1. Allegro
2. Adagio
3. Allegro assai

Violin Concerto No.2 in E-dur (ca. 1718-20?), BWV 1042 (Bach)
Recorded: June 23-25, 1976, London.
      (37)

1. Ouverture
2. Rondeau
3. Sarabande
4. Bourrées I & II
5. Polonaise & Double
6. Menuet
7. Badinerie

Orchestral Suite No.2 in h-moll, BWV 1067 (Bach)
Recorded: December 7-10, 1970, London.
      (15)

1. Allegro
2. Adagio
3. Allegro

Keyboard Concerto No.1 in d-moll (1738?), BWV 1052 (Bach)
1986.
      (15)

1. Ouverture
2. Air
3. Gavottes I & II
4. Bourrée
5. Gigue

Orchestral Suite No.3 in D-dur, BWV 1068 (Bach)
Recorded: December 7-10, 1970, London.
      (28)


The Art of the Fugue, BWV 1080 (Bach)
Recorded: July 1974, London.
      (11)

1. Allegro moderato
2. Andante
3. Allegro assai

Violin Concerto No.1 in a-moll (1729?), BWV 1041 (Bach)
Recorded: June 23-25, 1976, London.
      (19)

1. Ouverture
2. Courante
3. Gavottes I & II
4. Forlane
5. Menuets I & II
6. Bourées I & II
7. Passepieds I & II

Orchestral Suite No.1 in C-dur, BWV 1066 (Bach)
Recorded: December 7-10, 1970, London.
      (16)

1. Vivace
2. Largo ma non tanto
3. Allegro

Concerto for Two Violins, Strings & Basso Continuo in d-moll, BWV 1043 (Bach)
Maurice Hasson - violin II. Recorded: June 23-25, 1976, London.
      (20)

1. -
2. Siciliano
3. Allegro

Keyboard Concerto No.2 in E-dur, BWV 1053 (Bach)
1986.
      (13)

Arrangement Violin Concerto BWV 1041

1. Allegro
2. Andante
3. Allegro assai

Keyboard Concerto No.7 in g-moll (1738?), BWV 1058 (Bach)
      (11)

Instrumentation 2 corni da caccia 3 oboes bassoon violino piccolo 2 violins viola cello and basso continuo

1. Allegro moderato
2. Adagio
3. Allegro
4. Menuet Trio I Menuet da capo Polacca Menuet da capo Trio II Menuet da capo

Brandenburg Concerto No.1 in F-dur (1721?), BWV 1046 (Bach)
Violin piccolo – Alan Loveday, oboes – Caroline Marwood, Celia Nicklin, George Caird, horn – Nicholas Hill, bassoon – Graham Sheen. Recorded: January 1985.
      (8)

Brandenburg Concerto No.1 in F-dur (1721?), BWV 1046 (Bach)
Bassoon – Graham Sheen, horns – Julian Baker, Timothy Brown, oboes – Angela Tennick, Barry Davis, Celia Nicklin. Recorded: May 1980.
      (2)

Brandenburg Concerto No.1 in F-dur (1721?), BWV 1046 (Bach)
First version. Recorded: February 1971, London.
      (2)

Arrangement lost violin concerto restored BWV1056r

1. -
2. Largo
3. Presto

Keyboard Concerto No.5 in f-moll (1738?), BWV 1056 (Bach)
      (6)

Keyboard Concerto No.5 in f-moll (1738?), BWV 1056 (Bach)
Recorded 1986
      (9)

1. Rezitativ - Schweigt stille plaudert nicht
2. Arie - Hat man nicht mit seinen Kindern
3. Rezitativ - Du böses Kind du loses Mädchen
4. Arie - Ei! wie schmeck der Coffee süße
5. Rezitativ - Wenn du mir nicht den Coffee läßt
6. Arie - Mädchen die von harten Sinnen
7. Rezitativ - Nun folge was dein Vater spricht!
8. Arie - Heute noch lieber Vater
9. Rezitativ - Nun geht und sucht den alten Schlendrian
10. Chor - Die Katze läßt das Mausen nicht

Cantata `Schweigt stille, plaudert nicht` (`Kaffeekantate`), BWV  211 (Bach)
Tenor - Aldo Baldin. Recorded: November 1981, London.
      (6)

