1776 * For Countess Antonia Lodron and her two daughters
1. Allegro
2. Adagio
3. Rondeau. Tempo di Menuetto
Wolfgang Amadeus Mozart (1756–1791)
Concerto for 2 (or 3) pianos and orchestra ¹ 7 F-dur `Lodron-Konzert` (1776/1779), KV242 Download Sheet Music
1776 * For Countess Antonia Lodron and her two daughters
1. Allegro 2. Adagio 3. Rondeau. Tempo di Menuetto
John Elliot Gardiner
(conductor),
Malcolm Bilson
(piano),
Robert Levin
(piano),
Melvyn Tan
(piano),
English Baroque Soloists
Wolfgang Amadeus Mozart (1756–1791)
Concerto for 2 Pianos and Orchestra ¹10 in Es-dur (1779/1782), KV365 (316a) Download Sheet Music
1. Allegro
2. Andante 3. Rondeaux. Allegro
John Elliot Gardiner
(conductor),
Malcolm Bilson
(piano),
Robert Levin
(piano),
English Baroque Soloists
to Idomeneo the King of Krit
Wolfgang Amadeus Mozart (1756–1791)
Mass c-moll (`Große Messe` (1782-83), KV427 (417a) Download Sheet Music
1. Kyrie. Andante moderato
2. Gloria. Allegro vivace 3. Laudamus te. Allegro aperto 4. Gratias. Adagio 5. Domine. Allegro moderato 6. Qui tollis. Largo 7. Quoniam. Allegro 8. Jesu Christe. Adagio 9. Cum sancto spiritu 10. Sanctus. Largo 11. Osanna. Allegro comodo 12. Benedictus. Allegro comodo
John Elliot Gardiner
(conductor),
Sylvia McNair
(soprano),
Anthony Rolfe-Johnson
(tenor),
English Baroque Soloists,
Monteverdi Choir
Wolfgang Amadeus Mozart (1756–1791)
Opera `Die Entfuehrung aus dem Serail` (1782), KV384 Download Sheet Music
John Elliot Gardiner
(conductor),
Luba Orgonasova
(soprano),
English Baroque Soloists,
Monteverdi Choir
John Elliot Gardiner
(conductor),
Christina Oelze
(soprano),
Gerald Finley
(baritone),
English Baroque Soloists,
Monteverdi Choir
Wolfgang Amadeus Mozart (1756–1791)
Opera `Idomeneo, Re di Creta ossia Ilia e Idamante` (1781), KV366 Download Sheet Music
The action takes place on the island of Crete after the Trojan War.
Act 1 Captive Trojan princess mourns murdered father and missing brothers. But do not hate and love for his son of the Cretan king Idamantu owns her heart. Idamant loves Elijah and she wants to return for the freedom of prisoners Trojans. Electra betrothed bride Idamanta betrayed a fit of jealousy. Meanwhile Arbas brings news that the Cretan king Idomeneo returning from the walls of Troy to his homeland died at sea. To save his life and the lives of his companions Neptune Idomeneo vowed to bring him as a sacrifice of the first who will meet in their native shore. The first in a hurry to greet his father Idamant. Act 2 Idomeneo consults Arbasom how to save his son. They send Idamanta with Elektra in her native Argos. Idomeneo will grant Trojan prisoners but Elijah asks to remain in Crete. Idomeneo realizes mutual love Elijah and Idamanta. Electra happy Idamant be hers. Once Idamant Electra and get into the ship the angry Neptune sent a sea monster to Crete. The people running away in fear. Act 3 Despite the wrath of Neptune Idomeneo insists on leaving Idamanta but Idamant decides to join the battle with the monster and defeats him. The High Priest of Neptune King warns of disasters that befall his people for non oath. Idomeneo is ready to sacrifice his son. Elijah wants to pay for Idamanta life. Neptune moved by her love and by the oracle commands Idomeneo leave the throne and pass it Idamantu after his marriage to Elijah. People singing the praises of the gods but Elektra is not involved in jubilation pursued furies of jealousy she pierces his chest with a dagger. Premiered on January 29 1781 in Munich.
