Movements:
1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in...Read more
Cantata “Wo soll ich fliehen hin” in G minor, BWV 5Download sheet music
Movements:
1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in...Read more
Movements:
1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in long notes. (G Minor) 2. Recitative: `Der Sünden Wust hat mich nicht nur befleckt` (`This heap of sins has not merely left a stain`) - for Bass and continuo. (G Minor) 3. Aria: `Ergieße dich reichlich` (`Pour yourself richly`) - a tenor aria with solo viola and continuo (E♭ Major). 4. Recitative: `Mein treuer Heiland tröstet mich` (`My loving Savior comforts me`) - for alto, oboe and continuo (G minor to C minor) 5. Aria: `Verstumme, Höllenheer` (`Be silent, host of Hell`) - for bass, tromba, strings and continuo (B♭ Major). 6. Recitative: `Ich bin ja nur das kleinste Teil der Welt` (`I am, indeed, only the smallest part of the world`) - for soprano and continuo. (G Minor) 7. Chorale: `Führ auch mein Herz und Sinn` (`Guide also my heart and mind`) - the last verse of the chorale, sung and played by the whole ensemble. (G Minor) Soloists: Soprano, Alto, Tenor, Bass; 4-part Chorus Orchestra: slide trumpet, 2 oboes, 2 violins, viola, continuo Close
Nikolaus Harnoncourt
(conductor)
,
Kurt Equiluz
(tenor),
Max van Egmond
(bass-baritone),
Paul Esswood
(counter-tenor),
Hans Gillesberger
(conductor),
Peter Jelosits
(soprano), Concentus Musicus Wien
Wiener Sängerknaben. Wiener Sängerknaben. Chorus Viennensis. Recorded: January 1971, Vienna.Read moreCollapseWiener Sängerknaben. Wiener Sängerknaben. Chorus Viennensis. Recorded: January 1971, Vienna.
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