Henry Purcell (1659–1695)

Great Britain · Barocco (1600—1760)

20 Pieces for Klavier
A New Ground in E minor, ZT 682 (1689)	ZT 682
A New Irish Tune, Z 646 (1687)	Z 646
A New Scotch Tune, Z 655 (1689)	Z 655
“Ah! Cruel nymph, you give despair”, song, Z 352 (c. 1693)	Z 352
“Ah! how pleasant ”, songtis to love“”, Z 353 (1688)	Z 353
“Ah! what pains, what racking thoughts”, song Z 354, Z 354	Z 354
Air In D minor, ZT 675, ZT 675	ZT 675
Almond in D-sol-re (Gavotte), ZD 219/1	ZD 219/1
Alternative Prelude from Suite No. 2 in G minor
“Amidst the shades and cool refreshing streams”, song, Z 355 (1687)	Z 355
“Amintas, to my grief I see”, song, Z 356 (1679)	Z 356
“Amintor, heedless of his flocks”, song, Z 357 (1681)	Z 357
Anthem “In guilty night” for soprano, tenor, bass and continuo, Z 134 (1693)	Z 134
Aria, Z 641	Z 641
Aria, ZT 676 (1693)	ZT 676
Aria, ZT 693/2	ZT 693/2
Aria (Minuet), ZT 696/2	ZT 696/2
Arias
“Ask me to love no more”, song, Z 358 (1694)	Z 358
Awake, and with attention hear, Z 181 (1681)	Z 181
“Bacchus is a power divine”, song, Z 360	Z 360
“Beneath a dark and melancholy grove”, song, Z 461	Z 461
Benedictus in B-flat major, Z 230 (2) (1682)	Z 230 (2)
“Beware, poor Shepherds”, song, Z 361 (1684)	Z 361
Birthday ode for Queen Mary “Arise my Muse”, Z 320 (1690)	Z 320
Birthday ode for Queen Mary “Celebrate this Festival!”, Z 321 (1693)	Z 321
Birthday ode for Queen Mary “Come Ye Sons of Art”, Z 323 (1694)	Z 323
Birthday ode for Queen Mary “Love’s goddess sure was blind”, Z 331 (1692)	Z 331
Birthday ode for Queen Mary “Now does the glorious day appear”, Z 332 (1689)	Z 332
Birthday ode for Queen Mary “Sound the trumpet, beat the drum”, Z 335 (1678)	Z 335
Birthday ode for Queen Mary “Welcome, welcome glorious morn”, Z 338 (1691)	Z 338
Bonduca or The British Heroine, Z 574 (1695)	Z 574
Borry in D-sol-re ZD2l9/2 (Saraband), ZD 2l9/2	ZD 2l9/2
Canary, ZT 677	ZT 677
Canon, “Misere Mei” – Canon 4 in 2, Z 109 (1687)	Z 109
Cantata “If ever I more riches did desire”, Z 544 (1686-87)	Z 544
Cantate Domino & Deus misereatur in B-flat major, Z 230 (9,10) (1682)	Z 230 (9,10)
Catch “A health to the nut-brown lass”, Z 240 (1685)	Z 240
Catch “Come, let us drink”, Z 245	Z 245
Catch “I gave her cakes and I gave her ale”, Z 256 (1690)	Z 256
Catch “Of all the instruments that are”, Z 263 (1693)	Z 263
Catch “Once, twice, thrice, I Julia tried”, Z 265	Z 265
Catch “Prithee ben’t so sad and serious”, Z 269	Z 269
Catch “Since time so kind to us does prove”, Z 272	Z 272
Catch “Sir Walter enjoying his damsel”, Z 273	Z 273
Catch “The miller’s daughter riding”, Z 277 (1686)	Z 277
Catch “Tis women makes us love”, Z 281 (1685)	Z 281
Catch “Under this stone lies Gabriel John”, Z 286 (1686)	Z 286
Catch “Young John the gard’ner”, Z 292 (1683)	Z 292
“Cease, anxious world”, song, Z 362 (1687)	Z 362
“Celia’s fond, too long I’ve loved her”, song, Z 364 (1694)	Z 364
Chaconne in G minor for harpsichord from “Timon of Athens”, ZT 680 (1696)	ZT 680
