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George Frideric Handel
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Opera “Rinaldo”, HWV 7
Christopher Hogwood (conductor), Bernarda Fink (mezzo-soprano), Cecilia Bartoli (mezzo-soprano), Gerald Finley (baritone), David Daniels (countertenor), Catharine Bott (soprano), Daniel Taylor (countertenor), Bejun Mehta (countertenor), Academy of Ancient Music (Cambridge, England)
Goffredo - Bernada Fink, Almirena - Cecilia Bartoli, Rinaldo - David Daniels, Eustazio - Daniel Taylor, Argante - Gerald Finley, Armida - Luba Orgonosova, A Christian Magician - Bejun Mehta, A lady - Ana-María Rincón, First siren - Catherine Bott, Second siren - Ana-María Rincón. 1999.Read moreCollapseGoffredo - Bernada Fink, Almirena - Cecilia Bartoli, Rinaldo - David Daniels, Eustazio - Daniel Taylor, Argante - Gerald Finley, Armida - Luba Orgonosova, A Christian Magician - Bejun Mehta, A lady - Ana-María Rincón, First siren - Catherine Bott, Second siren - Ana-María Rincón. 1999.
Henry Purcell
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Opera “Dido and Aeneas”, Z 626
Christopher Hogwood (conductor), Catharine Bott (soprano), Emma Kirkby (soprano), John Mark Ainsley (tenor), Academy of Ancient Music (Cambridge, England)
Catherine BOTT (Didona), Emma KIRKBY (Belinda), John Mark AINSLEY (Aeneas). The Academy of Ancient Music Chorus and Orchestra. 1992, Walthamstow Assembly Hall.Read moreCollapseCatherine BOTT (Didona), Emma KIRKBY (Belinda), John Mark AINSLEY (Aeneas). The Academy of Ancient Music Chorus and Orchestra. 1992, Walthamstow Assembly Hall.
Henry Purcell
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Opera “Dido and Aeneas” (arias)
Catharine Bott (soprano), Christopher Hogwood (conductor), Academy of Ancient Music (Cambridge, England)
Gabriel Faure
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Requiem in D minor for soloists, mixed choir and orchestra, Op. 48
John Elliot Gardiner (conductor), Gilles Cachemaille (bari), Catharine Bott (soprano), Orchestre Revolutionnaire et Romantique, Monteverdi Choir
Salisbury Cathedral Boy Choristers. Recorded in 1992Read moreCollapseSalisbury Cathedral Boy Choristers. Recorded in 1992
John Blow
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The opera `Venus and Adonis`
Philip Pickett (conductor), Catharine Bott (soprano), Michael George (bass), Libby Crabtree (soprano), Ensemble New London Consort
New London Consort, Catherine Bott (Venus), Michael George (Adonis), Libby Crabtree (Cupid)Read moreCollapseNew London Consort, Catherine Bott (Venus), Michael George (Adonis), Libby Crabtree (Cupid)
Johann Sebastian Bach
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Oratorio “Johannes-Passion”, BWV 245
Stephen Cleobury (conductor), John Mark Ainsley (tenor), Catharine Bott (soprano), Michael Chance (countertenor), Stephen Varcoe (baritone), Paul Agnew (tenor), Stephen Cleobury (organ), Choir of King`s College, Cambridge, The Brandenburg Consort
(tenor, Evangelist), Stephen Richardson (bass, Jesus), Catherine Bott (soprano), The, Recording: King`s College Chapel, Cambridge, UK, 18-21.III.1996Read moreCollapse(tenor, Evangelist), Stephen Richardson (bass, Jesus), Catherine Bott (soprano), The, Recording: King`s College Chapel, Cambridge, UK, 18-21.III.1996
Claudio Monteverdi
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Opera `L`incoronazione di Poppea`, SV308
John Elliot Gardiner (conductor), Sylvia McNair (soprano), Anne-Sofie von Otter (mezzo-soprano), Michael Chance (countertenor), Constanze Backes (soprano), Mark Tucker (tenor), Catharine Bott (soprano), Dana Hanchard (soprano), English Baroque Soloists
Poppea - Sylvia McNair / Nerone - Dana Hanchard / Ottavia - Anne Sofie von Otter / Ottone - Michael Chance / Seneca - Francesco Ellero d`Artegna / Drusilla - Catherine Bott / Nutrice - Roberto Balconi / Arnalta - Bernada Fink / Lucano - Mark Tucker / Valletto - Constanze Backes / Damigella - Marinella Pennicchi / English Baroque Soloists Recording of a concert performance in the Queen Elizabeth Hall, London (December 8 1993).Read moreCollapsePoppea - Sylvia McNair / Nerone - Dana Hanchard / Ottavia - Anne Sofie von Otter / Ottone - Michael Chance / Seneca - Francesco Ellero d`Artegna / Drusilla - Catherine Bott / Nutrice - Roberto Balconi / Arnalta - Bernada Fink / Lucano - Mark Tucker / Valletto - Constanze Backes / Damigella - Marinella Pennicchi / English Baroque Soloists Recording of a concert performance in the Queen Elizabeth Hall, London (December 8 1993).
