Opera `Lucia di Lammermoor` (1835),  (Donizetti)
Lucia - Montserrat Caballe, Edgardo - Jose Carreras, Arturo - Claes H.Ahnsjo, Enrico - Vicente Sardinero, Raimondo - Samuel Ramey, Alisa - Ann Murray, Normanno - Vincenzo Bello. 1977.
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Opera `Gemma di Vergy` (1834),  (Donizetti)
Conte di Vergy - Renato Bruson, Gemma - Montserrat Caballé, Ida di Greville - Bianca Maria Casoni, Tamas - Giorgio Casellato Lamberti, Guido - Mario RinaudoRolando - Mario Machi. Cond. - Armando Gatto. December 12, 1975, Napoli.
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Prologue.
Palazzo Grimaldi terrace in Venice. Night Masquerade. The terrace which overlooks the Giudecca Canal runs laughing youth. This Liverotto Gatsella Vitellotstso Orsini and Gennaro. Their last day in Venice tomorrow go to the court of the Duke of Ferrara Alfonso. For young people secretly watching servant Lucretia Gubetta. Orsini tells of killings and other crimes blamed on the Duke and especially his wife Lucrezia Borgia Nella fatal di Rimini e memorabil guerra .... They come to the conclusion that for such acts it is worthy of death. Gradually fades fun. Gennaro asleep right on the bench on the terrace. The rest go. The channel appears gondola. Gubetto helps to leave it to the lady in the mask. It`s Lucrezia Borgia. She is looking for Gennaro. With love she looks at the sleeping boy. This is her son who was raised in secret and never knew and had not seen his mother Com `? Bello! Quale incanto .... From a distance of Lucretia watches her husband Don Alfonso with his servant Rustigello. Duke thinks that the young man - another lover of Lucretia and orders Rustigello follow Gennaro. Gennaro wakes. He is surprised by the attention the unknown lady. Lucretius admits that she is the mother Gennaro but not named. Gennaro delighted he had long wanted to meet with the mother Di pescatore ignobile esser figliuol credei .... Friends back Gennaro. It is their mother. Orsini suddenly discovers a stranger Lucrezia Borgia and rips off her mask. All those present in person throw Duchess murder called names of the dead men. Lucretia in horror covers his face with his hands. Youth goes taking weeping Gennaro. Lucretia in despair.

Act first. Scene One. Area in Ferrara
The crowd welcomed the returning Duke Alfonso. But the duke is not fun. He is jealous of the young wife as he believes and tells her lover Rustidzhello find a way to destroy the young man who came to Ferrara Vieni la mia vendetta .... Duke comes to the palace. Of one of the houses goes Gennaro and his friends. After the holiday they are forgiven. Gennaro which are struggling to feel solidarity with the mother and friends decided on a dangerous escapade he throws off the coat of arms of the Duchess pictured at the palace the letter B leaving the word of the name of Borgia orgia corruption. From the palace shows Gubetto. All run. Watched the whole incident Rustigello. He is the head of Lucretia Astolph and reports that the Duchess of prestige suffered damages for which the death penalty and that he knows the culprit. Astolph is in custody and they go to arrest Gennaro.

Act first. Scene Two. In the palace of Don Alfonso
Rustigello report to the Duke that Gennaro arrested. Lucrezia appears. She complains of harassment faced in Ferrara and demands that those responsible for damage to the emblem Borgia was found and executed. Don Alfonso said that the desire of the Duchess is already satisfied and ordered to bring Gennaro. Lucretia in horror. She asks her husband to forgive the offender but the Duke recalls that she had just called for the culprit to abuse of the death penalty and insists that vengeance done and take away orders Gennaro back to prison. After a dramatic explanation spouses Duke announces that he agrees to pardon Gennaro. Gennaro again lead to the hall and the Duke offers him a drink in honor of reconciliation ordering Lucrezia Borgia lodge gold cups Guai se ti sfugge un moto .... Duke leaves. Lucretius explains to his son that in cups Borgia is a poison and give him the antidote confirms that she loves him and asks to leave immediately Ferrara to escape persecution of the Duke Bevi e fuggi ... te`n prego o Gennaro .... In the struggle of feelings Gennaro again wins the love of his mother he promises to leave and Lucretia releases it through a secret door.

