0`00`` (4`33`` No. 2) (1962)  |
108, Symphony for large orchestra (1991)  |
27` 10.554``, for percussion  |
36 Mesostics re and not re Marcel Duchamp  |
44 Harmonies from Apartment House 1776 (1976)  |
45` for a Speaker  |
4`33`` (1952)  |
A Book of Music (for two pianos) (1944)  |
A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, any composition (1978)  |
A Room, for prepared piano. 1943  |
A Valentine out of Season (1944)  |
Ad Lib. (1942)  |
And the Earth Shall Bear Again  |
Aria for voice of any range (1958)  |
Aria ¹ 2  |
ASLSP, for piano (1985)  |
Atlas Eclipticalis (1961-62)  |
Branches (1976)  |
Cartridge Music (1960)  |
Cheap Imitation for piano (1969)  |
Chess pieces, for Piano (1944)  |
Child of Tree, for percussionist using plant materials with amplification (1975)  |
Composed Improvisation for Snare Drum alone  |
Concerto for prepared piano and orchestra (1950 - 51)  |
Credo in US  |
Crete & Dad (1945)  |
Daughters of the Lonesome Isle, for prepared piano (1945)  |
Double Music (John Cage, Lou Harrison)  |
Dream (1948)  |
Electronic Music for 2 Pianos (1964)  |
Empty Words (1973-74) with Music for Piano (1952-56)  |
Etudes Australes (1974) for piano  |
Etudes Boreales, for cello and/or piano (1978)  |
Experience 1 (1944)  |
Experiences No. 2, for voice (1948)  |
Fads and Fancies in the Academy (1940) for piano and 4 percussion players  |
Fifty-Eight  |
Five 3 for trombone and string quartet (1991)  |
Five Songs, for contralto soloist and piano (1938)  |
Five, for any five instruments or voices (January 1988)  |
Five2, for English horn, 2 clarinets, bass clarinet and timpani (May 1991)  |
Five5, for flute, 2 clarinets, bass clarinet and percussion (October 1991)  |
Fontana Mix + Aria  |
Fontana Mix - Feed  |
For 3  |
For Solo Cello (1958)  |
Forever and Sunsmell, for voice and two percussionists (1942)  |
Four 3, for one or two pianos, twelve rainsticks and violin/oscillator, all operated by four performers (May 1991)  |
Four 6, for four performers with any means of producing sounds (March 1992)  |
Four Dances for tenor, the prepared piano and percussion (1943)  |
Four Solos (1988)  |
Four Walls, for Piano and Voice (in one of the movements. 1944)  |
Four, for String Quartet, 20 minutes version (1989)  |
Four2 - Version I for SATB choir (October 1990)  |
Four2 - Version II for SATB choir (October 1990)  |
Furniture music etcetera  |
Haikai, for flute and zoomoozofon (or gamelan solo) 1984-91  |
Haiku for piano (1950-51)  |
HPSCHD (1967-1969)  |
Hymnkus, for chamber ensemble (1986)  |
Hymns and Variations, for twelve amplified voices (January 1979)  |
Imaginary Landscape No. 1 (1939)  |
Imaginary Landscape No. 2 (March) (1942)  |
Imaginary Landscape No. 3 (1942)  |
Imaginary Landscape No. 4 (March No. 2) (1951)  |
Imaginary Landscape No. 5 (1952)  |
Imitations II for clarinet solo (1976)  |
In the Name of the Holocaust  |
Indeterminacy  |
Inlets (Improvisation II), for four performers with sea shells and the sound of fire (1977)  |
James Joyce / Marcel Duchamp / Erik Satie: An Alphabet, radioplay (1982)  |
Jazz Study (1942)  |
Lecture on Nothing (1949)  |
Litany for the Whale (1980)  |
Living Room Music, for percussion quartet and quartet of readers with an instrumental solo or without (1940)  |
Metamorphosis (1938)  |
Muoyce (1992)  |
Music for 2 Pianos I  |
Music for 2 Pianos II  |
Music for 3 Pianos  |
Music for 4 Pianos (1954)  |
Music for 5 pianos  |
Music for Amplified Toy piano  |
Music for Carillon No. 2, for carillon (January 1954; 2-octave version made in January 1961)  |
Music for Carillon No. 3, for carillon (January 1954; 2-octave version made in January 1961)  |
Music for Carillon, No. 1, 1958  |
Music for Five  |
Music for Four (1987, revised 1988)  |
Music for Marcel Duchamp (1947)  |
Music for one (1984)  |
Music for Piano 1 (1952)  |
Music for Piano 2 (1953)  |
Music for Piano 20 (1953)  |
Music for Piano 21-36 (1955)  |
Music for Piano 3 (1953)  |
Music for Piano 37-52 (1955)  |
Music for Piano 4-19 (1953)  |
Music for Piano 53-68 (1956)  |
Music for Piano 69-84 (1956)  |
Music for Piano 85 (1962)  |
Music for Six (1984)  |
Music for Two (1984/87)  |
Music for ________, for any composition (1984-87)  |
Music walk (1958)  |
Musicircus, (1967)  |
Mysterious Adventure for prepared piano (1945)  |
No Tempo Indication  |
No Tempo Indication (2)  |
No Tempo Indication (3)  |
No Tempo Indication (4)  |
Nocturne for Violin and Piano (1947)  |