Antonio Vivaldi
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Cantata “All’ombra di sospetto” for soprano, transverse flute and basso continuo, RV 678
Catharine Bott (soprano), Philip Pickett (conductor), Ensemble New London Consort
Antonio Vivaldi
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Cantata “Vengo a voi, luci adorate” for soprano, strings and basso continuo in C major, RV 682
Catharine Bott (soprano), Philip Pickett (conductor), Ensemble New London Consort
Georg Philipp Telemann
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St John Passion (1745), TVWV 5:30
Patrick Peire (conductor), Jan Van der Crabben (baritone), Catharine Bott (soprano), Sarah Connolly (mezzo-soprano), Collegium Instrumentale Brugense
Evangelist - Reginaldo Pinheiro (Tenor), Petrus & Pilatus - Philip Defrancq (Tenor), Christ, Diener & Knecht - Geert van Hecke (Bass), Magd - Klaar Pannier (Soprano) / Capella Brugensis, Collegium Instrumentale Brugensis / 2000Read moreCollapseEvangelist - Reginaldo Pinheiro (Tenor), Petrus & Pilatus - Philip Defrancq (Tenor), Christ, Diener & Knecht - Geert van Hecke (Bass), Magd - Klaar Pannier (Soprano) / Capella Brugensis, Collegium Instrumentale Brugensis / 2000
Matthew Locke
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Psyche, the English opera in 5 acts (1675)
Philip Pickett (conductor), Catharine Bott (soprano), Paul Agnew (tenor), Michael George (bass), Julian Podger (tenor), Andrew King (tenor), Christopher Robson (countertenor), Simon Grant (bass-baritone), Julia Gooding (soprano), Ensemble New London Consort
New London Consort. 1994, in the Walthamstow Assembly Hall, London. Catherine Bott (Soprano), Christopher Robson (Countertenor), Andrew King (Tenor), Julia Gooding (Soprano), Paul Agnew (Tenor), Michael George (Bass), Helen Parker (Soprano), Simon Grant (Bass), Julian Podger (Tenor)Read moreCollapseNew London Consort. 1994, in the Walthamstow Assembly Hall, London. Catherine Bott (Soprano), Christopher Robson (Countertenor), Andrew King (Tenor), Julia Gooding (Soprano), Paul Agnew (Tenor), Michael George (Bass), Helen Parker (Soprano), Simon Grant (Bass), Julian Podger (Tenor)
Barbara Strozzi
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Arietta `Amor, non dormir più` for soprano and basso continuo, op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Thomas Augustine Arne
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Opera `Artaxerxes`
Paul Goodwin (conductor), Ian Partridge (tenor), Christopher Robson (countertenor), Colin Campbell (baritone), Catharine Bott (soprano), Patricia Spence (contralto), Charles Gibbs (bass), Philippa Hyde (soprano)
Artaxerxes - Christopher Robson, Artabanes - Ian Partridge, Arbaces - Patricia Spence, Rimenes - Richard Edgar-Wilson, Mandane - Catherine Bott, Semira - Philippa Hyde, Chorus - Colin Campbell, Charles Gibbs. The Parley of Instruments. March 25-30, 1995.Read moreCollapseArtaxerxes - Christopher Robson, Artabanes - Ian Partridge, Arbaces - Patricia Spence, Rimenes - Richard Edgar-Wilson, Mandane - Catherine Bott, Semira - Philippa Hyde, Chorus - Colin Campbell, Charles Gibbs. The Parley of Instruments. March 25-30, 1995.