Chaconne in G minor for two violins, viola and basso continuo, Z 730 (1680)	Z 730
Chopped Gordian knot, Music for the play, Z 597 (1691)	Z 597
Cleomenes, the Spartan Hero, Z 576 (1692)	Z 576
Corant in G major (Unknown), Z 644	Z 644
“Corinna is divinely fair”, song, Z 365 (1692)	Z 365
“Crown the Altar”, song (1693)
“Cupid, the slyest rogue alive”, song, Z 367 (1685)	Z 367
Distressed Innocence or Princess of Persia, Z 577 (1694)	Z 577
“Draw near, you lovers”, song, Z 462 (c. 1683)	Z 462
Early, O Lord, my fainting soul, Z 132 (1680)	Z 132
Epsom Wells, Z 579 (1693)	Z 579
Fantasia I for 3 viols, Z 732 (1680)	Z 732
Fantasia II for 3 viols, Z 733 (1680)	Z 733
Fantasia III for 3 viols, Z 734 (1680)	Z 734
Fantasia IV for 4 viols G minor, Z 735 (1680)	Z 735
Fantasia IX for 4 viols A minor, Z 740 (1680)	Z 740
Fantasia V for 4 viols B-flat major, Z 736 (1680)	Z 736
Fantasia VI for 4 viols F major, Z 737 (1680)	Z 737
Fantasia VII for 4 viols C minor, Z 738 (1680)	Z 738
Fantasia VIII for 4 viols D minor, Z 739 (1680)	Z 739
Fantasia X for 4 viols E minor, Z 741 (1680)	Z 741
Fantasia XI for 4 viols G major, Z 742 (1680)	Z 742
Fantasia XII for 4 viols D minor, Z 743 (1680)	Z 743
Fantasy a 4, Z 731 (1678)	Z 731
Fantasy for Five Violas F major, Z 745 (1680)	Z 745
Fantasy in A minor (incomplete), Z 744 (1683)	Z 744
“Farewell, all joys”, song, Z 368 (1685)	Z 368
“Farewell, ye rocks”, song, Z 463 (1685)	Z 463
Fly Swift, Ye Hours, Z 369 (1692)	Z 369
“From hardy climes and dangerous toils of war”, Z 325 (1683)	Z 325
From silent shades and the Elysian groves, Z 370 (1683)	Z 370
Full Anthem “ Lord, how long wilt Thou be angry?”, Z 25 (1680-82)	Z 25
Full Anthem “Blow up the trumpet in Sion”, Z 10 (1679)	Z 10
Full Anthem “In the midst of life, hymn”, Z 17 (1682)	Z 17
Full Anthem “Man that is born of a woman”, Z 27 (1680-82)	Z 27
Full Anthem “O God, the king of glory”, Z 34 (1679)	Z 34
Full Anthem “O God, Thou art my God”, Z 35 (1680-82)	Z 35
Full Anthem “O God, thou hast cast us out”, Z 36 (1680-82)	Z 36
Full Anthem “O Lord God of hosts”, Z 37 (1680-82)	Z 37
Full Anthem “Remember not, O Lord, our offences”, Z 50 (c. 1680)	Z 50
Full Anthem “Save me, O God”, Z 51 (1681)	Z 51
Full Anthem, “I will sing unto the Lord”, Z 22 (1679)	Z 22
Full of wrath his threatening breath, Z 185	Z 185
Funeral March and Canzona for Queen Mary, Z 860 (1695)	Z 860
“Gently shepherds, you that know”, song (A Pastoral Elegy on the Death of Mr. John Playford), Z 464 (1687)	Z 464
“Go tell Amynta, gentle swain”, song, Z 489	Z 489
Great God and just, Z 186 (1688)	Z 186
Ground from Ye Tuneful Muses, ZT 681	ZT 681
Ground in C minor for harpsichord, ZD 221	ZD 221
Ground in D minor for harpsichord, ZD 222	ZD 222
Ground In Gamut, Z 645	Z 645
“He himself courts his own ruin”, song Z 372, Z 372 (1684)	Z 372
Hear me, O Lord, the great support, Z 133 (1680-82)	Z 133
“Hear my prayer, O Lord”, anthem for mixed choir, Z 15 (1683)	Z 15
“Hears not my Phyllis”, song, Z 371 (1695)	Z 371
“Hence, fond deceiver”, song, Z 492 (1687)	Z 492
