Antonio Vivaldi

Pasticcio opera “Dorilla in Tempe” (later versions), RV 709-C/D

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Libretto by Antonio Maria Lucchini. The later versions include arias by other composers. An Act I chorus uses music from “Spring”.

Scored for two Baroque oboes (flutes also possible), Baroque...Read more
Libretto by Antonio Maria Lucchini. The later versions include arias by other composers. An Act I chorus uses music from “Spring”.

Scored for two Baroque oboes (flutes also possible), Baroque bassoon, two natural horns, two natural trumpets, two harpsichords, theorbo and strings.

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Dorilla (Dorilla) — MARIA-CRISTINA KIEHR, soprano Elmiro (Elmiro) — JOHN ELWES, tenor Admeto (Admeto) — PHILIPPE CANTOR, baritone Nomio (Nomio) — JEAN NIROUET, counter-tenor Eudamia (Eudamia) — CONSUELO CAROLI, mezzo-soprano Philindo (Filindo) — LAURE FLORENTIN, soprano CHOEURS DE L`OPERA DE NICE, choirmaster Errol CIRDLESTONE ENSEMBLE BAROQUE DE NICE, conductor Gilbert BEZZINA October 1993.Read moreCollapse
Dorilla (Dorilla) — MARIA-CRISTINA KIEHR, soprano Elmiro (Elmiro) — JOHN ELWES, tenor Admeto (Admeto) — PHILIPPE CANTOR, baritone Nomio (Nomio) — JEAN NIROUET, counter-tenor Eudamia (Eudamia) — CONSUELO CAROLI, mezzo-soprano Philindo (Filindo) — LAURE FLORENTIN, soprano CHOEURS DE L`OPERA DE NICE, choirmaster Errol CIRDLESTONE ENSEMBLE BAROQUE DE NICE, conductor Gilbert BEZZINA October 1993.

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