (Liszt)
March 17, 1992.
      (2)


(Beethoven) Piano transcription of Symphony ¹ 9 (1863–64), S.464/9 (Liszt)
August 24-25, 1992.
      (2)


(Beethoven) Piano transcription of Symphony ¹7, 1st version (1837), S.463d (Liszt)
Recorded - May 6-8, 1996
      (4)


(Beethoven) Piano transcription of Symphony ¹7, 2nd version (1863–64), S.464/7 (Liszt)
April 30, 1992.
      (2)

1st version of 2nd movement of Symphony No. 3

(Beethoven) Piano transcription of the Funeral March from Symphony ¹ 3 (1841), S.463e (Liszt)
Recorded on February 29, 1996.
      (7)

1. Auf dem Hügel sitz` ich spähend
2. Wo die Berge so blau
3. Leichte Segler in den Hoehen
4. Diese Wolken in den Hoehen
5. Es kehret der Maien s bluehet die Au
6. Nimm sie hin denn diese Lieder

(Beethoven) Piano transcription of the song cycle `An die ferne Geliebte` (1849), S.469 (Liszt)
Recorded - October 24-28, 1990
      (3)


(Beethoven) Piano transcription of the song `Adelaide`, 1st version (1839), S.466i (Liszt)
Recorded: February 29, 1996, UK.
      (3)


(Beethoven) Piano transcription of the song `Adelaide`, 2nd version (1841), S.466ii (Liszt)
recorded-March 1, 1996
      (1)


(Beethoven) Piano transcription of the song `Adelaide`, 3rd version (1847), S.466iii (Liszt)
Recorded: October 24-28, 1990.
      (1)

1. Bitten
2. Die Liebe des Naechsten
3. Vom Tode
4. Die Ehre Gottes aus der Natur
5. Gottes Macht und Vorsehung
6. Busslied

(Beethoven) Piano transcription of `6 geistliche Lieder`, op. 48 (1840), S.467 (Liszt)
1. Gottes Macht und Vorsehung. The power of the Creator. 2. Bitten. Prayer. 3. Busslied. The song of repentance. 4. Vom Tode. Death. 5. Die Liebe des Nä
      (1)

1. Mignon
2. Mit einem gemalten Bande
3. Freudvoll und leidvoll
4. Es war einmal ein König
5. Wonne der Wehmut
6. Die Trommel gerühret

(Beethoven) Piano transcriptions of the songs on the words of Goethe (1849), S.468 (Liszt)
1. Mignon. Minion. 2. Mit einem gemalten Bande. With a painted ribbon. 3. Freudvoll und leidvoll. Joy and sorrow. 4. Es war einmal ein Hö
      (3)


(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 1st version (1839), S.393i (Liszt)
      (4)


(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 2nd version (1839), S.393ii (Liszt)
2nd edition
      (3)


(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 3rd version (1874), S.393iii (Liszt)
S.393, No. 3 (3rd edition). Recording - August 21 22 , 1995
      (4)

3rd simplified version of concluding portion extracted from S.390i S.390ii

(Bellini) Introduction and Polonaise from `I Puritani` for piano(1840), S.391 (Liszt)
Recorded: August 21-22, 1995, UK.
      (2)


(Bellini) Réminiscences de `Norma` for Piano (1841), S.394 (Liszt)
Entry - December 7.9, 1989
      (1)


(Bellini) Réminiscences des `Puritains` for piano, 1st version (1836), S.390i (Liszt)
Recorded: June 22-24, 1995, UK.
      (2)


(Bellini) Réminiscences des `Puritains` for piano, 2nd version (1837), S.390ii (Liszt)
Recorded in 1997-98, UK.
      (3)

1837 ollaborative work with Sigismond Thalberg Johann Peter Pixis Henri Herz Carl Czerny and Frederic Chopin; arr. for pf orch as S.365b for 2pf as S.654

(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano (1837-38), S.392 (Liszt)
Recorded: April 23-24, 1990, UK.
      (1)

rr. of S.392

(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano and orchestra (1839), S.365b (Liszt)
Recording - June July 1998, Budapest.
      (2)


(Berlioz) Danse des sylphes de La damnation de Faust de Hector Berlioz, piano transcription, S.474a (Liszt)
      (2)

(Berlioz) Danse des sylphes de La damnation de Faust de Hector Berlioz, piano transcription, S.474a (Liszt)
Recorded: November 2017, UK.
      (2)

Score and parts corrected from manuscript sources by Leslie Howard

(Berlioz) Grand Symphonic Fantasia on themes from `Lélio` for piano and orchestra (1834), S.120 (Liszt)
Recorded - November 1997
      (1)


(Berlioz) Marche des pèlerins de la symphonie `Harold en Italie`, 1st version (1836-37), S.473i (Liszt)
Alternative version, S.473, No. 1. Recording - April 20-22, 2009, London.
      (3)


(Berlioz) Marsh of Pilgrims from the symphony `Harold in Italy`, 2nd version (1862), S.473ii (Liszt)
S.473, ¹ 2. Recorded: January 1989, UK.
      (2)


(Berlioz) Piano transcription of Fantastique Symphonie (1833), S.470 (Liszt)
Entry - April 23 24, 1990
      (5)


(Berlioz) Piano transcription of the overture `Secret Judges` (1833), S.471 (Liszt)
Entry - January 4-5, 1989
      (5)

1st version - 1836 S.472i; 2nd version - 1855-59 S.472ii

(Berlioz) Piano transcription of the Symphony `Harold in Italy` (1836), S.472 (Liszt)
Paul Coletti - viola. Recording - October 7 8, 1992
      (2)


(Berlioz) Piano transcription of `Danse des Silphes` from `La Damnation de Faust`(1860?), S.475 (Liszt)
Entry - January 4-5, 1989
      (4)


(Berlioz) Piano transcription of `Ouverture du `Roi Lear` by Berlioz (1833), S.474 (Liszt)
Entry - January 4-5, 1989
      (6)


(Berlioz) `Bénédiction et serment` (Deux motifs de `Benvenuto Cellini` for piano 1852-53), S.396 (Liszt)
Recording - January 6-7, 1989
      (3)

On the main theme from the `Symphonie fantastique`

(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 1st version (1846), S.395 (Liszt)
Entry - January 4-5, 1989
      (5)

Based on the main theme from the `Symphonie fantastique`.

(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 2nd version (1865), S.470a/1 (Liszt)
Recorded: May 1996, UK.
      (3)

2nd version of 4th movement from S.470

(Berlioz) `Marche au supplice` de la `Symphonie fantastique`, for piano (1865), S.470a/2 (Liszt)
Recorded - May 6-8, 1996
      (3)

Based on the variation by Borodine on waltz `Chopsticks` by Euphemia Allen.

(Borodine) Prélude á la Polka for piano (1880), S.207a (Liszt)
Entry - October 20 21, 1994
      (3)

(Borodine) Prélude á la Polka for piano (1880), S.207a (Liszt)
      (7)

`Russischer Galop` - arr. of the song You Will Not Believe by Pyotr Bulakhov

(Boulakhov) Russischer Galop, 1st version (1843-44), S.478i (Liszt)
Entry - October 20 21, 1994
      (5)

`Russischer Galop` - arr. of the song You Will Not Believe by Pyotr Bulakhov

(Boulakhov) Russischer Galop, 2nd version (1844), S.478ii (Liszt)
Recorded - August 21-22, 1995
      (2)


(Boulakhov) Transcription of Chanson bohémienne  (1842), S.250/2 (Liszt)
Entry - October 20 21, 1994
      (9)

rr. of 6 of 19 Polish songs Op.74 by Frederic Chopin
1. 1 Maedchens Wunsch Zyczenie The Maiden`s Wish
2. 2 Fruehling Wiosna Spring
3. 14 Das Ringlein Pierscien The Ring
4. 4 Bacchanal Hulanka Merrymaking
5. 12 Meine Freuden Moja pieszczotka My Joys
6. 15 Die Heimkehr Narzeczony Homeward

(Chopin) Piano transcriptions of six polish songs by F. Chopin (1857-60), S.480 (Liszt)
Recorded: January 4-5, 1989, UK.
      (2)

(Chopin) Piano transcriptions of six polish songs by F. Chopin (1857-60), S.480 (Liszt)
¹ 5bis: ` Meine Freuden`
      (4)

Robert Schumann
1. Weihnachtslied - . 79 16
2. Die wandelnde Glocke - . 79 17
3. Frühlings Ankunft - . 79 19
4. Des Sennen Abschied - . 79 22
5. Er ist`s - . 79 23
6. Nur wer die Sehnsucht kennt - . 98 3
7. An die Türen will ich schleichen - . 98 5

Clara Schumann
1. Warum willst du andere fragen? - . 12 9
2. Ich hab` in deinem Auge - . 13 5
3. Geheimes Flüstern - . 23 10

(Clara Schumann) Piano transcriptions of songs (1872), S.569 (Liszt)
1. Warum willst du andere fragen? Why do you want to ask others? 2. Ich hab` in deinem Auge. I am in your sight... 3. Geheims Flü
      (4)

(Clara Schumann) Piano transcriptions of songs (1872), S.569 (Liszt)
1. Weihnachtslied. A Christmas song. 2. Die wandelnde Glocke. The wandering bell. 3. Frü
      (3)

rr. of No.2 of 2 Zigeuner-Polkas Op.5 by August Conradi

(Conradi) Zigeuner-Polka, for piano (1848), S.481 (Liszt)
Recorded - March 11-12, 1995
      (3)

rr. of the Tarantella Op.12 by César Cui

(Cui) Tarentelle, for piano (1885), S.482 (Liszt)
Entry - October 20 21, 1994
      (2)


(Dargomyzhsky) Transcription of Tarantella slave, for piano (1879), S.483 (Liszt)
Entry - October 20 21, 1994
      (2)

Heft 1

1. Scherzo
2. Erinnerung /
3. Mazurka
4. Tanz
5. Kinderlied /
6. Capriccio

Heft 2

1. Bolero
2. Elegie
3. Marsch
4. Toccata
5. Gondellied /
6. Im Sturm /

Heft 3

1. Romanze
2. Allegro
3. Menuett
4. Etude
5. Intermezzo
6. Serenade

Heft 4

1. Ungarisch /
2. Tarantelle
3. Impromptu /
4. In russischer Weise /
5. Lied /
6. Capriccio

(David) Piano transcriptions of the collection `Bunte Reihe` (1850), S.484 (Liszt)
      (2)

rr. of `Tant que le jour dure` from the opera `Jean de Nivelle` by Léo Delibes; incomplete

(Delibes) `La mandragore` - Piano transcription of Ballade from the opera `Jean de Nivelle` (1881), S.698 (Liszt)
      (2)

1. Lockung
2. Zwei Wege
3. Spanisches Lied Bolero

(Dessauer) Piano transcriptions of 3 songs (1846-47), S.485 (Liszt)
1. Lockung. Temptation. 2. Zwei Wege. Two roads. 3. Spanisches Lied. Spanish song. Record - October 24-28, 1990
      (4)


(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 1st version (1847), S.403 (Liszt)
Recorded - August 21-22, 1995
      (2)


(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 2-ÿ ðåäàêöèÿ (1848), S.403a (Liszt)
      (1)

1st version of S.400/2

(Donizetti) Fantaisie sur des motifs de l`opéra `Lucrezia Borgia` for piano (1840), S.399a (Liszt)
      (2)


(Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1835-36), S.398 (Liszt)
Entry - December 7.9, 1989
      (1)


(Donizetti) Piano transcription of the Funeral March from the opera `Don Sebastian` (1844), S.402 (Liszt)
      (1)

Based on a theme from Act IV

(Donizetti) Piano transcription of `Spirto gentil` from the opera `La Favorite` (1847), S.400b (Liszt)
      (2)

1. Barcarola Il barcajuolo - No.1 from the cycle
2. Notturno Lalito di Bice - No.9 from the cycle
3. Canzone Napoletana La torre di Biasone - No.4 from the cycle

(Donizetti) Piano transcriptions of 3 songs from `Nuits d`ete a Pausilippe` (1838), S.399 (Liszt)
Recorded - August 26-27, 1992
      (3)


(Donizetti) Réminiscences de `Lucia di Lammermoor` (1835-36), S.397 (Liszt)
Entry - December 7.9, 1989
      (2)

1. Trio du seconde Acte
2. Chanson à boire Orgie - Duo - Finale

(Donizetti) Réminiscences de `Lucrezia Borgia` - Grande fantaisie sur des motifs favoris de l`opéra for piano (1848), S.400 (Liszt)
No. 2 - Chanson à boire (Orgie). Duo. Finale. Recorded: June 22-24, 1995
      (2)

(Donizetti) Réminiscences de `Lucrezia Borgia` - Grande fantaisie sur des motifs favoris de l`opéra for piano (1848), S.400 (Liszt)
No.1 - Trio du seconde Acte. Recorded: June 22-24, 1995
      (1)

Based on themes from the operas `Parisina` and `Lucia di Lammermoor` by Gaetano Donizetti; 1st version of S.214/3

(Donizetti) Valse a capriccio sur deux motifs de `Lucia` et `Parisina` for piano (1842), S.401 (Liszt)
      (3)

`Schwanengesang` and Marsch from the oper `Hunyadi Laszlo` by Ferenc Erkel

(Erkel) `Schwanengesang` und Marsch aus `Hunyadi Laszo` for piano (1847), S.405 (Liszt)
Recorded - August 23-27, 1993
      (2)

rr. of the song by Ernst II Duke of Saxen-Coburg-Gotha

(Ernst II) Piano transcription of the song `Die Gräberinsel` (1842), S.485b (Liszt)
Recorded - March 11-12, 1995
      (2)

ased on themes from the opera `Tony oder die Vergeltung` by Ernest II Duke of Saxen-Coburg and Gotha

(Ernst II) `Halloh!` (Jagdchor und Steirer aus der Oper `Tony, oder die Vergeltung) for piano (1849), S.404 (Liszt)
Entry - December 7.9, 1989
      (1)

Incomplete sketches; not the same as S.126a

(F. Liszt - S. Menter) `Ungarische Zigeunerweisen` - Concerto in the Hungarian Style for piano and orchestra (1880), S.714 (Liszt)
Recording - June July 1998, Budapest.
      (5)

rr. of the song by Leo Festetics

(Festetics) Spanisches Ständchen for piano (Melodie von Graf Leó Festetics) (1844), S.487 (Liszt)
Entry - October 20 21, 1994
      (5)

Corrections and alterations to `Les noces du Pâtre` by Leo Festetics

(Festetics) `Pásztor Lakodalmus` (Magyar nóták) for piano (1858), S.405a (Liszt)
      (1)

rr. of No.7 of 12 Gesänge Op.4 by Robert Franz

(Franz) Piano transcription of `Er ist gekommen in Sturm und Regen` (1848), S.488 (Liszt)
Record - October 24-28, 1990
      (2)

rr. of op. 2 `Schilflieder` ` ` by Robert Franz

Erstes Heft
1. Auf geheimen Waldespfaden
2. Drüben geht die Sonne scheiden
3. Trübe wird`s die Wolken jagen
4. Sonnenuntergang; schwarze Wolken ziehen
5. Auf dem Teich

Zweites Heft
1. Der Schalk
2. Der Bote
3. Meeresstille

Drittes Heft
1. Treibt der Sommer seinen Rosen
2. Gewitternacht
3. Das ist ein Brausen und Heulen
4. Fruehling und Liebe

(Franz) Piano transcriptions of 12 songs (1848), S.489 (Liszt)
1st notebook: 1. Auf geheimen Waldespfaden. On a forest path. 2. Drü
      (2)

(Franz) Piano transcriptions of 12 songs (1848), S.489 (Liszt)
2nd notebook: 1. Der Schalk. Pickle. 2. Der Bote. Herald. 3. Meeresstille. The sea is quiet. Recording - October 24-28 , 1990
      (1)

(Franz) Piano transcriptions of 12 songs (1848), S.489 (Liszt)
30th notebook: 1. Treibt der Sommer seinen Rosen. Summer roses. 2.Gewitternacht. Stormy night. 3. Das ist ein Brausen und Heulen. There is noise and groaning. 4. Fruhling und Liebe. Spring and love. Recording - October 24-28, 1990
      (1)

ased on Chernomor`s March Act IV No.19 from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2

(Glinka) Marche des Tcherkesses de l`opera `Rußlan und Ludmilla`, 1st version (1843), S.406i (Liszt)
      (4)


(Glinka) Tscherkessenmarsch aus der Oper `Rußlan und Ludmilla`, 2nd version (1875), S.406ii (Liszt)
Entry - January 6-7, 1989
      (8)


(Goldschmidt) Piano transcription of love scene and `Wheel of Fortune` from the oratorio `The Seven Deadly Sins` for piano (1880), S.490 (Liszt)
Entry - October 28, 1991
      (2)


(Gounod) Piano transcription of Hymne a Sainte Cecile (1866), S.491 (Liszt)
Recording - October 7 8, 1992
      (1)

Based on the waltz and duet from Act II

(Gounod) Piano transcription of Waltz from `Faust` (1861), S.407 (Liszt)
Recorded: January 6-7, 1989.
      (1)


(Gounod) `Les Adieux` - Fantaisie on a theme from `Romeo and Juliet` for piano (1867), S.409 (Liszt)
Recorded - August 23-27, 1993
      (7)


(Gounod) `Les Sabiennes` - Piano transcription of Berceuse from `Queen of Sheba` (1865), S.408 (Liszt)
      (4)


(Halevy) Memories of the Opera `Yid `(`Daughter of Cardinal`) for piano (1834-35), S.409a (Liszt)
Recordings 1995-97, Hampshire, England.
      (2)


(Handel) Piano transcription of Sarabande and Chaconne from the opera `Almira` (1879), S.181 (Liszt)
Entry - January 6-7, 1989
      (11)

rr. of the Tanzmomente Op.14 by Johann von Herbeck

No.1 in G major
No.2 in A minor
No.3 in F major
No.4 in A major
No.5 in F major
No.6 in D major
No.7 in G major
No.8 in D major

(Herbeck) Tanzmomente (1869), S.492 (Liszt)
Recorded - March 11-12, 1995
      (2)