Henry II, King of England, Z 580 (1692)	Z 580
“Here Let my Life”, song (c. 1686)
“High on a throne of glitt’ring ore”, song, Z 465 (1690)	Z 465
Hornpipe, ZT 683	ZT 683
Hornpipe, ZT 685	ZT 685
Hornpipe in D minor, ZT 684 (1695)	ZT 684
“How delightful’s the life of an innocent swain”, song, Z 373	Z 373
How have I strayed, Z 188 (1688)	Z 188
“How I sigh when I think of the charms”, song, Z 374 (1681)	Z 374
How long, great God?, Z 189 (1688)	Z 189
Hymn “Awake, and with attention hear” (published 1681), Z 181	Z 181
Hymn “Awake, ye dead”, Z 182 (1693)	Z 182
Hymn “Beati omnes [qui timent Dominum]”, Z 131 (1680)	Z 131
Hymn “Begin the song, and strike the living lyre”, Z 183 (1681)	Z 183
Hymn “Close thine eyes and sleep secure” for soprano, bass and continuo, Z 184 (1688)	Z 184
Hymn “Hosanna to the highest” for bass, tenor and continuo, Z 187	Z 187
Hymn “Jehova, quam multi sunt” for 4 voices and continuo, Z 135 (c. 1680)	Z 135
Hymn “Lord, what is man?” for soprano (tenor) and continuo, Z 192 (1693)	Z 192
Hymn “Now that the Sun hath veil’d his Light” , Z 193, Z 193 (1688)	Z 193
Hymn “O all ye people, clap your hands” for 4 voices and continuo, Z 138 (c. 1680)	Z 138
Hymn “Since God, so tender a regard” for 2 tenors, bass and continuo, Z 143 (1677-78)	Z 143
Hymn “Tell me, some pitying angel” for soprano and continuo, Z 196 (1693)	Z 196
Hymn “With sick and famish’d eyes”, Z 200 (1688)	Z 200
“I came, I saw, and was undone”, song Z 375, Z 375 (c. 1685)	Z 375
“I lov’d fair Celia”, song, Z 381 (1694)	Z 381
“I love and I must”, song, Z 382 (c. 1693)	Z 382
“I resolve against cringing”, song, Z 386 (1679)	Z 386
“I saw that you were grown so high”, song, Z 387 (1678)	Z 387
“I take no pleasure in the sun’s bright beams”, song, Z 388 (1681)	Z 388
I will love thee, O Lord (c.1679), ZN 67 (c. 1679)	ZN 67
“If grief has any power to kill”, song, Z 378 (1685)	Z 378
“If Music Be the Food of Love”, song, Z 379b (1693)	Z 379b
“If music be the food of love”, song, Z 379c (1695)	Z 379c
“If prayers and tears”, song, Z 380 (c. 1685)	Z 380
“In all our Cynthia’s shining sphere”, song, Z 496	Z 496
“In Cloris all soft charms”, song, Z 384 (1684)	Z 384
In nomine G minor, Z 746 (1680)	Z 746
In nomine G minor, Z 747 (1680)	Z 747
“In some kind dream”, song, Z 497 (1687)	Z 497
In the black dismal dungeon of despair, Z 190 (1688)	Z 190
“In vain we dissemble”, song, Z 385 (1685)	Z 385
“Incassum Lesbia, incassum rogas”, song , Z 383, Z 383 (1695)	Z 383
Incidental Music “A Fool’s Preferment or The Three Dukes of Dunstable”, Z 571 (1688)	Z 571
Incidental Music “Amphitryon or The Two Sosias”, Z 572 (1690)	Z 572
Incidental Music “Aureng-Zebe or The Great Mogul”, Z 573 (1692)	Z 573
Incidental Music “Don Quixote”, Z 578 (1694-95)	Z 578
Incidental Music “Oedipus”, Z 583 (1692)	Z 583
Incidental Music “Pausanias, the Betrayer of his Country”, Z 585 (1695)	Z 585
Incidental Music “The Mock Marriage”, Z 605 (1695)	Z 605
Incidental Music “The Old Bachelor”, Z 607 (1691)	Z 607