1. Ouverture
2. Bourrées I & II
3. Gavotte
4. Menuets I & II
5. Réjouissance

Orchestral Suite No.4 in D-dur, BWV 1069 (Bach)
Recorded: December 7-10, 1970, London.
      (7)

Orchestral Suite No.4 in D-dur, BWV 1069 (Bach)
Recorded: January 1978, London.
      (1)

Orchestral Suite No.4 in D-dur, BWV 1069 (Bach)
Alastair Ross - harpsichord. Recorded: November 8, 1984, London.
      (0)

Solo Cantata for Bass for the Feast of Purification of Mary

Soloist Bass but Soprano or Alto can also sing it
Orchestra for the Bass version oboe 2 violins viola organ continuo

1. Aria bass `Ich habe genug`
2. Recitative bass `Ich habe genug! Mein Trost ist nur allein`
3. Aria bass `Schlummert ein ihr matten Augen`
4. Recitative bass `Mein Gott! wenn kommt das Schöne Nun!`
5. Aria bass `Ich freue mich auf meinen Tod`

Recordings minimum 164

Cantata `Ich habe genug` (1727), BWV   82 (Bach)
Rachel Lord - oboe, George Malcolm - organ continuo. Recorded at St Paul’s Church, Knightsbridge, London, England, April 28, 1964.
      (6)


Concerto for Oboe and Violin in c-moll (1719?), BWV 1060R (Bach)
Carmel Keine - violin, Tess Miller - oboe. 1973.
      (5)

1. Allegro
2. Larghetto
3. Allegro ma non tanto

Keyboard Concerto No.4 in A-dur, BWV 1055 (Bach)
Recorded 1986
      (3)

Arrangement Violin Concerto BWV 1042

1. -
2. Adagio e piano sempre
3. Allegro

Keyboard Concerto No.3 in D-dur, BWV 1054 (Bach)
Recorded 1986
      (11)


Concerto for keyboard, 2 recorders and strings ¹ 6 in F-dur (1738?), BWV 1057 (Bach)
Recorded 1986
      (3)


Parts of compositions,  (Bach)
      (8)

Cantate burlesque
1. Ouvertüre
2. Aria Duetto Mer hahn en neue Oberkeet
3. Recitativo Nu Mieke gib dein Guschel immer her
4. Aria Ach es schmeckt doch gar zu gut
5. Recitativo Der Herr ist gut
6. Aria Ach Herr Schösser geht nicht gar zu schlimm
7. Recitativo Es bleibt dabei
8. Aria Unser trefflicher lieber Kammerherr
9. Recitativo Er hilft uns allen alt und jung
10. Aria Das ist galant es spricht niemand
11. Recitativo Und unsre gnädge Frau
12. Aria Fünfzig Taler bares Geld
13. Recitativo Im Ernst ein Wort!
14. Aria Klein Zschocher müsse so zart und süße
Parodie von BWV Anh. I 11/9
15. Recitativo Das ist zu klug vor dich
16. Aria col Corne de Chasse Es nehme zehntausend Dukaten
17. Recitativo Das klingt zu liederlich
18. Aria Gib Schöne viel Söhne
19. Recitativo Du hast wohl recht
20. Aria Dein Wachstum sei feste und lache vor Lust
Parodie von BWV 201/7
21. Recitativo Und damit sei es auch genung
22. Aria Und daß ihr`s alle wißt
23. Recitativo Mein Schatz! erraten!
24. Chor Wir gehn nun wo der Tudelsack

Cantata `Mer hahn en neue Oberkeet` (Bauernkantate), BWV  212 (Bach)
Recorded: November 1981, London.
      (5)

I. KYRIE
01. Kyrie eleison Chorus.
02. Christe eleison Soprano.
03. Kyrie eleison Chorus.

II. GLORIA
04. Gloria in excelsis Deo Chorus.
05. Laudamus te Alto.
06. Gratias agimus tibi Chorus.
07. Domine Deus Rex coelestis Soprano Tenor.
08. Qui tollis peccata mundi Chorus.
09. Qui sedes ad dextram Patris Alto.
10. Quoniam tu solus sanctus Bass.
11. Cum Sancto Spiritu Chorus.

III. CREDO
12. Credo in unum Deum Chorus.
13. Patrem omnipotentem Chorus.
14. Et in unum Dominum Jesum Christum Soprano Alto.
15. Et incarnatus est Chorus.
16. Crucifixus etiam pro nobis Chorus.
17. Et resurrexit tertia die Chorus.
18. Et in Spiritum Sanctum Bass.
19. Confiteor unum baptisma Chorus a cappella.
20. Et exspecto resurrectionem mortuorum Chorus.

