![]() Ewa Podles (1952–2024)
Pyotr Tchaikovsky
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“The Queen of Spades”, opera in three acts and seven tableaux, Op. 68
Michael Boder (conductor), Michael Didyk (tenor), Ewa Podles (contralto), Elena Zaremba (mezzo-soprano), Ludovic Tezier (baritone), Orquestra Simfònica del Gran Teatre del Liceu
Performance of the Liceu Theater 2010. Choir and orchestra of the Liceu Theater.Read moreCollapsePerformance of the Liceu Theater 2010. Choir and orchestra of the Liceu Theater.
Christoph Willibald Gluck
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Opera “Armide”, Wq. 45
Marc Minkovsky (conductor), Nicole Heaston (soprano), Magdalena Kozena (mezzo-soprano), Ewa Podles (contralto), Laurent Naouri (Bass Baritone), Francoise Masset (soprano), Vincent Le Texier (Baryton), Mireille Delunsch (soprano), Yann Beuron (Tenor), Brett Polegato (baritone), The Musicians of the Louvre
Armide - Mireille Delunsch, Renaud - Charles Workman, Hidraot - Laurent Naouri, La Haine - Ewa Podles, Phenice - Francoise Masset, Sidonie - Nicole Heaston, Artemidore - Yann Beuron Ubalde - Brett Polegato, Aronte - Vincent Le Texier, Un Plaisir - Magdalena Kozena, Une Naiade - Valerie Gabail. Choeur des Musiciens du Louvre, Les Musiciens du Louvre, conductor - Marc Minkowski. 1996.Read moreCollapseArmide - Mireille Delunsch, Renaud - Charles Workman, Hidraot - Laurent Naouri, La Haine - Ewa Podles, Phenice - Francoise Masset, Sidonie - Nicole Heaston, Artemidore - Yann Beuron
Ubalde - Brett Polegato, Aronte - Vincent Le Texier, Un Plaisir - Magdalena Kozena, Une Naiade - Valerie Gabail. Choeur des Musiciens du Louvre, Les Musiciens du Louvre, conductor - Marc Minkowski. 1996.
Gioachino Rossini
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Opera “Il viaggio a Reims, ossia L’albergo del giglio d’oro”, EC 35
Alberto Zedda (conductor), Ewa Podles (contralto), Cinzia Forte (soprano), María José Moreno (soprano), Mariola Cantarero (soprano), Charles Workman (tenor), Bruno Praticò (baritone), Stefano Palatchi (bass), Orquesta Sinfónica de Galicia
Corinna - Cinzia Forte; Melibea - Ewa Podles; Folleville - María José Moreno; Cortese - Mariola Cantarero; Belfiore - Charles Workman; Lord Sidney - Umberto Chiummo; Don Profondo - Marco Felice; Il Barone di Trombonok - Bruno Particò; Don Alvaro - Josep Miquel Ramón; Don Prudenzio - Stefano Palatchi; Don Luigino - Eduardo Santamaría; Antonio - David Rubiera; Coral Andra Mari, Orquesta Sinfónica de Galicia. Dir. Alberto Zedda. 2002, San Sebastián (Donostoia), AuRead moreCollapseCorinna - Cinzia Forte; Melibea - Ewa Podles; Folleville - María José Moreno; Cortese - Mariola Cantarero; Belfiore - Charles Workman; Lord Sidney - Umberto Chiummo; Don Profondo - Marco Felice; Il Barone di Trombonok - Bruno Particò; Don Alvaro - Josep Miquel Ramón; Don Prudenzio - Stefano Palatchi; Don Luigino - Eduardo Santamaría; Antonio - David Rubiera; Coral Andra Mari, Orquesta Sinfónica de Galicia. Dir. Alberto Zedda. 2002, San Sebastián (Donostoia), Au
Modest Mussorgsky
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“Songs and Dances of Death”, song cycle, MM 64
Ewa Podles (contralto), Konstantin Agaponovich Orbelian (conductor), Russian Philharmonic Orchestra
Konstantin Orbelyan. December 2001 Great Hall of the Moscow ConservatoryRead moreCollapseKonstantin Orbelyan. December 2001 Great Hall of the Moscow Conservatory
George Frideric Handel
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Opera “Ariodante”, HWV 33
Marc Minkovsky (conductor), Lynne Dawson (soprano), Anne-Sofie von Otter (mezzo-soprano), Denis Sedov (bass), Veronica Cangemi (soprano), Ewa Podles (contralto), Richard Croft (tenor), Luc Coadou (baritone), The Musicians of the Louvre