(Herbeck) Tanzmomente (1869), S.492 (Liszt)
No. 4bis (alternative version). Recording-March 11-12, 1995
      (1)

Op. 74 by Hummel

(Hummel) Piano transcription of Septet  (1848), S.493 (Liszt)
Entry - August 28, 1992
      (2)

1. Hagen und Kreimhild
2. Bechlarn
3. Osterhymne
4. Hoffestliche Marsch und Polonaise

(Lassen) Piano transcription of music for `Nibelungs` by Hebbel and `Faust` by Goethe (1878-79), S.496 (Liszt)
Records 1991-92.
      (4)


(Lassen) Piano transcription of the orchestral intermezzo to `Über allen Zauber Liebe` (1883), S.497 (Liszt)
Records 1991-92.
      (3)

No.4 of `6 Lieder von Peter Cornelius` Op.5 by Eduard Lassen

(Lassen) Piano transcription of the song `Ich weil in tiefer Einsamkeit` (1872), S.495 (Liszt)
Recorded - March 11-12, 1995
      (2)

rr. of No.5 of `6 Lieder von Peter Cornelius` Op.5 by Eduard Lassen

(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 1st version (1861), S.494i (Liszt)
Recorded - March 11-12, 1995
      (1)

Arr. of No.5 of 6 Lieder von Peter Cornelius Op.5 by Eduard Lassen

(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 2nd version (1872), S.494ii (Liszt)
Recorded - March 11-12, 1995
      (1)

1. Der Lenz ist gekommen
2. Trinklied
3. Du schaust mich an mit stummen Fragen

(Lessmann) Piano transcription of `Drei Lieder aus Jul. Wolffs `Tannheuser` (1882, S.498 (Liszt)
Recorded - March 11-12, 1995
      (3)

`Marche hongroise de Szabadi Revive Szegedin!` - Arr. of the Marche héroïque de Szabadi by Jules Massenet

(Massenet) `Marche hongroise de Szabadi` for piano (1879), S.572 (Liszt)
Entry - October 20 21, 1994
      (2)


(Mendelssohn) Concert paraphrase on `Wedding March` and `Dance of the Fairies` from the music to `A Midsummer Night`s Dream` (1849-50), S.410 (Liszt)
Recorded: 1991-92.
      (3)

1. Auf Flügeln des Gesanges - . 34 2
2. Sonntagslied - . 34 5
3. Reiselied - . 34 6
4. Neue Liebe - . 19 4
5. Frühlingslied - . 47 3
6. Winterlied - . 19 3
7. Suleika - . 34 4

(Mendelssohn) Piano transcriptions of songs (1840), S.547 (Liszt)
October 24-28, 1990.
      (7)

Arr. of No.4 and No.2 of 6 Lieder Op.50 by Mendelssohn

(Mendelssohn) Piano transcriptions of the songs `Wasserfahrt` und `Der Jager Abschied` (1848), S.548 (Liszt)
Entry - August 1992
      (4)

(Mendelssohn) Piano transcriptions of the songs `Wasserfahrt` und `Der Jager Abschied` (1848), S.548 (Liszt)
Recorded: August 28, 1992.
      (1)

(Mendelssohn) Piano transcriptions of the songs `Wasserfahrt` und `Der Jager Abschied` (1848), S.548 (Liszt)
Recorded: August 28, 1992.
      (1)

Using themes from the opera `Il Giuramento` by Saverio Mercadante and another unidentified source

(Mercadante) `Reminiscences de La Scala` - Fantasie über italienische Opernmelodien for piano (1838-39), S.458 (Liszt)
      (1)

1. La Primavera Canzonetta
2. Il galop
3. Il pastore svizzero Tirolese
4. La Serenata del Marinaro
5. II Brindisi Rondoletto
6. La Zingarella spagnola Bolero

(Mercadante) `Soirees italiennes` - Six entertainments for Piano on motifs by Mercadante (1838-39), S.411 (Liszt)
Entry - December 29-30, 1991
      (2)


(Meyerbeer)  Piano transcription of the song `Le Moine` (1841), S.416 (Liszt)
Recorded - October 7 8, 1992
      (2)

Based on the chorale theme from `The Prophet`. Arr. of S.259

(Meyerbeer) Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for piano 4 hands (1850), S.624 (Liszt)
      (2)


(Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier for piano (1860), S.549 (Liszt)
Recording - October 7 8, 1992
      (1)

1. Prière. Hymne triomphal. Marche du sacre
2. Les patineurs. Scherzo
3. Pastorale. Appel aux armes
4. Fantasie und Fuge über den Choral `Ad nos ad salutarem undam` Arr. of S.259

(Meyerbeer) Illustrations du `Prophète` for Piano (1849-50), S.414 (Liszt)
Choeur pastoral. Appel aux armes. Orgie. Pastoral. Call to Arms
      (3)

(Meyerbeer) Illustrations du `Prophète` for Piano (1849-50), S.414 (Liszt)
Priè
      (3)

(Meyerbeer) Illustrations du `Prophète` for Piano (1849-50), S.414 (Liszt)
Les Patineurs. Scherzo. Skaters. Scherzo.
      (3)

1. Prière des matelots
2. Marche indienne

(Meyerbeer) Illustrations for the opera `L`Africaine`, for piano (1865), S.415 (Liszt)
Priè
      (3)

(Meyerbeer) Illustrations for the opera `L`Africaine`, for piano (1865), S.415 (Liszt)
Marche Indienne. Indian March. Record - December 7.9 , 1989
      (3)


(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 1st version (1836), S.412i (Liszt)
1st edition (1836)
      (3)


(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 2nd version (1838?), S.412ii (Liszt)
Entry - August 21 22, 1995
      (2)


(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 3rd version (1842), S.412iii (Liszt)
      (3)

ased on the Valse infernale and Air de ballet

(Meyerbeer) Réminiscences de `Robert le Diable` - Valse infernale (1841), S.413 (Liszt)
Cavatina (1846). Recording - August 23-27 , 1993
      (2)

(Meyerbeer) Réminiscences de `Robert le Diable` - Valse infernale (1841), S.413 (Liszt)
Infernal Waltz (1841). Recording - August 23-27 , 1993
      (2)


(Mosonyi) Fantasia on  themes from the opera `Szép Ilonka` for piano (1865-67), S.417 (Liszt)
      (3)

1. Confutatis maledictis
2. Lacrimosa

(Mozart) 2 piano transcriptions from `Requiem` (1865), S.550 (Liszt)
Recorded - August 29, 1991
      (6)

Arrangement of `Der welcher wandelt diese Straße` from 2nd act

(Mozart) Adagio von `Die Zauberflöte`, transcription for piano 4 hands (1875-81), S.634a (Liszt)
Philip Moore - piano II. Recording - August 21 22 , 1995
      (4)


(Mozart) Arrangement of motet `Ave verum corpus` for Piano (1867), S.461a (Liszt)
Recorded - August 29, 1991
      (5)

completed by Busoni 1912

(Mozart) Fantasie über Themen aus `Figaro` und `Don Giovanni` for piano (1842), S.697 (Liszt)
Recorded: August 23-27, 1993.
      (3)


(Mozart) Reminiscences de `Don Juan` - Grande fantaisie pour piano (1841), S.418 (Liszt)
Entry - January 6-7, 1989
      (2)

Divertissement sur la cavatine `I tuoi frequenti palpiti`

(Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36), S.419 (Liszt)
      (3)

1st version of S.141

No.1 in g-moll Preludio Andante; Etude Non troppo lento `Tremolo` after the 6th caprice with the introduction and coda of the 5th.
No.2 in Es-dur Andante capriccioso after the 17th caprice.
No.3 in ges-moll Allegretto La campanella after the final movement of Paganini`s Violin Concerto No.2 in h-moll.
No.4 in E-dur Vivo `Arpeggio` after the 1st caprice.
No.5 in E-dur La Chasse Allegretto after the 9th caprice.
No.6 in a-moll Theme and Variations Quasi presto a capriccio after the 24th caprice.

(Paganini) 6 Études d`exécution transcendante d`après Paganini. 1st version  (1838), S.140 (Liszt)
Also: No.1 in Gm [2nd ver incorporating a study by Schumann, Op.10-2], versions: No.4 in E è No.5 in E. Recorded: April 29 - May 1, 1997, UK.
      (3)


(Paganini) Grande fantaisie de bravoure sur `La clochette` for piano (1832), S.420 (Liszt)
Recorded - August 1995
      (3)


(Paganini) Grandes Études de Paganini (excerpts - ¹ 3 `La Campanella`),  (Liszt)
      (0)

No.1 in g-moll Preludio Andante; Etude Non troppo lento `Tremolo` after the 6th caprice with the introduction and coda of the 5th.
No.2 in Es-dur Andante capriccioso after the 17th caprice.
No.3 in ges-moll Allegretto La campanella after the final movement of Paganini`s Violin Concerto No.2 in h-moll.
No.4 in E-dur Vivo `Arpeggio` after the 1st caprice.
No.5 in E-dur La Chasse Allegretto after the 9th caprice.
No.6 in a-moll Theme and Variations Quasi presto a capriccio after the 24th caprice.

(Paganini) Grandes Études de Paganini. 2nd version (1851), S.141 (Liszt)
Recorded - April 29-May 1, 1997
      (4)

1. Andante Finale
2. Marsch

(Raff) Piano transcriptions of 2 fragments from the opera `King Alfred` (1853), S.421 (Liszt)
No.2. Marsch. Recorded: August 21-22, 1995
      (1)

(Raff) Piano transcriptions of 2 fragments from the opera `King Alfred` (1853), S.421 (Liszt)
No.1. Andante finale. Recorded: August 21-22, 1995
      (3)

Additional introduction and coda to No.1 of the Tanz-Capricen Op.54 by Joachim Raff

(Raff) Tanz-Caprice No.1 (Einleitung und Coda zu Raffs Walzer) (1854), S.551a (Liszt)
      (1)


(Rossini ) Fantaisie sur des thèmes de `Maometto II` et `Mose in Egitto` (1839-41), S.421b (Liszt)
Recorded: November 2017, UK.
      (3)

1. `Cujus animam` from `Stabat Mater`
2. `La charité` - No.3 from 3 Chœurs religieux. 2nd version of S.552a

(Rossini) 2 piano transcriptions after Rossini (1847), S.553 (Liszt)
Recorded - August 29, 1991
      (1)

`La Pastorella dell`Alpi` and `Li Marinari` - Nos. 6 and 12 from `Soirées musicales`

(Rossini) Fantaisie sur des motifs des `Soirées musicales`, for piano (1835-36), S.423 (Liszt)
Recorded - August 26-27, 1992
      (3)

Based on `La serenata` No.10 and `L`orgia` No.11 from `Les soirées musicales`

(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 1st version (1835-36), S.422i (Liszt)
      (3)

Based on `La serenata` No.10 and `L`orgia` No.11 from `Les soirées musicales`

(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 2nd version (1840), S.422ii (Liszt)
      (2)

Based on themes from `Armida` and `La donna del lago` by Gioachino Rossini and from `Fernand Cortez` and `Olimpie` by Gaspare Spontini

(Rossini) Impromptu brilliant on themes By Rossini & Spontini (1824), S.150 (Liszt)
Recorded - October 5, 9, 10, 1992
      (5)

The Variations lost.

(Rossini) Introduction et variations sur une marche du `Siège de Corinthe` (1830), S.421a (Liszt)
      (2)

1. La promessa Canzonetta
2. La regata veneziana Notturno
3. L`invito Bolero
4. La gita in gondola Barcarola
5. Il rimprovero Canzonetta
6. La pastorella dell`Alpi Tirolese
7. La partenza Canzonetta
8. La pesca Notturno
9. La danza Tarantella Napoletana
10.La serenata Notturno
11.L`orgia Arietta
12.Li marinari Duetto

(Rossini) Piano transcription of  songs from `Soirees musicales` (1837), S.424 (Liszt)
Entry - December 29-30, 1991
      (3)


(Rossini) Piano transcription of Overture to `William Tell` (1838), S.552 (Liszt)
      (3)

2nd version of S. 553/1

(Rossini) Piano transcription of the Air from `Stabat Mater` (1847), S.552c (Liszt)
Recorded - December 7-12, 1989
      (5)

rr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b S.553/2; originally intended for S.172a

(Rossini) `Caritas` for piano, 1st version (1847), S.552a (Liszt)
      (2)

3rd simplified version of S.552a S.553/2;

(Rossini) `La caritá` for piano, 3rd version (1847), S.552b (Liszt)
      (1)

Incomplete sketch for S.552a

(Rossini) `La Charite` for piano (1847), S.701j (Liszt)
      (3)

Revisions and additions to Etude on False Notes by Anton Rubinstein

(Rubinstein) Einleitung und Coda zu `Étude sur des notes fausses` (1880), S.554a (Liszt)
      (5)

`Asra` - No. 6 from Op. 32 by A. Rubinstein

(Rubinstein) Piano transcription of song `Asra` (1880), S.554/2 (Liszt)
Recording - October 24-28, 1990
      (2)

Arr. of No.9 from Op. 34 by Rubinstein

(Rubinstein) Piano transcription of song `Oh, if ever it was` (1880), S.554/1 (Liszt)
Recording - October 24-28, 1990
      (4)


(Saint-Saëns) Piano transcription of `Danse macabre` (1876), S.555 (Liszt)
Recorded - January 4-5, 1989
      (4)

1. Sey mir gegrüsst
2. Auf dem Wasser zu singen
3. Du bist die Ruh
4. Erlkönig
5. Meeresstille
6. Die junge Nonne
7. Frühlingsglaube
8. Gretchen am Spinnrade
9. Ständchen von Shakespeare
10. Rastlose Liebe
11. Das Wandern
12. Ave Maria [Ellens dritter Gesang]

(Schubert) 12 Lieder. Piano transcriptions (1838), S.558 (Liszt)
Nos 1 - 12
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹  1 `Sey mir gegrüsst`, S.558/1 (Liszt)
Sei mir gegrusst!
      (2)


(Schubert) 12 Lieder. Piano transcriptions. ¹  2 `Auf dem Wasser zu singen`, S.558/2 (Liszt)
Auf dem Wasser zu singen
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹  3 `Du bist die Ruh’`, S.558/3 (Liszt)
Du bist die Ruh
      (1)

(Schubert) 12 Lieder. Piano transcriptions. ¹  3 `Du bist die Ruh’`, S.558/3 (Liszt)
Du bist die Ruh. 2nd version (S.558a/3)
      (2)


(Schubert) 12 Lieder. Piano transcriptions. ¹  4 `Erlkoenig`, S.558/4 (Liszt)
Erlkonig
      (2)

(Schubert) 12 Lieder. Piano transcriptions. ¹  4 `Erlkoenig`, S.558/4 (Liszt)
Erlkönig. 3rd version (S.558a/4)
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹  5 `Meeresstille`, S.558/5 (Liszt)
¹ 5. `Meeresstille`
      (0)


(Schubert) 12 Lieder. Piano transcriptions. ¹  6 `Die junge Nonne`, S.558/6 (Liszt)
Die junge Nonne
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹  7 `Fruehlingsglaube`, S.558/7 (Liszt)
Fruhlingsglaube.
      (2)

(Schubert) 12 Lieder. Piano transcriptions. ¹  7 `Fruehlingsglaube`, S.558/7 (Liszt)
Fruhlingsglaube. 3rd version of (S.558a/7)
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹  8 `Gretchen am Spinnrade`, S.558/8 (Liszt)
Gretchen am Spinnrade
      (1)

(Schubert) 12 Lieder. Piano transcriptions. ¹  8 `Gretchen am Spinnrade`, S.558/8 (Liszt)
Gretchen am Spinnrade. 2nd version (S.558a/8)
      (2)


(Schubert) 12 Lieder. Piano transcriptions. ¹  9 `Ständchen von Shakespeare`, S.558/9 (Liszt)
Standchen
      (1)

(Schubert) 12 Lieder. Piano transcriptions. ¹  9 `Ständchen von Shakespeare`, S.558/9 (Liszt)
Ständchen von Shakespeare. 2nd version (S.558a/9)
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹ 10 `Rastlose Liebe`, S.558/10 (Liszt)
Rastlose Liebe
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹ 11 `Der Wanderer`, S.558/11 (Liszt)
Der Wanderer
      (1)

(Schubert) 12 Lieder. Piano transcriptions. ¹ 11 `Der Wanderer`, S.558/11 (Liszt)
Der Wanderer. 2nd version (S.558a/11)
      (1)


(Schubert) 12 Lieder. Piano transcriptions. ¹ 12 `Ave Maria` (Ellens dritter Gesang), S.558/12 (Liszt)
Ave Maria. 2nd version
      (1)

Edited with additions to Nos.2 and 3 of Impromptus D.899 by Franz Schubert

(Schubert) 2 Impromptus (1868), S.565b (Liszt)
Recorded 1997
      (5)

1. Trauermarsch in es-moII based on No.5 of 6 Grandes marches D.819 by Franz Schubert; arr. for orch as S.363/2 for pf4h as S.632/2
2. Marsch in h-moll using themes from No.3 of 6 Grandes marches D.819 and Grande marche funèbre D.859 by Franz Schubert
3. Reitermarsch in C-dur using themes from Nos.1 and 2 of 2 Marches caractéristiques D.968b and Nos.1 and 2 of 6 Grandes marches D.819 by Franz Schubert

(Schubert) Drei Märsche (1846), S.426 (Liszt)
Recording 1994
      (1)


(Schubert) Fantasia C-Dur `Wanderer`. Transcription  for piano and orchestra (1851), S.366 (Liszt)
Recording - November 1997, Budapest.
      (1)

Edited with additions to the Fantasie in C major D.760 by Franz Schubert

(Schubert) Fantasie C-Dur `Wanderer`. Piano transcription (1868), S.565a (Liszt)
1997.
      (2)

1. Litanei auf das Fest aller Seelen
2. Himmelsfunken
3. Die Gestirne
4. Hymne Geisterchor aus Rosamunde

(Schubert) Four melodies. Piano transcriptions (1840), S.562 (Liszt)
1. Litaney. Litany. 2. Himmelsfunken. A heavenly spark. 3. Die Gestirne. Constellation. 4. Hymne. Anthem. Recording - February 28 , 1994
      (2)