Barbara Strozzi
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Cantata `Ardo in tacito foco` for soprano and basso continuo, op. 3 (1654)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Jehan Vaillant
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Par maintes foys
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Tom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseTom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Jehan Simon Hasprois
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Ma douce amour, ballad
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseJacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
Barbara Strozzi
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Cantata `La sol fa mi re do` (`La mia donna, perché canta`), op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Johann Sebastian Bach
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Magnificat in E-flat Major, BWV 243a
Philip Pickett (conductor), Catharine Bott (soprano), Paul Agnew (tenor), Michael George (bass), Elisabeth Scholl (soprano), Christopher Robson (countertenor), Ensemble New London Consort
Andrew King - bass. Recorded: October 1995, London.Read moreCollapseAndrew King - bass. Recorded: October 1995, London.
Barbara Strozzi
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Cantata `L`amante segreto` (`Voglio morire`), op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Barbara Strozzi
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Arietta `Tradimento` for soprano and basso continuo, op. 7
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
baroque guitar - Paula Chateauneuf. 1996Read moreCollapsebaroque guitar - Paula Chateauneuf. 1996
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Church of St Martin of Tours, Berkshire, UK, 05 1995.Read moreCollapseChurch of St Martin of Tours, Berkshire, UK, 05 1995.
Bartolino da Padova
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La douce cere (madrigal)
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Tom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseTom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Barbara Strozzi
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Cantata `Apresso ai molli argenti` for soprano and basso continuo, op. 7 (1659)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Borlet
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He, tres doulz roussignol
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Tom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseTom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
Anonymous
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13th century `Carmina Burana`. Medieval songs from the Benediktbeuren manuscript
Philip Pickett (conductor), Catharine Bott (soprano), Ensemble New London Consort
Barbara Strozzi
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Arietta `Spesso per entro al petto` for soprano and basso continuo, op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Johann Sebastian Bach
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Cantata “Christen, ätzet diesen Tag”, BWV 63
Philip Pickett (conductor), Catharine Bott (soprano), Paul Agnew (tenor), Michael George (bass), Christopher Robson (countertenor), Ensemble New London Consort
Johann Sebastian Bach
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Cantata “Wachet auf, ruft uns die Stimme”, BWV 140
Jeffrey Thomas (conductor), Catharine Bott (soprano), William Sharp (baritone), Jeffrey Thomas (tenor), American Bach Soloists
Recorded: January 16-17, 1995, California.Read moreCollapseRecorded: January 16-17, 1995, California.
Barbara Strozzi
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Cantata `Lagrime mie` for soprano and basso continuo, op. 7/ 4
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Johann Sebastian Bach
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Cantata “Jesu, der du meine Seele”, BWV 78
Jeffrey Thomas (conductor), Catharine Bott (soprano), Daniel Taylor (countertenor), William Sharp (baritone), Jeffrey Thomas (tenor), American Bach Soloists
Recorded: January 16-17, 1995, California.Read moreCollapseRecorded: January 16-17, 1995, California.
Grimace
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A l`arme, A l`arme, virele
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Tom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseTom Finucane (lute), Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Barbara Strozzi
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Cantata `Pensaci ben mio core` for soprano and basso continuo, op. 7
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Barbara Strozzi
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Cantata `Giusta negativa` for soprano and basso continuo, op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
Oswald von Wolkenstein
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Der mai mit lieber zal
Catharine Bott (soprano), Philip Pickett (conductor), Ensemble New London Consort
St. Martin of Tours Church, Berkshire, UK, 05 1995.Read moreCollapseSt. Martin of Tours Church, Berkshire, UK, 05 1995.
Gilet Velut
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Laissies ester vostres chans
Catharine Bott (soprano), Philip Pickett (conductor), Pavlo Beznosiuk , Tom Finucane (lute), Ensemble New London Consort
Jacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998Read moreCollapseJacob Heringman (lute). Historical instrument: fiddle. Mark Levy (fiddle); recorder also included / 1998
Johann Sebastian Bach
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Cantata “Ein feste Burg ist unser Gott”, BWV 80
Jeffrey Thomas (conductor), Catharine Bott (soprano), Daniel Taylor (countertenor), William Sharp (baritone), Jeffrey Thomas (tenor), American Bach Soloists
Recorded: January 16-17, 1995, California.Read moreCollapseRecorded: January 16-17, 1995, California.
Barbara Strozzi
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Cantata `Gite o giorno dolenti` for soprano and basso continuo, op. 2 (1651)
Catharine Bott (soprano), Timothy Roberts (harpsichord), Frances Kelly (harp)
Paula CHATEAUNEUF (bass lute and baroque guitar)Read moreCollapsePaula CHATEAUNEUF (bass lute and baroque guitar)
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