`Mureau`/`Rainforest II`  |
0`00`` (4`33`` No. 2) (1962)  |
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108, Symphony for large orchestra (1991) |
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27` 10.554``, for percussion |
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36 Mesostics re and not re Marcel Duchamp |
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44 Harmonies from Apartment House 1776 (1976) |
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45` for a Speaker |
4`33`` (1952)  |
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`59,5 sec. For a String Player` |
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A Room, for prepared piano. 1943 |
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A Book of Music (for two pianos) (1944) |
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A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, any composition (1978) |
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A Valentine out of Season (1944) |
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Ad Lib. (1942) |
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`Amores` for prepared piano and percussion Ensemble.1943 |
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And the Earth Shall Bear Again |
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ASLSP, for piano (1985) |
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Atlas Eclipticalis (1961-62) |
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`Bacchanale` for prepared piano. (1940). |
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Branches (1976) |
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Cartridge Music (1960) |
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Cheap Imitation for piano (1969) |
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Chess pieces, for Piano (1944) |
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Child of Tree, for percussionist using plant materials with amplification (1975) |
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Composed Improvisation for Snare Drum alone |
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Credo in US |
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Crete & Dad (1945) |
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Daughters of the Lonesome Isle, for prepared piano (1945) |
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Dream (1948) |
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`Ear for EAR` (Antiphonies) for choir (1983) |
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Electronic Music for 2 Pianos (1964) |
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Empty Words (1973-74) with Music for Piano (1952-56) |
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Etudes Australes (1974) for piano |
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Etudes Boreales, for cello and/or piano (1978) |
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Experience 1 (1944) |
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Experiences No. 2, for voice (1948) |
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Fads and Fancies in the Academy (1940) for piano and 4 percussion players |
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Fifty-Eight |
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`First construction (In Metal)` for an ensemble of percussion instruments. 1939. |
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Five 3 for trombone and string quartet (1991) |
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Five, for any five instruments or voices (January 1988) |
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Five2, for English horn, 2 clarinets, bass clarinet and timpani (May 1991) |
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Five5, for flute, 2 clarinets, bass clarinet and percussion (October 1991) |
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Fontana Mix + Aria |
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Fontana Mix - Feed |
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For 3 |
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Forever and Sunsmell, for voice and two percussionists (1942) |
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`Four` for 2 violins, viola and cello. 10 - minute version (1989) |
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Four 6, for four performers with any means of producing sounds (March 1992) |
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Four Solos (1988) |
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Four Walls, for Piano and Voice (in one of the movements. 1944) |
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Four2 - Version I for SATB choir (October 1990) |
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Four2 - Version II for SATB choir (October 1990) |
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Four 3, for one or two pianos, twelve rainsticks and violin/oscillator, all operated by four performers (May 1991) |
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`Fourteen` for instrumental ensemble of 14 performers 1990. |
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`Freeman Etudes` for violin 1990. |
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Furniture music etcetera |
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Haikai, for flute and zoomoozofon (or gamelan solo) 1984-91 |
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HPSCHD (1967-1969) |
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Hymnkus, for chamber ensemble (1986) |
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Hymns and Variations, for twelve amplified voices (January 1979) |
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Imaginary Landscape No. 1 (1939) |
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Imaginary Landscape No. 2 (March) (1942) |
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Imaginary Landscape No. 3 (1942) |
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Imaginary Landscape No. 4 (March No. 2) (1951) |
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Imaginary Landscape No. 5 (1952) |
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Imitations II for clarinet solo (1976) |
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`in a Landscape` 1948. |
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In the Name of the Holocaust |
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Inlets (Improvisation II), for four performers with sea shells and the sound of fire (1977) |
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James Joyce / Marcel Duchamp / Erik Satie: An Alphabet, radioplay (1982) |
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Litany for the Whale (1980) |
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Living Room Music, for percussion quartet and quartet of readers with an instrumental solo or without (1940) |
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Muoyce (1992) |
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Music for 2 Pianos I |
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Music for 2 Pianos II |
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Music for 3 Pianos |
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Music for 4 Pianos (1954) |
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Music for 5 pianos |
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Music for Carillon No. 2, for carillon (January 1954; 2-octave version made in January 1961) |
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Music for Carillon No. 3, for carillon (January 1954; 2-octave version made in January 1961) |