(Schubert) Four melodies. Piano transcriptions (1840), S.562 (Liszt)
S.562/3bis
      (1)

1. Andante - based on No.1 of Divertissement à la hongroise D.818 by Franz Schubert; 1st version of S.425a/1
2. Marche hongroise - based on No.2 of Divertissement à la hongroise D.818 by Franz Schubert; 1st version of S.425/2b S.425/2c S.425/2d S.425/2e S.425a/2 ` 1st Diabelli edition`
3. Allegretto - based on No.3 of Divertissement à la hongroise D.818 by Franz Schubert; 1st version of S.425a/3

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
Recorded: March 4, 1994, UK.
      (2)

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
¹¹ 1 - 3. 2nd version (1846) - S.425a. Recorded: February 28, 1994, UK.
      (1)

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
No.2 - Marche hongroise, 5 version (S.425/2d). Recorded: May 6-8, 1996, UK.
      (1)

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
No. 2 - Marche hongroise, 3rd version (S.425/2c). Recorded: June 21-27, 1994, UK.
      (1)

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
No. 2 - Marche hongroise, 6th version (S.425/2e). Recorded: March 4, 1994, UK.
      (1)

(Schubert) Hungarian Melodies. 1st version (1838-39), S.425 (Liszt)
No.2 - Marche hongroise, 2nd version (S.425/2b). Recorded: June 21-27, 1994, UK.
      (2)

ased on No.1 of 3 Marches militaires D.733 by Franz Schubert

(Schubert) Marche militaire (Grande Paraphrase de Concert)  (1870?), S.426a (Liszt)
Recorded - May 6-8, 1996
      (2)

1. Lebe wohl!
2. Maedchens Klage
3. Das Sterbegloecklein
4. Trockene Blumen
5. Ungeduld
6. Die Forelle

(Schubert) Six tunes. Piano transcriptions of songs (1844), S.563/1-5 (Liszt)
¹ 1. Lebewohl.
      (2)

(Schubert) Six tunes. Piano transcriptions of songs (1844), S.563/1-5 (Liszt)
¹ 5. Ungeduld. 1st version
      (1)

(Schubert) Six tunes. Piano transcriptions of songs (1844), S.563/1-5 (Liszt)
¹ 4. Trockene Blumen.
      (1)

(Schubert) Six tunes. Piano transcriptions of songs (1844), S.563/1-5 (Liszt)
¹ 2. Mädchens Klage.
      (1)

(Schubert) Six tunes. Piano transcriptions of songs (1844), S.563/1-5 (Liszt)
¹ 3. Das Sterbeglöcklein.
      (1)

1st and 2nd ossia versions 1844

(Schubert) Six tunes. ¹ 6 `Die Forelle`, S.563/6 (Liszt)
¹ 6. Die Forelle. 1st version
      (1)

rr. of the song Ave maria D.839 by Franz Schubert; 1st version of S.558/12

(Schubert) Song `Ave Maria`.  Piano transcription. 1st version. (1837), S.557d (Liszt)
Recorded - June 21-27, 1994
      (4)

Arr. of the song `Die Forelle` D.550 by Franz Schubert; 3rd version of S.563/6

(Schubert) Song `Die Forelle`.  Piano transcription. 3rd version. (1846), S.564 (Liszt)
¹ 6. Die Forelle. 2nd version of 1846
      (3)

rr. of the song Die Rose D.745 by Franz Schubert

(Schubert) Song `Die Rose`. Piano transcription (1833, 1837), S.556 (Liszt)
1st version (S.556i). Recording 6-8.05.1996
      (2)

(Schubert) Song `Die Rose`. Piano transcription (1833, 1837), S.556 (Liszt)
3rd version 1837 (S.557iii). Recording 1997
      (1)

(Schubert) Song `Die Rose`. Piano transcription (1833, 1837), S.556 (Liszt)
Second Version 1838 (S.556ii)
      (0)

rr. of the song Erlkönig D.328 by Franz Schubert; 1st version of S.558/4 S.558/4bis

(Schubert) Song `Erlkönig`. Piano transcription. 1st version (1837), S.557a (Liszt)
Recorded - June 21-27, 1994
      (2)

rr. of the song Frühlingsglaube D.686 by Franz Schubert

(Schubert) Song `Frühlingsglaube`. Piano transcription. 1st version (1838), S.557c (Liszt)
Frü
      (1)

rr. of the chorus Gondelfahrer D.809 by Franz Schubert

(Schubert) Song `Gondelfahrer`.  Piano transcription. (1883), S.559 (Liszt)
Recorded - May 6-8, 1996
      (2)


(Schubert) Song `Meeresstille`, 1st version (1837), S.557/b/1 (Liszt)
      (2)

1. Das Wandern
2. Der Mueller und der Bach
3. Der Jaeger
4. Die boese Farbe
5. Wohin?
6. Ungeduld

(Schubert) `Die schoene Mullerin`. Piano transcriptions of 6 Lieder. (1846), S.565 (Liszt)
¹¹ 1 - 6. Recording 28.02.1994
      (8)


(Schubert) `Die schoene Mullerin`. ¹ 1 `Das Wandern`, S.565/1 (Liszt)
Das Wandern. Recorded February 28, 1994
      (2)


(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach`, S.565/2 (Liszt)
¹ 2. `Der Müller und der Bach`. 2nd version
      (1)

(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach`, S.565/2 (Liszt)
¹ 2. Der Müller und der Bach. Recording February 28, 1994
      (1)


(Schubert) `Die schoene Mullerin`. ¹ 3 `Der Jaeger`, S.565/3 (Liszt)
Der Jäger
      (1)


(Schubert) `Die schoene Mullerin`. ¹ 4 `Die boese Farbe`, S.565/4 (Liszt)
Die böse Farbe. 28.02.1994
      (1)


(Schubert) `Die schoene Mullerin`. ¹ 5 `Wohin?`, S.565/5 (Liszt)
Wohin? 28.02.1994
      (2)


(Schubert) `Die schoene Mullerin`. ¹ 6 `Ungeduld`, S.565/6 (Liszt)
¹ 6. `Ungeduld`. 2nd version
      (1)

1. Die Stadt
2. Das Fischermaedchen
3. Aufenthalt
4. Am Meer
5. Abschied
6. In der Ferne
7. Staendchen `Leise flehen` 2nd version
8. Ihr Bild
9. Fruehlingssehnsucht
10. Liebesbotschaft
11. Der Atlas
12. Der Doppelgaenger
13. Die Taubenpost
14. Kriegers Ahnung

(Schubert) `Schwanengesang`. Piano transcriptions of 14  Lieder (1838-39), S.560 (Liszt)
¹¹ 1 - 14
      (3)


(Schubert) `Schwanengesang`: ¹ 1 `Die Stadt `, S.560/ 1 (Liszt)
Die Stadt.
      (1)

(Schubert) `Schwanengesang`: ¹ 1 `Die Stadt `, S.560/ 1 (Liszt)
S.560/1a. Die Stadt. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 2 `Das Fischermaedchen`, S.560/ 2 (Liszt)
Das Fischermadchen.
      (1)

(Schubert) `Schwanengesang`: ¹ 2 `Das Fischermaedchen`, S.560/ 2 (Liszt)
S.560/2a. Das Fishhermadchen. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 3 `Aufenthalt`, S.560/ 3 (Liszt)
Aufenthalt.
      (1)

(Schubert) `Schwanengesang`: ¹ 3 `Aufenthalt`, S.560/ 3 (Liszt)
S.560/3a. Aufenthalt. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 4 `Am Meer `, S.560/ 4 (Liszt)
Am Meer.
      (1)

(Schubert) `Schwanengesang`: ¹ 4 `Am Meer `, S.560/ 4 (Liszt)
S.560/4a. Am Meer. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 5 `Abschied`, S.560/ 5 (Liszt)
Abschied.
      (1)

(Schubert) `Schwanengesang`: ¹ 5 `Abschied`, S.560/ 5 (Liszt)
S.560/5a. Abschied. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 6 `In der Ferne`, S.560/ 6 (Liszt)
In der Ferne.
      (1)

(Schubert) `Schwanengesang`: ¹ 6 `In der Ferne`, S.560/ 6 (Liszt)
S.560/6a. In der Ferne. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 7 `Staendchen`, S.560/ 7 (Liszt)
Ständchen («Leise flehen»). 2nd version
      (2)

(Schubert) `Schwanengesang`: ¹ 7 `Staendchen`, S.560/ 7 (Liszt)
S.560/7a. Ständchen. 3rd (ossia) version
      (1)

(Schubert) `Schwanengesang`: ¹ 7 `Staendchen`, S.560/ 7 (Liszt)
S.560/7a. Staendchen. Recording: February 28, 1994
      (3)


(Schubert) `Schwanengesang`: ¹ 8 `Ihr Bild`, S.560/ 8 (Liszt)
Ihr Bild.
      (2)

(Schubert) `Schwanengesang`: ¹ 8 `Ihr Bild`, S.560/ 8 (Liszt)
S.560/8a. Ihr Bild. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹ 9 `Fruehlingssehnsucht`, S.560/ 9 (Liszt)
Frühlingssehnsucht.
      (1)

(Schubert) `Schwanengesang`: ¹ 9 `Fruehlingssehnsucht`, S.560/ 9 (Liszt)
S.560/9a. Frühlingssehnsucht. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹10 `Liebesbotschaft`, S.560/10 (Liszt)
Liebesbotschaft.
      (1)

(Schubert) `Schwanengesang`: ¹10 `Liebesbotschaft`, S.560/10 (Liszt)
S.560/10a. Liebesbotschaft. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹11 `Der Atlas`, S.560/11 (Liszt)
Der Atlas.
      (2)

(Schubert) `Schwanengesang`: ¹11 `Der Atlas`, S.560/11 (Liszt)
S.560/11a. Der Atlas. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹12 `Der Doppelgaenger`, S.560/12 (Liszt)
Der Doppelgänger.
      (2)

(Schubert) `Schwanengesang`: ¹12 `Der Doppelgaenger`, S.560/12 (Liszt)
S.560/12a. Der Doppelgänger. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹13 `Die Taubenpost`, S.560/13 (Liszt)
Die Taubenpost.
      (1)

(Schubert) `Schwanengesang`: ¹13 `Die Taubenpost`, S.560/13 (Liszt)
S.560/13a. Die Taubenpost. 2nd version
      (1)


(Schubert) `Schwanengesang`: ¹14 `Kriegers Ahnung`, S.560/14 (Liszt)
Kriegers Ahnung.
      (1)

(Schubert) `Schwanengesang`: ¹14 `Kriegers Ahnung`, S.560/14 (Liszt)
S.560/14a. Kriegers Ahnung. 2nd version
      (1)

1. Allegretto malinconico As-dur - based on themes from 36 Originaltänze D.365; Wiener Damen-Ländler und Ecossaisen D.734; and 18 German Dances and Ecossaises D.783 by Franz Schubert
2. Poco Allegro As-dur - based on themes from 36 Originaltänze D.365 and 38 Waltzes Ländler and Ecossaises D.145 by Franz Schubert
3. Allegro vivace E-dur - based on themes from 18 Deutsche und Ecossaisen D.783; 36 Originaltänze D.365 and 38 Waltzes Ländler and Ecossaises D.145 by Franz Schubert
4. Andante a capriccio Des-dur - based on themes from 36 Originaltänze D.365 by Franz Schubert
5. Moderato Ges-dur - based on themes from 36 Originaltänze D.365 and 12 Valses nobles D.969 by Franz Schubert
6. Allegro a-moll - based on themes from 12 Valses nobles D.969; and Valses sentimentales D.779 by Franz Schubert; 1st version of S.427/6a S.427/6b
7. Allegro spirituoso A-dur - based on themes from 18 German Dances and Ecossaises D.783 by Franz Schubert
8. Allegro con brio D-dur - based on themes from 18 German Dances and Ecossaises D.783 and 12 Valses nobles D.969 by Franz Schubert
9. Preludio a capriccio As-dur - based on themes from 36 Originaltänze D.365 by Franz Schubert

(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852), S.427 (Liszt)
1. Allegretto malinconico As-dur. 2. Poco Allegro As-dur. 3. Allegro vivace E-dur. 4. Andante a capriccio Des-dur. 5. Moderato Ges-dur. 6. Allegro a-moll. 7. Allegro spirituoso A-dur. 8. Allegro con brio D-dur. 9. Preludio a capriccio As-dur. February 28, 1994.
      (4)

(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852), S.427 (Liszt)
S.427, ¹ 6b. May 6-8, 1996.
      (1)

(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852), S.427 (Liszt)
S.427/6 - Recorded: October 1981.
      (2)

rr. of No.4 of the song cycle Schwanengesang D.957 by Franz Schubert; 1st version of S.560/7 S.560/7a

(Schubert) `Ständchen` from the song cycle `Schwanengesang`. 1st version. (1837), S.559a/1 (Liszt)
Recorded - June 21-27, 1994
      (5)

1. Gute Nacht
2. Die Nebensonnen
3. Mut
4. Die Post
5. Erstarrung
6. Wasserflut
7. Der Lindenbaum
8. Der Leiermann
9. Taeuschung
10. Das Wirtshaus
11. Der stuermische Morgen
12. Im Dorfe

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 1. Gute Nacht
      (5)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 3. Mut
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 2. Die Nebensonnen
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 4. Die Post
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 6. Wasserflut
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 8. Der Leyermann
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 5. Erstarrung
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 7. Der Lindenbaum
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 9. Täuschung
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 11. Der stürmische Morgen
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 10. Das Wirtshaus
      (1)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 12. Im Dorfe
      (1)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 2. Die Nebensonnen, 2nd version (S.561/2a)
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 3. Mut, 2-nd version (S.561/3a)
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 7. Der Lindenbaum, 2nd version (S.561/7a)
      (2)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 11. Der stürmische Morgen, 2nd version (S.561/11a)
      (3)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 10. Das Wirtshaus, 2nd version (S.561/10a)
      (1)

(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839), S.561 (Liszt)
¹ 2. `Die Nebensonnen` (S.561/2). Recording February 28, 1994.
      (2)

. 39 12

(Schumann) Piano transcription of `Fruhlingsnacht` (1872), S.568 (Liszt)
Recorded: October 24-28, 1990.
      (1)

rr. of No.4 of Des Sängers Fluch Op.139 by Robert Schumann

(Schumann) Piano transcription of `Provencal song` (1881), S.570 (Liszt)
Recording - October 24-28, 1990
      (1)

`Liebeslied Widmung` - . 25 1

(Schumann) Piano transcription of `Widmung`(1848), S.566 (Liszt)
Recorded: October 24-28, 1990.
      (4)

1. `An den Sonnenschein` - . 36 4
2. `Rotes Röslein` - . 27 2

(Schumann) Piano transcriptions of 2 songs (1861), S.567 (Liszt)
An den Sonnenschein und Rotes Rö
      (2)


(Schumann) `Widmung` (Short draft) (1850-59?), S.566a (Liszt)
Recorded: December 1998, UK.
      (3)

Einleitung und Coda zu Smetanas Polka No. 1 of `3 Polkas de salon` op. 7

(Smetana) Polka de salon F sharp major for piano (1885), S.570a (Liszt)
      (2)


(Soriano) Élégie `Feuille morte` for piano (1845), S.428 (Liszt)
Recorded - August 7-9, 1996
      (2)


(Spor) Transcription of Song `Die Rose` (1876), S.571 (Liszt)
      (5)

Based on the Ungarischer Marsch by Imre Széchényi

(Széchényi) Einleitung und Ungarischer Marsch (1872), S.573 (Liszt)
Entry - October 20 21, 1994
      (1)

Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice

(Tausig) Valse-Caprice No.3 (1880), S.571a (Liszt)
      (4)


(Tchaikovsky) Piano transcription of Polonaise from `Eugene Onegin` (1879), S.429 (Liszt)
Recorded: January 6-7, 1989, UK.
      (7)

dditions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli

(Tirindelli) Seconda Mazurka di Tirindelli (1880), S.573a (Liszt)
Recorded - August 21-22, 1995
      (2)

ased on part of the Suite en forme de valse byJános Végh

(Végh) Valse de concert for piano (1882-83), S.430 (Liszt)
Entry - October 20 21, 1994
      (1)


(Verdi) Deuxième Paraphrase de Concert sur `Ernani` (1859), S.432 (Liszt)
Recorded - August 23-27, 1993
      (2)

Based on the quartet from Act III

(Verdi) Paraphrase de concert on a Theme from the opera `Rigoletto` for piano (1855-59?), S.434 (Liszt)
Recorded: August 23-27, 1993.
      (1)


(Verdi) Paraphrase de concert on the `Miserere` from the opera `Il Trovatore` for piano (1859), S.433 (Liszt)
Recorded: August 23-27, 1993, UK.
      (2)

`Coro di festa` e Marcia funebre

(Verdi) Piano transcription of Finale de `Don Carlos` (1867-68), S.435 (Liszt)
Recorded - June 22-24, 1995
      (1)


(Verdi) Piano transcription of the Holy dance and the final duet from the opera `Aida` (1876?), S.436 (Liszt)
January 6-7, 1989, UK.
      (2)

Arrangement of Giselda`s prayer

(Verdi) Piano transcription of `Salve Maria de Jérusalem` from the opera `Lombardi alla prima crociata` (1848), S.431i (Liszt)
S.431a. Recording - June 22-24 , 1995
      (3)

(Verdi) Piano transcription of `Salve Maria de Jérusalem` from the opera `Lombardi alla prima crociata` (1848), S.431i (Liszt)
S.431b - 2nd edition. Recording - June 22-24 , 1995
      (2)

ased on different themes from the opera Ernani by Giuseppe Verdi than S.432

(Verdi) Première paraphrase de concert sur `Ernani`, for piano (1847), S.431a (Liszt)
      (5)


(Verdi) Réminiscences de Boccanegra for piano (1882), S.438 (Liszt)
Recorded: August 23-27, 1993.
      (3)

No. 5 from Requiem. 1st version

(Verdi) Transcription of `Agnus Dei` from `Requiem` for piano (1877), S.437i (Liszt)
Recorded - August 29, 1991
      (3)

Arr. of a pf piece by Mikhail Vielgorsky [attributed in some sources to Alexander Alyabyev]