IV. SANCTUS HOSANNA BENEDICTUS
21. Sanctus Dominus Deus Sabaoth Chorus.
22. Hosanna in excelsis Chorus.
23. Benedictus qui venit Tenor.
24. Osanna in excelsis Chorus.

V. AGNUS DEI
25. Agnus Dei Alto.
26. Dona nobis pacem Chorus.

Màss in h-moll, BWV  232 (Bach)
Bass - Samuel Ramey. Organ - Nicholas Kraemer. Recorded: November 1977, London.
      (5)

Instrumentation 3 violins 3 violas 3 cellos basso continuo

1. Allegro
2. Adagio
3. Allegro

Brandenburg Concerto No.3 in G-dur (1718?), BWV 1048 (Bach)
Recorded: January 1985, UK.
      (4)

Brandenburg Concerto No.3 in G-dur (1718?), BWV 1048 (Bach)
Cello – Denis Vigay, harpsichord – John Birch. Recorded: May 1980, UK.
      (3)

Brandenburg Concerto No.3 in G-dur (1718?), BWV 1048 (Bach)
First version. Recorded: February 1971, London.
      (0)


Arias,  (Bach)
Cantata BWV 34: ¹ 3. Aria `Wohl euch, ihr auserwählten Seelen`. Recorded: October 1975, London.
      (7)

Arias,  (Bach)
Cantata BWV 161: 1. `Komm, du süsse Todesstunde`. Recorded: October 1975, London.
      (7)

Arias,  (Bach)
Cantata BWV 6: 2. Aria: `Hochgelobter Gottessohn`. Recorded: October 1975, London.
      (6)

Arias,  (Bach)
Johannespassion, BWV 245: ¹ 59 `Es ist vollbracht`. Recorded: October 1975, London.
      (8)

Arias,  (Bach)
BWV 249: 8. Aria (alto) `Saget, saget mir erfeut`. Recorded: October 1975, London.
      (5)

Concertino natural trumpet in F recorder oboe violin
Ripieno 2 violins viola violone basso continuo including harpsichord

1. Allegro
2. Andante
3. Allegro assai

Brandenburg Concerto No.2 in F-dur (1718?), BWV 1047 (Bach)
Recorder – Philip Pickett, îboe – Celia Nicklin, trumpet – Mark Bennett. Recorded: January 1985, UK.
      (3)

Brandenburg Concerto No.2 in F-dur (1718?), BWV 1047 (Bach)
Trumpet – André Bernard. Recorded: May 1980, UK.
      (9)

Brandenburg Concerto No.2 in F-dur (1718?), BWV 1047 (Bach)
First version. Recorder – David Munrow, harpsichord (1st Movt.) – Thurston Dart, harpsichord (continuo) – Raymond Leppard. Recorded: February 1971, London.
      (0)

text G.H. Stölzel

Aria `Bist du bei mir`, BWV  508 (Bach)
Recorded: October 1975, London.
      (6)

Instrumentation 2 viola da braccio 2 viole da gamba cello violone and harpsichord

1. Allegro
2. Adagio ma non tanto
3. Allegro

Brandenburg Concerto No.6 in B-dur (1718?), BWV 1051 (Bach)
Violin – Stephen Shingles, viola da Gamba – Charles Medlam, William Hunt, cello – Denis Vigay, harpsichord – John Constable. Recorded: January 1985, UK.
      (2)

Brandenburg Concerto No.6 in B-dur (1718?), BWV 1051 (Bach)
Viola – Roger Best, Stephen Shingles, viola da Gamba – Dennis Nesbitt, Marilyn Sansom. Recorded: May 1980, UK.
      (3)

Brandenburg Concerto No.6 in B-dur (1718?), BWV 1051 (Bach)
First version. Violas – Margaret Major, Stephen Shingles, viola da gamba – Kenneth Skeaping, Roderick Skeaping, cello – Kenneth Heath. Recorded: February 1971, London.
      (0)

1. Aria Vergnugte Ruh beliebte Seelenlust
2. Recitative Die Welt das Sundenhaus
3. Aria Wie jammern mich doch die verkehrten Herzen
4. Recitative Wer sollte sich demnach
5. Aria Mir ekelt mehr zu leben