Incidental Music “The Richmond Heiress or A Woman Once in the Right”, Z 608 (1691)	Z 608
Incidental Music “The Rival Sisters or The Violence of Love” Z 609, Z 609 (1695)	Z 609
Incidental Music “Tyrannic Love or The Royal Martyr”, Z 613 (1694)	Z 613
Incidental Music Rule a Wife and Have a Wife, Z 587 (1693)	Z 587
Incidental music to “Regulus, or The Faction of Carthage”, Z 586 (1692)	Z 586
Incidental music to “The Double Dealer”, Z 592 (1693)	Z 592
Incidental music to “Timon of Athens”, Z 632 (1694)	Z 632
Jig in G minor, ZT 686 (1696)	ZT 686
Jigg (ZD223), ZD 223	ZD 223
“King Arthur”, arias from the semi-opera (1691)
“King Arthur”, semi-opera, Z 628 (1691)	Z 628
“Let each gallant heart”, song, Z 390 (1683)	Z 390
“Let formal lovers still pursue”, song, Z 391 (1687)	Z 391
Let the night perish, Z 191 (1688)	Z 191
“Let us, kind Lesbia, give away”, song, Z 466 (1684)	Z 466
Lord, I can suffer thy rebukes, Z 136 (1680)	Z 136
Lord, not to us, but to thy name, Z 137 (1680)	Z 137
“Lost is my quiet forever”, song, Z 502 (1691)	Z 502
“Love arms himself in Celia’s eyes”, song, Z 392	Z 392
“Love is now become a trade”, song, Z 393 (1685)	Z 393
Love Triumphant or Nature Will Prevail, Z 582 (1693)	Z 582
“Love, thou canst hear, tho”, song thou art blind“”, Z 396 (1695)	Z 396
“Love’s power in my heart shall find no compliance”, song, Z 395 (1688)	Z 395
“Lovely Albina’s come ashore”, song Z 394, Z 394 (1695)	Z 394
Magnificat & Nunc Dimittis in B-flat major, Z 230 (7,8) (1682)	Z 230 (7,8)
Magnificat and Nunc dimittis in G minor, Z 231	Z 231
March in C major, Z 648 (1687)	Z 648
March in C major, ZT 687 (1696)	ZT 687
March In C major, Z 647, Z 647 (1687)	Z 647
Minuet, Z 651	Z 651
Minuet in A minor, Z 650 (1687)	Z 650
Minuet In A minor, Z 649, Z 649 (1689)	Z 649
Minuet in D minor, ZT 689 (1687)	ZT 689
Minuet in D minor, ZT 688 (1687)	ZT 688
“More love or more disdain I crave”, song, Z 397 (1678)	Z 397
Music for the Funeral of Queen Mary Z 860 / Z 27 / Z 17 / Z 58c, Z 860 / Z 27 / Z 17 / Z 58c (1695)	Z 860 / Z 27 / Z 17 / Z 58c
Music to the drama of Circe, Z 575 (1690)	Z 575
“Musing on cares of human fate”, song, Z 467 (1685)	Z 467
“My heart, wherever you appear”, song, Z 399 (1685)	Z 399
“No, to what purpose should I speak”, song, Z 468 (c. 1683)	Z 468
“Not all my torments can your pity move”, song Z 400, Z 400 (c. 1693)	Z 400
“O dive custos Auriacae domus”, song, Z 504, Z 504 (1695)	Z 504
O Lord our governor, Z 141 (1680)	Z 141
“O solitude, my sweetest choice”, song Z 406, Z 406 (1687)	Z 406
O, I’m sick of life, Z 140 (1680)	Z 140
“O! fair Cedaria, hide those eyes”, song, Z 402	Z 402
Ode “Hail, Bright Cecilia” for Soloists, Chorus, Orchestra and Basso Continuo, Z 328 (1692)	Z 328
Ode “Raise, raise the voice” Z 334, Z 334 (1685)	Z 334
Ode “Who Can From Joy Refrain”, Z 342 (1695)	Z 342
Ode “Why, why are all the Muses mute?” , Z 343, Z 343 (1680)	Z 343
Ode for St. Cecilia’s Day “Welcome to all the pleasures”, Z 339 (1683)	Z 339
Ode, “Celestial music did the gods inspire”, Z 322 (1689)	Z 322
