0`00`` (4`33`` No. 2) (1962) |
JC.167
|
101 (1988) |
JC.276
|
103 (1991) |
JC.311
|
108, Symphony for large orchestra (1991) |
JC.312
|
1`18 `, for any 4-string instrument (1953) |
JC.123
|
26`1.1499` For a String Player |
JC.137
|
27` 10.554``, for percussion |
JC.139
|
3 pieces for flute duet (1935) |
JC. 18
|
31`57.9864` For a Pianist (1954) |
JC.136
|
34`46.776` For a Pianist (1954) |
JC.135
|
36 Mesostics re and not re Marcel Duchamp |
JC.deest
|
45` for a Speaker (1954) |
JC.135a
|
4`33`` (1952) |
JC.113
|
52/3 (1972) |
JC.197
|
A Book of Music (for two pianos) (1944) |
JC. 76
|
A Chant with claps (Ïåíèå ñ õëîïêàìè) (1940?) |
JC. 30
|
A Collection of Rocks (1984) |
JC.245
|
A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, any composition (1978) |
JC.216
|
A Room, for prepared piano. 1943 |
JC. 61
|
A Valentine out of Season (1944) |
JC. 75
|
Ad Lib. (1943) |
JC. 57
|
Alla Ricerca del Silenzio Perduto/Il Treno (1976) |
JC.210
|
And the Earth Shall Bear Again (1942) |
JC. 52
|
Apartment House 1776 (1976) |
JC.208
|
Aria for voice of any range (1958) |
JC.146
|
ASLSP, for piano (1985) |
JC.255
|
Atlas Eclipticalis (1961-62) |
JC.162
|
Bird Cage (1972) |
JC.196
|
Branches (1976) |
JC.206
|
But what about the noise of crumpling paper (1985) |
JC.256
|
Cartridge Music (1960) |
JC.155
|
cComposed Improvisations (1990) |
JC.286
|
Cheap Imitation for piano (1969) |
JC.181
|
Chess pieces, for Piano (1943) |
JC. 58
|
Child of Tree, for percussionist using plant materials with amplification (1975) |
JC.203
|
Chorals (1970/1978) |
JC.191a
|
Composition for 3 Voices (1934) |
JC. 10
|
Concerto for prepared piano and orchestra (1950 - 51) |
JC.105
|
Credo in US (1942) |
JC. 51
|
Crete & Dad (1945) |
JC. 77-78
|
Dance music for Elrid Ide for percussion ensemble and piano (in the third movement) (1940) |
JC. 34
|
Daughters of the Lonesome Isle, for prepared piano (1945) |
JC. 86
|
Double Music (John Cage, Lou Harrison) (1941) |
JC. 42
|
Dream (1948) |
JC. 95
|
Eight Whiskus (1984) |
JC.246
|
Electronic Music for 2 Pianos (1964) |
JC.170
|
Empty Words (1973-74) |
JC.deest
|
Etcetera (1973) |
JC.198
|
Etudes Australes (1974) for piano |
JC.200
|
Etudes Boreales, for cello and/or piano (1978) |
JC.217
|
Europera 5 (1991) |
JC.298
|
Experiences No.1, for piano duet (1945) |
JC. 82
|
Experiences No.2, for voice (1948) |
JC. 96
|
Fads and Fancies in the Academy (1940) for piano and 4 percussion players |
JC. 38
|
Fifty-Eight (1992) |
JC.323
|
Five 3 for trombone and string quartet (1991) |
JC.300
|
Five Songs, for contralto soloist and piano (1938) |
JC. 23
|
Five Stone Wind (1988) |
JC.274
|
Five, for any five instruments or voices (1988) |
JC.272
|
Five2, for English horn, 2 clarinets, bass clarinet and timpani (May 1991) |
JC.299
|
Five4 (1991) |
JC.301
|
Five5, for flute, 2 clarinets, bass clarinet and percussion (October 1991) |
JC.302
|
Fontana Mix (1958) |
JC.147
|
For MC and DT for piano (1952) |
JC.112
|
For Solo Cello (1957-58) |