(Vielgorsky) Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg (1868?), S.384 (Liszt)
      (5)


(Vielhorsky) Piano transcription of the romance `Lyubila ya` (`I Loved!`), 2nd version (1842), S.577i (Liszt)
Entry - October 20 21, 1994
      (3)


(Vielhorsky) Piano transcription of the romance `Lyubila ya` (`I Loved!`), 3rd version (1843?), S.577i/bis (Liszt)
Recorded: April 22, 2009, UK.
      (2)

1st version of S.577i S.577i/a and S.577ii

(Vielhorsky) Romance `Lyubila ya` (`I Loved!`), 1st version (1842), S.576b (Liszt)
Recorded - August 21-22, 1995
      (3)


(Wager) Piano transcription of Ballad of the `Flying Dutchman` (1872), S.441 (Liszt)
      (2)

1. Einzug der Gaeste auf der Wartburg aus `Tannhaeuser`
2. Elsas Brautzug zum Munster aus `Lohengrin`

(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852), S.445 (Liszt)
Einzug der Gaeste auf der Wartburg
      (3)

(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852), S.445 (Liszt)
Elsas Brautzug zum Münster. S.445/2. Recorded 23-27.08.1993
      (3)

(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852), S.445 (Liszt)
Einzug der Gaeste auf der Wartburg. 1st version (S.445/1a). Recorded 20-22.04.2009, London
      (7)

1. Festspiel und Brautlied
2. Elsas Traum
3. Lohengrins Verweis an Elsa

(Wagner) 3 fragments from `Lohengrin` for piano (1854), S.446 (Liszt)
Recorded - August 23-27, 1993
      (6)

ased on the battle-hymn `Santo spitiro cavaliere` Act III No.10 from the opera Rienzi WWV.49 by Richard Wagner

(Wagner) Fantasy on themes from `Rienzi` for piano (1859), S.439 (Liszt)
Recorded - August 23-27, 1993
      (3)

ased on themes from the final scene of the opera Das Rheingold WWV.86A by Richard Wagner

(Wagner) Piano transcription of  Valhalla. Excerpt from trilogy of Der Ring des Nibelungen by Wagner (1875), S.449 (Liszt)
      (6)


(Wagner) Piano transcription of the overture from `Tannhäuser`, S.442 (Liszt)
      (2)

From the 1st act

(Wagner) Piano transcription of the Solemn march to the Holy Grail from `Parsifal` (1882), S.450 (Liszt)
      (1)

`Am stillen Herd` from the first act

(Wagner) Piano Transcription of the Walter`s song from `Die Meistersinger von Nuernberg` (1871), S.448 (Liszt)
      (2)


(Wagner) Piano transcription of the `Spinnerlied` from `The Flying Dutchman` (1860), S.440 (Liszt)
      (2)


(Wagner) Piano transcription of `Isolda`s Liebestod` from  `Tristan and Isolda` (1867), S.447 (Liszt)
Recorded: December 7, 9, 1989.
      (1)


(Wagner) Piano transcription of `Î, du mein holder Abendstern` from `Tannhauser` (1849), S.444 (Liszt)
      (3)

`Heil! Heil! Der Gnade Wunder Heil!` from 3rd act. 2nd version

(Wagner) Pilgrim`s Chorus from the opera `Tannhauser`, for piano (1885?), S.443ii (Liszt)
Recorded - June 22-24, 1995
      (4)


(Weber) Konzertstück for piano and orchestra, op. 79. Piano transcription (1968-70), S.576à (Liszt)
Recorded 1997
      (1)

Listz`s version of the solo part

(Weber) Konzertstueck for piano and orchestra in F minor, op. 79 (1872), S.367a (Liszt)
Recording - June July 1998, Budapest.
      (3)

`Einsam bin ich nicht alleine` Act II No.7

(Weber) Piano transcription of Preciosa`s song from the incidental music to `Preciosa` (1848), S.453 (Liszt)
Records 1991-92
      (3)


(Weber) Piano transcription of the overture to the opera `Der Freischutz` (1846), S.575 (Liszt)
Entry - January 6-7, 1989
      (7)


(Weber) Piano transcription of the overture to the opera `Oberon` (1846), S.574 (Liszt)
Recorded - August 23-27, 1993
      (2)

Op.59 by Carl Maria von Weber

(Weber) Piano transcription of `Jubelovertüre` (1846), S.576 (Liszt)
Recorded 1997
      (2)

Based on the chorus Schlummerlied Op.68 No.4 by Carl Maria von Weber

(Weber) Piano transcription of `Schlummerlied mit Arabesken` (1848), S.454 (Liszt)
Entry - April 29, 1993
      (3)


(Weber) Polonaise brillante, op.72. Piano transcription (1851), S.455 (Liszt)
Recorded 1997
      (1)


(Weber) Polonaise Brilliant, Op. 72. Transcription for piano and orchestra (1848-52), S.367 (Liszt)
Recording - June July 1998, Budapest.
      (2)

ased on `Und ob die Wolke sie verhülle` Act III and Waltz Act I from the opera Der Freischütz Op.77 by Carl Maria von Weber

(Weber) `Freischütz-Fantasie` for piano (1840), S.451 (Liszt)
      (3)

Based on the themes of Nos.6 3 and 2 from the choral song collection `Leyer und Schwerdt`

(Weber) `Leyer und Schwert` - Heroide nach Carl Maria von Weber for piano (1846), S.452 (Liszt)
      (2)

rr. of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy

(Zichy) `Valse d`Adèle` - Transcription brillante for piano (1877), S.456 (Liszt)
Entry - October 20 21, 1994
      (3)

1826

12 Etudes, S.136 (Liszt)
Youth version, later revised into 12 transcendental studies. Recorded - October 5, 9, 10, 1992
      (20)

1. C Major Preludio
2. A Minor
3. F Major Paysage
4. D Minor Mazeppa
5. B Flat Major Feux Follets
6. G Minor Vision
7. E Flat Major Eroica
8. C Minor Wilde Jagd
9. A Flat Major Ricordanza
10. F Minor
11. D Flat Major Harmonies Du Soir
12. B Flat Minor Chasse-Neige

12 etudes d`execution transcendente (1851), S.139 (Liszt)
      (3)


12 Grandes Études (1837), S.137 (Liszt)
Recorded - October 17-19, 1994
      (15)

1. Waldesrauschen
2. Gnomenreigen

2 Concert Studies (1862), S.145 (Liszt)
Recorded: June 20-21, 1995, UK.
      (1)

1. Csárdás
2. Csárdás obstinée

2 Csárdáses for piano (1884), S.225 (Liszt)
No. 1. Recorded: April 28-30, 1993
      (3)

2 Csárdáses for piano (1884), S.225 (Liszt)
No.2. Recorded: April 28-30, 1993
      (3)

1. Salve Regina 1877
2. Ave maris stella 1865-77

2 Kirchenhymnen for organ (1877), S.669 (Liszt)
¹ 2, Ave maris stella.
      (2)

2 Kirchenhymnen for organ (1877), S.669 (Liszt)
¹ 1, Salve Regina. Recordings 1992-93
      (2)

1. Der heilige Franz von Assisi Die Vogelpredigt
2. Der heilige Franziskus von Paula `auf den Wogen schreitend`
before 1863

2 Légendes for piano (1863), S.175 (Liszt)
Recorded: February 8-10, 1988, UK.
      (6)

2 Légendes for piano (1863), S.175 (Liszt)
2. `St François de Paule, marchant sur les flots` (simplified version of S.175/2). Recorded: August 1995
      (1)

Christus 2 Orchestersätze aus dem Oratorium - arrs. of extracts from S.3
1. Hirtengesang an der Krippe
2. Die heiligen drei Könige

2 Orchestersätze aus dem Oratorium `Christus` for piano (1871), S.498b (Liszt)
Recorded - April 26-28, 1990
      (4)


2 piano pieces, S.189 (Liszt)
¹1 As-dur, ¹2 Des-dur
      (5)

1. Polonaise mélancolique C minor
2. Polonaise E major

2 Polonaises for piano (1850-51), S.223 (Liszt)
¹ 2. Recorded: February 8-10, 1988, UK.
      (1)

2 Polonaises for piano (1850-51), S.223 (Liszt)
¹ 1. Recorded: February 8-10, 1988, UK.
      (2)

1. Einleitung
2. Das Wunder

2 Stuecke aus dem Oratorium `Christus` for piano (1871), S.498c (Liszt)
1. Einleitung, 2. Pastorale 3. Das Wunder. (1871) S498c.
      (2)

2 Stuecke aus dem Oratorium `Christus` for piano (1871), S.498c (Liszt)
Recorded April 20-22, 2009, London.
      (2)

1. Il lamento. 2. La leggierezza. 3. Un sospiro. 1848.

3 Études de Concert, S.144 (Liszt)
No. 1, 2, 3bis (2 short cadenzas to No. 3), 3. Recording - June 20 21, 1995
      (4)

3 Études de Concert, S.144 (Liszt)
Two Additional Cadences to `Un Sospiro` (S.144/3a)
      (2)

2nd version of S.209

3 Caprices-Valses for piano: No. 1 - Valse de bravoure B flat major (1850-52), S.214/1 (Liszt)
Recorded - October 24 25, 1985
      (5)

3rd version of S.210 S.210a

3 Caprices-Valses for piano: No. 2 - Valse mélancolique (1850), S.214/2 (Liszt)
Recorded - October 24 25, 1985
      (5)

2nd version of S.401

3 Caprices-Valses for piano: No. 3 - Valse de concert on themes from `Lucia di Lammermoor` and  `Parisina` by G. Donizetti (1850-52), S.214/3 (Liszt)
Recorded - August 23-27, 1993
      (3)

3 Caprices-Valses for piano: No. 3 - Valse de concert on themes from `Lucia di Lammermoor` and  `Parisina` by G. Donizetti (1850-52), S.214/3 (Liszt)
Recorded: October 1981.
      (2)

1. Ranz de vaches Mélodie de F.Huber avec variations
2. Un soir dans la montagne Mélodie de E. Knop - Nocturne
3. Ranz de chèvres Mélodie de F.Huber - Rondo

3 Morceaux suisses for piano, 2nd version (1876), S.156a (Liszt)
Recorded - October 24-25, 1995
      (4)

1. Hohe Liebe
2. Seliger Tod
3. O lieb so lang du lieben kannst

3 nocturnes (`Dreams of Love` / `Liebesträume`) for piano (1850), S.541 (Liszt)
Recorded: October 30-31, 1991, UK.
      (3)

3 nocturnes (`Dreams of Love` / `Liebesträume`) for piano (1850), S.541 (Liszt)
Liebesträume No.3: O lieb, so lang du lieben kannst! (Love dream), S.541/3
      (2)

rrs. of S.270a

3 Sonetti di Petrarca for piano (1843-46), S.158 (Liszt)
Recorded: August 26-27, 1992, UK.
      (4)

rrs. of extracts from S.2

1. Orchester Einleitung Orchestral Introduction
2. Marsch der Kreuzritter Crusaders` March
3. Interludium

3 Stuecke aus der `Legende von der Heiligen Elisabeth`, version for piano (1857-62), S.498a (Liszt)
Recorded - April 26-28, 1990
      (2)

1. Tempo giusto
2. Animato
3. Prélude Allegretto

3 Ungarische Nationalmelodien (1840), S.243 (Liszt)
Lighter version. Recording 1997
      (3)

3 Ungarische Nationalmelodien (1840), S.243 (Liszt)
      (2)

1. Lilie Andantino
2. Hryc
3. Mazurek Gdy w czystem polu Mazurka When on the Clean Earth
4. Krakowiak

4 Album-Leaves for Princess Marie von Sayn-Wittgenstein (1847), S.166m (Liszt)
Recorded - December 16 17, 2001, London.
      (2)

Magyar népdal
1. Csak titokban
2. Jaj beh szennyes
3. Beh szomoru ez az élet
4. Beh! Sok falut
5. Erdt erdt sfrf erdt

5 Ungarische Volkslieder for piano (1872), S.245 (Liszt)
Recorded - June 23-25, 1990
      (3)

Incorrectly attributed to Liszt actually by Franz Xaver Mozart

5 Variations on a theme from Mehul`s `Joseph` (1820,), S.747a (Liszt)
Recorded - October 5, 9, 10, 1992
      (6)


8 Variations on an original theme (1824), S.148 (Liszt)
Recorded - October 5, 9, 10, 1992
      (11)

After Victor Hugo. 3rd version of S.136/4; S. 137/4; S.139/4

A study  for piano `Mazeppa` (1840), S.138 (Liszt)
Recorded - April 29-May 1, 1997
      (10)


Abschied - Russisches Volkslied for piano (1885), S.251 (Liszt)
Record - June 21-23, 1990
      (6)


Adagio non troppo (1824?), S.151a (Liszt)
Recorded - April 20-22, 2009, London.
      (3)


Air cosaque for piano (1879), S.249c (Liszt)
      (3)


Album Leaf, S.167h (Liszt)
Recorded April 26-28, 2003, London.
      (2)

Arr. of the Agnus Dei from S.9ii

Album Leaf  (`Agnus Dei`) (1860?), S.167c (Liszt)
      (2)

Feuille d`album

Album Leaf  ¹ 1 A♭ major (1844), S.165 (Liszt)
Recorded - October 5, 9, 10, 1992
      (5)

Fragment from S.158c; published 1988

Album Leaf (Adagio in C major) (1841), S.158d (Liszt)
      (5)


Album Leaf (Allegro vivace quasi presto) F♯ minor (1828), S.163a/1 (Liszt)
Recorded - December 16 17, 2001, London.
      (4)

riginally intended for S.172

Album Leaf (Consolation No.1) (1849-50), S.171b (Liszt)
      (4)


Album leaf (Dante Sonata, fragment) (1837), S.701e (Liszt)
      (2)


Album Leaf (Mélodie polonaise) (1833), S.249a (Liszt)
Entry - August 1995
      (1)


Album Leaf (of the symphonic poem Orpheus) (1860), S.167d (Liszt)
      (2)


Album Leaf (of the symphonic poem `Ideals`) (1860), S.167e (Liszt)
      (1)


Album Leaf (Operatic aria – and sketched variation) (1841), S.701h/1 (Liszt)
      (2)


Album Leaf (`Adagio religioso in C major`) (1825), S.164l (Liszt)
Recorded - April 20-22, 2009, London.
      (3)

Based on S.577 S.577bis S.577a and S.577ter

Album Leaf (`Agitato in G major`) (1849), S.167l (Liszt)
Entry - April 20-22, 2009, London.
      (4)


Album Leaf (`Ah! vous dirai-je, Maman`) (1833), S.163b (Liszt)
      (3)


Album Leaf (`Allegretto in A major`) (1842), S.167n (Liszt)
Recorded - April 20-22, 2009, London.
      (3)


Album Leaf (`Andante in E♭ major`) (1850?), S.167r (Liszt)
Recorded April 20-22, 2009, London.
      (1)

2nd version of S.166h

Album Leaf (`Andante religiosamente in G major`) (1846), S.166j (Liszt)
Recorded - April 20-22, 2009, London.
      (1)

Alternate score of S.166j

Album Leaf (`Andante religioso in G major`) (1846), S.166h (Liszt)
      (1)


Album Leaf (`Andantino in A♭ major`) (1847), S.166p (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf (`Andantino in E major` - `Valse mélancolique`) (1840), S.163d/ii (Liszt)
Recorded - April 20-22, 2009, London.
      (2)

Possible intended for S.216 S.216b S.514 or S.515?

Album Leaf (`Aus dem 1. Mephisto-Walzer - Episode aus Lenaus Faust: Der Tanz in der Dorfschenke`) (1859), S.167m (Liszt)
Recorded - April 20-22, 2009, London.
      (1)


Album Leaf (`Aus dem Purgatorio des Dante Sinfonie`) (1857?), S.166r/2 (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf (`Berlin Preludio`) (1842), S.164g (Liszt)
      (2)


Album Leaf (`Braunschweig Preludio`) (1844), S.166f (Liszt)
      (3)

Based on material from S.109

Album Leaf (`Dante Symphony progression`) G major (1860?), S.167f (Liszt)
Recorded - December 16 17, 2001, London.
      (1)


Album Leaf (`Detmold`) (1841), S.164d (Liszt)
      (1)


Album Leaf (`Exeter Preludio`) (1840), S.164c (Liszt)
      (1)

Song `Freudvoll und leidvoll` S.280 sketch

Album Leaf (`Freudvoll und leidvoll`) (1847), S.166n (Liszt)
Recorded - December 16 17, 2001, London.
      (1)


Album Leaf (`Friska`) (1845–49?), S.166k (Liszt)
Recorded - December 16 17, 2001, London.
      (1)


Album Leaf (`Fugue chromatique - Allegro in G minor`) (1844), S.167j (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf (`Glasgow fragment`) (1841?), S.701f (Liszt)
      (1)


Album Leaf (`Introduction to the Grande Étude de Paganini No 6`) (1884), S.141/6a (Liszt)
Recorded - April 20-22, 2009, London.
      (2)

Uses themes from S.139/11

Album Leaf (`Langsam in C♯ minor`) (1876), S.166o (Liszt)
Recorded - April 20-22, 2009, London.
      (1)

On a Henselt Concerto

Album Leaf (`Larghetto in D♭ major`) (1883), S.167p (Liszt)
Recorded - April 20-22, 2009, London.
      (2)


Album Leaf (`Leipzig`) E major (1840), S.163d/i (Liszt)
      (3)


Album Leaf (`Leipzig`) E♭ major (1840), S.164b (Liszt)
      (2)


Album Leaf (`Lyon Prélude`) (1844), S.166d (Liszt)
      (1)


Album Leaf (`Lyon`) C major (1839), S.167s (Liszt)
Recorded April 20-22, 2009, London.
      (2)


Album Leaf (`Magyar`) (1840), S.164e/1 (Liszt)
      (1)


Album Leaf (`Magyar`) (1841), S.164e/3 (Liszt)
Recorded - April 20-22, 2009, London.
      (2)

2nd version of S.164e/1; themes re-used in S.242/11

Album Leaf (`Magyar`) B♭ minor (1840), S.164e/2 (Liszt)
Recorded April 26-28, 2003, London.
      (1)


