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Daniel-Francois Auber (1782–1871)
Actéon, opera (1836) |
Ambassador, opera (1836) |
Benedictus, AWV 79 |
Cello concerto No.1 |
Crown diamonds, opera (1841) |
Emma, opera (1821) |
Fairy Lake, opera (1839) |
Fiorella, opera (1826) |
First collection of tunes, romances and duets for voice, piano (or harp) Op.1 |
Fra Diavolo, or The Inn of Terracina, opera arias |
Grande ouverture for Orchestra (1862) |
Gustave III, opera (1833) |
Haydée, opera (1847) |
Jenny Bell, opera (1855) |
La barcarolle, opera (1845) |
La part du diable, opera (1843) |
Le philtre, opera (1831) |
Leicester, opera |
Lestocq, opera (1834) |
Love dream, opera (1869) |
Manon Lescaut, opera (1856) |
Marco Spada, opera (1852) |
Marco Spada, or the Bandit`s Daughter, ballet |
Mason, opera (1825) |
Mermaid, opera (1844) |
O salutaris for mixed chorus (SATB), organ (ad lib.) |
O Salutaris No.6 for voice, horn (Eb), harp, organ (1859) |
Oh, Sweetly We Will Sing Love, Ballad-Rondo for vocal and piano |
Opera Overtures |
Opera `Fra Diavolo, ou L`hotellerie de Terracine` |
Opera `La muette de Portici` |
Opera `Le Domino Noir` (1837) |
Opera `Manon Lescaut` (arias) |
Rondo for cello and orchestra in A minor |
Silent Woman of Portici, opera arias and fragments |
Songs, ballads, arias |
The bride of the king of Garbe, opera (1864) |
The bride, opera (1828-29) |
The bronze horse, opera (1834-35) |
The Circassian, opera (1861) |
The concert at the court, opera (1824?) |
The Duke of Olonne, opera (1841) |
The first day of happiness, opera (1868) |
The god and the bayadère, opera (1830) |
The oath, opera (1832) |
The prodigal son, opera (1850) |
The snow, opera (1823) |
Vilanelle for vocal and piano |
White chaperones, opera |
Zanetta, opera (1840) |
Zerline, opera (1851) |
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