Max Rabinowitsch - piano. Recorded: October 11, 1921, Heyes.

Russian Metropolitan Church Choir of Paris. Conductor - Nicolai Afonsky. Recorded: March 1, 1932, Salle Pleyel, Paris.

04.06.1928, Chorus and Orchestra of The Royal Opera, Covent Garden. Cond.: Vincenzo Belleza. Prologue, Act 2, Act 3, Act 4 (scenes 1 and 2). Chaliapin sings Russian, other performers - Italian.

From the Prologue of the opera `Mephistopheles.

Aristov Choir and balalaika orchestra, conducted by Alexander Scriabin (?). Recorded: September 1927, Paris.

№ 2. Unidentified orchestra and conductor. Recorded: October 26, 1912, St. Petersburg.

Trepak (M.Mussorgsky) - two recordings with orchestra: electric 1929 and acoustic 1921.

Galitsky`s Song from the opera Prince Igor. Prince Igor. Two recordings: 1927 with orchestra and acoustic recording of 1911 with orchestra and chorus.

Aria of Susanin (recorded in 1923), recitative – farewell (recorded in 1924) from the opera “Life for the Tsar”. Acoustic recordings. File uploaded 01 23 2010, listened to 58, reloaded 12 06 2010

Recitative and verse of Mephistopheles with orchestra. Serenade of Mephistopheles with orchestra. Scene at the church with orchestra, as Marguerite - F. Ostreil . In French. Recordings from the 1920s.

Farlaf`s Rondo (recording 1931) and Ruslan`s aria (acoustic recording 1908) from the opera Ruslan and Lyudmila.

Melnik`s aria and scene of madness from the opera ` Rusalka` . Grigory Pozemkovsky as the Prince. Recorded in 1931.

Aria `Madamina, il catalogo è questo`. In Ital. Recorded: June 19, 1928, Small Queen’s Hall, London.

№13 Der Doppelgänger.

`Il mulino, il fonte, il bosco`. In Ital. Two records: 1) Conductor - Rosario Bourdon. Recorded: March 18, 1927, Camden, New Jersey; 2) Сonductor - Carlo Sabajno. La Scala orchestra. Recorded: April 26, 1912, Milan.

Test record. Recorded: 13.05.1931.

ASKOLD’S TOMB: `In olden days our forefathers lived` (`V starinu zhivali dedy`). Chorus of the Imperial Moscow Opera. Unidentified pianist. Recorded: June 26, 1910, Moscow.

№ 4. Recorded: July 5, 1913, London.

Bloch (M. Mussorgsky) - four recordings: electric 1926 (with orchestra) and 1936 (with piano), acoustic with orchestra. 1921 and 1907.

Don Basilio`s aria from the opera The Barber of Seville in Italian. - Four recordings: an electric recording of 1927 and three acoustic recordings (1922, 1912 and 1908).

Varlaam`s Song from op. Boris Godunov, with orchestra and chorus - two recordings: 1927 and acoustic recording of 1911.

Collen`s aria from op. Boheme (G.Puccini). 1921, acoustic recording.

Arias and romance of Demon from the opera DEMON (Do not weep, child with orchestra, On the air ocean with orchestra). - acoustic recordings 1911. Aria I am the one to whom I heeded with orchestra - recording.electric 1927). As Tamara M. Kovalenko.

words by B?ranger translated by Kurochkin

N 5 - Old Song (E. Grieg), with piano, 1914, acoustic recording.

Song of the Varangian Guest from the opera “Sadko” (Three recordings: 1927 with orchestra and two acoustic recordings - 1913 with piano and 1922 with orchestra) File uploaded 01 23 2010, listened to: 28, reloaded 11 27 2010 .

The Swan (E.Grieg - G.Ibsen A.Sokolov).

Russian Metropolitan Church Choir of Paris. Conductor - Nicolai Afonsky. Recorded: February 26, 1932, Salle Pleyel, Paris.

Farewell song (J. Ibert - for the film `Don Quixote`)

Yeremka`s Song from the opera `The Enemy Force` with balalaika orchestra and chorus. Two performances: 1931 - electric recording, 1910 - acoustic recording.

with a balalaika orchestra. Recorded in 1929.

Bolero (A.Dargomyzhsky - Markov.) - 1933 recording.

Alfonso`s Cavatina from the opera. LUCRACIA BORGIA (G.Donizetti.) in Italian with orchestra. Acoustic recording 1912

St. Petersburg Russian Vocal Quartet, Accompanied by a vocal quartet. Acoustic recording 1913

Iz-za ostrova na strezhen, a Russian folk song (D. N. Sadovnikov, 1847-1883). Rec. 1930

TWO GRENADERS (R.Schumann - G.Heine.) (Three performances: 1926 - electric recording

On the hills of Georgia lies the night gloom - with piano (Acoustic recording 1913). All of Chaliapin`s recordings have been restored using the original methodology

The Prophet (N. Rimsky-Korsakov - A. Pushkin), arioso for bass. Op. 49, No. 2 - with orchestra (recorded in 1927 and acoustic recording in 1921).

Three performances: 1927 with orchestra. (electric recording), 1922 with orchestra. (acoustic recording), 1907 with piano . (acoustic recording).

Recordings of 1930 and 1910

Chaliapin in the opera Don Quixote: Aria of Sancho Panzo (recorded in 1930), Death of Don Quixote (recorded in 1927), in French.

Oi, u luzi, ta shche pri bereze, Ukrainian folk song. Rec. 1910.

Three monologues by Salieri (“Everyone says, there is no truth on earth.” “Like a certain cherub...” “You will fall asleep for a long time, Mozart!”) - To replace the file from 01 10 2010 File uploaded 01 10 2010, reloaded 11 27 .2010.

The Prisoner (A.Rubinstein - A.Pushkin)

Stans Nilakanta from op. Lakme, with orchestra, 1908. (acoustic recording)

Recorded: June 17, 1927, London.

Ne velyat Mashe na rechenku khodit, Russian folk song

Bertram`s Proclamation from the opera. Robert the Devil (J. Meyerbeer), in Italian. - Two acoustic recordings, 1924 and 1912.

Aria `Dormiro sol nel manto mio regal`. Unidentified orchestra and conductor. Recorded: August 29, 1910, Moscow.

`A special litany`from the `Divine Liturgy`. 1932.

On the hills of Georgia

circa 1931.

Act 1 `Oh, that`s why you`re all young girls`

Recorded October 9, 1921

Act 2, `Don`t cry, child`

Act I, Che, mai veggio?

Entry January 1902