JC.143d
|
Forever and Sunsmell, for voice and two percussionists (1942) |
JC. 44
|
Four 3, for one or two pianos, twelve rainsticks and violin/oscillator, all operated by four performers (May 1991) |
JC.304
|
Four 6, for four performers with any means of producing sounds (1992) |
JC.324
|
Four Dances for tenor, the prepared piano and percussion (1943) |
JC. 64
|
Four Solos for Voice (1988) |
JC.275
|
Four Walls, for Piano and Voice (in one of the movements. 1944) |
JC. 68
|
Four2 for SATB choir (1990) |
JC.288
|
Four4 (1991) |
JC.305
|
Four5 (1991) |
JC.306
|
Haikai, for flute and zoomoozofon (or gamelan solo) 1984-91 |
JC.247
|
Haiku for piano (1950-51) |
JC.106
|
HPSCHD (1967-1969) |
JC.182
|
Hymnkus, for chamber ensemble (1986) |
JC.261
|
Hymns and Variations, for twelve amplified voices (January 1979) |
JC.224
|
Imaginary Landscape No. 1 (1939) |
JC. 28
|
Imaginary Landscape No. 2 (March) (1942) |
JC. 49
|
Imaginary Landscape No. 3 (1942) |
JC. 48
|
Imaginary Landscape No. 4 (March No. 2) (1951) |
JC.107
|
Imaginary Landscape No. 5 (1952) |
JC.114
|
Imitations II for clarinet solo (1976) |
JC.208a
|
In the Name of the Holocaust (1942) |
JC. 55
|
Indeterminacy |
JC.deest
|
Inlets (Improvisation II), for four performers with sea shells and the sound of fire (1977) |
JC.214
|
James Joyce / Marcel Duchamp / Erik Satie: An Alphabet, radioplay (1982) |
JC.232
|
Jazz Study (1942?) |
JC. 47
|
Lecture on the Weather (1975) |
JC.204
|
Litany for the Whale (1980) |
JC.229
|
Living Room Music, for percussion quartet and quartet of readers with an instrumental solo or without (1940) |
JC. 39
|
Metamorphosis (1938) |
JC. 22
|
Mirakus2 (1984) |
JC.248
|
Muoyce (1992) |
JC.325
|
Mureau (1970) |
JC.190
|
Music for Amplified Toy piano (1960) |
JC.156
|
Music for Carillon No. 2, for carillon (January 1954; 2-octave version made in January 1961) |
JC.133
|
Music for Carillon No. 3, for carillon (January 1954; 2-octave version made in January 1961) |
JC.134
|
Music for Carillon No.5 (1967) |
JC.175
|
Music for Carillon, No. 1 (1952/1958/1961) |
JC.115
|
Music for Marcel Duchamp (1947) |
JC. 92
|
Music for Piano 1 (1952) |
JC.116
|
Music for Piano 2 (1953) |
JC.127
|
Music for Piano 20 (1953) |
JC.130
|
Music for Piano 21-36 (1955) |
JC.138a
|
Music for Piano 3 (1953) |
JC.128
|
Music for Piano 37-52 (1955) |
JC.138b
|
Music for Piano 4-19 (1953) |
JC.129
|
Music for Piano 53-68 (1956) |
JC.140
|
Music for Piano 69-84 (1956) |
JC.141
|
Music for Piano 85 (1962) |
JC.165
|
Music for wind instruments (1938) |
JC. 24
|
Music for ________, for any composition (1984-87) |
JC.249
|
Music walk (1958) |
JC.149
|
Musicircus, (1967) |
JC.177
|
Mysterious Adventure for prepared piano (1945) |
JC. 80
|
Nocturne for Violin and Piano (1947) |
JC. 93
|
Nowth upon Nacht, for voice and piano (1984) |
JC.251
|
One (1987) |
JC.268
|
One 7, for any way of producing sounds (1990) |
JC.293
|
One10 (1992) |
JC.326
|
One12 (1992) |
JC.328
|