Album Leaf (`Moderato in D♭ major`) (1842), S.164k (Liszt)
Recorded - April 20-22, 2009, London.
      (1)


Album Leaf (`Portugal`) A♭ major (1845), S.166b (Liszt)
      (2)


Album Leaf (`Prélude omnitonique`) (1844), S.166e (Liszt)
      (2)


Album Leaf (`Preludio`) (1842), S.164j (Liszt)
Recorded April 26-28, 2003, London.
      (1)


Album Leaf (`Pressburg`) C minor (1839), S.163c (Liszt)
      (2)


Album Leaf (`Purgatorio`) (1857), S.166r/1 (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf (`Quasi mazurek in C major`) (1843), S.163e (Liszt)
Recorded April 20-22, 2009, London.
      (2)


Album Leaf (`Rákóczi-Marsch`) A minor (1841), S.164f (Liszt)
      (1)


Album Leaf (`Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major`) (1883), S.167q (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf (`Serenade`) A minor (1840), S.166g (Liszt)
      (1)

Themes re-used in S.227

Album Leaf (`Tempo di marcia in E♭ major`) (1845), S.167o (Liszt)
Recorded - April 20-22, 2009, London.
      (1)


Album Leaf (`Vienna`) E major (1840), S.164a (Liszt)
      (3)


Album Leaf (`Vivace ma non troppo in D♭ major`) (1835), S.167g (Liszt)
Recorded - April 20-22, 2009, London.
      (1)


Album Leaf (‘An die Künstler II’), S.166t/2 (Liszt)
Recorded: November 2017, UK.
      (3)


Album Leaf (‘An die Künstler I’), S.166t/1 (Liszt)
      (1)

Album Leaf (‘An die Künstler I’), S.166t/1 (Liszt)
Recorded: November 2017, UK.
      (4)


Album Leaf (‘Ave Maria’), S.164q (Liszt)
      (1)

Album Leaf (‘Ave Maria’), S.164q (Liszt)
Recorded: November 2017, UK.
      (3)


Album Leaf (‘Düsseldorf Preludio’), S.163f/2 (Liszt)
Recorded: November 2017, UK.
      (4)


Album Leaf (‘Dublin’), S.164r (Liszt)
Recorded: November 2017, UK.
      (1)


Album Leaf A major (1870), S.166s (Liszt)
Recorded April 20-22, 2009, London.
      (1)


Album Leaf A♭ major (1840?), S.166l/1 (Liszt)
Recorded April 26-28, 2003, London.
      (1)


Album Leaf A♭ major (1845), S.166c (Liszt)
      (1)


Album Leaf D major (1840-45?), S.164h (Liszt)
Recorded April 26-28, 2003, London.
      (1)

Based on S.173/10

Album Leaf E major (1853), S.167t (Liszt)
Recorded - April 20-22, 2009, London.
      (1)

Based on S.219 and S.219bis

Album Leaf E♭ major (1840), S.167k (Liszt)
Recording - April 20-22, 2009, London.
      (1)


Album Leaf E-Dur (1843), S.166a (Liszt)
      (1)


Album Leaf G major (1847), S.166q (Liszt)
Recorded April 20-22, 2009, London.
      (2)


Album Leaf G minor (1840?), S.166l/2 (Liszt)
Recorded - April 20-22, 2009, London.
      (1)

Feuille d`album No.2. `Die Zelle in Nonnenwerth` 3rd version

Album Leaf ¹ 2 A minor (1849), S.534ii/a (Liszt)
Recorded - October 5, 9, 10, 1992
      (6)


Album of princess Marie zu Sayn-Wittgenstein (1847), S.166 (Liszt)
Entry - October 24 25, 1985
      (5)

rr. of theme of the Valse infernale Act III No.10 from the opera `Robert le diable` by Giacomo Meyerbeer; incomplete sketch

Album-Leaf (Valse infernale) (1840?), S.701h/2 (Liszt)
      (2)


Album-Leaf (‘Aus dem Mephisto-Walzer’), S.167m/2 (Liszt)
Recorded: November 2017, UK.
      (2)

ased on S.210

Albumblatt E-dur (1840), S.164 (Liszt)
Recorded - October 5, 9, 10, 1992
      (5)

Published as Op.4 No.1. Dedicated Count Thaddäus von Amadè

Allegro di Bravura (1824-25), S.151 (Liszt)
Recorded - October 5, 9, 10, 1992
      (8)

Incomplete sketches for No.13 of 48 exercises

Allegro maestoso for piano (1826), S.692c (Liszt)
      (2)

Incomplete sketch

Andante sensibilissimo for piano (1880-86), S.701c (Liszt)
      (4)


Andantino (`pour Emile et Charlotte Loudon`) E♭ major (1828), S.163a/2 (Liszt)
      (3)

Andantino (`pour Emile et Charlotte Loudon`) E♭ major (1828), S.163a/2 (Liszt)
Recorded April 20-22, 2009, London.
      (5)

The first page of S.725/1 now lost copied by Liszt in 1880

Anfang einer Jugendsonate (1825 - 1880), S.692b (Liszt)
      (2)

1. La chapel de Guillaume Tell
2. Au lac de Wallenstadt
3. Pastorale
4. Au bord d`une source
5. Orage
6. Vallee d`Obermann
7. Eglogue
8. Le mal du pays
9. Les chloches de Geneve

Années de pèlerinage I: Suisse (1836-54), S.160 (Liszt)
Recorded: October 24-25, 1995.
      (2)

1838-49
1. Sposalizio
2. Il Pensieroso
3. Canzonetta del Salvator Rosa
4. Sonetto 47 del Petrarca
5. Sonetto 104 del Petrarca
6. Sonetto 123 del Petrarca
7. Après une Lecture de Dante Fantasia Quasi Sonata

Années de pèlerinage II: Italy, S.161 (Liszt)
Recorded: August 5-6, 1996.
      (3)

Supplément aux Années de Pèlerinage 2e volume
1859
1. Gondoliera. Quasi allegretto
2. Canzone. Lento doloroso - Più lento
3. Tarantella. Presto - Più vivace - Canzone napoletana - Prestissimo

Années de pèlerinage II: Venezia e Napoli, S.162 (Liszt)
Recorded: August 5-6, 1996, UK.
      (2)

1867-77

1. Angelus! Prière aux anges gardiens
2. Aux cyprès de la Villa d`Este I
3. Aux cyprès de la Villa d`Este II
4. Les jeax d`eaux à la Villa d`Este
5. Sunt lacrimae rerum Dedicated to Hans von Bülow
6. Marche funèbre
7. Sursum corda

Années de Pèlerinage III: Italy, S.163 (Liszt)
Recorded: June 23-25, 1990, UK.
      (3)


Années de Pèlerinage III: Italy (separate pieces),  (Liszt)
¹ 1 - `Angelus!`; ¹ 5 - `Sunt lacrimae rerum`; ¹ 7 - `Sursum corda`. (Early versionns)
      (1)

Années de Pèlerinage III: Italy (separate pieces),  (Liszt)
Années de pèlerinage, troisième année, S.163 – No.6: Marche funèbre – en mémoire de Maximilien I, Empereur du Mexique, d. 19 juin 1867. Recorded: June 1990, UK.
      (1)

Arr. of extracts from S.11
1. Benedictus
2. Offertorium

Aus der Ungarischen Kroenungsmesse (1867), S.501 (Liszt)
¹ 1, Benedictus. Recording - December 7-12 , 1989
      (2)

Aus der Ungarischen Kroenungsmesse (1867), S.501 (Liszt)
¹ 2, Offertorium. Recording - December 7-12 , 1989
      (2)

2nd version of S.162a/1 S.162a/2 S.162a/3 S.162a/4 S.163/1

Aux anges gardiens (Den Schutz Engeln), S.162a/iii (Liszt)
Recorded - December 16 17, 2001, London.
      (2)

ased on Dietsch`s adaptation of a madrigal by Arcadelt

Ave Maria    d`Arcadelt for piano F major (1862), S.183/2 (Liszt)
Recorded - December 7-12, 1989
      (3)

Arr. of S.38

Ave Maria  II for piano D flat major. 2nd version (1872), S.504/2 (Liszt)
Recorded - December 7-12, 1989
      (4)

Arr. of S.38

Ave Maria  II for piano D major. 1st version (1869-70), S.504/1 (Liszt)
Recorded - December 7-12, 1989
      (2)

1862

Ave Maria for the piano school of Lebert and Stark (The Bells of Rome), E-dur, S.182 (Liszt)
Recorded - December 7-12, 1989
      (2)

rr. of S.341

Ave Maria IV for piano (1881), S.545 (Liszt)
Recorded - December 7-12, 1989
      (4)

rr. of 2nd version of S.34

Ave maris stella for piano (1868), S.506 (Liszt)
Recorded - December 7-12, 1989
      (5)


Bülow-Marsch, S.230 (Liszt)
Recorded - April 28-30, 1993
      (1)


Bülow-Marsch, S.229b (Liszt)
Recorded: November 2017, UK.
      (2)

Bagatelle sans tonalité

Bagatelle without tonality for piano (1885), S.216a (Liszt)
Recorded - October 24 25, 1985
      (4)

2nd version of S.171d/4

Ballade No.1 in Des-dur `Le chant du croisé` (1845-48), S.170 (Liszt)
February 8-10, 1988, UK.
      (4)

1st version of S.171

Ballade No.2 in h-moll (1 version) (1853), S.170a (Liszt)
Recorded - August 21-22, 1995
      (2)


Ballade No.2 in h-moll, 2nd version (1853), S.171 (Liszt)
Recorded: February 8-10, 1988, UK.
      (1)

1854 rev. 1863

Berceuse for piano (1854, 1862), S.174 (Liszt)
Recorded - February 8-10, 1988
      (6)

Cadenza for S.514

Cadenza for `Mephisto-Walzer` No.1 (1883-85?), S.695f (Liszt)
Recorded - April 20-22, 2009, London.
      (3)


Cantico del Sol di San Francesco for piano (1881), S.499 (Liszt)
      (2)


Canzone Napolitana (Notturno) for piano, 1st version (1842), S.248i (Liszt)
      (5)

2nd version `arr. élégant`

Canzone Napolitana (Notturno) for piano, 2nd version (1842), S.248ii (Liszt)
      (4)


Carrousel de Madame Pelet-Narbonne` (1879?), S.214a (Liszt)
Record - June 21-23, 1990
      (3)


Celebre melodie hongroise (1866), S.243a (Liszt)
      (2)

Celebre melodie hongroise (1866), S.243a (Liszt)
Recorded - December 16 17, 2001, London.
      (2)

From S. 50 2-12
1. Crux ave benedicta
2. Jesu Christe Die fünf Wunden
3. Meine Seel` erhebt den Herrn Gott sei gnädig und barmherzig
4. Nun danket alle Gott!
5. Nun ruhen alle Wälder
6. O Haupt voll Blut und Wunden
7. O Lamm Gottes!
8. O Traurigkeit
9. Vexilla Regis
10. Was Gott tut das ist wohlgetan
11. Wer nur den lieben Gott läßt walten

Choräle - 11 alte deutsche geistliche Weisen for piano (1878-79), S.504b (Liszt)
Recorded on October 6, 1989, London.
      (3)

1. Allegro maestoso - Tempo giusto
2. Quasi Adagio - Allegro vivace - Allegro animato
3. Allegro marziale animato - Presto

Concerto for Piano and Orchestra No.1 in Es-dur (1830-56), S.124 (Liszt)
Recorded: November 1997.
      (2)

Based on S.524a
1. Adagio sostenuto assai
2. Allegro agitato assai
3. Allegro moderato
4. Allegro deciso
5. Marziale un poco meno allegro
6. Allegro animatio - Stretto

Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61), S.125 (Liszt)
Concerto without orchestra - the original keyboard version of the Second Piano Concerto (1839) S524a.
      (1)

Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61), S.125 (Liszt)
Recording - November 1997, Budapest.
      (1)

Unfinished; performing version realized by Jay Rosenblatt

Concerto for piano and orchestra No.3 in Es-dur (1835-39), S.125a (Liszt)
Recording - June July 1998, Budapest.
      (8)


Concerto for piano and strings E-Minor `Malediction` (after 1833), S.121 (Liszt)
Recording - June July 1998, Budapest.
      (1)

Unfinished; rev. as S.125

Concerto sans orchestre in A major (1839?), S.524a (Liszt)
Recorded April 26-28, 2003, London.
      (5)

Unfinished score prepared from manuscript sources by Jay Rosenblatt and Leslie Howard

De Profundis (Psaume instrumentale) for piano and orchestra (1834-35), S.121a (Liszt)
Recording - November 1997, Budapest.
      (4)

Arr. for pf as S.546

Declamation `Der blinde Sänger` for narrator and piano (1875-77), S.350 (Liszt)
On Rus. Yury Stepanov - declamation. Recorded: October 27-28, 1995.
      (7)

`In Schweden steht ein grauer Turm`

Declamation `Der traurige Mönch` for narratot and piano (1860), S.348 (Liszt)
On it. yaz. Wolf Kaler - reader. Recording - October 27 28, 1995
      (3)

`A holt költó szerelme`. Rev. for pf as S.195

Declamation `Des toten Dichters Liebe` for narrator and piano (1874), S.349 (Liszt)
In the Veng. yaz. Sandor Elesh - reader. Recording - October 27 28, 1995
      (4)

Arr. of the ballad Helges Treue Op.1 by Felix Draeseke

Declamation `Helges Treue` for narrator and piano (1860), S.686 (Liszt)
On it. yaz. Wolf Kaler - reader. Recording - October 27 28, 1995
      (2)


Declamation `Lenore` (Der Bräutigam) for narrator and piano (1857-58), S.346 (Liszt)
Wolf Kahler - narrator. Recorded: October 27-28, 1995, UK.
      (3)


Dem Andenken Petőfis, S.195ii (Liszt)
      (2)

Dem Andenken Petőfis, S.195ii (Liszt)
Recorded: November 2017, UK.
      (3)

1st version of S.163/3

Den Cypressen der Villa d`Este - first version (1872), S.162b (Liszt)
Entry - August 1995
      (6)


Den Schutz-Engeln: `Angelus!` (Pri ère á l`ange gardien), 3rd version (1880), S.162a/iv (Liszt)
Entry - August 1995
      (2)


Den Schutz-Engeln: `Angelus`, first version, first sketch (1877), S.162a/i (Liszt)
first version, first sketch
      (3)

Den Schutz-Engeln: `Angelus`, first version, first sketch (1877), S.162a/i (Liszt)
Recorded: November 2017, UK.
      (2)


Den Zypressen der Villa d’Este [I] first version, S.162b/1 (Liszt)
      (3)

Den Zypressen der Villa d’Este [I] first version, S.162b/1 (Liszt)
Recorded: November 2017, UK.
      (2)

1st version

Die Trauer-Gondel (La lugubre gondola) for piano. 1st early version (1882), S.199a/i (Liszt)
Recorded - December 16 17, 2001, London.
      (2)

rr. of S.301b/i

Elégie `Die Zelle im Nonnenwerth` for piano, 2nd version (1841), S.534ii (Liszt)
Recorded - March 9 10, 1995
      (2)

Arr. of S.274i

Elegie `Die Zelle im Nonnenwerth` for piano, 1st version (1840), S.534i (Liszt)
Recorded - May 25-27, 1996
      (2)

Arr. of S.273i

Elegie `Die Zelle im Nonnenwerth` forpiano, 3rd version (1849), S.534ii/a (Liszt)
Recorded - March 9 10, 1995
      (3)

rr. of S.274ii

Elegie `Die Zelle in Nonnenwerth` for piano, 4th version (1881), S.534iii (Liszt)
Records 1992-93.
      (1)


Elegy for Piano  ¹ 1 (1874), S.196 (Liszt)
Recorded - April 23-28, 1990
      (2)


Elegy on the themes of Prince Louis Ferdinand of Prussia for piano,  1st version (1842), S.168i (Liszt)
Recorded - March 11-12, 1995
      (1)

2nd version of S.168i

Elegy on the themes of Prince Louis Ferdinand of Prussia for piano, 2nd version (1851), S.168ii (Liszt)
      (2)

1st version of S.197

Entwurf der `Ramann-Elegie` (1877), S.196a (Liszt)
Recorded - March 9 10, 1995
      (2)


Epithalam zu Eduard Reményis Vermählungsfeier, for piano (1872), S.526 (Liszt)
Record - June 21-23, 1990
      (3)


Essai sur l’indifference, S.692p/2 (Liszt)
Recorded: November 2017, UK.
      (2)

Arr. of S.92/1

Fanfare zur Enthüllung des Carl-Augusts Monuments for piano (1875), S.542b (Liszt)
Recorded - March 9 10, 1995
      (1)


Fantaisie romantique sur deux mélodies suisses for piano (1835-36), S.157 (Liszt)
Recorded - March 16-20, 1992
      (4)

Based on S.244/14

Fantasia on Hungarian Folk Themes for piano and orchestra (1852-55), S.123 (Liszt)
Recorded in 1998, Budapest.
      (1)

3rd version of S.158a S.158b S.161/7

Fantasia quasi Sonata `Aprés une lecture du Dante` (1840), S.158c (Liszt)
Recorded 1997
      (10)

4th version of S.158a S.158b and S.158c

Fantasia quasi Sonata `Aprés une lecture du Dante` (1849), S.161/7 (Liszt)
1997. Nr. 7 Après une Lecture de Dante: Fantasia Quasi Sonata.
      (2)

Fantasia and Fugue on the theme B-A-C-H. Arr. of S.260ii; 2nd version of S.529i

Fantasie und Fuge über das Thema B-A-C-H for piano (1870), S.529ii (Liszt)
Recorded: February 8-10, 1988, UK.
      (4)

2nd version of S.227

Fest-Marsch zur Göthe Jubiläum-Feier for piano, 2nd version (1857), S.521 (Liszt)
Recorded - April 28-30, 1993
      (2)

Based on themes from the opera `Diana von Solang` by Ernst II Herzog von Sachsen-Coburg-Gotha E.H. z. S.C.-G. rr. of S.116

Festmarsch nach Motiven von E.H. z. S.-C.-G for piano (1858-59), S.522 (Liszt)
Recorded - April 28-30, 1993
      (2)

