Movements:
1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in...Read more
Concentus Musicus WienMovements:
1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in...Read more
Movements:
Download sheet music1. Chorus: `Wo soll ich fliehen hin` - a gapped chorale setting of the tune. The alto, tenor, and bass voices sing free counterpoint, while the sopranos sing the chorale unadorned in long notes. (G Minor) 2. Recitative: `Der Sünden Wust hat mich nicht nur befleckt` (`This heap of sins has not merely left a stain`) - for Bass and continuo. (G Minor) 3. Aria: `Ergieße dich reichlich` (`Pour yourself richly`) - a tenor aria with solo viola and continuo (E♭ Major). 4. Recitative: `Mein treuer Heiland tröstet mich` (`My loving Savior comforts me`) - for alto, oboe and continuo (G minor to C minor) 5. Aria: `Verstumme, Höllenheer` (`Be silent, host of Hell`) - for bass, tromba, strings and continuo (B♭ Major). 6. Recitative: `Ich bin ja nur das kleinste Teil der Welt` (`I am, indeed, only the smallest part of the world`) - for soprano and continuo. (G Minor) 7. Chorale: `Führ auch mein Herz und Sinn` (`Guide also my heart and mind`) - the last verse of the chorale, sung and played by the whole ensemble. (G Minor) Soloists: Soprano, Alto, Tenor, Bass; 4-part Chorus Orchestra: slide trumpet, 2 oboes, 2 violins, viola, continuo Collapse
Nikolaus Harnoncourt
(conductor),
Kurt Equiluz
(tenor),
Max van Egmond
(bass-baritone),
Paul Esswood
(counter-tenor),
Hans Gillesberger
(conductor),
Peter Jelosits
(soprano)
Wiener Sängerknaben. Wiener Sängerknaben. Chorus Viennensis. Recorded: January 1971, Vienna.Read moreCollapseWiener Sängerknaben. Wiener Sängerknaben. Chorus Viennensis. Recorded: January 1971, Vienna.
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