ARIODANTE – Anne Sofie Von Otter (mezzo-soprano), GINEVRA – Lynne Dawson (soprano), POLINESSO – Ewa Podles (contralto), DALINDA – Veronica Cangemi (soprano), LURCANIO – Richard Croft (tenor), IL RE DI SCOZIA – Denis Sedov (bass), ODOARDO – Luc Coadou (baritone). Recording of a live performance: Poissy, Hôtel de Ville - Théâtre, Salle Molière, 1/1997.Read moreCollapseARIODANTE – Anne Sofie Von Otter (mezzo-soprano), GINEVRA – Lynne Dawson (soprano), POLINESSO – Ewa Podles (contralto), DALINDA – Veronica Cangemi (soprano), LURCANIO – Richard Croft (tenor), IL RE DI SCOZIA – Denis Sedov (bass), ODOARDO – Luc Coadou (baritone). Recording of a live performance: Poissy, Hôtel de Ville - Théâtre, Salle Molière, 1/1997.
Gioachino Rossini
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Opera “Tancredi”, EC 10
Alberto Zedda (conductor), Stanford Olsen (tenor), Ewa Podles (contralto), Pietro Spagnoli (baritone), Sumi Jo (soprano), Anna Maria Di Micco (mezzo soprano)
Tancredi – Ewa Podles; Argirio – Stanford Olsen; Amenaide – Sumi Jo; Isaura – Anna Maria di Micco; Orbazzano – Pietro Spagnoli; Roggiero – Lucrezia Lendi. Capella Brugensis & Collegium Instrumentale Brugense – Alberto Zedda. Rec. 1994Read moreCollapseTancredi – Ewa Podles; Argirio – Stanford Olsen; Amenaide – Sumi Jo; Isaura – Anna Maria di Micco; Orbazzano – Pietro Spagnoli; Roggiero – Lucrezia Lendi. Capella Brugensis & Collegium Instrumentale Brugense – Alberto Zedda. Rec. 1994
Prince Igor: Konchakovna’s Aria “The light of day is fading.” Philharmonic Orchestra of Russia - Konstantin Orbelyan. December 2001 Great Hall of the Moscow Conservatory (CD “Ewa Podles. Russian Arias”, 2002).Read moreCollapsePrince Igor: Konchakovna’s Aria “The light of day is fading.” Philharmonic Orchestra of Russia - Konstantin Orbelyan. December 2001 Great Hall of the Moscow Conservatory (CD “Ewa Podles. Russian Arias”, 2002).
Gioachino Rossini
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Opera “L’italiana in Algeri”, EC 11
Alberto Zedda (conductor), Ewa Podles (contralto), Laura Giordano (soprano), Rockwell Blake (tenor), Ildar Abdrazakov (bass)
Isabella – Ewa Podles, Lindoro – Rockwell Blake, Mustafa – Ildar Abdrazakov, Elvira – Laura Giordano, Francisca Beaumont, Carlos Lopez, Jose J. Frontal. Corunna, Spain, 2002.Read moreCollapseIsabella – Ewa Podles, Lindoro – Rockwell Blake, Mustafa – Ildar Abdrazakov, Elvira – Laura Giordano, Francisca Beaumont, Carlos Lopez, Jose J. Frontal. Corunna, Spain, 2002.
Gioachino Rossini
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Opera “Ciro in Babilonia, ossia La caduta di Baldassarre”, EC 5
Will Crutchfield (conductor), Ewa Podles (contralto), Michael Spyres (tenor), Mirco Palazzi (bass), Jessica Pratt (soprano), Carmen Romeu (soprano)
Zambri – Mirco Palazzi; Baldassare – Michael Spyres; Ciro – Ewa Podles; Amira – Jessica Pratt; Argene – Carmen Romeu. Director: Will Crutchfield. Pesaro, Teatro Rossini, 2012Read moreCollapseZambri – Mirco Palazzi; Baldassare – Michael Spyres; Ciro – Ewa Podles; Amira – Jessica Pratt; Argene – Carmen Romeu. Director: Will Crutchfield. Pesaro, Teatro Rossini, 2012
Gioachino Rossini
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Opera “Il barbiere di Siviglia” (excerpts), EC 17
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
Il Barbiere di Siviglia: Una voce poco fa (Act 1). – Ewa Podles & Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseIl Barbiere di Siviglia: Una voce poco fa (Act 1). – Ewa Podles & Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Sergei Rachmaninov
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“Long ago in love”, song for voice and piano, Op. 14/3
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded: January 23, 2008, London (live).Read moreCollapseRecorded: January 23, 2008, London (live).