Ode, “Fly, bold rebellion”, Z 324 (1683)	Z 324
Ode, “From those serene and rapturous joys”, Z 326 (1684)	Z 326
Ode, “Great parent, hail!”, Z 327 (1694)	Z 327
Ode, “Laudate Ceciliam”, Z 329 (1683)	Z 329
Ode, “Of old when heroes thought it base”, Z 333 (1690)	Z 333
Ode, “Swifter, Isis, swifter flow”, Z 336 (1681)	Z 336
Ode, “The summer’s absence unconcerned we bear”, Z 337 (1682)	Z 337
Ode, “What, what shall be done in behalf of the man?”, Z 341 (1682)	Z 341
Ode, “Ye tuneful Muses”, Z 344 (1686)	Z 344
“Olinda in the shades unseen”, song, Z 404 (c. 1694)	Z 404
“On the brow of Richmond Hill”, song, Z 405 (1692)	Z 405
Opera “Dido and Aeneas”, Z 626	Z 626
Opera “Dido and Aeneas” (arias)
Oroonoko, Z 584 (1695)	Z 584
Overture D minor, Z 771	Z 771
Overture G major, Z 770 (1681)	Z 770
Overture G minor, Z 772 (1680)	Z 772
Parts of Works
“Pastora’s beauties when unblown”, song, Z 407 (1681)	Z 407
Pavan B-flat major, Z 750 (c. 1680)	Z 750
Pavan for two violins and basso continuo A major, Z 748 (c. 1680)	Z 748
Pavana in A minor Z 749, Z 749 (c. 1680)	Z 749
Pavana in G minor, Z 751 (1680)	Z 751
Pavana in G minor for 3 Violins & basso continuo, Z 752 (1680)	Z 752
“Phillis, talk no more of passion”, song, Z 409 (1685)	Z 409
“Phyllis, I can ne’er forgive it”, song, Z 408 (1688)	Z 408
“Pious Celinda goes to prayers”, song, Z 410 (1695)	Z 410
Plung’d in the confines of despair, Z 142 (1680)	Z 142
Prelude for block-flute D minor, Z 773	Z 773
Prelude from “The Fairy Queen”, Z 629/10 (1692)	Z 629/10
“Rashly I swore I would disown”, song, Z 411 (1683)	Z 411
Rigadoon in C major, Z 653 (1687)	Z 653
Rigaudon (ZD227), ZD 227	ZD 227
“Round O”, keyboard arrangement of the Rondeau from “Abdelazer, or The Moor’s Revenge”, ZT 684 (1695)	ZT 684
Saraband with division, Z 654	Z 654
“Sawney is a bonny lad”, song, Z 412 (1694)	Z 412
“Scarce had the rising sun appear’d”, song, Z 469 (1679)	Z 469
“See how the fading glories of the year”, song, Z 470 (1689)	Z 470
Sefauchi’s Farewell in D minor, Z 656, Z 656 (1687)	Z 656
She loves and she confesses too, Z 413 (1683)	Z 413
“She that would gain a faithful lover”, song, Z 414 (1695)	Z 414
“She who my poor heart possesses”, song, Z 415 (1683)	Z 415
“Since one poor view has drawn my heart”, song, Z 416 (1681)	Z 416
“Since the pox or the plague”, song, Z 471 (1679)	Z 471
Sir Anthony Love or The Rambling Lady, Z 588 (1692)	Z 588
Sir Barnaby Whigg or No Wit Like a Woman’s, Z 589 (1681)	Z 589
Sleep, Adam, sleep and take thy rest, Z 195 (1688)	Z 195
Sonata for Trumpet, Strings & Basso Continuo in D major, Z 850 (c. 1694)	Z 850
Sonata for two violins and basso continuo No. 1 B minor, Z 802 (c. 1680)	Z 802
Sonata for two violins and basso continuo No. 2 E-flat major, Z 803 (c. 1680)	Z 803
Sonata for two violins and basso continuo No. 3 A minor, Z 804 (c. 1680)	Z 804
Sonata for two violins and basso continuo No. 4 D minor, Z 805 (c. 1680)	Z 805
Sonata for Two Violins and Basso Continuo No. 5 G minor, Z 806 (c. 1680)	Z 806
