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Arias.
Veronika Dzhioeva
(soprano),
Alim Schakhmametyev
(conductor),
Novosibirsk Philharmonic Chamber Orchestra
Dido`s Aria (G. Purcell - DIDO AND AENEAS, opera)Read moreCollapseDido`s Aria (G. Purcell - DIDO AND AENEAS, opera)
`Ah! How Sweet It Is to Love` (1694). Arthur Haas, harpsichord, organ. 2000, New York CityRead moreCollapse`Ah! How Sweet It Is to Love` (1694). Arthur Haas, harpsichord, organ. 2000, New York City
`Lord, What Is Man` (1693). Arthur Haas, harpsichord, organ. 2000, New YorkRead moreCollapse`Lord, What Is Man` (1693). Arthur Haas, harpsichord, organ. 2000, New York
`Hark! How All Things` (1692). Arthur Haas, harpsichord, organ. 2000, New York CityRead moreCollapse`Hark! How All Things` (1692). Arthur Haas, harpsichord, organ. 2000, New York City
`Dido and Aeneas`, Act 3 `When I am Laid in earth`, Accademia Bizantina, con. Stefano Montarani.Read moreCollapse`Dido and Aeneas`, Act 3 `When I am Laid in earth`, Accademia Bizantina, con. Stefano Montarani.
`I Attempt from Love`s Sickness to Fly` (1695). Arthur Haas, harpsichord, organ. 2000, New York CityRead moreCollapse`I Attempt from Love`s Sickness to Fly` (1695). Arthur Haas, harpsichord, organ. 2000, New York City
`The Blessed Virgin`s Expostulation` (1693). Arthur Haas, harpsichord, organ. 2000, New York CityRead moreCollapse`The Blessed Virgin`s Expostulation` (1693). Arthur Haas, harpsichord, organ. 2000, New York City
Opera `King Arthur`, 4 d., Two Daughters (Syrens). Simon Martin-Ellis, lute. Recorded Germany, Cologne, Deutschlandfunk Kammermusiksaal, June 2010.Read moreCollapseOpera `King Arthur`, 4 d., Two Daughters (Syrens). Simon Martin-Ellis, lute. Recorded Germany, Cologne, Deutschlandfunk Kammermusiksaal, June 2010.
From Ode for the Birthday of Queen Mary(1694) Z323. C.Dumaux - countertenors.Read moreCollapseFrom Ode for the Birthday of Queen Mary(1694) Z323.
C.Dumaux - countertenors. 
`Hail, bright Cecilia` Z328( `In vain the am rouse flute..`) James Bowman. The King s Consort, con. R.King.Read moreCollapse`Hail, bright Cecilia` Z328( `In vain the am rouse flute..`)
James Bowman. The King s Consort, con. R.King. 
Aria `They tell us that you mighty powers above` (from Semi-Opera The Indian Queen (1695), Z 630, act III ).Read moreCollapseAria `They tell us that you mighty powers above` (from Semi-Opera The Indian Queen (1695), Z 630, act III ).
Elin Manahan Thomas
(soprano),
Harry Christophers
(conductor),
Orchestra of the Age of Enlightenment
When I am Laid in Earth (Dido`s Lament). 2007.Read moreCollapseWhen I am Laid in Earth (Dido`s Lament). 2007.
`I Attempt from Love`s Sickness to Fly` (1695). rec. 1963Read moreCollapse`I Attempt from Love`s Sickness to Fly` (1695). rec. 1963
The Indian Queen, Z. 630, Act III: `Let Us Wander`. 1960. Arranged by Alfred Moffat.Read moreCollapseThe Indian Queen, Z. 630, Act III: `Let Us Wander`. 1960. Arranged by Alfred Moffat.
King Arthur, Or The British Worthy (1691) , Act 5 - Fairest Isle 2010 entry.Read moreCollapseKing Arthur, Or The British Worthy (1691) , Act 5 - Fairest Isle 2010 entry.