Act II. Scene One. Lane near the house Gennaro
Rustigello continues on the orders of the Duke follow Gennaro. The house is suitable Orsini and knocks on the door. Opens Gennaro. Orsini invite others for a farewell dance carnival at Princess Negroni. Tomorrow begins Lent and this is the last chance to have fun. Gennaro said that the mother had promised to leave immediately. Orsini laughs at his obedience. Finally Gennaro decides to take part in the festival and in the morning to leave. Together with the Orsini he leaves. Rustigello who had heard the whole conversation hastened to the palace to tell everything Duke.

Act II. Scene Two. Hall in the palace Negroni
Orsini and Gennaro join the exhilarating society. It`s all the same friends. In the hall comes Gubetta. Of the Greek merchant he brought a great noble society Syracuse wine. Youth enthusiastically accepts a gift. They fill the cups. Orsini sings a toast Il segreto per esser felici .... Song wafting from the street stops singing penitent monks. Carnival is over start of Lent. Orsini suddenly becomes ill. Then feel unwell already and all the rest. The doors of the hall open. Lucrezia appears triumphant. She`s not just the Orsini and the company for the insult to her in Venice and most importantly - for the fact that they tried to oppose it with her son. And now by sending out Gennaro Ferrara she sent it on behalf of the Greek poisoned wine. In less than a few minutes everyone is dead. Lucretia suddenly noticed among the guests Gennaro. She requests that the son took the antidote but Gennaro did not want to leave friends. He is torn between his feelings of love for the mother and the horror of her crimes Tu pur qui? Non sei fuggito? ... Gennaro dies. Includes Duke Alfonso. He came to see the death of the hand Gennaro Lucretia. From Rustigello he knew Gennaro will participate in the festival but failed to warn his wife. Lucretia reveals the truth - her son Gennaro Era desso il figlio mio .... Love for her son was the one bright feeling but Heaven punished her. Lucretia falls unconscious to the body of his son.
Premiered on December 26 1833 in Milan at La Scala.

Opera `Lucrezia Borgia` (1833),  (Donizetti)
Donna Lucrezia Borgia-Ì. Caballe, Don Alfonso-Ezio Flagello, Gennaro-À. Kraus, Maffio Orsini-Sh. Verret, Rustighello-Giuseppe Barratti, Astolfo-Robert El Hage, Jeppo Liverotto -Franco Riccardi, Apostolo Gazella-Franco Romano, Ascanio Pertucci-Ferrucio Mazzoli, Oloferno Vitellozo-Fernando Iacopucci, Gubetta -Vito Maria Brunetti, Un Servitore-Camillo Sforza, Un Coppiere-Franco Ruta, Voce fuori campo-Andrea Mineo. May 1966, Rome.
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Opera `Lucrezia Borgia` (1833),  (Donizetti)
Donna Lucrezia Borgia - Montserrat Caballe, Don Alfonso - Kostas Paskalis, Gennaro - Alain Vanzo, Maffio Orsini - Jane Berbie, Jeppo Liverotto - Jerold Siena, Don Apostolo Gazella - Vern Shinall, Ascanio Petrucci - William Wiederanders, Oloferno Vitellozzo - L. D. Clements, Gubetta - Adib Fazah, Rustighello - Mauro Lampi, Astolfo - Arnold Oketaitis. Orchestra: American Opera Society. April 20, New York, 1965 (live).
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Opera `Roberto Devereux`,  (Donizetti)
Elisabetta - Montserrat Caballé, Duca di Nottingham - Mario D` Anna, Sara - Laura Londi, Roberto Devereux - Gianni Raimondi, Lord Cecil - Nereo Ceroni, Sir Gualtiero Raleigh - Carlo Micalucci. Record of a live performance at Teatro La Fenice, February, 10, 1972.
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Opera `Caterina Cornaro` (1843),  (Donizetti)
Caterina Cornaro - Montserrat Caballé, Matilde - Anne Edwards, Gerardo - José Carreras, Lusignano - Lorenzo Saccomani, Mocenigo - Maurizio Mazzieri, Andrea Cornaro - Enrique Serra, Strozzi - Neville Williams, Un cavaliere del re - Neville Williams. July 1972, London.
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Opera `Sancia di Castiglia` (1832),  (Donizetti)
Conductor - JOSÉ MARIA COLLADO. Sancia - Montserrat Caballe, Garzia - Itxaro Mentxaka, Rodrigo - Jose Sempere, Ircano - Boris Martinovich, Elvira - Rosa Martin. Live Recording: TEATRO REAL MADRID, February 9, 1992.
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Opera `Parisina` (1833),  (Donizetti)
Parisina - Montserrat Caballé, Ugo - Jerome Pruett, Azzo - Louis Quilico, Ernesto - James Morris, Imelda - Eleanor Bergquist. Recorded: March 6, 1974, New York.
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Act first. Palace of Westminster
Elizabeth receives a letter from the King of France in which he asks for her hand to his brother the Duke of Anjou. At the same time the king asks release from prison and sent to France Mary Stewart who for many years in the castle lies Fotheringham on charges of attempted English throne. Also requests for Mary Talbot Earl of Shrewsbury. Speaks strongly against Lord Cecil. Much will depend on the position of the royal favorite the Earl of Leicester. Elizabeth leaves Leicester with the court. Talbot asks Lester to support the release of Mary and for this to arrange a personal meeting with Mary Elizabeth. Lester agrees. All but Lester go. Elizabeth returns. After a long explanation of Elizabeth Lester can convince yourself - she will meet with Mary and then decide its fate.

