1.Symphony overture IntroductionCanzonaAdagioAllegroGraveAllegro repeat
2.Recitative bass and chorus Hail! Bright Cecilia
3.Duet `treble` [though range would suggest alto] and bass Hark! hark! each tree
4.Air countertenor `Tis Natures voice`
5.Chorus Soul of the world
6.Air soprano and chorus Thou tunst this world
7.Trio alto tenor and bass With that sublime celestial lay
8.Air bass Wondrous machine!
9.Air countertenor The airy violin
10.Duet countertenor and tenor In vain the amrous flute
11.Air countertenor The fife and all the harmony of war
12.Duet two basses Let these among themselves contest
13.Chorus Hail! Bright Cecilia hail to thee

Ode `Hail, Bright Cecilia` for Soloists, Chorus, Orchestra and Basso Continuo (1692), Z 328 (Purcell)
Ashley Stafford, Brian Gordon - countertenors, Paul Elliott - tenor. Recorded: February 1982.
      (5)


Arias,  (Purcell)
Semi-Opera `King Arthur or The British Worthy` Z 628: Movt. 35a, Aria, `You say tis love`. January 8-9, 1982.
      (4)

Arias,  (Purcell)
Semi-Opera `King Arthur or The British Worthy` Z 628: Movt. 30a, Passacaglia - `For love ev`ry creature is formed by his nature`. January 8-9, 1982.
      (7)


Song `Lost is my quiet forever`, Z 502 (Purcell)
January 8-9, 1982, UK.
      (6)


Parts of Works,  (Purcell)
Semi-Opera, Prophetess or The History of Dioclesian or Dioclesian (1690): Movt. 35, Duet (dialogue), `Tell me why my charming fair`. Recording - January 8-9, 1982, Great Britain.
      (2)

Parts of Works,  (Purcell)
Incidental Music `Amphitryon or The Two Sosias` Z 572: Movt. 11, Song, `Fair Iris and her swain`. Recording - January 8-9, 1982, Great Britain.
      (2)


Song `What can we poor females do?`, Z 518 (Purcell)
Recorded on January 8-9, 1982, Great Britain.
      (6)


Why, my Daphne, why complaining? (1691), Z 525 (Purcell)
Recorded 1985.
      (2)

Why, my Daphne, why complaining? (1691), Z 525 (Purcell)
Recorded on January 8-9, 1982, Great Britain.
      (4)


Song `Hence, fond deceiver` (1687), Z 492 (Purcell)
Recorded on January 8-9, 1982, Great Britain.
      (4)


Song `Go tell Amynta, gentle swain`, Z 489 (Purcell)
Recorded on January 8-9, 1982, Great Britain.
      (7)


Song `In some kind dream` (1687), Z 497 (Purcell)
Recorded January 8-9, 1982, Great Britain.
      (5)


What a sad fate is mine, Z 428 (Purcell)
Entry - January 8-9, 1982, Great Britain.
      (2)

1. Overture. [Grave] - [Canzona] - [Adagio]
2. Hornpipe
3. Slow Air
4. Hornpipe
5. Rondeau
6. Minuet
7. Boree
8. March
9. Jig
10. Thus to a ripe consenting maid
11. As Amoret and Thyrsis

Incidental Music `The Old Bachelor` (1691), Z 607 (Purcell)
Movt. 11, Song, `As Amoret and Thyrsis lay`. Recording - January 8-9, 1982, Great Britain.
      (2)


Song `In all our Cynthia`s shining sphere`, Z 496 (Purcell)
Recorded on January 8-9, 1982, Great Britain.
      (3)

I. Overture
II. Come ye Sons of Art come away
III. Sound the trumpet
IV. Come ye Sons of Art come away
V. Strike the viol
VI. The day that such a blessing
VII. Bid the Virtues
VIII. These Are The Sacred Charms
IX. See Nature rejoicing

Birthday ode for Queen Mary `Come Ye Sons of Art` (1694), Z 323 (Purcell)
Emily van Evera - soprano, Timothy Wilson - countertenor. Recorded: August 11-14, 1988, London.
      (1)

1. Symphony
2. Welcome to all the pleasure
3. Here the deities approve - While joys celestial
4. Then lift up your voices
5. Beauty thou scene of love
6. In a Concort of voices

Ode for St. Cecilia`s Day `Welcome to all the pleasures` (1683), Z 339 (Purcell)
Emily van Evera - soprano, Timothy Wilson - countertenor. Recorded: August 11-14, 1988, London.
      (0)

c. 168082

Full Anthem `Man that is born of a woman` (c. 1680–82), Z  27 (Purcell)
Emily van Evera - soprano, Timothy Wilson - countertenor. Recorded: August 11-14, 1988, London.
      (1)


Verse Anthem `Thou knowest, Lord, the secrets of our hearts` (1687), Z  58 (Purcell)
Emily van Evera - soprano, Timothy Wilson - countertenor. Recorded: August 11-14, 1988, London.
      (2)


Full Anthem `In the midst of life, hymn` (before 1682), Z  17 (Purcell)
Emily van Evera - soprano, Timothy Wilson - countertenor. Recorded: August 11-14, 1988, London.
      (3)
 
     

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