John Elliot Gardiner
(conductor),
Sylvia McNair
(soprano),
Anne-Sofie von Otter
(mezzo-soprano),
Anthony Rolfe-Johnson
(tenor),
English Baroque Soloists,
Monteverdi Choir
Act One.
Vittel the daughter of the murdered emperor Titus wants to avenge the death of his father and persuades her lover to Sextus to participate in a conspiracy against him. Having learned however that the emperor refused his marriage to Veronica Tsilitsiyskoy and sent it to Jerusalem Vittel itself intends to become his wife and stops Sextus. Titus also wants to see his wife sister of Sextus Servilia which sends a message to Annius a friend Sextus who is himself in love with Servilia long. Titus Servilia decides to tell the truth but he says that if the Emperor would insist on marriage she obeyed. Titus touched by candor Servilia gives the nod to their marriage with Annius. Meanwhile Vittel having learned that the emperor chose his wife Servilia again imbued with hatred for him and asks Sextus kill Titus. Shortly after leaving Sextus appear Annius and Publius who report Vittel that the emperor wished to see her his wife. Vittel in turmoil. Sextus led rebels close to the imperial palace the crowd sets fire to it. Sextus reports that he saw Titus died. Action ends the general chorus mourned the Emperor. Act II. Soon discover however that Titus is alive but instead it took the death of one of his entourage dressed in imperial clothes. Rebellion suppressed and Sextus wants to commit suicide but Vittel takes him a dagger. Publius Sextus arrest and bring him to the court of the Senate. Senate condemns him to death but Titus decides to talk to him and find out the truth about the mutiny. Sextus takes all the blame on himself not wanting to give Vittel and Titus in spite of internal impulses sign a death sentence. On the day of execution Vittel decides to confess all to Titus who generously forgives her and Sextus. The opera ends with a general chorus praising the wisdom and mercy of the emperor. Premiere - the Estates Theatre in Prague September 6 1791.
John Elliot Gardiner
(conductor),
Julia Varady
(soprano),
Anne-Sofie von Otter
(mezzo-soprano),
Anthony Rolfe-Johnson
(tenor),
English Baroque Soloists,
Monteverdi Choir
John Elliot Gardiner
(conductor),
Bryn Terfel
(bass),
Alison Hagley
(soprano),
English Baroque Soloists,
Monteverdi Choir
Bryn Terfel(bass) - Figaro, Alison Hagley(soprano) - Susanna, Rodney Gilfry(baritone) - Conte de Almaviva, Hillevi Martinpelto(soprano) - Contessa de Almaviva, Pamela Helen Stephen(mezzo-soprano) - Cherubino, Susan McCulloch(soprano) - Marcelina, Carlos Feller(bass-baritone) - Bartolo, Francis Egerton(tenor) - Basilio / Don Curzio, Julian Clarkson(baritone) - Antonio, Costanze Beckes(soprano) - Barbarina
1. Allegro
2. Andante ma un poco Adagio 3. Allegro
1. Allegro
2. Andante un poco Adagio 3. Rondeau. Allegro
Wolfgang Amadeus Mozart (1756–1791)
Piano Concerto ¹ 8 in C-dur `Lützow-Konzert` (1776), KV246 Download Sheet Music
1. Allegro aperto
2. Andante 3. Rondeau. Tempo di Menuetto
Wolfgang Amadeus Mozart (1756–1791)
Piano Concerto ¹ 9 in Es-dur `Jeunehomme` (1777), KV271 Download Sheet Music
1. Allegro
2. Andantino 3. Rondeau. Presto
Wolfgang Amadeus Mozart (1756–1791)
Piano Concerto ¹11 in F-dur (1782/83), KV413 (387a) Download Sheet Music
1. Allegro