Act II. Castle Park Fotheringham
Mary and her court lady Anna Kennedy walks through the park. Beautiful spring day in the soul creates hope for a possible prisoner release. From afar hear the sounds of the approaching cavalcade of hunters. Herald reports that the Queen Elizabeth. Included Lester. He tells Mary that gave a chance meeting like Elizabeth with her and begs Mary to humble their pride and on their knees praying for release. The only way to achieve the mercy of Elizabeth. Elizabeth enters accompanied by Talbot Cecil and courtiers. Mary kneels. Elizabeth gives her hand to kiss. It seems just about reconciliation takes place but provoking Elizabeth Cecil and she puts Mary ridicule lists her lovers accused of organizing the murder of her husband. Mary pride offended. She throws Elizabeth worst for that accusation that she was not the daughter of Henry as her mother Anne Boleyn was convicted of adultery and executed for it and the king Henry questioned the origin of Elizabeth. Reconciliation is no longer possible. Elizabeth leaves in anger. Mary taken into custody.

Act III. Scene one. Cabinet Elizabeth
Cecil insists that Elizabeth signed the death warrant for Mary. Elizabeth hesitates. Lester enters and asks pardon Mary. Then Cecil Lester blames the fact that he is intriguing in favor of Mary because he decided to help her take the throne of England to marry her and thus become king. Enraged Elizabeth signed the execution order of Mary.

Act III. Scene Two. Mary`s room
Lord Cecil and Talbot bring Mary to death. Following his announcement of the Queen asks Talbot to stay she feels a sense of respect for him. Maria inconsolable approaching death and the ghosts of past sins disturb her she now and then imagining her shadow secretary Riccio who was murdered by her husband. Lord Talbot reveals the secret that is hidden from everyone at the court he - a Catholic priest. Maria confesses his sins sloth pride and suesloviya said he wanted a union with gentleman Babington kill Elizabeth and escape from prison. Talbot let her sins and received the Holy Sacraments.

Act III. Scene Three. Great hall in the castle Fotheringham
The court of Mary mourning his queen. Includes Anna. She is in despair. Maria appears. She walks with her head held in a royal robe and crown. Solemnly she says goodbye with his courtiers with Anna thanks for your service. Appear Cecil Talbot and Leicester. Mary Talbot and Leicester thanks for the help with contempt meets Cecil predicts the imminent end of the reign of Elizabeth to the throne and the return of the legitimate Stuarts. All shocked royal grandeur of Mary. It is led off to execution.