Cantata `Vergnügte Ruh, beliebte Seelenlust`, BWV  170 (Bach)
Philip Ledger - organ obbligato. Recorded in London, England, January 29, 1966.
      (1)

Concertino harpsichord violin flute
Ripieno violin viola cello violone harpsichord

1. Allegro
2. Affettuoso
3. Allegro

Brandenburg Concerto No.5 in D-dur (1720-21?), BWV 1050 (Bach)
Recorded: January 1985, UK.
      (2)

Brandenburg Concerto No.5 in D-dur (1720-21?), BWV 1050 (Bach)
Entry - May 1980
      (5)

Brandenburg Concerto No.5 in D-dur (1720-21?), BWV 1050 (Bach)
First version. Recorded: February 1971, London.
      (1)

Concertino violin and two recorders
Ripieno two violins viola cello violone and basso continuo

1. Allegro
2. Andante
3. Presto

Brandenburg Concerto No.4 in G-dur (1719-20?), BWV 1049 (Bach)
Recorders – Catherine Latham, Philip Pickett, harpsichord – John Constable. Recorded: January 1985, UK.
      (3)

Brandenburg Concerto No.4 in G-dur (1719-20?), BWV 1049 (Bach)
Recorder – Elisabeth Selin. Recorded: May 1980, UK.
      (8)

Brandenburg Concerto No.4 in G-dur (1719-20?), BWV 1049 (Bach)
First version. Recorders – David Munrow, John Turner, harpsichord (allegro) – Thurston Dart, harpsichord (continuo) – Raymond Leppard. Recorded: February 1971, London.
      (1)

Soloists Alto Tenor Bass; Four-part chorus for the final chorale
Orchestra oboe 2 violins viola continuo + bassoon

1. Sehet wir geh`n hinauf gen Jerusalem
2. Ich folge dir nach
3. Nun will ich mich mein Jesu
4. Es ist vollbracht das Leid ist alle
5. Jesu deine Passion ist mir aluter Freude

Cantata `Sehet, wir gehn hinauf gen Jerusalem`, BWV  159 (Bach)
St. Anthony Singers. Philip Ledger - harpsichord continuo. 1966., London.
      (1)

1. Magnificat
2. Et exultavit
3. Quia respexit
4. Omnes generationes
5. Quia fecit mihi magna
6. Et misericordia
7. Fecit potentiam
8. Deposuit potentes
9. Esurientes
10. Suscepit Israel
11. Sicut locutus est
12. Gloria

Magnificat in D-dur (1732/1735), BWV  243 (Bach)
Contralto - Jean Rigby, tenor - Uwe Heilmann, bass - Jorma Hynninen. Recorded: October 1990, London.
      (7)

1. Arie `Jauchzet Gott in allen Landen!`
2. Rezitativ `Wir beten zu dem Tempel an`
3. Arie `Höchster mache deine Gute`
4. Choral `Sei Lob und Preis mit Ehren`
5. Arie `Alleluja!`

Cantata `Jauchzet Gott in allen Landen`, BWV   51 (Bach)
Recorded: April 6-7, 1983, London.
      (0)

1. Aria bass `Ich will den Kreuzstab gerne tragen`
2. Recitative bass `Mein Wandel auf der Welt`
3. Aria bass `Endlich wird mein Joch`
4. Recitative bass `Ich stehe fertig und bereit`
5. Chorale `Komm o Tod du schlafes Bruder`

Cantata `Ich will den Kreuzstab gerne tragen`, BWV   56 (Bach)
George Malcolm - îrgan. St. Anthony Singers. Recorded: April 28-29, 1964, London.
      (2)

1. Arie - Weichet nur betrübte Schatten
2. Rezitativ - Die Welt wird wieder neu
3. Arie - Phoebus eilt mit schnellen Pferden
4. Rezitativ - Drum sucht auch Armor sein Vergnügen
5. Arie - Wenn die Frühlingslüfte streichen
6. Rezitativ - Und dieses ist das Glücke
7. Arie - Sich üben im Lieben
8. Rezitativ - So sei das Band der keuschen Liebe
9. Gavotte - Sehet in Zufriedenheit

Cantata `Weichet nur, betrübte Schatten`, BWV  202 (Bach)
1973.
      (0)


Cantata `Non sa che sia dolore`, BWV  209 (Bach)
1972, London.
      (3)
 
     

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