2. Larghetto 3. Tempo di Menuetto
1. Allegro
2. Andante 3. Allegro
1. Allegro assai
2. Andante 3. Rondeau Allegro di molto
1. Allegro
2. Andante 3. Allegretto
1. Allegro vivace
2. Andante un poco sostenuto 3. Allegro vivace
1. Allegro
2. Allegretto 3. Allegro assai
1. Allegro
2. Romance 3. Rondo Allegro assai
1. Allegro maestoso
2. Andante 3. Allegro vivace assai
1. Allegro
2. Andante 3. Rondo. Allegro
1. Allegro
2. Adagio 3. Allegro assai
1. Allegro
2. Larghetto 3. Allegretto
1. Allegro maestoso
2. Andante 3. Allegretto
Wolfgang Amadeus Mozart (1756–1791)
Piano Concerto ¹26 in D-dur `Krönungskonzert` (1788), KV537 Download Sheet Music
1. Allegro
2. Larghetto 3. Allegretto
1. Allegro
2. Larghetto 3. Allegro
Wolfgang Amadeus Mozart (1756–1791)
Piano Concertî ¹12 in A-dur (1782), KV414 (386a/385p) Download Sheet Music
1. Allegro
2. Andante 3. Allegretto
Wolfgang Amadeus Mozart (1756–1791)
Piano Concertî ¹13 in C-dur (1782-83), KV415 (387b) Download Sheet Music
1. Allegro
2. Andante 3. Allegro
1. Allegro vivace
2. Andantino 3. Allegro ma non troppo
Das von Franz Xaver Süssmayr vervollständigte Requiem in der traditionellen Gestalt
John Elliot Gardiner
(conductor),
Barbara Bonney
(soprano),
Anne-Sofie von Otter
(mezzo-soprano),
Anthony Rolfe-Johnson
(tenor),
English Baroque Soloists
Wolfgang Amadeus Mozart (1756–1791)
Rondo for Piano and Orchestra in D-dur (1782), KV382 Download Sheet Music
On December 3 1778 from Mannheim Mozart wrote to his father To please Herr von Gemmingen and myself I am now composing the first act of the declaimed opera which I was commissioned to write and I am also doing this for nothing; I shall bring it with me and finish it at homeHerr von Gemmingen is the poet of courseand the duodrama is called Semiramis. Nothing else is known of this duodrama. In an 1994 article Laurenz Lutteken believes some of Thamos music originally for Semiramis project.
1. Allegro moderato
2. Andante 3. Menuetto 4. Allegro con spirito
Wolfgang Amadeus Mozart (1756–1791)
Symphony ¹31 in D-dur `Paris` (1778), KV297 (300a) Download Sheet Music
1. Allegro assai
2. Andantino 3. Allegro 2 bis. Replacement 2nd movement Andante
1. Allegro spiritoso
2. Andante 3. Tempo primo
1. Allegro assai
2. Andante moderato 3. Menuetto 4. Allegro assai
1. Allegro vivace
2. Andante di molto 3. Allegro molto
Wolfgang Amadeus Mozart (1756–1791)
Symphony ¹35 in D-dur `Haffner` (1782/1783), KV385 Download Sheet Music
1. Allegro con spirito
2. Andante 3. Menuetto 4. Finale Presto
Wolfgang Amadeus Mozart (1756–1791)
Symphony ¹36 in C-dur `Linzer` (1783), KV425 Download Sheet Music
1. Allegro con spirito
2. Andante 3. Menuetto - Trio 4. Presto
Wolfgang Amadeus Mozart (1756–1791)
Symphony ¹38 in D-dur `Prager` (1786), KV504 Download Sheet Music
1. Adagio - Allegro
2. Andante 3. Finale. Presto
1. Adagio - Allegro
2. Andante con moto in A-flat major 3. Menuetto - Trio 4. Allegro
1. Molto allegro
2. Andante 3. Menuetto Allegretto 4. Allegro assai
Wolfgang Amadeus Mozart (1756–1791)
Symphony ¹41 in C-dur `Jupiter` (1788), KV551 Download Sheet Music
1. Allegro vivace
2. Andante cantabile 3. Menuetto Allegretto 4. Molto allegro
Wolfgang Amadeus Mozart (1756–1791)
Thamos, König in Ägypten (1774/1779-80), KV345 (336a) Download Sheet Music |
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