Aria from the opera `The Fairy Queen`, Z 629: Act 2 - One Charming Night. 2010Read moreCollapseAria from the opera `The Fairy Queen`, Z 629: Act 2 - One Charming Night. 2010
`Bonduca` Z574.(`Sing,sing druids..`). James Bowman. The King s Consort, con. R.King.Read moreCollapse`Bonduca` Z574.(`Sing,sing druids..`). James Bowman. The King s Consort, con. R.King.
Prelude and Song, `O lead me to some peaceful gloom` (from Incidental Music `Bonduca or The British Heroine` (1695)).Read moreCollapsePrelude and Song, `O lead me to some peaceful gloom` (from Incidental Music `Bonduca or The British Heroine` (1695)).
Aria `Return, revolting rebels`. Date of recording: 1968.Read moreCollapseAria `Return, revolting rebels`. Date of recording: 1968.
Semi-Opera `King Arthur or The British Worthy` Z 628: Movt. 35a, Aria, `You say tis love`. January 8-9, 1982.Read moreCollapseSemi-Opera `King Arthur or The British Worthy` Z 628: Movt. 35a, Aria, `You say tis love`. January 8-9, 1982.
Semi-Opera `King Arthur or The British Worthy` Z 628: Movt. 30a, Passacaglia - `For love ev`ry creature is formed by his nature`. January 8-9, 1982.Read moreCollapseSemi-Opera `King Arthur or The British Worthy` Z 628: Movt. 30a, Passacaglia - `For love ev`ry creature is formed by his nature`. January 8-9, 1982.
`Sound the Trumpet` from `Come ye Songs of Art`,Z323. James Bowman. The King s Consort, con. R.King.Read moreCollapse`Sound the Trumpet` from `Come ye Songs of Art`,Z323. James Bowman. The King s Consort, con. R.King.
Aria `Hark! The Echoing Air` from Act 5 of The Fairy Queen Phyllis Spurr piano October 16, 1949Read moreCollapseAria `Hark! The Echoing Air` from Act 5 of The Fairy Queen Phyllis Spurr piano October 16, 1949
Semi-Opera, The Indian Queen (1695): `Their looks are such`. Recording - October 2008Read moreCollapseSemi-Opera, The Indian Queen (1695): `Their looks are such`. Recording - October 2008
Gérard Lesne
(countertenor),
Pierre Hamon
(flute),
Philippe Pierlot
(viola da gamba),
Vincent Dumestre
(conductor)
,
La Canzona
`Sweetness of Nature` from Ode `Love`s goddess sure was blind`, Z331. Steve Dugardin - countertenor. Sebastien Marq - flute, Elisabeth Joey - organ. Recorded: January 27-30, 1998, Paris.Read moreCollapse`Sweetness of Nature` from Ode `Love`s goddess sure was blind`, Z331. Steve Dugardin - countertenor. Sebastien Marq - flute, Elisabeth Joey - organ. Recorded: January 27-30, 1998, Paris.
Semi-Opera `Prophetess or The History of Dioclesian or Dioclesian`, Z 627: `Movt. 13b – c, Aria and Chorus, `Since the toils and hazards of war` (Act 2). Recording - October 2009, France.Read moreCollapseSemi-Opera `Prophetess or The History of Dioclesian or Dioclesian`, Z 627: `Movt. 13b – c, Aria and Chorus, `Since the toils and hazards of war` (Act 2). Recording - October 2009, France.
Mad Bess of Bedlam (`From Silent Shades`) October 16, 1949.Read moreCollapseMad Bess of Bedlam (`From Silent Shades`) October 16, 1949.
Gérard Lesne
(countertenor),
Pierre Hamon
(flute),
Philippe Pierlot
(viola da gamba),
Vincent Dumestre
(conductor)
,
La Canzona
`In vain the Am`rous Flute` (¹ 10) from Ode `Hail, Bright Cecilia`, Z 328. Steve Dugardin - countertenor. Sebastien Marq - flute, Elisabeth Joey - organ. Recorded: January 27-30, 1998, Paris.Read moreCollapse`In vain the Am`rous Flute` (¹ 10) from Ode `Hail, Bright Cecilia`, Z 328. Steve Dugardin - countertenor. Sebastien Marq - flute, Elisabeth Joey - organ. Recorded: January 27-30, 1998, Paris.