Aria of Joanna “Yes, the hour has come! Must obey John’s heavenly command.” Philharmonic Orchestra of Russia - Konstantin Orbelyan. December 2001 Great Hall of the Moscow Conservatory (CD “Ewa Podles. Russian Arias”, 2002).Read moreCollapseAria of Joanna “Yes, the hour has come! Must obey John’s heavenly command.” Philharmonic Orchestra of Russia - Konstantin Orbelyan. December 2001 Great Hall of the Moscow Conservatory (CD “Ewa Podles. Russian Arias”, 2002).
Pyotr Tchaikovsky
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“None but the Lonely Heart”, song for voice and piano, Op. 6/6
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded: January 23, 2008, London (live).Read moreCollapseRecorded: January 23, 2008, London (live).
Gioachino Rossini
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Opera “L’italiana in Algeri” (excerpts), EC 11
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
L`Italiana in Algeri: Cruda sorte! Amor tiranno! (Act 1); Amici, in ogni evento - Pensa alla patria (Act 2). – Ewa Podles & Coro y Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseL`Italiana in Algeri: Cruda sorte! Amor tiranno! (Act 1); Amici, in ogni evento - Pensa alla patria (Act 2). – Ewa Podles & Coro y Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Gioachino Rossini
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Opera “Semiramide” (excerpts), EC 34
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
Semiramide: Eccomi alfine in Babilonia… Ah! quel giorno ognor rammento (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseSemiramide: Eccomi alfine in Babilonia… Ah! quel giorno ognor rammento (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Sergei Rachmaninov
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“She is as beautiful as midday”, song for voice and piano, Op. 14/9
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded: January 23, 2008, London (live).Read moreCollapseRecorded: January 23, 2008, London (live).
Gioachino Rossini
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Opera “Tancredi” (excerpts), EC 10
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
Tancredi: O Patria! - Di tanti palpiti (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseTancredi: O Patria! - Di tanti palpiti (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Gioachino Rossini
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Opera “La Cenerentola, ossia La bontà in trionfo” (excerpts), EC 20
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
La Cenerentola: Nacqui all`affanno e al pianto (Act 2). – Ewa Podles & Coro y Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseLa Cenerentola: Nacqui all`affanno e al pianto (Act 2). – Ewa Podles & Coro y Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Henry Purcell
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Opera “Dido and Aeneas” (arias)
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
“Thy hand, Belinda, darkness shades me” … “When I am laid in earth, may my wrongs create” (Récitatif et Aria de Dido, Troisième Acte) / 1990.Read moreCollapse“Thy hand, Belinda, darkness shades me” … “When I am laid in earth, may my wrongs create” (Récitatif et Aria de Dido, Troisième Acte) / 1990.
Pyotr Tchaikovsky
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“Was I Not a Little Blade of Grass in the Meadow?”, song for voice and piano, Op. 47/7
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded on January 23, 2008, London (live).Read moreCollapseRecorded on January 23, 2008, London (live).
Sergei Rachmaninov
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“Christ is risen!”, song for voice and piano, Op. 26/6
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded on January 23, 2008, London (live).Read moreCollapseRecorded on January 23, 2008, London (live).
Christoph Willibald Gluck
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Opera “Orfeo ed Euridice” (excerpts), Wq. 30
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
“J’ai perdu mon Eurydice” (Aria de Orphée, Troisième Acte, Scène 1) / 1990.Read moreCollapse“J’ai perdu mon Eurydice” (Aria de Orphée, Troisième Acte, Scène 1) / 1990.