Sonata for two violins and basso continuo No. 6 G minor, Z 807 (c. 1680)	Z 807
Sonata for two violins and basso continuo No. 7 in C major, Z 808 (1680)	Z 808
Sonata for Two Violins and Basso Continuo No. 8 G minor, Z 809 (c. 1680)	Z 809
Sonata for two violins and basso continuo No. 9 F major, Z 810 (c. 1680)	Z 810
Sonata for two violins and basso continuo No. 10 D major, Z 811 (c. 1680)	Z 811
Sonata for Violin and Basso Continuo G minor, Z 780 (1683-84)	Z 780
Song If Music Be the Food of Love, Z 379a (1692)	Z 379a
Song n’A thousand sev’ral ways I tried“”, Z 359 (1684)	Z 359
Song Tune in C major, ZT 694 (1687)	ZT 694
Song Tune in C major, ZT 695 (1687)	ZT 695
Sophonisba or Hannibal’s Overthrow, Z 590 (1685)	Z 590
Sophonisba or Hannibal’s Overthrow, Z 591 (1685)	Z 591
“Spite of the godhead, pow’rful love”, song, Z 417 (1687)	Z 417
“Stript of their green our groves appear”, song, Z 444 (1692)	Z 444
Suite for Harpsichord No. 2 in G minor, Z 661	Z 661
Suite for Harpsichord No. 3 in G major, Z 662 (1687)	Z 662
Suite for Harpsichord No. 4 in A minor, Z 663	Z 663
Suite for Harpsichord No. 5 in C major, Z 666	Z 666
Suite for Harpsichord No. 6 in D major, Z 667	Z 667
Suite for Harpsichord No. 7 in D minor, Z 668	Z 668
Suite for Harpsichord No. 8 in F major, Z 669	Z 669
Sute for Harpsichord C major, Z 665	Z 665
Sute for Harpsichord No. 1 in G major, Z 660	Z 660
“Sweet, be no longer sad”, song Z 418, Z 418 (1678)	Z 418
“Sylvia, ”, songtis true you’re fair“”, Z 512 (1686)	Z 512
“Sylvia, now your scorn give over”, song, Z 420 (1688)	Z 420
Te Deum Laudamus & Jubilate Deo in B-flat major, Z 230 (1,4) (1682)	Z 230 (1,4)
Te Deum laudamus & Jubilate Deo in D major (1694)
“Te Deum” and “Jubilate Deo” in D major for soloists, choir and instruments, Z 232 (1694)	Z 232
The earth trembled, Z 197 (1688)	Z 197
The English Lawyer, Z 594 (1685)	Z 594
“The Fairy Queen”, semi-opera, Z 629 (1692)	Z 629
“The fatal hour comes on apace”, song, Z 421	Z 421
The Fatal Marriage or The Innocent Adultery, Z 595 (1694)	Z 595
The Female Virtuosos, Z 596 (1693)	Z 596
The History of King Richard the Second or The Sicilian Usurper, Z 581 (1681)	Z 581
The Indian Emperor or The Conquest of Mexico, Z 598 (1691)	Z 598
“The Indian Queen”, semi-opera, Z 630 (1695)	Z 630
The Knight of Malta, Z 599 (1691)	Z 599
The Libertine or The Libertine Destroyed, Z 600 (1692)	Z 600
The Lord is King, and hath put on glorious apparel, Z 69 (1680)	Z 69
The Maid’s Last Prayer or Any Rather Than Fail, Z 601 (1693)	Z 601
The Marriage-hater Match’d, Z 602 (1693)	Z 602
The Married Beau or The Curious Impertinent, Z 603 (1694)	Z 603
The Massacre of Paris, Z 604 (1693)	Z 604
“The night is come” for 2 voices and continuo, Z 77	Z 77
“The Prophetess, or the History of Dioclesian”, orchestral suite, Z 627 (1690)	Z 627
The Queen’s Dolour in A minor (Unknown), Z 670	Z 670
The Spanish Friar or The Double Discovery, Z 610 (1694-95)	Z 610
The Staircase Overture in B-flat major for two violins & b.c.
