Mikhail Glinka

Mikhail Glinka (1804–1857)

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Two dances from the ballet Chao-Kang with variations in D major, for piano
3 mazurkas
Jota Aragonesa
The Passing Song
Andalusian dance in G Major
Andante cantabile and Rondo D minor
Aries
Barcarolle G-dur (1847)
A brilliant rondino with the theme by Bellini, for piano (1831)
Brilliant variations on a theme from the opera `Anna Bolen` Donizetti in A major
Grand Sextet for Piano & String Quintet in E-flat major (1832)
In the blood burning fire of desire, poem by A. Pushkin
Waltz in E flat major
`Waltz Fantasy` (1839, 1856)
Variations on the theme of the two dance from the ballet `Chao-Kuan `, for piano (1831)
Variations on a Russian Song `Among the Gentle Valleys` in A minor
Variations on a theme of Bellini C-dur (1832)
Variations on a theme from the opera of Donizetti`s` Anna Bolena, in A major
Variations on a Theme from Cherubini`s Opera `Faniska` in B flat major
Variations on a theme of Spanish romance `Benedetta sia la madre` in E major
Variations on a Theme of Mozart
Variations on Alyabyev`s Song `The Nightingale`
Variations on a Scottish theme (1847)
Variations in F major
Vocalise in C Major
Farewell with St Petersburg
Galop, for piano
Grand waltz in G major
Childrens polka
Divertissement on a theme of Bellini opera `Somnambulist` (1832)
Spanish Overture No. 1 `Brilliant Capriccio on the Theme of Jota Aragonesa` (1845)
Memories of a Summer Night in Madrid ( Spanish Overture No.2) (1851)
Quartet for Two Violins, Viola and Cello in F Major
Lullaby (Female Chorus from the opera Ruslan and Lyudmila, the author`s transcription for piano)
Counter Dance in G-dur for piano
Cotillion. 1829
Mazurka in C Major
Mazurka in C minor
Mazurka in As-dur for piano
Mazurka in G major
Mazurka in F-dur for piano
Melodic Waltz in E flat major
Music for N.Kukolnik`s `Prince Kholmsky` (1842)
Nocturne in E Flat Major
Nocturne Es-dur, for piano or harp (1827)
Nocturne `Parting`
opera `A Life for the Tsar` (1836; originally Ivan Susanin)
The opera `Ruslan and Lyudmila` (1837-42)
Pathetic Trio in d-moll (1832)
Patriotic Song
Initial Polka in B flat major
Adel, lyrics by A. Pushkin
Venetian Night
Prayer (M. Lermontov), 1847
Ty, solovushko, umolkni
Polonaise in E major
Polka in d-moll, for piano
Farewell Waltz in G Major
Ballads, songs
Septet in E flat major (1823)
Serenade on Themes from Donizetti`s Opera Anna Bolena (1832)
Symphony on two Russian themes (1834, completed and orchestrated Vissarion Shebalin)
Sonata for Viola and Piano (unfinished)
Tarantella in A Minor
The Ceremonial Polonaise
Overture in D major
Overture in G minor
French Quadrille in D major (1828)
French Quadrille in G major (1828)
Fugue in A minor
Fugue in E flat major
Fugue in D major
The Cherubic Hymn
Mazurka (1847)
`Kamarinskaya`, Fantasy on Two Russian Folksongs (1848)
A Prayer, for piano
Musical Sketches, for piano (Smolensk, 1847)
Memory of Friendship (Arrangement for symphony orchestra of Nocturn)
I remember a wonderful moment, poem by A. Pushkin


Last comments

l2048
  It - `The passing song` from `Farewell to St. Petersburg`
Mick_M
  wrote of l2048: It - `The passing song` from `Farewell to St. Petersburg` the Most
interesting, as without `Farewell to St. Petersburg` it `The passing song` Michal
Ivanycha. In as... :)
aleks91801
  wrote of l2048: It - `The passing song` from `Farewell to St. Petersburg` to Simply
dear Gabisou is much closer than strong to English. So it turned out. He is Canadian.
Mikhail_Kollontay
  Name `Andaluzsky Dance` absolutely any. By the author it is designated: Las Mollares.
SmirnovPierre
  Charm, such charming transitions.`
| `See `315382` how it turns out. If professional music is placed, it is possible to
tell anything about it, the heads of sobesednok do not suffer from it. And when the
amateur rubbish is placed, what are not capable to understand professionally a question,
are completely disoriented. And it causes a real loss, including - to prestige of this
site and a condition of the atmosphere of a forum. Therefore I urge a
redaktsiyu=administration to carry out big cleaning, ruthlessly deleting a lyubitelshchina
and a grafomanshchina FROM ARCHIVE. Delete Gilels, and similar given opuses walk on
freedom, poisoning with miasmata inexperienced souls.