Festmarsch zur Säcularfeier von Goethe`s Geburtstag am 28. August 1849 in Weimar

Uses themes from S.167o; 1st version of S.521

Festmarsch zur Säcularfeier von Goethes Geburtstag for piano, 1st version (1849), S.227 (Liszt)
1995
      (4)


Festpolonaise for piano (1876), S.230a (Liszt)
Recorded - April 28-30, 1993
      (1)

Arr. for orch as S.356

Festvorspiel (Preludio pomposo) for piano (1856), S.226 (Liszt)
Recorded on April 28-30, 1993.
      (2)

5 Klavierstücke Album-Leaves for Olga von Meyendorff
1. Sehr langsam
2. Lento assai
3. Sehr langsam
4. Andantino
5. Sospiri! Andante

Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79), S.192 (Liszt)
No. 5. Recorded: June 21-23, 1990
      (4)

Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79), S.192 (Liszt)
No. 1. Recorded: June 21-23, 1990
      (3)

Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79), S.192 (Liszt)
No. 2. Recorded: June 21-23, 1990, UK.
      (3)

Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79), S.192 (Liszt)
No. 3. Recorded June 21-23, 1990
      (3)

Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79), S.192 (Liszt)
No. 4. Recorded: June 21-23, 1990
      (4)

Arr. from S.688; incomplete sketches

Fragment from `Die Legende vom heiligen Stanislaus` for piano (1880), S.688a (Liszt)
      (1)

Arr. of extracts from S.2

1. Das Rosenmirakel
2. Der Sturm

Fragments from `Die Legende von der Heiligen Elisabeth` for piano (1862), S.693a (Liszt)
Recorded 1997
      (2)

ased on the French anthem `Marche de Henri IV`

French anthem `Vive Henri IV` for piano (1879-80), S.239 (Liszt)
      (1)

1. Preludio funebre
2. Marcia funebre

Funeral Prelude and March for piano (1885), S.206 (Liszt)
Recorded on October 6, 1989.
      (2)

Funeral Prelude and March for piano (1885), S.206 (Liszt)
No. 1 Preludio funebre
      (3)


Galop de Bal for piano (1840), S.220 (Liszt)
Recorded - April 29, 1993
      (4)


Galop for piano A minor (1846), S.218 (Liszt)
Recorded - April 28-30, 1993
      (3)


Gaudeamus igitur  (Paraphrase de chanson des étudiants) (1843), S.240a (Liszt)
Recorded: August 21-22, 1995, UK.
      (4)

Gaudeamus igitur  (Paraphrase de chanson des étudiants) (1843), S.240a (Liszt)
      (2)

rr. of S.71a

Gaudeamus igitur (Humoreske), S.509 (Liszt)
Recorded - August 21-22, 1995
      (3)

2nd simplified version of S.219 sometimes wrongly attributed to Johann Strauss II

Grand Galop chromatique E dur for piano, 2nd version (1840?), S.219a (Liszt)
Entry 1997
      (1)


Grand Galop chromatique Es-dur for piano, 1st version (1838), S.219 (Liszt)
Recorded: April 28-30, 1993.
      (2)

Based on S.176. Score prepared from manuscript sources by Leslie Howard

Grand Solo de concert for piano and orchestra (1850), S.365 (Liszt)
Recording - June July 1998, Budapest.
      (5)


Grand Solo de concert for piano, 1st version (1850), S.175a (Liszt)
Recorded - May 25-27, 1996
      (4)

Using themes from the Violin Concerto No.2 Op.7 by Niccolò Paganini and Il carnevale di Venezia Op.10 by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700ii

Grande Fantaisie sur des thèmes de Paganini for piano (1845), S.700i (Liszt)
      (1)

Grande Fantaisie sur des thèmes de Paganini for piano (1845), S.700i (Liszt)
Recorded: October 1998.
      (2)

Partly based on S.235 using the themes of the British national anthem and Rule Britannia by Thomas Arne; fragment only survives completed by Leslie Howard as Fantasy on English Themes; arr. for pf4h as S.755b and for vn va vc pf as S.718e

Grande paraphrase de concert sur `God Save the Queen` et `Rule Britannia` for piano (1841-42), S.694 (Liszt)
      (2)


Grande valse di bravura `Le bal de Berne` (1836), S.209 (Liszt)
      (3)


Great Concert Fantasia on the Spanish Themes for piano (1845), S.253 (Liszt)
Recorded - August 7-9, 1996
      (7)

2nd version of S.175a

Grosses Konzertsolo for piano, 2nd version (1850), S.176 (Liszt)
Record - February 8-10, 1988
      (5)

1st version of S.172a/8; S.173/4 Prose des morts De profundis

Harmonies poétiques et religieuses for Piano (1833-34), S.154i (Liszt)
Recorded: December 7-12, 1989, UK.
      (4)

2nd version of S.171d
12 pieces
1. Elevez-vous voix - 1st version of S.172c S.173/1
2. Hymne de la nuit - 1st version of S.173a/1
3. Hymne du matin - 1st version of S.173a/2
4. Litanies de Marie - 2nd version of S.171e
5. Miserere - 1st version of S.173/8
6. Pater noster d`apres la Psalmodie de l`Eglise - 1st version of S.173/5; adapted for mch as S.21
7. Hymne de l`enfant a son reveil - 2nd version of S.171c S.173/6
8. Prose des morts De profundis - 2nd version of S.154 S.173/4
9. La lampe du temple - 1st version of S.173/9
10. [Hymn]
11. Benediction Prelude - 2nd version of S.171d/1 and S.173/3
12. Ave Maria - arr. of 20i lost

Harmonies poétiques et religieuses for Piano, 2nd version (1847-48), S.172a (Liszt)
Recording - December 7-12, 1989 (No. 1-3)
      (4)

3rd version of S.171d and S.172a
10 pieces
1.Invocation 2.Ave Maria 3. Benediction de Dieu dans la solitude 4. Pensee des morts 5. Pater Noster. 6. Hymne de lenfant a son reveil 7. Funerailles`October 1849 8. Miserere d`apres Palestrina 9.Andante lagrimoso. 10. Cantique d`amour.

Harmonies poétiques et religieuses for Piano, 3rd version (1840-52), S.173 (Liszt)
N 6 Hymne de l’enfant a son reveil. Rec. 1989.
      (3)

Harmonies poétiques et religieuses for Piano, 3rd version (1840-52), S.173 (Liszt)
Recorded: December 7-12, 1989, London.
      (1)

8 Harmonies poetiques et religieuses. 1st version of S.172a and S.173
1. Nancy Prélude
2. Langueur?
3. Appassionato
4. Dernière illusion ?
5. [untitled]
6. Attente
7. Alternative
8. M. K. Andante

Harmonies poetiques et religieuses for Piano, 1st version (1845-46), S.171d (Liszt)
Recorded April 26-28, 2003, London.
      (6)

Harmonies poetiques et religieuses for Piano, 1st version (1845-46), S.171d (Liszt)
No. 1 (1st version, 1845). Recording - May 23 24 , 1996
      (2)

1. Stephen Széchenyi
2. József Eötvös
3. Mihály Vörösmarty
4. László Teleki
5. Ferenc Deák
6. Sándor Petőfi
7. Mihály Mosonyi

Historical Hungarian Portraits for piano (1870-86), S.205 (Liszt)
Entry - June 23-25, 1990
      (4)

Work prepared from Listz`s unpublished manuscripts by Leslie Howard - 2nd version of S.205

Historische ungarische Bildnisse, for piano (1885), S.205a (Liszt)
Recorded 1998
      (1)

1st version of 228ii

Huldigungsmarsch for piano (1853), S.228i (Liszt)
Entry 1997
      (1)

2nd version of S.228i; arr. for orch as S.357/2

Huldigungsmarsch for piano (1857), S.228ii (Liszt)
Recorded - April 28-30, 1993
      (1)

unpublished

Hungarian March for piano in B-dur (1859), S.229a (Liszt)
Recorded April 26-28, 2003, London.
      (2)


Hungarian Rhapsody ¹ 1 in cis-moll, S.244/1 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹ 17 in d-moll, S.244/17 (Liszt)
Recorded: December 14-18, 1998, UK.
      (6)


Hungarian Rhapsody ¹ 2 in cis-moll, S.244/2 (Liszt)
Recorded: December 14-18, 1998, UK.
      (4)

Cadenzas for S.244/2

Hungarian Rhapsody ¹ 2 in cis-moll (1885), S.244/2a (Liszt)
      (7)


Hungarian Rhapsody ¹ 3 in B-dur, S.244/3 (Liszt)
Recorded: December 14-18, 1998, UK.
      (5)


Hungarian Rhapsody ¹ 4 in Es-dur, S.244/4 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹ 5 in e-moll, S.244/5 (Liszt)
Recorded: December 14-18, 1998, UK.
      (8)


Hungarian Rhapsody ¹ 6 Des-dur, S.244/6 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹ 7 in d-moll, S.244/7 (Liszt)
Recorded: December 14-18, 1998, UK.
      (5)


Hungarian Rhapsody ¹ 8 in fis-moll, S.244/8 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹ 9 in Es-dur `Carnaval de Pesth`, S.244/9 (Liszt)
Recorded: December 14-18, 1998, UK.
      (4)


Hungarian Rhapsody ¹10 in E-dur, S.244/10 (Liszt)
Recorded: December 14-18, 1998, UK.
      (4)

2nd easier version of S.244/10; uses themes from S.242/16

Hungarian Rhapsody ¹10 in E-dur (1847), S.244/10a (Liszt)
      (4)


Hungarian Rhapsody ¹11 in a-moll, S.244/11 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹12 in cis-moll, S.244/12 (Liszt)
Recorded: December 14-18, 1998, UK.
      (6)


Hungarian Rhapsody ¹13 in a-moll, S.244/13 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)


Hungarian Rhapsody ¹14 in f-moll, S.244/14 (Liszt)
Recorded: December 14-18, 1998, UK.
      (4)


Hungarian Rhapsody ¹15 in a-moll, S.244/15 (Liszt)
Recorded: December 14-18, 1998, UK.
      (3)

2nd easier version of S.244/15; based on S.242/13; rev. for orch as S.117

Hungarian Rhapsody ¹15 in a-moll (1847), S.244/15a (Liszt)
      (3)

1st version of S.244/16ii

Hungarian Rhapsody ¹16  in A-dur (1882), S.244/16i (Liszt)
      (3)

2nd version of S.244/16i

Hungarian Rhapsody ¹16 in A-dur, S.244/16ii (Liszt)
Recorded: December 14-18, 1998, UK.
      (4)

1st version

Hungarian Rhapsody ¹18   in A-dur (1883), S.244/18i (Liszt)
      (4)

2nd version

Hungarian Rhapsody ¹18  in A-dur (1883), S.244/18ii (Liszt)
      (2)

3rd version

Hungarian Rhapsody ¹18 in A-dur, S.244/18iii (Liszt)
Recorded: December 14-18, 1998, UK.
      (7)


Hungarian Rhapsody ¹19 in d-moll, S.244/19 (Liszt)
Recorded: December 14-18, 1998, UK.
      (5)


Hussitenlied (Aus dem 15. Jahrhundert), S.234 (Liszt)
      (2)

1st version of S.161/2

Il penseroso for piano (1839), S.157b (Liszt)
      (3)


Impromptu in Fis-dur for piano (1872), S.191 (Liszt)
Recorded - February 8-10, 1988
      (5)

Impromptu in Fis-dur for piano (1872), S.191 (Liszt)
Recorded 1995
      (7)

rr. of S.57

In domum Domini ibimus for piano (1884), S.505 (Liszt)
Recorded - December 7-12, 1989
      (2)


In festo transfigurationis Domini nostri Jesu Christi for piano (1880), S.188 (Liszt)
Recorded - December 7-12, 1989
      (2)


Kavallerie-Geschwindmarsch for piano (1870?), S.460 (Liszt)
Recorded: November 2017, UK.
      (2)

Based on the introduction and conclusion of the first movement of the Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn S.67
1847

Klavierstück aus der `Bonner Beethoven-Kantate` (1846), S.507 (Liszt)
Entry - October 5, 9, 10, 1992
      (3)


Klavierstück Fis-dur, S.193 (Liszt)
Recording - June 21-23, 1990
      (2)


Klavierstück in es-Moll (1849?), S.692n (Liszt)
Recorded: November 2017, UK.
      (5)


Klavierstück in F major (1843), S.695 (Liszt)
      (2)

Incomplete sketch for S.199a

Korrekturblatt (1882), S.701k (Liszt)
      (1)


Ländler for piano As-dur (1843), S.211 (Liszt)
Recorded - October 24 25, 1985
      (2)


Ländler for piano D major (1879), S.211a (Liszt)
      (3)

3rd and 4th versions

La Lugubre Gondola for piano (1883-85), S.200 (Liszt)
S200/1
      (2)

La Lugubre Gondola for piano (1883-85), S.200 (Liszt)
S200/2
      (2)

La Lugubre Gondola for piano (1883-85), S.200 (Liszt)
An early version of the `Mourning Gondola`. S199a
      (1)


La lugubre gondola for piano. 2nd early version (1883), S.199a/ii (Liszt)
Recorded: November 2017, UK.
      (3)

Chant de guerre par Claude-Joseph Rouget de Lisle

La Marseillaise for piano (1866-72), S.237 (Liszt)
      (5)


Largo en si mineur, S.692p/1 (Liszt)
Recorded: November 2017, UK.
      (2)

Arr. of S 261

L`hymne du Pape, piano version (1864), S.530 (Liszt)
Recorded - December 7-12, 1989
      (1)


Magnificat for Piano (1862), S.182a (Liszt)
Entry - April 20-22, 2009, London.
      (5)

Sketches only 2nd version of S.242/5

Magyar Tempo (1840), S.241b (Liszt)
      (2)


March Hongroise for piano E♭ minor (1844), S.233b (Liszt)
Recorded - April 29, 1993
      (4)

Incomplete sketches for S.171d

Marche de Prozinsky C flat minor (1846), S.701v (Liszt)
Recorded - April 20-22, 2009, London.
      (1)

5th version of S.242a

Marche de Rákóczy for piano, 5th version (1851), S.244c (Liszt)
Entry - October 20 21, 1994
      (3)

1st version of S.173/7

Marche funèbre for piano (1827), S.226a (Liszt)
      (2)

1st version of S.163/6

Marche funèbre `En mémoire de Maximilian I` for piano (1867), S.162d (Liszt)
      (3)

Heroischer Marsch in ungarischem Stil

Marche héroïque dans le genre hongrois A minor (Première marche hongroise) (1840), S.231 (Liszt)
Recorded on April 28-30, 1993.
      (1)

ased on S.82

Marche héroïque for piano (1847-48), S.510 (Liszt)
Recorded - April 28-30, 1993
      (1)

Incomplete sketches
March No. 1 D minor
March No. 2 B flat minor

Marches dans le genre hongrois (1840?), S.693 (Liszt)
March No. 1 D minor. Recorded: October 26, 1995
      (2)

Marches dans le genre hongrois (1840?), S.693 (Liszt)
March No. 2 B flat minor. Recorded: October 26, 1995
      (1)

Incomplete sketches

Marie-Poeme (1837), S.701b (Liszt)
      (1)


Mazurka brillante for piano (1850), S.221 (Liszt)
Recorded - April 28-30, 1993
      (3)


Mazurka for piano F minor (1840), S.221a (Liszt)
      (5)

Based on the `Dies irae` incomplete sketches

Melodie in Dorischer Tonart (Prose des Morts) (1861), S.701d (Liszt)
      (1)

Ossia version of S.217i

Mephisto Polka for piano (1882-83), S.217ii (Liszt)
Recorded on April 28-30, 1993.
      (3)

Ossia version of S.217ii

Mephisto Polka for piano (1882-83), S.217i (Liszt)
      (3)


Mephisto Waltz ¹ 2 for piano (1878-1881), S.515 (Liszt)
Recorded - October 24 25, 1985
      (4)


Mephisto Waltz ¹1 (`Der Tanz in der Dorfschenke` - Die zweite Episode aus Lenaus `Faust`) for piano (1857-62), S.514 (Liszt)
Recorded: October 24-25, 1985, UK.
      (1)

Mephisto Waltz ¹1 (`Der Tanz in der Dorfschenke` - Die zweite Episode aus Lenaus `Faust`) for piano (1857-62), S.514 (Liszt)
Version I. Recorded: June 20-21, 1995, UK.
      (2)

1st version of S.216

Mephisto Waltz ¹3 for piano, 1st version (1883), S.215a (Liszt)
      (3)

2nd version of S.215a

Mephisto Waltz ¹3 for piano, 2nd version (1883), S.216 (Liszt)
Recorded - October 24 25, 1985
      (6)

1st version of S.696

Mephisto Waltz ¹4 for piano, 1st version (1885), S.216b (Liszt)
Entry - August 1995
      (3)

2nd version of S.216b unfinished

Mephisto Waltz ¹4 for piano, 2nd version (1885), S.696 (Liszt)
Recorded - October 24 25, 1985
      (6)


Nocturne `En Reve` for piano (1885), S.207 (Liszt)
Recorded: June 21-23, 1990, UK.
      (2)


Nocturne `Pensées` for piano (1845), S.168b (Liszt)
Recorded April 26-28, 2003, London.
      (5)

Arr. of S.54

O Roma nobilis for piano (1879), S.506b (Liszt)
Recorded - December 7-12, 1989
      (2)


O sacrum convivium for organ (ossia) (1884), S.674a/ii (Liszt)
Records 1992-93.
      (2)


Ora pro nobis for organ (1864), S.262 (Liszt)
Records 1992-93.
      (2)


Parts of Compositions,  (Liszt)
Venezia e Napoli – Supplement aux Années de Pèlerinage seconde volume, S.162 - No.3: Tarantella - Recorded: August 1996.
      (1)

Based on a Béarnaise folksong

Pastorale `Chanson du Béarn` (1844), S.236/2 (Liszt)
Recorded - March 16-20, 1992
      (1)

Arr. of S.258 by Eduard Reuss with corrections by Liszt

Pathetic Concerto for piano and orchestra in E Minor (1885-86), S.365a (Liszt)
Recording - June July 1998, Budapest.
      (5)


Petite valse (`Nachspiel zu den drei vergessenen Walzer`), S.695d (Liszt)
      (3)

Sketch for S.215

Petite valse - Nachspiel zu den drei vergessenen Walzer (1884), S.695e (Liszt)
      (0)

1st version of S.212ii S.213i S.213ii S.213iii

Petite valse favorite (Souvenir de St Pétersbourg), 1st version (1842), S.212i (Liszt)
Entry - August 1995
      (6)

Lento assai - Allegro energico - Grandioso - Recitativo - Andante sostenuto - Quasi adagio - Allegro energico - Piu mosso - Stretta quasi presto - Presto - Prestissimo - Andante sostenuto - Allegro - Lento assai

Piano Sonata in h-moll (1852-53), S.178 (Liszt)
Recorded: April 23-28, 1990.
      (3)

rr. of extract from S.688

Polonaises de l`oratorio St. Stanislaus, for piano (1875), S.519 (Liszt)
¹ 1. Recorded: April 26-28, 1990
      (2)

Polonaises de l`oratorio St. Stanislaus, for piano (1875), S.519 (Liszt)
¹ 2. Recorded: April 26-28, 1990
      (1)

rr. of S.260i; 1st version of S.529ii

Präludium und Fuge über das Motiv B.A.C.H. fpr piano (1855), S.529i (Liszt)
Recorded 1997
      (1)


Preludio Funebre (1885), S.205b (Liszt)
Recorded: November 2017, UK.
      (4)

1st version of S.164f S.242/13 S.244/15 etc.