Nowth upon Nacht, for a voice and closed piano (1984)  |
Nowth upon Nacht, for voice and piano (1984)  |
One (1987)  |
One 7, for any way of producing sounds (1991)  |
One4, for percussion (1990)  |
One5, for piano (May 1990)  |
One8, for Cello (April, 1991)  |
Opening Dance  |
Ophelia, for Piano, 1946  |
Our Spring Will Come  |
Pastorale No. 1  |
Pastorale No. 2  |
Perpetual Tango (1984)  |
Piano Concerto. 1957-58.  |
Prelude for Meditation for prepared piano  |
Primitive, for prepared piano (1942)  |
Quartet I (1976) for 24 instruments  |
Quartet II (1976) for 24 instruments  |
Quartet III (1976) for 24 instruments  |
Quartet IV (1976) for 24 instruments  |
Quartet V (1976) for 24 instruments  |
Quartet VI (1976) for 24 instruments  |
Quartet VII (1976) for 24 instruments  |
Quartet VIII (1976) for 24 instruments  |
Quest - second movement (1935)  |
Quodlibet  |
Radio music (1956)  |
Roaratorio, an Irish circus on Finnegans Wake, for record (1979)  |
Root of an Unfocus for prepared piano (1944)  |
Rozart Mix, tape loops (1965)  |
Second construction for ensemble of percussion (1940)  |
Seven (1988) for Flute, Clarinet, Percussion, Piano, Violin, Viola and Cello  |
Seven Haikus for piano (1951-52)  |
Seven2, for bass flute, bass clarinet, bass trombone, two percussionists with unspecified instruments, cello and contrabass (1990)  |
Seventy-four for orchestra  |
She Is Asleep, in two parts for different compositions (1943, not finished)  |
Six melodies for violin and keyboard instrument (1950)  |
Sixteen Dances for flute, trumpet, four percussionists, piano, violin and cello (1950-51)  |
Sixty-Eight  |
Sixty-Two Mesostics Re Merce Cunningham (Frammento) 1971  |
Soliloquy (1945)  |
Solo for sliding trombone (1957/58)  |
Sonata for Clarinet (1933)  |
Sonata for Two Voices, for two instruments with specified ranges (1933)  |
Sonatas and Interludes for prepared piano (1946-48)  |
Song Books (Solos for Voice 3–92), for one or more voices (August – October 1970)  |
Sonnekus2 for Voice solo  |
Sonnekus2, songs by Erik Satie (1985)  |
Spontaneous Earth  |
String Quartet in Four Parts (1950)  |
Swinging (1989)  |
Ten (1991)  |
The First Meeting of the Satie Society (1984-1985)  |
The Perilous Night, for Prepared Piano (1944)  |
The Seasons, ballet (1947)  |
The song `A flower` for low voice and closed piano (blows the lid of the piano) 1950  |
The song `The Wonderful Widow of Eighteen Springs` for low voice. 1942  |
The Suite for a Toy-Piano, 1948  |
The Unavailable Memory Of  |
The Year Begins to Be Ripe  |
Third Construction for Percussion Quartet (1941)  |
Thirteen  |
Thirty Pieces for String Quartet (1983)  |
Three Dances |
Three Dances for two prepared pianos (1944-45)  |
Three Easy Pieces (1933)  |
Three easy pieces for piano (1933)  |
Three Songs for voice and piano, (1932–33)  |
Tossed as It Is Untroubled  |
Totem Ancestor, for prepared piano. 1942  |
Trio-Suite for three percussion (1936)  |
Tripled Paced - first version (1943)  |
Tripled Paced for prepared piano  |
TV Koln  |
Two  |
Two (for two pianos) (1989)  |
Two Pieces for Harp (A room & In a Landscape)  |
Two Pieces for Piano (1935)  |
Two pieces for piano (1935/1974)  |
Two Pieces for Piano (1946)  |
Two2  |
Two3, for sho and shells (1991)  |
Two4, for violin and piano or sho (July 1991)  |
Two5, for piano and tenor trombone (1991)  |
Two6  |
Variations I, for any composition (1958)  |
Variations II, for any composition (1961)  |
Variations III, for any composition (1962)  |
Variations VIII  |
Water music for pianist (1952)  |
Water Walk  |
Williams Mix, for record (1951-53)  |
Winter Music, for piano (1957)  |
Works by Calder, Music for the film  |
Works of Calder, for prepared piano (1949)  |
Writing for the Second Time Through Finnegans Wake (1978)  |
`59,5 sec. For a String Player`  |
`Amores` for prepared piano and percussion Ensemble.1943  |
`Bacchanale` for prepared piano. (1940).  |
`Ear for EAR` (Antiphonies) for choir (1983)  |
`First construction (In Metal)` for an ensemble of percussion instruments. 1939.  |
`Fourteen` for instrumental ensemble of 14 performers 1990.  |
`Four` (1989)  |
`Four` for 2 violins, viola and cello. 10 - minute version (1989)  |
`Freeman Etudes` for violin 1990.  |
`in a Landscape` 1948.  |
`Mureau`/`Rainforest II`  |
`Music of Changes` for the piano (1951)  |
`Ryoanji` - for hichiriki, 2 ryuteki & percussion (1985)  |
`Souvenir` for organ. 1983.  |