Antonio Vivaldi
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Arias from various works
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
BAJAZET [TAMERLANO]“Sposa con disprezzata” (Aria de Irene, Deuxième Acte, Scène 7) / 1990.Read moreCollapseBAJAZET [TAMERLANO]“Sposa con disprezzata” (Aria de Irene, Deuxième Acte, Scène 7) / 1990.
Gioachino Rossini
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Opera “La donna del lago” (excerpts), EC 29
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
La donna del lago: Mura felici... Elena! Oh tu, che chiamo! (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseLa donna del lago: Mura felici... Elena! Oh tu, che chiamo! (Act 1). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Sergei Rachmaninov
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“All things pass”, song for voice and piano, Op. 26/15
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded on January 23, 2008, London (live).Read moreCollapseRecorded on January 23, 2008, London (live).
Christoph Willibald Gluck
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Opera “Orfeo ed Euridice”, Wq. 30/41
Peter Maag (conductor), Ewa Podles (contralto), Orquesta Sinfónica de Galicia
Orfeo - Ewa Podles / Euridice - Ana Rodrigo / Amor - Elena de la Merced / Orquesta Sinfónica de Galicia / Coro de la Comunidad de Madrid / Conductor - Peter Maag / Recording of a performance in La Coruña, Spain (19 June 1998). / 1762 version (translated into Italian).Read moreCollapseOrfeo - Ewa Podles / Euridice - Ana Rodrigo / Amor - Elena de la Merced / Orquesta Sinfónica de Galicia / Coro de la Comunidad de Madrid / Conductor - Peter Maag / Recording of a performance in La Coruña, Spain (19 June 1998). / 1762 version (translated into Italian).
Gioachino Rossini
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Opera “Maometto II” (excerpts), EC 31
Ewa Podles (contralto), Pier Giorgio Morandi (conductor)
Maometto II: Non temer, d`un basso affetto (Act 2). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.Read moreCollapseMaometto II: Non temer, d`un basso affetto (Act 2). – Ewa Podles & Orquesta de la Ópera Estatal Húngara – Pier Giorgio Morandi. 1995, Budapest.
Frederic Chopin
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“The Warrior” (“Wojak”), song for voice and piano, op. 74, No. 10
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recording - January 23, 2008, London (live).Read moreCollapseRecording - January 23, 2008, London (live).
Sergey Prokofiev
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“Alexander Nevsky”, cantata for mezzo-soprano, chorus and orchestra, Op. 78
Jean-Claude Casadesus (conductor), Ewa Podles (contralto), Orchestre National de Lille
Latvian State Choir recorded in Lille in 1994.Read moreCollapseLatvian State Choir recorded in Lille in 1994.
Frederic Chopin
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“A Fickle Maid” (“Gdzie lubi”), song for voice and piano, op. 74, No. 5
Ewa Podles (contralto), Garrick Ohlsson (piano)
Frederic Chopin
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“The Handsome Lad” (“Śliczny chłopiec”), song for voice and piano, op. 74, No. 8
Ewa Podles (contralto), Garrick Ohlsson (piano)
OP. 74, ¹ 8. Recorded: January 23, 2008, London (live).Read moreCollapseOP. 74, ¹ 8. Recorded: January 23, 2008, London (live).
Sergei Rachmaninov
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“I wait for you”, song for voice and piano, Op. 14/1
Ewa Podles (contralto), Graham Johnson (piano)
from the album `Romantic Russian Songs` (2005)Read moreCollapsefrom the album `Romantic Russian Songs` (2005)
Frederic Chopin
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Polish Songs for voice and piano (selections), op. 74
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recording - January 23, 2008, London (live).Read moreCollapseRecording - January 23, 2008, London (live).
George Frideric Handel
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Selected Numbers from “Rinaldo”, HWV 7
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
“Or la tromba in suon festante mi richiama a trionfar” (Aria de Rinaldo, Troisième Acte, Scène 9) / 1990.Read moreCollapse“Or la tromba in suon festante mi richiama a trionfar” (Aria de Rinaldo, Troisième Acte, Scène 9) / 1990.