I believe that at least practically all professionals, well in this case will agree with
my assessment and what to do with archive, not to us to solve it.
Mikhail_Kollontay
  I do not understand how I do not know it about such composition. It exactly handiwork?
probably, early very much. Whether laid who a hand here.
DzhiTi
  fine execution (imkho)
Andrew_Popoff
  wrote of DzhiTi: fine execution (imkho) Yes, is remarkable strong. And that often stop
this scene in statements is very valuable. And cool music.
DzhiTi
  in my opinion even above the countertenor a voice at Kurmangaliyev, it is possible to take
for a mezzo-soprano or a contralto or a viola???? A surprising timbre for the man
Mikhail_Kollontay
  wrote of DzhiTi: can take for a mezzo-soprano I did not hear Eric`s lessons never, and
here Natasha Burnasheva, Dorliak turned out, crossed with it in a class (NL had it in
postgraduate study, and - I do not remember EK why). According to Natasha, below la small
(in real), it is simple - everything, sounded nothing. Whether slightly even it was not
closed. In other words, it here such unique nature, well, or certain break of soul.
Whether so counter it was the tenor, a question. I heard it in a concert from the scenes
for the first time (I should have played too), without seeing who went there, was sure
that some woman sings. Then I look - good gracious, the fellow; and with hair on shoulders
as at the woman. He sang Vanya`s aria from Life for the Tsar, not to tell that is strongly
good.
Aelina
  wrote of DzhiTi: the Surprising timbre for the man Yes, a surprising and finest man`s
timbre!
I adore all countertenors.

Very worthy execution!
LAKE
  wrote of Aelina: Yes, surprising and finest man`s timbre!
I adore all countertenors.

..... And wants to present to you the blue-eyed Bezrukov addressing to you in A flat of
the third octave at the time of Paganini`s hearing, with the words `You Are Beautiful, I
Love You`).

Here execution remarkable, of course, but....` Sorry, the princess that I sit, but I
cannot get up... paralysis` (C)
Andrew_Popoff
  Yes, this, perhaps, ideal and exact hit with the singer. As if Mikhail Ivanovich for him
also wrote Ratmira.
Aelina
  wrote of LAKE: Here execution remarkable, of course, but....` Sorry, the princess that
I sit, but I cannot get up... paralysis` (C) apprx. listen then the fourth track (only a
minute)

http://muallaka.livejournal.com/87401.html

not only paralysis will grab. it is possible to die.
LAKE
  wrote of Aelina: apprx. listen to then the fourth track (only a minute)

http://muallaka.livejournal.com/87401.html

not only paralysis will grab. it is possible to die. It agrees. Angel... a dog lift up
it)).
Aelina
  wrote of LAKE: It agrees. Angel... a dog lift up it)). that :)
DzhiTi
  wrote of Andrew_Popoff: Yes, this, perhaps, ideal and exact hit with the singer. As if
Mikhail Ivanovich for him also wrote Ratmira. which already I listen to time, it is
pleasant more and more))
1dfcbkbq9
  wrote of Andrew_Popoff: ... ideal and exact hit with the singer. As if Mikhail Ivanovich
for him also wrote Ratmira. Ratmir`s Party according to the invoice is written as if for
Eric. Everything meets here: voice, appearance. Only to sing and to sing. However
Eric Kurmangaliyev in musical life of the Soviet Union and Russia the 90th a figure
peculiar. The person was born not there and not then. However not it one. The unique voice
caused suspicion in musical directors. And the singer who has to, is obliged to sing
Vanya, Ratmir, Cherubino`s parts Lelya and td. (very many parties appear) on the leading
scenes goes to army for failure to deliver of scientific communism, it is not allowed in
the Bolshoi theater. Sad all this.
Phalaenopsis
  Not so ideal execution. In slow raspevny places it still controls a voice, and here in the
descending and ascending dynamic places of inaccuracy to a naslukh.
By the way, in this opera there is one more fine aria, and it seems to me, it would be
suitable for Eric better: - `Quickly to native steppes...`
Mikhail_Kollontay
  wrote 1dfcbkbq9: goes to army for failure to deliver of scientific communism And what,
was such?
LAKE
  wrote of Mikhail_Kollontay: A that, was such? Still. Exactly also from army directed
in Big to sing Susanina of all careless military topographers. About as!
Mikhail_Kollontay
  wrote of LAKE: sent to from army in Big to sing too did not know About it.
LAKE
  wrote of Mikhail_Kollontay: too did not know About it. And nobody knew). Everything
became in the most strict secret.
SmirnovPierre
  Listened with pleasure. Not Shmurak of course, but - tries.
evc
  wrote of SmirnovPierre: Listened to with pleasure. Not Shmurak of course, but - tries.
simply to Lyosha should not try, at it and so everything turns out.
 
     
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