Premiered on December 30 1835 in Milan at La Scala. Opera came under the prohibition of censorship in 1836 and performed almost to the middle of the twentieth century.

Opera `Maria Stuarda` (1835),  (Donizetti)
Elisabetta -Shirley Verrett
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Opera `Maria Stuarda` (1835),  (Donizetti)
Maria - Montserrat Caballé
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Act One. In the Tyrolean mountains
Marquis de Berkenfild with his manager hydrangea escapes from enemy troops. They are in despair seeks refuge from the war ended up in the inferno. Suddenly the noise and panic subside. Approaching second Grenadier Regiment Sergeant Sulpice. It soothes the Marquis the enemy defeated and thrown far back. From a distance came the cheerful singing. It approaches canteen-keeper Marie. Sulpice asks the girl what she was concerned. Marie says that falling in love with a young Tyroleans who saved her life if he had not she would have fallen in the mountains over the precipice. Sulpice dissatisfied. Eighteen years ago Marie was a baby found on the battlefield. Since then she has a daughter Regiment - favorite grenadiers - each replaced her father. It has long been agreed that when Marie grows up she will marry only for the grenadier. Appears soldiers patrol. He stopped a suspicious person who was wandering around. If it`s an enemy spy he should be shot. But Marie learns the stranger his savior Tonio and demands immediate release Tyroleans. Marie explains Tonio that has pledged to marry a grenadier. Tonio does not bother - to win the hand of his beloved he will enter into and become a grenadier regiment. Marquise asks Sulpice give her soldiers to hold up to the castle Berkenfild. The name of the castle Sulpice seems familiar - it was mentioned in the note found with Marie eighteen years ago. Marquis Sulpice shows the note which always carries with him. Marquis shocked Marie her illegitimate daughter who disappeared in the mountains eighteen years ago. Along with hydrangeas they decide to give Marie a niece awnings. Marquis demands that regiment returned she had long gone missing relative. Sulpice to agree. Marie found embracing his aunt. At this time Tonio finds corporal and asked to write it in the regiment of grenadiers. Corporal willing recruits new grenadier. Sulpice back to Marie. Marie says Tonio that she found a rich and illustrious relative and left the regiment. Now they meet again or not - is unknown but she will only love him. Tonio despite the separation from Mary remains in the shelf and decided to win military glory.

Act II. The castle Berkenfild
A year passed. Retired Sulpice came to visit Marie. It meets the Marquis. She wants to bring the old man to his side for the implementation of plans of marriage Marie. Marquis opens Sulpice truth - Marie her illegitimate daughter and the only way for her to get the nobility and enter into high society - is to marry a nobleman. Of the groom Marquis found this Duke Krakvitorp. Today he comes to his mother and shall have signed the marriage contract. Marquise asks Sulpice persuade Marie to accept. Marie appears. Beneath the cover of well-bred young lady hiding all the same simple girl - the daughter of the regiment. Marie stops singing a sensitive ballad to perform military march. Sulpice tries to persuade her not to think more about Tonio and marry a duke. Left alone Marie bitterly ponders his fate finding a house and name she should forget about your friends and loved one. Suddenly the street heard singing soldiers. This Grenadier Regiment close to the castle. Marie delighted greets his old friends. Tonio runs. He happily greets Marie and Sulpice. For the year he achieved great success - became an officer and now commands the Grenadier Regiment. Marquis categorically denies Tonio in hand Marie. Hortensius announces the arrival of the Duke and Duchess Krakvitorp with them came the notary. Begins reading the marriage contract. Tonio by starting a last resort the Duke and Duchess announce that the bride was the last regimental canteen-keeper. Know indignantly left the castle. Marquis forced to agree to the marriage with Marie Tonio. Marie is happy. Daughter of the Regiment becoming the wife of an officer returns to his part.

The premiere took place on February 11 1840 in Paris at the Opera-up comedian.
 
     

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