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Music for Carillon, No. 1, 1958 |
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Music for Five |
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Music for Four (1987, revised 1988) |
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Music for one (1984) |
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Music for Piano 1 (1952) |
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Music for Piano 2 (1953) |
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Music for Piano 20 (1953) |
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Music for Piano 21-36 (1955) |
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Music for Piano 3 (1953) |
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Music for Piano 37-52 (1955) |
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Music for Piano 4-19 (1953) |
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Music for Piano 53-68 (1956) |
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Music for Piano 69-84 (1956) |
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Music for Piano 85 (1962) |
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Music for Six (1984) |
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Music for Two (1984/87) |
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Music for ________, for any composition (1984-87) |
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`Music of Changes` for the piano (1951) |
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Music walk (1958) |
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Musicircus, (1967) |
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Mysterious Adventure for prepared piano (1945) |
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No Tempo Indication |
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No Tempo Indication (2) |
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No Tempo Indication (3) |
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No Tempo Indication (4) |
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Nowth upon Nacht, for voice and piano (1984) |
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One (1987) |
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One 7, for any way of producing sounds (1991) |
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One4, for percussion (1990) |
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One5, for piano (May 1990) |
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One8, for Cello (April, 1991) |
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Opening Dance |
|
Our Spring Will Come |
|
Pastorale No. 1 |
|
Pastorale No. 2 |
|
Perpetual Tango (1984) |
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Prelude for Meditation for prepared piano |
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Primitive, for prepared piano (1942) |
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Quartet I (1976) for 24 instruments |
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Quartet II (1976) for 24 instruments |
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Quartet III (1976) for 24 instruments |
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Quartet IV (1976) for 24 instruments |
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Quartet V (1976) for 24 instruments |
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Quartet VI (1976) for 24 instruments |
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Quartet VII (1976) for 24 instruments |
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Quartet VIII (1976) for 24 instruments |
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Quest - second movement (1935) |
|
Quodlibet |
|
Radio music (1956) |
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Roaratorio, an Irish circus on Finnegans Wake, for record (1979) |
|
Root of an Unfocus for prepared piano (1944) |
|
Rozart Mix, tape loops (1965) |
|
`Ryoanji` - for hichiriki, 2 ryuteki & percussion (1985) |
|
Second construction for ensemble of percussion (1940) |
|
Seven (1988) for Flute, Clarinet, Percussion, Piano, Violin, Viola and Cello |
|
Seven2, for bass flute, bass clarinet, bass trombone, two percussionists with unspecified instruments, cello and contrabass (1990) |
|
Seventy-four for orchestra |
|
She Is Asleep, in two parts for different compositions (1943, not finished) |
|
Sixty-Eight |
|
Sixty-Two Mesostics Re Merce Cunningham (Frammento) 1971 |
|
Soliloquy (1945) |
|
Solo for sliding trombone (1957/58) |
|
Sonata for Two Voices, for two instruments with specified ranges (1933) |
|
Song Books (Solos for Voice 3–92), for one or more voices (August – October 1970) |
|
Sonnekus2 for Voice solo |
|
Sonnekus2, songs by Erik Satie (1985) |
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`Souvenir` for organ. 1983. |
|
Spontaneous Earth |
|
Swinging (1989) |
|
Ten (1991) |
|
The First Meeting of the Satie Society (1984-1985) |
|
The Perilous Night, for Prepared Piano (1944) |
|
The Unavailable Memory Of |
|
The Year Begins to Be Ripe |
|
Third Construction for Percussion Quartet (1941) |
|
Thirteen |
|
Thirty Pieces for String Quartet (1983) |
|
Tossed as It Is Untroubled |
|
Totem Ancestor, for prepared piano. 1942 |
|
Tripled Paced - first version (1943) |
|
Tripled Paced for prepared piano |
|
TV Koln |
|
Two (for two pianos) (1989) |
|
Two pieces for piano (1935/1974) |
|
Two |
|
Two2 |
|
Two3, for sho and shells (1991) |
|
Two4, for violin and piano or sho (July 1991) |
|
Two5, for piano and tenor trombone (1991) |
|
Two6 |
|
Variations I, for any composition (1958) |
|
Variations II, for any composition (1961) |
|
Variations III, for any composition (1962) |
|
Variations VIII |
|
Water music for pianist (1952) |
|
Water Walk |
|
Williams Mix, for record (1951-53) |
|
Winter Music, for piano (1957) |
|
Works of Calder, for prepared piano (1949) |
|
Writing for the Second Time Through Finnegans Wake (1978) |
|
`Four` (1989) |
|
Four, for String Quartet, 20 minutes version (1989) |
|
Ophelia, for Piano, 1946 |
|
Aria for voice of any range (1958) |
|
Aria ¹ 2 |
|
The Seasons, ballet (1947) |
|
Two Pieces for Harp (A room & In a Landscape) |
|
Two Pieces for Piano (1935) |
|
Two Pieces for Piano (1946) |
|
Double Music (John Cage, Lou Harrison) |
|
Jazz Study (1942) |
|
Concerto for prepared piano and orchestra (1950 - 51) |
|
Piano Concerto. 1957-58. |
|
Lecture on Nothing (1949) |
|
Metamorphosis (1938) |
|
Music for Amplified Toy piano |
|
Music for Marcel Duchamp (1947) |
|
Works by Calder, Music for the film |
|
Nocturne for Violin and Piano (1947) |
|
The song `A flower` for low voice and closed piano (blows the lid of the piano) 1950 |
|
Nowth upon Nacht, for a voice and closed piano (1984) |
|
The song `The Wonderful Widow of Eighteen Springs` for low voice. 1942 |
|
Five Songs, for contralto soloist and piano (1938) |
|
Seven Haikus for piano (1951-52) |
|
For Solo Cello (1958) |
|
Sonata for Clarinet (1933) |
|
Sonatas and Interludes for prepared piano (1946-48) |
|
String Quartet in Four Parts (1950) |
|
The Suite for a Toy-Piano, 1948 |
|
Three Easy Pieces (1933) |
|
Three Songs for voice and piano, (1932–33) |
|
Three easy pieces for piano (1933) |
|
Three Dances |
|
Three Dances for two prepared pianos (1944-45) |
|
Trio-Suite for three percussion (1936) |
|
Haiku for piano (1950-51) |
|
Four Dances for tenor, the prepared piano and percussion (1943) |
|
Sixteen Dances for flute, trumpet, four percussionists, piano, violin and cello (1950-51) |
|
Six melodies for violin and keyboard instrument (1950) |