One2, for 1-4 pianos (1989) |
JC.280
|
One4, for percussion (1990) |
JC.290
|
One5, for piano (May 1990) |
JC.291
|
One6 (1990) |
JC.292
|
One8, for Cello (April, 1991) |
JC.309
|
Opening Dance for Sue (1941?) |
JC. 40
|
Ophelia, for Piano, 1946 |
JC. 89
|
Our Spring Will Come (1943) |
JC. 60
|
Pastorale No. 1 |
JC.117a
|
Pastorale No. 2 (1952) |
JC.117b
|
Percussion Quartet (1935) |
JC. 15
|
Perpetual Tango (1984) |
JC.252
|
Piano Concerto. 1957-58. |
JC.143a-k
|
Postcard from Heaven (1982) |
JC.238
|
Prelude for Meditation for prepared piano (1944) |
JC. 69
|
Prelude for six instruments in A minor (1946) |
JC. 90
|
Primitive, for prepared piano (1942) |
JC. 54
|
Quartet I for 24 instruments (1976) |
JC.207a
|
Quartet II (1976) for 24 instruments |
JC.207b
|
Quartet III (1976) for 24 instruments |
JC.207c
|
Quartet IV (1976) for 24 instruments |
JC.207d
|
Quartet V (1976) for 24 instruments |
JC.207e
|
Quartet VI (1976) for 24 instruments |
JC.207f
|
Quartet VII (1976) for 24 instruments |
JC.207g
|
Quartet VIII (1976) for 24 instruments |
JC.207h
|
Quest - second movement (1935) |
JC. 16
|
Radio music (1956) |
JC.142
|
Renga (1975-76) |
JC.205
|
Reunion (1968) |
JC.180
|
Roaratorio, an Irish circus on Finnegans Wake, for record (1979) |
JC.222a
|
Root of an Unfocus for prepared piano (1944) |
JC. 70
|
Rozart Mix, tape loops (1965) |
JC.171
|
Sculptures Musicales (1989) |
JC.282
|
Second construction for ensemble of percussion (1940) |
JC. 35
|
Seven (1988) for Flute, Clarinet, Percussion, Piano, Violin, Viola and Cello |
JC.277
|
Seven Haikus for piano (1951-52) |
JC.109
|
Seven2, for bass flute, bass clarinet, bass trombone, two percussionists with unspecified instruments, cello and contrabass (1990) |
JC.295
|
Seventy-four for orchestra (1992) |
JC.332
|
She Is Asleep, in two parts for different compositions (1943, not finished) |
JC. 62
|
Six melodies for violin and keyboard instrument (1950) |
JC.103
|
Six short inventions on the subjects of the solo (1934/1958) |
JC. 13b
|
Sixteen Dances for flute, trumpet, four percussionists, piano, violin and cello (1950-51) |
JC.110
|
Sixty-Eight (1992) |
JC.334
|
Sixty-Two Mesostics Re Merce Cunningham (Frammento) 1971 |
JC.deest
|
Soliloquy (1945) |
JC. 81
|
Solo for sliding trombone (1957-58) |
JC.143j
|
Solo with obbligato accompaniment of two voices in canon (1934) |
JC. 13a
|
Some of the Harmony of Maine (1978) |
JC.220
|
Sonata for Clarinet (1933) |
JC. 7
|
Sonata for Two Voices, for two instruments with specified ranges (1933) |
JC. 8
|
Sonatas and Interludes for prepared piano (1946-48) |
JC. 99
|
Song Books (Solos for Voice 3–92), for one or more voices (August – October 1970) |
JC.191
|
Sonnekus2 for Voice solo (1985) |
JC.258
|
Sounds of Venice, performance for a solo TV artist (1959) |
JC.153
|
Spontaneous Earth (1944) |
JC. 71
|
String Quartet in Four Parts (1950) |
JC.104
|
Swinging (1989) |
JC.283
|
Ten (1991) |
JC.314
|
The Beatles 1962-1970 (1990) |
JC.296
|