Christoph Willibald Gluck
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Opera “Iphigénie en Aulide” (excerpts), Wq. 40
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
“Allez, il faut sauver notre gloire opprimée” … “Armez-vous d’un noble courage” (Récitatif et Aria de Clytemnestre, Premier Acte, Scène 6) / 1990.Read moreCollapse“Allez, il faut sauver notre gloire opprimée” … “Armez-vous d’un noble courage” (Récitatif et Aria de Clytemnestre, Premier Acte, Scène 6) / 1990.
Frederic Chopin
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“Lithuanian Song” (“Piosnka litewska”), song for voice and piano, op. 74, No. 16
Ewa Podles (contralto), Garrick Ohlsson (piano)
Gustav Mahler
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Symphony No. 2 in C minor “Resurrection”, GMW 30
Jean-Claude Casadesus (conductor), Teresa Zylis-Gara (soprano), Ewa Podles (contralto), Orchestre National de Lille
Stuttgart Oratorienchor. Recorded: November 1986, Lille.Read moreCollapseStuttgart Oratorienchor. Recorded: November 1986, Lille.
Pyotr Tchaikovsky
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“Zemfira’s Song”, for voice and piano, TH 90
Ewa Podles (contralto), Garrick Ohlsson (piano)
Recorded on January 23, 2008, London (live).Read moreCollapseRecorded on January 23, 2008, London (live).
Gioachino Rossini
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Opera “Le Comte Ory”, EC 38
Bruno Campanella (conductor), Cecilia Bartoli (mezzo-soprano), William Matteuzzi (tenor), Ewa Podles (contralto), Pietro Spagnoli (baritone), Mariella Devia (soprano), Marilena Laurenza (soprano), Claudio Desderi (conductor), Orchestra Teatro alla Scala (Milano), Coro del Teatro alla Scala (Milano)
Le Comte Ory - William Matteuzzi; La Comtesse Adèle - Mariella Devia; Alice - Marilena Laurenza; Isolier - Cecilia Bartoli; Ragonde - Ewa Podles; Raimbaud - Claudio Desderi; Le Gouverneur - Pietro Spagnoli; Courtier - Enrico Cossutta. Orchestra e Coro del Teatro alla Scala - Bruno Campanella, conductor. Teatro alla Scala, Milano, 1991Read moreCollapseLe Comte Ory - William Matteuzzi; La Comtesse Adèle - Mariella Devia; Alice - Marilena Laurenza; Isolier - Cecilia Bartoli; Ragonde - Ewa Podles; Raimbaud - Claudio Desderi; Le Gouverneur - Pietro Spagnoli; Courtier - Enrico Cossutta. Orchestra e Coro del Teatro alla Scala - Bruno Campanella, conductor. Teatro alla Scala, Milano, 1991
Sergei Rachmaninov
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“Morning”, song for voice and piano, Op. 4/2
Ewa Podles (contralto), Graham Johnson (piano)
from the album `Romantic Russian Songs` (2005)Read moreCollapsefrom the album `Romantic Russian Songs` (2005)
Sergei Rachmaninov
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“Oh, do not grieve”, song for voice and piano, Op. 14/8
Ewa Podles (contralto), Graham Johnson (piano)
from the album `Romantic Russian Songs` (2005)Read moreCollapsefrom the album `Romantic Russian Songs` (2005)
Gustav Mahler
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Symphony No. 3 in D minor, GMW 31
Antoni Wit (conductor), Ewa Podles (contralto), Polish Radio National Symphony Orchestra (NOSPR)
Cracow Philharmonic Choir and Cracow Boy`s Choir. Recorded at the Concert Hall of the Polish Radio in Katowice, November 12-16, 1994.Read moreCollapseCracow Philharmonic Choir and Cracow Boy`s Choir. Recorded at the Concert Hall of the Polish Radio in Katowice, November 12-16, 1994.
Benedetto Marcello
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Arias
Ewa Podles (contralto), Patrick Peire (conductor), Collegium Instrumentale Brugense
Récitatif et Aria: “Il mio bel foco, o lontan o vicino ch’esser poss’io” … “Quella fiamma che m’accende”, Cantate pour soprano, 2 violons, 2 hautbois et continuo, SF. 142 (faux) / 1990.Read moreCollapseRécitatif et Aria: “Il mio bel foco, o lontan o vicino ch’esser poss’io” … “Quella fiamma che m’accende”, Cantate pour soprano, 2 violons, 2 hautbois et continuo, SF. 142 (faux) / 1990.
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