The Tempest or The Enchanted Island, Semi-Opera, Z 631 (1695)	Z 631
The Virtuous Wife or Good Luck at Last, Z 611 (1694)	Z 611
The Wives“ Excuse or Cuckolds Make Themselves”, Z 612 (1691)	Z 612
Theodosius or The Force of Love, Z 606 (1680)	Z 606
“They say you’re angry”, song, Z 422 (1685)	Z 422
“This poet sings the Trojan wars”, song, Z 423 (1688)	Z 423
Thou wakeful Shepherd, hymn, Z 198 (c. 1688)	Z 198
“Through mournful shades and solitary groves”, song, Z 424 (1684)	Z 424
Toccata in A major, ZD 229	ZD 229
Trio Sonata I in Three Parts G minor, Z 790 (1680)	Z 790
Trio Sonata II in Three Parts B-flat major, Z 791 (1680)	Z 791
Trio Sonata III in Three Parts D minor, Z 792 (1680)	Z 792
Trio Sonata IV in Three Parts F major, Z 793 (1680)	Z 793
Trio Sonata IX in Three Parts C minor, Z 798 (1680)	Z 798
Trio Sonata V in Three Parts A minor, Z 794 (1680)	Z 794
Trio Sonata VI in Three Parts C major, Z 795 (1680)	Z 795
Trio Sonata VII in Three Parts E minor, Z 796 (1680)	Z 796
Trio Sonata VIII in Three Parts G major, Z 797 (1680)	Z 797
Trio Sonata X in Three Parts A major, Z 799 (1680)	Z 799
Trio Sonata XI in Three Parts F minor, Z 800 (1680)	Z 800
Trio Sonata XII in Three Parts D major, Z 801 (1680)	Z 801
Trumpet minuet, ZD 230	ZD 230
Trumpet Tune called the Cibell, ZT 678 (1696)	ZT 678
Trumpet Tune in C major, ZT 698 (1696)	ZT 698
Trumpet Tune in C major, ZT 697 (1696)	ZT 697
“Turn then thine eyes”, song, Z 425 (1692)	Z 425
Two in one a Ground (Dioclesian), Z 627/16 (1690)	Z 627/16
“Urge me no more”, song, Z 426	Z 426
Verse Anthem “Awake, put on thy strength”, Z 1 (1682-85)	Z 1
Verse Anthem “Behold now, praise the Lord”, Z 3 (1680)	Z 3
Verse Anthem “Behold, I bring you glad tidings”, Z 2 (1687)	Z 2
Verse Anthem “Blessed are they that fear the Lord”, Z 5 (1688)	Z 5
Verse Anthem “Blessed be the Lord my strength”, Z 6 (1679)	Z 6
Verse Anthem “Blessed is he that considereth the poor”, Z 7 (1688)	Z 7
Verse anthem “Blessed is he whose unrighteousness is forgiven”, Z 8 (1680-82)	Z 8
Verse Anthem “Blessed is the man that feareth the Lord”, Z 9 (1688)	Z 9
Verse Anthem “Bow down thine ear, O Lord”, Z 11 (1680-82)	Z 11
Verse Anthem “Hear me, O Lord, and that soon”, Z 13a-b (1680-82)	Z 13a-b
Verse Anthem “Hear my prayer, O God”, Z 14 (1683)	Z 14
Verse Anthem “I was glad when they said unto me”, Z 19 (1682-83)	Z 19
Verse Anthem “I will give thanks unto the Lord”, Z 21 (1680-82)	Z 21
Verse Anthem “I will give thanks unto Thee, O Lord”, Z 20 (1682-85)	Z 20
Verse Anthem “It is a good thing to give thanks”, Z 18 (1682-85)	Z 18
Verse Anthem “Let God arise”, Z 23 (1679)	Z 23
Verse Anthem “Let mine eyes run down with tears”, Z 24 (1682)	Z 24
Verse Anthem “Lord, who can tell how oft he offendeth?”, Z 26 (1677)	Z 26
Verse Anthem “My beloved spake”, Z 28 (1677)	Z 28
Verse Anthem “My heart is fixed, O God”, Z 29 (1682-85)	Z 29
Verse Anthem “My heart is inditing”, Z 30 (1685)	Z 30
Verse Anthem “My song shall be always”, Z 31 (1690)	Z 31
Verse Anthem “O consider my adversity” (Unknown), Z 32	Z 32
Verse Anthem “O give thanks unto the Lord”, Z 33 (1693)	Z 33
Verse Anthem “O Lord, grant the King a long life”, Z 38 (1685)	Z 38
Verse Anthem “O Lord, our governor”, Z 39 (1679)	Z 39