The City Wears a Slouch Hat, music for Kenneth Patchen`s radio show (1942) |
JC. 50
|
The First Meeting of the Satie Society (1984-1985) |
JC.254
|
The Perilous Night, for Prepared Piano (1944) |
JC. 74
|
The Seasons, ballet (1947) |
JC. 94
|
The song `A flower` for low voice and closed piano (blows the lid of the piano) 1950 |
JC.101
|
The song `The Wonderful Widow of Eighteen Springs` for low voice. 1942 |
JC. 53
|
The Suite for a Toy-Piano, 1948 |
JC.100
|
The Unavailable Memory Of (1944) |
JC. 72
|
Theatre Piece (1960) |
JC.159
|
Third Construction for Percussion Quartet (1941) |
JC. 41
|
Thirteen (1992) |
JC.335
|
Thirteen Harmonies (1985) |
JC.260
|
Thirty pieces for five orchestras (1981) |
JC.231
|
Thirty Pieces for String Quartet (1983) |
JC.244
|
Three Dances for two prepared pianos (1944-45) |
JC. 85
|
Three Easy Pieces (1933) |
JC. 6
|
Three Songs for voice and piano, (1932–33) |
JC. 5
|
Three2 (1991) |
JC.315
|
Tossed as It Is Untroubled (1943) |
JC. 65
|
Totem Ancestor, for prepared piano. 1942 |
JC. 46
|
Transcription of the drama by E. Sati `Socrates` for 2 pianos (1944?) |
JC. 67
|
Trio-Suite for three percussion (1936) |
JC. 20
|
Triple-Paced No.2 for prepared piano (1944) |
JC. 73
|
Tripled Paced - first version (1943) |
JC. 66
|
TV Koln (1958) |
JC.151
|
Two |
JC.271
|
Two pieces for piano (1935/1974) |
JC. 17
|
Two Pieces for Piano (1946) |
JC. 91
|
Two2 (1989) |
JC.285
|
Two3, for sho and shells (1991) |
JC.319
|
Two4, for violin and piano or sho (July 1991) |
JC.320
|
Two5, for piano and tenor trombone (1991) |
JC.321
|
Two6 (1992) |
JC.336
|
Variations I, for any composition (1958) |
JC.152
|
Variations II, for any composition (1961) |
JC.164
|
Variations III, for any composition (1962) |
JC.166
|
Variations IV, for any composition (1963) |
JC.168
|
Variations V (1965) |
JC.172
|
Variations VII (1966) |
JC.174
|
Variations VIII |
JC.221
|
Voiceless Essay (1985-86) |
JC.259
|
Waiting, for piano (1952) |
JC.119
|
Water music for pianist (1952) |
JC.118
|
Water Walk (1959) |
JC.154
|
WBAI (1960) |
JC.160
|
Williams Mix, for record (1952-53) |
JC.120
|
Winter Music, for piano (1957) |
JC.144
|
Works of Calder, for prepared piano (1949) |
JC.102
|
Writing for the Second Time Through Finnegans Wake (1978) |
JC.deest
|
`59,5 sec. For a String Player`(1953) |
JC.126
|
`Amores` for prepared piano and percussion Ensemble.1943 |
JC. 63
|
`Bacchanale` for prepared piano. (1940). |
JC. 36
|
`Ear for EAR` (Antiphonies) for choir (1983) |
JC.239
|
`First construction (In Metal)` for an ensemble of percussion instruments. 1939. |
JC. 29
|
`Fourteen` for instrumental ensemble of 14 performers 1990. |
JC.289
|
`Four` for 2 violins, viola and cello. 10 - minute version (1989) |
JC.279
|
`Freeman Etudes` for violin 1990. |
JC.213
|
`in a Landscape` 1948. |
JC. 97
|
`Music of Changes` for the piano (1951) |
JC.108
|
`Ryoanji` - for hichiriki, 2 ryuteki & percussion (1985) |
JC.242
|
`Souvenir` for organ. 1983. |
JC.243
|