Rákóczi Marsch for piano, 1st version (1839-40), S.242a (Liszt)
      (2)

Simplified version of S.244a

Rákóczi-Marsch (1871), S.244b (Liszt)
Entry 1997
      (4)

6th version of S.242a. rr. of orchestral version S.117

Rákóczi-Marsch for piano, 6th version (1863), S.244a (Liszt)
Recorded - April 28-30, 1993
      (2)


R. W.- Venezia. (R. Wagner, 1883), S.201 (Liszt)
Record - June 21-23, 1990
      (3)

Simplified arr. of S.242a; incomplete sketches

Rakoczy-march for piano (1839-40), S.692d (Liszt)
      (1)

Répons et Antiennes

Responsorien und Antiphonen (1860), S. 30 (Liszt)
I. In nativitate Domini (Christmas). Recording - May 9 10 , 1996
      (3)

Responsorien und Antiphonen (1860), S. 30 (Liszt)
II. Feria V in coena Domini (Maundy Thursday). Recording - May 9 10 , 1996
      (2)

Responsorien und Antiphonen (1860), S. 30 (Liszt)
III. Feria VI in Parasceve (Good Friday). Recording - May 9 10 , 1996
      (2)

Responsorien und Antiphonen (1860), S. 30 (Liszt)
IV. Sabbato majoris hebdomadae (Holy Saturday). Recording - May 9 10 , 1996
      (2)

Responsorien und Antiphonen (1860), S. 30 (Liszt)
V. In Officio defunctorum (The Office for the Dead). Recording - May 9 10 , 1996
      (2)

Responsorien und Antiphonen (1860), S. 30 (Liszt)
Variant harmonizations. Recording - May 9 10 , 1996
      (3)

Folies d`Espagne et Jota aragonesa

Rhapsody espagnole for piano (1858), S.254 (Liszt)
Recorded: August 7-9, 1996, UK.
      (1)

ased on S.301a; rev. as S.527

Romance `O pourquoi donc` E minor for piano (1848), S.169 (Liszt)
Records 1992-93.
      (2)


Romancero espagnol  (1845), S.695c (Liszt)
Entry - April 20-22, 2009, London.
      (8)

ased on an aria from Manuel Garcia`s opera `El poeta calculista`

Rondeau fantastique sur un thème espagnol `El Contrabandista` for piano (1836), S.252 (Liszt)
Recorded - August 7-9, 1996
      (2)

Published as Op. 4 No. 2

Rondo di Bravura for piano  (1824), S.152 (Liszt)
Recorded - October 5, 9, 10, 1992
      (7)

Hermannstädter und Walachische Melodie. Published 1936

Roumanian Rhapsody for piano (1846-47), S.242/20 (Liszt)
Recorded: June 1993, UK.
      (4)


Sancta Dorothea  (1877), S.187 (Liszt)
Recorded - December 7-12, 1989
      (5)

2nd version of S.176a

Scherzo and March for piano (1851), S.177 (Liszt)
      (2)

Scherzo and March for piano (1851), S.177 (Liszt)
Recorded: April 28-30, 1993, UK.
      (1)


Scherzo in G minor for piano (1827), S.153 (Liszt)
Recording - October 5, 9, 10, 1992
      (2)

Theme of these Variations is `Ah come nascondere la fiamma` from the opera `Ermione`

Sept Variations brillantes sur un thème de G. Rossini for piano (1824), S.149 (Liszt)
Recorded - October 5, 9, 10, 1992
      (10)


Siegesmarsch (Marche triomphale) for piano (1884), S.233a (Liszt)
Recorded - April 28-30, 1993
      (2)


Sposalizio, S.157a (Liszt)
Recorded - May 25-27, 1996
      (2)

1. Ballade d`Ukraïne Dumka
2. Mélodies polonaises - based on No.1 of 19 Polish songs Op.74 by Frederic Chopin
3. Complainte Dumka

Suite `Glanes de Woronince` for Piano (1847), S.249 (Liszt)
      (2)

1st version of S.163/7

Sursum Corda! - Nachspiel (1877), S.162e (Liszt)
      (1)

`Ce qu`on entend sur la montagne` by V.Hugo

Symphonic poem No. 1 `Ce qu`on entend sur la montagne`, for 2 pianos (1854-56), S.635 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)

Arr. of S. 106

Symphonic poem No. 12 `Die Ideale` for two pianos (1857-58), S.646 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (2)

After Goethe and Byron

Symphonic poem No. 2 `Tasso: Lamento e Trionfo`, for 2 pianos (1854-56), S.636 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (1)

rr. of S.97 by Karl Klauser with revisions by Liszt

Symphonic Poem No. 3 `Les Préludes` for Piano (1863), S.511a (Liszt)
Entry - June 20 21, 1995
      (4)

Arr. of S.97iv

Symphonic poem No. 3 `Les Préludes` for two pianos (1855), S.637 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (1)

rr. of S.98 by Friedrich Spiro with revisions by Liszt

Symphonic poem No. 4 `Orpheus` for Piano, S.511b (Liszt)
      (2)

Arr. of S.98

Symphonic poem No. 4 `Orpheus` for two pianos (1855-56), S.638 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (1)

rr. of S.100 by Theophil Forchhammer with revisions by Liszt

Symphonic poem No. 6 `Mazeppa` for Piano (1870-79?), S.511c (Liszt)
      (2)

Arr. of S.100ii

Symphonic poem No. 6 `Mazeppa` for two pianos (1855), S.640 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (1)

rr. of S.101 by Ludwig Stark with revisions by Liszt

Symphonic poem No. 7 `Festklänge` (1870-79), S.511d (Liszt)
      (2)


Symphonic poem No. 7 `Festklänge` for 2 pianos (1853), S.641 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)

Arrangement of S.102

Symphonic poem No. 8 `Héroïde funèbre` for 2 pianos (1854-56), S.642 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)


Symphonic poem No. 9 `Hungaria` for 2 pianos (1855-56), S.643 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)

Arr. of S.103 by Friedrich Spiro with revisions by Liszt

Symphonic poem No. 9 `Hungaria` for Piano (1872), S.511e (Liszt)
Entry 1997
      (1)

Arr. of S.105

Symphonic poem No.11 `Hunnenschlacht` for 2 pianos (1857-60), S.645 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)

Arr. of S.107

Symphonic poem No.13 `Von der Wiege bis zum Grabe` (1881), S.512 (Liszt)
Recorded 1992-93
      (3)

Arr. of S.99

Symphonic Poem No.5 `Prometheus` for 2 pianos(1855-56), S.639 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (1)


Symphonic poem ¹10 `Hamlet` for 2 pianos (1858-60), S.644 (Liszt)
Recorded: September 30 - October 3, 2016, Italy.
      (0)


Technical Studies (12 books) for piano (1868-71), S.146 (Liszt)
Sprunge mit der Tremolo-Begleitung[No.62 of Technische Studien]
      (10)


Toccata for piano C major (1879?), S.197a (Liszt)
Record - June 21-23, 1990
      (7)

1. Avant la bataille
2. L`espérance
3. La consolation

Trois Chansons for piano (1852), S.510a (Liszt)
1. La consolation. 2. Avant la bataille. 3. L`esperance.
      (2)

Arr. of S. 112/3

Trois Odes funebre. No. 3 `Le Triomphe funebre du Tasso`, for piano (1866), S.517 (Liszt)
      (2)

Arr. of S. 112/1

Trois Odes funebres. No. 1 `Les Morts`, for piano (1860?), S.516 (Liszt)
Record - February 8-10, 1988
      (3)

Arr. of S. 112/2

Trois Odes funebres. No. 2 `La Notte`, for piano (1864), S.516a (Liszt)
      (4)

Melodies hongroises

Ungarische Nationalmelodien. No.  6 (Lento) in G minor (1839-40), S.242/6 (Liszt)
Recorded: June 1993, UK.
      (1)

Melodies hongroises

Ungarische Nationalmelodien. No.  7 (Andante cantabile quasi Adagio) in E flat major (1839-40), S.242/7 (Liszt)
Recorded: June 1993, UK.
      (2)

Melodies hongroises

Ungarische Nationalmelodien. No.  8 (Lento) in F minor (1839-43), S.242/8 (Liszt)
Recorded: June 1993, UK.
      (1)

Melodies hongroises Magyar Dalok

Ungarische Nationalmelodien. No. 1 (Lento) in C minor (1839-40), S.242/1 (Liszt)
Recorded: June 1993, UK.
      (2)

Ungarische Nationalmelodien. No. 1 (Lento) in C minor (1839-40), S.242/1 (Liszt)
Recorded: June 1993, UK.
      (1)

Melodies hongroises

Ungarische Nationalmelodien. No. 10 (Adagio sostenuto a capriccio) in D major (1839-43), S.242/10 (Liszt)
Recorded: June 1993, UK.
      (1)

Melodies hongroises

Ungarische Nationalmelodien. No. 11 (Andante sostenuto) in B flat major (1839-43), S.242/11 (Liszt)
Recorded: June 1993, UK.
      (1)

Simplified version of S.242/13

Ungarische Nationalmelodien. No. 13à (`Rakoczi-Marsch`) in A minor (1846), S.242/13a (Liszt)
Recorded 1997
      (3)

Magyar Dalok Melodies hongroises

Ungarische Nationalmelodien. No. 2 (Andantino) in C major (1839-40), S.242/2 (Liszt)
Recorded: June 1993, UK.
      (2)

Melodies hongroises

Ungarische Nationalmelodien. No. 3 (Sehr langsam) in D flat major (1839-40), S.242/3 (Liszt)
Recorded: June 1993, UK.
      (1)

Ungarische Nationalmelodien. No. 3 (Sehr langsam) in D flat major (1839-40), S.242/3 (Liszt)
Recorded: June 1993, UK.
      (2)

Melodies hongroises

Ungarische Nationalmelodien. No. 4 (Animato)  in C sharp major (1839-40), S.242/4 (Liszt)
Recorded: June 1993, UK.
      (1)

Melodies hongroises

Ungarische Nationalmelodien. No. 5 (Tempo giusto) in D flat major (1839-40), S.242/5 (Liszt)
Recorded: June 1993, UK.
      (2)

Melodies hongroises Magyar Dalok

Ungarische Nationalmelodien. No. 9 in À minor (1839-40), S.242/9 (Liszt)
Recorded: June 1993, UK.
      (2)

Themes used in S.244/9 S.244/14

Ungarische Rapsodie for piano in Es-Dur `Pester Carneval` (1847?), S.242/22 (Liszt)
Recorded: June 1993, UK.
      (3)

Lento a capriccio

Ungarische Rhapsodie for piano in a-moll (1846-47), S.242/14 (Liszt)
Recorded: June 1993, UK.
      (1)

Andante sostenuto

Ungarische Rhapsodie for piano in a-moll (1846-47), S.242/17 (Liszt)
Recorded: June 1993, UK.
      (1)

Rákóczy March Tempo di marcia

Ungarische Rhapsodie for piano in a-moll `Rákóczy March` (1846-47), S.242/13 (Liszt)
Recorded: June 1993, UK.
      (2)

Magyar Rapszódiák Introduction Adagio

Ungarische Rhapsodie for piano in C sharp minor (1846-47), S.242/18 (Liszt)
Recorded: June 1993, UK.
      (2)


Ungarische Rhapsodie for piano in C sharp minor ‘Rêves et fantaisies’ (1847), S.242/23 (Liszt)
Recorded: November 2017, UK.
      (4)

Lento. Tempo e stile zingarese

Ungarische Rhapsodie for piano in d-moll (1846-47), S.242/15 (Liszt)
      (3)

Ungarische Rhapsodie for piano in d-moll (1846-47), S.242/15 (Liszt)
Recorded: June 1993, UK.
      (1)


Ungarische Rhapsodie for piano in E minor `Költői csárdás` (1846-47), S.242/21 (Liszt)
Recorded: June 1993, UK.
      (2)

Preludio

Ungarische Rhapsodie for piano in E-dur (1846-47), S.242/16 (Liszt)
Recorded: June 1993, UK.
      (2)


Ungarische Rhapsodie for piano in e-moll `Héroïde élégiaque` (1846-47), S.242/12 (Liszt)
(#100) Mesto – Adagio dolente – Un poco meno Adagio
      (3)

Lento patetico

Ungarische Rhapsodie for piano in F sharp minor (1846-47), S.242/19 (Liszt)
Recorded: June 1993, UK.
      (1)

Magyar Gyors induló. ossibly 1st version of S.460

Ungarischer Geschwindmarsch (1870-71), S.233 (Liszt)
Recorded - April 28-30, 1993
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹  1 F minor (1853), S.241a/ 1 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  2 A minor (1853), S.241a/ 2 (Liszt)
Recording - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  3 A minor, S.241a/ 3 (Liszt)
Recorded - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹  4 A minor (1853, S.241a/ 4 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  5 D minor, S.241a/ 5 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  6 A major, S.241a/ 6 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  7 A major (1853), S.241a/ 7 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  8 D minor, S.241a/ 8 (Liszt)
Recording - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹  9 A major, S.241a/ 9 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹10 G minor, S.241a/10 (Liszt)
Recorded - December 17-18, 1997
      (2)


Ungarischer Romanzero: ¹11 F major, S.241a/11 (Liszt)
Recorded - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹12 A major, S.241a/12 (Liszt)
Recording - December 17-18, 1997
      (2)

Composed by Eduard Remenyi

Ungarischer Romanzero: ¹13 F♯ minor, S.241a/13 (Liszt)
Recording - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹14 D major, S.241a/14 (Liszt)
Recording - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹15 C major, S.241a/16 (Liszt)
Recorded - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹15 D major, S.241a/15 (Liszt)
Recording - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹17 A major, S.241a/17 (Liszt)
Recorded - December 17-18, 1997
      (2)

omposed by Eduard Remenyi

Ungarischer Romanzero: ¹18 A major, S.241a/18 (Liszt)
Recorded - December 17-18, 1997
      (3)

2nd version of S.232

Ungarischer Sturmmarsch (Hungarian Battle March) for piano (1875), S.524 (Liszt)
Recorded - April 28-30, 1993
      (1)

1st version of S.524

Ungarischer Sturmmarsch for piano (Seconde marche hongroise) (1843), S.232 (Liszt)
Recorded - August 21-22, 1995
      (2)


Unstern (Sinistre) for piano (1881), S.208 (Liszt)
Record - June 21-23, 1990
      (4)


Urbi et orbi (Benediction papale) for piano (1864), S.184 (Liszt)
Recorded - December 7-12, 1989
      (4)

Album leaf for Marie d`Agoult

Valse de Marie (Mariotte) (1842), S.212a (Liszt)
      (5)

3rd version of S.212i S.212ii

Valse Impromptu for piano (1850-52), S.213i (Liszt)
Recorded: October 24-25, 1985, UK.
      (2)

Valse Impromptu for piano (1850-52), S.213i (Liszt)
Alternative version.
      (2)

4th version of S.212i S.212ii S.213i

Valse Impromptu for piano (1870?), S.213ii (Liszt)
Recorded - April 20-22, 2009, London.
      (2)

1st version of S.210a S.214/2

Valse mélancolique E major for piano (1839), S.210 (Liszt)
August 1995.
      (2)

2nd version of S.210 S.214/2

Valse mélancolique E major for piano (1840?), S.210à (Liszt)
Entry - August 1995
      (4)

5th version of S.212i S.212ii S.213i S.213ii

Valse-Impromptu for piano (1880), S.213iii (Liszt)
Recorded - August 1995
      (4)

2nd version of S.700i. Work prepared from Listz`s unpublished manuscripts by Leslie Howard

Variations de bravoure sur des thèmes de Paganini for piano (1845), S.700ii (Liszt)
Recorded 1998
      (4)


Variations on a Waltz by Diabelli for Piano (1822), S.147 (Liszt)
Recorded - October 5, 9, 10, 1992
      (11)

Variations on the Hungarian folk song `Tiszantuli szép leany`. Liszt`s authorship doubtful

Variations on ``Pretty Girl from Tiszántul` for piano (1846), S.384a (Liszt)
Recorded April 20-22, 2009, London.
      (2)

ased on the `Il carnevale di Venezia Op.10 by Niccolò Paganini; incomplete

Variations sur le `Carnaval de Venise` de Paganini for piano (1843?), S.700a (Liszt)
Recorded - August 1995
      (4)


Vexilla regis prodeunt (Kreuzes-Hymne) for piano (1864), S.185 (Liszt)
Recorded - December 7-12, 1989
      (3)

Arr. of S.53

Via Crucis (Les 14 stations de la croix) for piano (1878-79), S.504a (Liszt)
Recorded on October 6, 1989
      (1)


Waltz A major for piano (1835?), S.210b (Liszt)
      (3)

Based on a theme from the ballet `Die Amazonen` by Count Wenzel Robert von Gallenberg

