Atlantis, for chamber orchestra (1959)  |
Bass-Clarinet & Percussion (1981)  |
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Between Categories (1969) |
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Cello and Orchestra (1972) |
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Chorus and Instruments II |
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Christian Wolff in Cambridge |
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Clarinet & String Quartet (1983) |
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Composition. Eight Little Pieces for Cello and Piano (1950) |
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Coptic Light, for orchestra (1985) |
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Crippled Simmetry (1983) |
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De Kooning ( violin, cello, horn, piano (doubling celesta) and percussion) |
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Durations 1, for alto flute, piano, violin and cello (1960) |
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Durations 2, for Cello and Piano (1960) |
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Durations 3, for Violin, Tube and Piano (1961) |
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Durations 4, for Violin, Cello and Vibraphone (1961) |
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Durations 5, for Violin, Cello, Horn, Vibraphone, Harp and Piano or Celeste (1961) |
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Extensions 3 for piano (1952) |
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False Relationships And The Extended Ending (1968) |
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Five Pianos (1972) |
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Flute and Orchestra (1978) |
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For Bunita Marcus, for piano solo (1985) |
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For Christian Wolff, for flute and piano/celesta (1986) |
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For Frank O`Hara (flute, clarinet, violin, cello, piano, percussion (two players) and conductor) |
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For Franz Kline (1962) |
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For John Cage, for Violin and Piano (1982) |
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For Philip Guston |
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For Samuel Beckett, for ensemble (1987) |
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For Stephen Volpe |
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Four Instruments ( 1975 ) |
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Four Instruments (1965) |
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Four Songs to Poems by E. E. Cummings (1951) for voice, cello and piano |
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In Search of an Orchestration (1967) |
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Instruments 1, for alto flute, oboe, trombone, percussion, and celesta (1974) |
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Instruments III (1977) |
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Intermission 5 for Piano (1952) |
Intermission 6 for two pianos  |
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Intersection 1 (1951) |
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Intersection 2 (1953) |
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Intersection 3 ( 1953) |
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Intersection 4 (1953) |
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Ixion - Summerspace, ballet pour ensemble de chambre ou deux pianos (1958) |
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Last Pieces for piano (1959) |
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Madame Press died last week at ninety, for ensemble (1970) |
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Marginal Intersection (1951) |
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Neither, opera (1977) |
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Oboe and Orchestra (1976) |
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On Time and the Instrumental Factor (1969) |
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Only, for female voice (1946) |
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Orchestra (1976) |
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Out of `Last Pieces` for orchestra (1961) |
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Palais de Mari for piano (1986) |
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Patterns in a Chromatic Field (1981) |
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Piano (1977) |
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Piano and Orchestra (1975) |
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Piano and the string quartet (1985) |
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Piano Four Hands (1958) |
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Piano Piece (1952) |
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Piano Piece (1964) |
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Piano Piece (to Philip Guston) (1963) |
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Piano Piece 1955 (1955) |
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Piano Piece 1956 A (for Cynthia) |
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Piano piece 1956 B |
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Piano Three Hands (1957) |
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Piano, Violin, Viola, Cello (1987) |
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Piece For Four Pianos (1957) |
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Principal Sound for organ (1980) |
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Projection 1 (1950) |
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Projection 2 (1951) |
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Projection 3 (1951) |
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Projection 4 (1951) |
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Projection 5 (1951) |
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Spring of Chosroes, for Violin and Piano (1977) |
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String Quartet No. 2 (1983) |
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Structures (1951) |
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Structures for Orchestra (1962) |
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The King of Denmark, for percussion (1964) |
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The O`Hara Songs (1962) |
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The Rothko Chapel pour soprano, contralto, double choeur et trois instruments (1971) |
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The Viola in My Life (1), for Viola and five instruments (1970) |
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The Viola in My Life (2), for Viola and six instruments (1970) |
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The Viola in My Life (3), for Viola and Piano (1970) |
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The Viola in My Life (4), for Viola and Orchestra (1971) |
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Three Clarinets, Cello & Piano (1971) |
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Three Dances for Piano and Percussion (1950) |
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Three Pieces for Piano (1954) |
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Three Voices, for soprano (two pre-recorded parts and one live) or 3 sopranos (1982) |
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Triadic Memories, for pianî (1981) |
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Trio for Violin, Cello and Piano (1980) |
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Two Instruments (1958) for cello and horn |
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Two Intermissions (1950) |
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Two Pianos (1957) |
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Two Pianos (Second Version) (1957) |
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Two Pieces (1948) |
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Two Pieces for Clarinet and String Quartet (1961) |
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Two Pieces for Clarinet and String Quartet (2nd Version, 1961) |
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Two Pieces For Three Pianos (1966) |
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Vertical Thoughts 1 (1963) |
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Vertical Thoughts 2 (1963) |
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Vertical Thoughts 3 (1963) |
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Vertical Thoughts 4 for Piano (1963) |
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Vertical Thoughts 5 (1963) |
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Violin & String Quartet (1985) |
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Violin and Orchestra (1979) |
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Voice and Instruments and for Soprano and Orchestra (1972) |
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Voice and Instruments II (1974) |
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Voice, Violin & Piano (1976) |
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Voices and Cello (1973) |
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Why Patterns? for Flute, Piano and Bells (1978) |
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`Give my regards to Eighth Street` - text (1968) |
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`The Straits of Magellan` for flute, horn, trumpet, harp, electric guitar, piano, and double bass (1961) |
