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Daniel-Francois Auber (1782–1871)
Actéon, opera (1836)  |
Ambassador, opera (1836)  |
Benedictus, AWV 79  |
Cello concerto No.1  |
Crown diamonds, opera (1841)  |
Emma, opera (1821)  |
Fairy Lake, opera (1839)  |
Fiorella, opera (1826)  |
First collection of tunes, romances and duets for voice, piano (or harp) Op.1  |
Fra Diavolo, or The Inn of Terracina, opera arias  |
Grande ouverture for Orchestra (1862)  |
Gustave III, opera (1833)  |
Haydée, opera (1847)  |
Jenny Bell, opera (1855)  |
La barcarolle, opera (1845)  |
La part du diable, opera (1843)  |
Le philtre, opera (1831)  |
Leicester, opera  |
Lestocq, opera (1834)  |
Love dream, opera (1869)  |
Manon Lescaut, opera (1856)  |
Marco Spada, opera (1852)  |
Marco Spada, or the Bandit`s Daughter, ballet  |
Mason, opera (1825)  |
Mermaid, opera (1844)  |
O salutaris for mixed chorus (SATB), organ (ad lib.)  |
O Salutaris No.6 for voice, horn (Eb), harp, organ (1859)  |
Oh, Sweetly We Will Sing Love, Ballad-Rondo for vocal and piano  |
Opera Overtures  |
Opera `Fra Diavolo, ou L`hotellerie de Terracine`  |
Opera `La muette de Portici`  |
Opera `Le Domino Noir` (1837)  |
Opera `Manon Lescaut` (arias)  |
Rondo for cello and orchestra in A minor  |
Silent Woman of Portici, opera arias and fragments  |
Songs, ballads, arias  |
The bride of the king of Garbe, opera (1864)  |
The bride, opera (1828-29)  |
The bronze horse, opera (1834-35)  |
The Circassian, opera (1861)  |
The concert at the court, opera (1824?)  |
The Duke of Olonne, opera (1841)  |
The first day of happiness, opera (1868)  |
The god and the bayadère, opera (1830)  |
The oath, opera (1832)  |
The prodigal son, opera (1850)  |
The snow, opera (1823)  |
Vilanelle for vocal and piano  |
White chaperones, opera  |
Zanetta, opera (1840)  |
Zerline, opera (1851)  |
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