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Elizabeth Kenny
(lute),
Jane Rogers
(viola)
,
Anne-Marie Lasla
(viola da gamba)
Semi-Opera, The Fairy-Queen (1692), Z 629: Movt. 28, Aria and Chorus, `Now the night is chas`d away`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - theorbo, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera, The Fairy-Queen (1692), Z 629: Movt. 28, Aria and Chorus, `Now the night is chas`d away`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - theorbo, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Semi-Opera, Prophetess or The History of Dioclesian or Dioclesian (1690): Movt. 31 (App 2), Aria, `Since from my dear Astrea`s sight`. Recording - October 2008Read moreCollapseSemi-Opera, Prophetess or The History of Dioclesian or Dioclesian (1690): Movt. 31 (App 2), Aria, `Since from my dear Astrea`s sight`. Recording - October 2008
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Elizabeth Kenny
(lute),
Anne-Marie Lasla
(viola da gamba)
Semi-Opera, The Fairy-Queen (1692), Z 629: Movt. 40, Aria, `O let me weep`. Sarah Sexton - violin, Elizabeth Kenny - theorbo, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera, The Fairy-Queen (1692), Z 629: Movt. 40, Aria, `O let me weep`. Sarah Sexton - violin, Elizabeth Kenny - theorbo, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Semi-Opera, The Indian Queen (1695): `I attempt from Love`s sickness to fly`. Recording - October 2008Read moreCollapseSemi-Opera, The Indian Queen (1695): `I attempt from Love`s sickness to fly`. Recording - October 2008
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Jane Rogers
(viola),
Anne-Marie Lasla
(viola da gamba)
Semi-Opera, The Indian Queen (1695), Z 630: Movt. 19, Aria, `They tell us that you mighty powers above`. Sarah Sexton - violin I, Andrea Morris - violin II, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera, The Indian Queen (1695), Z 630: Movt. 19, Aria, `They tell us that you mighty powers above`. Sarah Sexton - violin I, Andrea Morris - violin II, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Elizabeth Kenny
(lute),
Jane Rogers
(viola)
,
Anne-Marie Lasla
(viola da gamba)
Semi-Opera `The Fairy-Queen` (1692), Z 629: Movt. 17, Prelude, Aria and Chorus, `If love`s a sweet passion`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera `The Fairy-Queen` (1692), Z 629: Movt. 17, Prelude, Aria and Chorus, `If love`s a sweet passion`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Elizabeth Kenny
(lute),
Jane Rogers
(viola)
,
Anne-Marie Lasla
(viola da gamba)
Semi-Opera, King Arthur or The British Worthy (1691), Z 628: Movt. 38, Aria `Fairest Isle`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera, King Arthur or The British Worthy (1691), Z 628: Movt. 38, Aria `Fairest Isle`. Sarah Sexton - violin I, Andrea Morris - violin II, Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Carolyn Sampson
(soprano),
Laurence Cummings
(harpsichord),
Elizabeth Kenny
(lute),
Anne-Marie Lasla
(viola da gamba)
Semi-Opera, The Fairy-Queen (1692), Z 629: Movt. 39b–c, Aria, `Thrice happy lovers`. Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera, The Fairy-Queen (1692), Z 629: Movt. 39b–c, Aria, `Thrice happy lovers`. Elizabeth Kenny - archlute, Anne-Marie Lasla - bass viol. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Semi-Opera `The Indian Queen` (1695), Z 630: No. 17 `I attempt from Love’s sickness to fly in vain`. Laurence Cummings - spinet. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.Read moreCollapseSemi-Opera `The Indian Queen` (1695), Z 630: No. 17 `I attempt from Love’s sickness to fly in vain`. Laurence Cummings - spinet. Recorded in January 2006 at St Paul’s Church, New Southgate, London, England.
Fairest Isle (from `King Arthur`), aria for soprano, Z. 628/38. Recorded: August 1, 1941.Read moreCollapseFairest Isle (from `King Arthur`), aria for soprano, Z. 628/38. Recorded: August 1, 1941.
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