Waltz in A-dur for piano (1835?), S.208a (Liszt)
Recorded - October 5, 9, 10, 1992
      (7)


Waltz in Es-dur for piano (1840), S.209a (Liszt)
Recorded - April 29, 1993
      (5)

The Paris manuscripts - work prepared from Listz`s unpublished manuscripts by Leslie Howard
1. Psallite Altes Weihnachten
2. O heilige Nacht
3. Die Hirten an der Krippe
4. Marsch der heiligen drei Koenige
5. Scherzoso
6. Reveille-Matin
7. Schlummerlied
8. Alt-provenzalisches Noel
9. Abendglocken
10.Ehemals
11.Ungarisch
12.Polnisch

Weihnachtsbaum. Arbre de Noel 12 piano pieces (1873-74), S.185a (Liszt)
Entry 1997
      (4)

1. Psallite Altes Weihnachten
2. O heilige Nacht
3. Die Hirten an der Krippe
4. Adeste fideles Marsch der heiligen drei Koenige
5. Scherzoso Man zündet die Kerzen des Baumes an
6. Carillon
7. Schlummerlied
8. Alt-provenzalisches Noel
9. Abendglocken
10.Ehemals
11.Ungarisch
12.Polnisch

Weihnachtsbaum. Arbre de Noel 12 piano pieces (1874-76), S.186 (Liszt)
Recorded on October 6, 1989
      (3)

There are 2 versions
1st version in C major 1857
2nd version in F major 1873

Weimars Volkslied for piano (1841), S.542 (Liszt)
Recorded - March 9 10, 1995
      (1)

Arr. of S.32

Weinachtslied `Christus ist geboren` for piano (1864), S.502 (Liszt)
Recording - October 6, 1989
      (2)


Wiegenlied (Chant de berceau) for piano (1881), S.198 (Liszt)
Record - June 21-23, 1990
      (8)


Wilde Jagd - Scherzo, S.176a (Liszt)
Recorded - April 20-22, 2009, London.
      (5)

rr. of No.5 from S.69i; incomplete sketches

Winzerchor aus dem `Entfesselten Prometheus` for piano (1850?), S.692e (Liszt)
      (1)

Sketches
1. Lento
2. Andantino
3. Sehr langsam
4. Animato
5. Tempo giusto
6. Lento
7. Tempo di marca
8. Adagio sostenuto a capriccio
9. Andante cantabile quasi adagio
10.Lento
11.Lento

Zigeuner-Epos  for piano (1848), S.695b (Liszt)
Entry - December 16 17, 2001, London.
      (2)

I. Impressions et Poésies

1. Lyon
2. Le lac de Wallenstadt - - 1-
3. Au bord d`une source - - 1-
4. Les cloches de G[enève] - 1-
5. Vallée d`Obermann - 1-
6. La chapelle de Guilaume Tell - 1-
7. Psaume de l`église á Genève

II. Fleurs mélodiques des Alpes

8. Allegro
9. Lento Allegro vivace -
10. Allegro pastorale
11. Andante con sentimento Allegretto
12. Andante molto espressivo
13. Allegro moderato
14. Allegretto -
15. Allegretto -
16. Andantino con molto sentimento

III. Paraphrases

17. Ranz de vaches Montée aux Alpes Improvisata - 2nd version of S.155a/1
18. Un soir dans les montagnes Nocturne pastoral - 2nd version of S.155a/2
19. Ranz de chèvres de F. Huber Allegro finale - 2nd version of S.155a/3

`Album d`un voyageur` for Piano (1834-36), S.156 (Liszt)
Recorded: March 16-20, 1992.
      (2)


`Alleluja` from `Cantico del Sol di San Francesco d`Assisi` for piano (1862), S.183/1 (Liszt)
Recorded - December 7-12, 1989
      (3)

1834
1. Senza lentezza quasi Allegretto
2. Vivamanete
3. Molto agitato ed appassionato Fantaisie sur une valse de François Schubert

`Apparitions` for piano (1834), S.155 (Liszt)
¹1 Senza lentezza quasi allegretto, ¹2 Vivamente , ¹3 Fantasie sur une valse de Francois Schubert.
      (6)

`Am Grabe Richard Wagners`. Arr. of S.135

`At the Grave of Richard Wagner` for piano (1883), S.202 (Liszt)
AM GRABE RICHARD WAGNERS, S.202
      (6)

3rd version of S.156/2b S.160/4

`Au bord d`une source` for piano (1863), S.160/4a (Liszt)
Recorded - August 5 6, 1996
      (3)

rr. of S.276/1

`Buch der Lieder II`: ¹ 1 `Comment, disaient-ils` (1847), S.535 (Liszt)
Recorded - October 30-31, 1991
      (3)

rr. of S.282/1

`Buch der Lieder II`: ¹ 2 `Oh, quand je dors` (1847), S.536 (Liszt)
Recorded - October 30-31, 1991
      (2)

rr. of S.283/1

`Buch der Lieder II`: ¹ 3 `Enfant, si j`étais roi` (1847), S.537 (Liszt)
Recorded - October 30-31, 1991
      (2)

rr. of S.284/1

`Buch der Lieder II`: ¹ 4 `S`il est un charmant gazon` (1847), S.538 (Liszt)
Recorded - October 30-31, 1991
      (2)

rr. of S.285

`Buch der Lieder II`: ¹ 5 `La tombe et la rose` (1847), S.539 (Liszt)
Recorded - October 30-31, 1991
      (3)

rr. of S.286

`Buch der Lieder II`: ¹ 6 `Gastibelza` (1847), S.540 (Liszt)
Recorded - October 30-31, 1991
      (3)

1. Die Loreley - arr. of S.273/1
2. Im Rhein im schönen Strome - arr. of S.272/1
3. Kennst du das Land - arr. of S.275/1
4. Es war ein König in Thule - arr. of S.278/1
5. Der du von dem Himmel bist - arr. of S.279/1
6. Angiolin - arr. of S.269/1

`Buch der Lieder I` (1843), S.531 (Liszt)
Recorded - October 30-31, 1991
      (5)

1st version of S.161/3

`Canzonetta del Salvator Rosa` (1839), S.157c (Liszt)
      (3)

1. Andante con moto
2. Un poco più mosso
3. Lento quasi recitativo
4. Quasi adagio; cantabile con devozione
5. Andantino
6. Allegretto

`Consolations` for piano, 1st version (1844-48), S.171a (Liszt)
Recorded - March 9 10, 1995
      (3)

1. Andante con moto E major
2. Un poco più mosso E major
3. Lento placido D♭ major
4. Quasi Adagio D♭ major
5. Andantino E major
6. Allegretto sempre cantabile E major

`Consolations` for piano, 2nd version (1849-50), S.172 (Liszt)
Recorded: April 23-28, 1990, UK.
      (1)


`Csárdás macabre` for piano (1881-82), S.224 (Liszt)
Recorded: April 28-30, 1993.
      (11)

Based on S.349

`Dem Andenken Petöfis` for piano (1877), S.195 (Liszt)
Recorded on October 6, 1989
      (2)

Work prepared from Listz`s unpublished manuscripts by Leslie Howard

`Den Schutz-Engeln`: `Angelus!` (Pri ère á l`ange gardien), fifth version (1880), S.162a/vi (Liszt)
Recorded 1998
      (2)

Work prepared from Listz`s unpublished manuscripts by Leslie Howard.

`Den Schutz-Engeln`: `Angelus!` (Pri ère á l`ange gardien`), fourth version (1880), S.162a/v (Liszt)
Recorded 1998
      (2)


`Den Schutz-Engeln`: `Angelus!` (Prière à l`ange gardien), 1st version (1877), S.162a/ii (Liszt)
Recorded - August 1995
      (2)

Arr. of S.350

`Der Blinde Saenger` for piano (1878), S.546 (Liszt)
Recorded: June 21-23 1990
      (1)

Arr. of S.110/1 by Robert Freund with revisions by Liszt

`Der nächtliche Zug` (Die erste Episode aus Lenaus `Faust`) for piano (1861-73), S.513a (Liszt)
Entry - June 20 21, 1995
      (1)

rr. of S.273/ii

`Die Loreley` for piano (1861), S.532 (Liszt)
Recorded - October 30-31, 1991
      (8)


`Dumka` for piano (1871), S.249b (Liszt)
      (5)

rr. of prelude from S.6

`Excelsior!` - Preludio zu den `Glocken des Strassburger Münsters` for piano (1874), S.500 (Liszt)
Records 1992-93.
      (1)

Chanson tirée du poème de Françonetto de Jacques Jasmin

`Faribolo Pasteur` for piano (1844), S.236/1 (Liszt)
Recorded - March 16-20, 1992
      (2)

Used in the 3rd part of S.264

`Gebet` for organ (1879), S.265 (Liszt)
Recordings 1992-93
      (1)

Arr. S.90/4-6 2nd version
1. Vor der Schlacht
2. Nicht gezagt
3. Es rufet Gott uns mahnend

`Geharnischte Lieder` (1860), S.511 (Liszt)
Entry - March 9 10, 1995
      (1)

2nd version of No. 8 from S.171d

`Gestorben war ich` for piano (1850?), S.540a (Liszt)
Gestorben war ich [Liebestraume No.2 1st ver]
      (5)

ased on the British national anthem; rev. as S.694

`God Save the Queen` (Paraphrase de concert) (1841), S.235 (Liszt)
      (2)

Arr. of movt. II Andante soave from S.108

`Gretchen` from `Faust Symphony` for piano (1867), S.513 (Liszt)
Recorded - April 23-28, 1990
      (1)

Arr. of S.315

`Ich liebe dich` for piano (1857-60), S.542a (Liszt)
Records 1992-93.
      (5)

Arr. of S. 271

`Il  m`aimait tant!` for piano (1843), S.533 (Liszt)
Records 1992-93
      (2)

rr. of S.114 2nd version

`Künstlerfestzug zur Schillerfeier 1859` for piano (1859-60), S.520ii (Liszt)
Recorded - April 28-30, 1993
      (3)

rr. of S.114

`Künstlerfestzug zur Schillerfeier 1859` for piano (1859-60), S.520i (Liszt)
      (4)


`Kaiser Wilhelm!` for piano (1876), S.197b (Liszt)
Recorded - March 9 10, 1995
      (2)

ased on an old French song

`La cloche sonne` for piano (1850?), S.238 (Liszt)
      (2)

1. Tempo rubato
2. Lento e Religioso
3. Meme mouvement mais avec incertitude

1st movement is by Henri Herz the second movement is by Francis Planté and the third is by Liszt and is based upon the two previous movements.

`La marquise de Blocqueville` (`Un portrait en musique`) for piano (1869), S.190 (Liszt)
Entry - April 23 24, 1990
      (3)


`La romanesca` (Mélodie du 16ième siècle) for piano, 1st version (1840), S.252a/i (Liszt)
Recorded - August 7-9, 1996
      (3)


`La romanesca` (Mélodie du 16ième siècle), for piano, 2nd version (1852), S.252a/ii (Liszt)
Recorded - August 7-9, 1996
      (4)

1-st version of S. 160/2
Work prepared from Listz`s unpublished manuscripts by Leslie Howard

`Le lac de Wallenstadt` for piano (1835-36), S.156/2à(bis) (Liszt)
Recorded - August 1995
      (7)

1st version of S.172a/4

`Litanies de Marie` for piano (1846-47), S.171e (Liszt)
Recorded - May 23 24, 1996
      (2)

Re-used as S.205/7

`Mosonyis Grabgeleit` for pizno (1870), S.194 (Liszt)
Recording - June 21-23, 1990
      (3)

`Grey Clouds`

`Nuages gris` for piano (1881), S.199 (Liszt)
Recorded: June 21-23, 1990, UK.
      (1)

Arr. of S.298/i; original version lost; reconstructed by Leslie Howard

`O lieb, so lang du lieben kannst!` for piano (1843), S.540b (Liszt)
Recorded April 26-28, 2003, London.
      (1)

1st version of S.158b S.158c S.161/7 Dante-Sonata

`Paralipomènes á la `Divina Commedia` (Fantaisie symphonique) for piano (1839), S.158a (Liszt)
Recorded - May 25-27, 1996
      (5)

2nd version of S.212ii and Valse-impromptu S.213i S.213ii S.213iii

`Petite valse favorite` (`Souvenir de St Pétersbourg`) (1843), S.212ii (Liszt)
Recorded - April 28-30, 1993
      (6)


`Polnisch` - sketch for piano (1876?), S.701g (Liszt)
      (1)

1st version of S.172a/7 S.173/6; theme used in S.19/1

`Prière d`un enfant á son réveil` for piano (1840), S.171c (Liszt)
Entry - May 23 24, 1996
      (8)

2nd version of S.158a S.158c S.161/7 Dante-Sonata

`Prolégomènes á la `Divina Commedia` (Fantaisie symphonique) for piano (1840), S.158b (Liszt)
Recorded - May 25-27, 1996
      (3)


`Puszta-Wehmut` for piano (1871), S.246 (Liszt)
Recorded - June 23-25, 1990
      (5)

In memory of Vincenzo Bellini

`Recueillement` for piano (1877), S.204 (Liszt)
Record - June 21-23, 1990
      (3)


`Resignazione` for organ or piano, 2nd version (1877), S.187a/ii (Liszt)
Records 1992-93
      (3)


`Romance oubliée` for piano, 2nd version (1880), S.527 (Liszt)
Recorded - May 25-27, 1996
      (3)

Arr. of S.527

`Romance oubliée` for viola and piano (1880), S.132i (Liszt)
Paul Colleti - viola. Recorded: October 7-8, 1992.
      (2)

Based on S.169 Romance `O pourquoi donc`

`Romance oubliee` for piano, 1st version (1880), S.526a (Liszt)
Record - June 21-23, 1990
      (4)

1. Mysteria gaudiosa
2. Mysteria dolorosa
3. Mysteria gloriosa

`Rosario` for organ (1879), S.670 (Liszt)
Recorded - March 9 10, 1995
      (1)

rr. of S.113/ii

`Salve Polonia` (Interludium aus dem Oratorium `St. Stanislaus`) for piano (1863), S.518 (Liszt)
Recorded - April 26-28, 1990
      (2)

Preludio from S.4ii

`San Francesco` - Preludio per il `Ñantico del sol` for piano (1880), S.498d (Liszt)
Recorded in 1992-93
      (2)


`Schlaflos: Frage und Antwort` for piano S.203, S.203 (Liszt)
Record - June 21-23, 1990
      (2)

1st version of S.196 Elegy No. 1

`Schlummerlied im Grabe` for piano (1874), S.195a (Liszt)
Recorded - March 9 10, 1995
      (2)

3rd version of S.185a/7 S.186/7; version for Lachmund

`Schlummerlied` for piano (1882), S.186/7a (Liszt)
Recorded April 20-22, 2009, London.
      (1)

rr. of S.33i

`Slavimo slavno, Slaveni!` for piano (1863), S.503 (Liszt)
Recorded - December 7-12, 1989
      (3)

2nd version of S.162c/i; S.163/5

`Sunt lacrymae rerum` (in ungarischer Weise) for piano (1877), S.162c/ii (Liszt)
Recorded - December 16 17, 2001, London.
      (2)

1st version of S.162c/ii; S.163/5

`Sunt lacrymae rerum` for piano (1872), S.162c/i (Liszt)
Entry 1997
      (2)

Szózat és Magyar Himnusz. Arr. of S.353

`Szózat` und Ungarischer Hymnus` for piano (1872), S.486 (Liszt)
      (1)

score prepared from manuscript sources by Ferruccio Busoni in 1919

`Totentanz` - Paraphrase über Dies irae for piano and orchestra, 1st version (1849), S.126i (Liszt)
Recorded: June/July 1998, Budapest.
      (5)

for piano - S.525 for two pianos - S.652. 1838-49

`Totentanz` - Paraphrase über Dies irae for piano and orchestra, 2nd version (1852-59), S.126ii (Liszt)
Recorded: November 1997.
      (1)

Arr. of S.126ii

`Totentanz` for piano (1865), S.525 (Liszt)
Recorded - April 23-28, 1990
      (7)

rr. of an unidentified waltz attributed to `F. Pezzini`

`Una stella amica` (Polka mazurka de F. Pezzini) for piano (1874-75), S.551 (Liszt)
Recorded - August 21-22, 1995
      (3)

rr. of S.118

`Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867` (1870), S.523 (Liszt)
Recorded - April 28-30, 1993
      (1)

Magyar király-dal

`Ungarisches Konigslied` for piano (1883), S.544 (Liszt)
      (3)

A magyarok Istene

`Ungarns Gott` for Piano (1881), S.543 (Liszt)
Record - June 21-23, 1990
      (3)


`Ungarns Gott` for Piano (left hand, 1881), S.543a (Liszt)
Entry - June 23-25, 1990
      (3)

4 Valses oubliées S.215/1 - S. 215/4. There are 2 versions for the Valse No. 3 S.215/3 S.215/3a

`Valses oubliées` for Piano (1881-84), S.215 (Liszt)
2nd version of Valse No. 3 (S.215/3a). Recorded in 1997
      (3)

`Valses oubliées` for Piano (1881-84), S.215 (Liszt)
N 1, 2, 3, 4. Entry - October 24 25, 1985
      (2)

`Valses oubliées` for Piano (1881-84), S.215 (Liszt)
S.215/4 - Recorded: October 1981.
      (2)

1st version of S.162
1. Lento - Chant du gondolier
2. Allegro
3. Andante placido
4. Tarantelles napolitaines

`Venice and Naples` for piano (1840), S.159 (Liszt)
Recorded - August 26-27, 1992
      (3)

`Venice and Naples` for piano (1840), S.159 (Liszt)
      (3)


`Vom Fels zum Meer!` (Deutscher Siegesmarsch) for piano (1853-56), S.229 (Liszt)
Recorded - April 28-30, 1993
      (1)

Based on dances by Janos Bihari
1. `Kinizsi notaja`
2. `Lassu magyar`

`Zum Andenken` 2 Hungarian Recruiting Dances for piano (1828), S.241 (Liszt)
No.1[Kinizsi notaja], No.2[Lassu magyar].
      (3)
 
     

classicmusicarchive@gmail.com

Terms of Use | COPYRIGHT | Refund Policy | Privacy Policy