Verse Anthem “O Lord, rebuke me not, hymn” (Unknown), Z 40, Z 40 (c. 1682)	Z 40
Verse Anthem “O Lord, Thou art my God”, Z 41 (1680-82)	Z 41
Verse Anthem “O praise the Lord, all ye heathen”, Z 43 (1681)	Z 43
Verse Anthem “O sing unto the Lord”, Z 44 (1688)	Z 44
Verse Anthem “Out of the deep have I called”, Z 45 (1680)	Z 45
Verse Anthem “Praise the Lord, O Jerusalem, praise thy God, O Sion”, Z 46 (1689)	Z 46
Verse Anthem “Praise the Lord, O my soul, and all that is within me”, Z 47 (1682-85)	Z 47
Verse Anthem “Praise the Lord, O my soul, O Lord my God”, Z 48 (1687)	Z 48
Verse anthem “Rejoice in the Lord alway”, Z 49 (1682-85)	Z 49
Verse Anthem “Sing unto God”, Z 52 (1687)	Z 52
Verse Anthem “The Lord is king, be the people never so impatient” (Unknown), Z 53	Z 53
Verse Anthem “The Lord is King, the earth may be glad [thereof]”, Z 54 (1688)	Z 54
Verse Anthem “The Lord is my light”, Z 55 (1682-85)	Z 55
Verse Anthem “The way of God is an undefiled way”, Z 56 (1694)	Z 56
Verse Anthem “They that go down to the sea in ships”, Z 57 (1685)	Z 57
Verse Anthem “Thou knowest, Lord, the secrets of our hearts”, Z 58 (1687)	Z 58
Verse Anthem “Thy way, O God, is holy”, Z 60 (1687)	Z 60
Verse Anthem “Thy word is a lantern unto my feet” (Unknown), Z 61	Z 61
Verse Anthem “Turn thou us, O good Lord” (Unknown), Z 62	Z 62
Verse Anthem “Unto Thee will I cry”, Z 63 (1682-85)	Z 63
Verse Anthem “Who hath believed our report?”, Z 64 (1679-80)	Z 64
Verse Anthem “Why do the heathen so furiously rage together?”, Z 65 (1682-85)	Z 65
Verse Anthem, “Be merciful unto me”, Z 4 (1683)	Z 4
Verse Anthem, “In thee, O Lord, do I put my trust”, Z 16 (1682)	Z 16
Verse Anthem, “O praise God in his holiness”, Z 42 (1682-85)	Z 42
Verse F major for Organ, Z 716	Z 716
Voluntary C major for organ, Z 717	Z 717
Voluntary D minor for Organ, Z 718	Z 718
Voluntary G major for Organ, Z 720	Z 720
Voluntary in D minor for Double Organ, Z 719	Z 719
Voluntary on the old 100th Psalm, Z 721	Z 721
We sing to him, whose wisdom form’d the ear, Z 199 (1688)	Z 199
Welcome, vicegerent of the mighty King, Z 340 (1680)	Z 340
What a sad fate is mine, song, Z 428	Z 428
“What can we poor females do?”, song, Z 518 (1694)	Z 518
“What can we poor females do?”, song Z 429, Z 429 (1694)	Z 429
“What hope for us remains now he is gone?”, song, Z 472 (1679)	Z 472
“When first Amintas sued for a kiss”, Z 430 (1687)	Z 430
“When first my shepherdess and I”, song, Z 431 (1687)	Z 431
“When her languishing eyes said ”, songlove“”, Z 432 (1681)	Z 432
“When my Aemelia smiles”, song, Z 434	Z 434
When night her purple veil had softly spread, ZD 201	ZD 201
When on my sickbed I languish, Z 144 (1680)	Z 144
“When Strephon found his passion vain”, song, Z 435 (1683)	Z 435
When the cock begins to crow, ZD 172	ZD 172
“While Thyrsis, wrapt in downy sleep”, song, Z 437 (1685)	Z 437
“Whilst Cynthia sung, all angry winds lay still”, song, Z 438 (1686)	Z 438
“Who but a slave can well express”, song, Z 440 (c. 1683)	Z 440
“Who can behold Florella’s charms?”, song Z 441, Z 441 (1695)	Z 441
Why, my Daphne, why complaining?, Z 525 (1691)	Z 525
“Ye happy swains, whose nymphs are kind”, song, Z 443 (1685)	Z 443
“Young Thyrsis”, song fate, ye hills and groves, deplore“”, Z 473 (1688)	Z 473