Franz Liszt

Franz Liszt (1811–1886)
Élégie for Cello and Piano No. 2 (1877) S.131
Élégie for Cello and Piano No. 1 (1874) S.130b
Élégie for Violin and Piano No. 1 (1874) S.130c
Élégie for Violin and Piano No. 2 (1877) S.131bis
Élégie No. 2 for piano (1877) S.197
Élégie sur des motifs du Prince Louis Ferdinand de Prusse S.168/1
Évocation à la chapelle Sixtine S.658
Évocation à la Chapelle Sixtine (1862-65) S.461
(Ábrányi) `Virag Dál` (Chant des Fleurs) S.383a
(Alabieff) Transcription of Romance `Le rossignol` (1842) S.249d
(Alabieff) Transcription of Romance `Le rossignol` (1842) S.250/1
(Auber) Grande fantaisie sur la tyrolienne de l`opéra `La fiancée` S.385/1
(Auber) Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici` (1846) S.386, ¹ 1
(Auber) Tyrolean Melody (1829) S.385a
(Aubert) 3 Stücke aus der Oper `La muette de Portici` (1847-48) S.387, ¹ 1
(Aubert) Klavierstück über ein fremdes Thema (1847-48) S.387, ¹ 2
(Aubert) Memories of the opera `Bride` (1842) S.385/3
(Bach) 6 Preludes and Fugues (1842-1850): ¹ 1 (BWV 543) S.462/1
(Bach) 6 Preludes and Fugues (1842-1850): ¹ 6 (BWV 544) S.462/6
(Bach) Prelude on a theme from Bach`s cantata ¹12 `Weinen, Klagen, Sorgen, Zagen` S.179
(Bach) Six Preludes and Fugues (1842-1850) S462 S.462
(Bach) Variations on a theme from Bach`s cantata ¹12 `Weinen, Klagen, Sorgen, Zagen` S.180
(Bach) Variations on the theme of Bach`s Cantata No. 12 `WEINEN, KLAGEN, SORGEN, ZAGEN` S.673
(Beethoven) Fantasia on a Theme of The Ruins of Athens by Beethoven S.122
(Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840) S.465
(Beethoven) Piano transcription of An die ferne Geliebte. Liederkreis. Op. 98 (1849) S.469
(Beethoven) Piano transcription of the songs on the words of Goethe (1849) S468 S.468
(Beethoven) Transcription of the song `Adelaide`, op. 46 (1847) S.466
(Bellini) Fantaisie sur des motifs favoris de l`opera `Somnambula` (1841) S.393/1
(Bellini) Fantasia on a favorite motifs from the opera `La Sonnambula` (1874) S.393/2
(Bellini) Grosse Concert-Fantasie aus der Oper Sonnambula S.393/3
(Bellini) Introduction and Polonaise from onery `I Puritani` (1840) S.391
(Bellini) Réminiscences de `Norma` for Piano S.394
(Bellini) Réminiscences des `Puritains` (1836) S.390a
(Bellini) Réminiscences des `Puritains` (1837) S.390b
(Bellini) `Hexaméron` - Morceaux de concert. Grandes variations de bravoure sur la marche des `Puritains` S.392
(Berlioz) Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz, 1852-53) S.396
(Berlioz) Danse des Silphes de `La Damnation de Faust`(1860) S.475
(Berlioz) L`idee fixe;. Andante amoroso. (1846) S.395
(Berlioz) Marche au supplice de la `Symphonie fantastique` (1865) S.470a/2
(Berlioz) Piano transcription of the overture Secret Judges (1833) S.471
(Berlioz) `L`idée fixe` (Andante amoroso d`après une mélodie de Berlioz) (1833) S.470a/1
(Borodine) Prélude á la Polka (Variation sur le thème favori et obligé) S.207a
(Boulakhov) Chanson bohémienne (1842) S.250, ¹ 2
(Boulakhov) Russischer Galop (1843) S.478b
(Boulakhov) Russischer Galop (1843) S.478a
(Carl Maria von Weber) Polonaise Brilliant, Op. 72 (1849) S.367
(Chopin) Piano transcription of song `Frühling` by Frederic Chopin S.480/2
(Chopin) Prelude îð. 28, ¹ 4 - transcription for Organ (1862-63) S.662, ¹ 1
(Chopin) Prelude îð. 28, ¹ 9 - transcription for Organ (1862-63) S.662, ¹ 2
(Chopin) Sechs polnische Lieder op. 74 S.480
(Chopin) Song `Mes Joies` from op. 74 (1860) S.480, ¹ 5bis
(Clara Schumann) Piano transcription of songs (1872) S.569
(Conradi) Zigeuner-Polka (La célèbre Zigeunerpolka d`August Conradi) S.481
(Cui) Tarentelle (1885) S.482
(Dargomyzhsky) Tarantella of Dargomyzhsky (1879) S.483
(David) Bunte Reihe (24 Stücke von Ferdinand David) S.484
(Dessauer) Piano transcription of songs (1846) S485 S.485
(Donizetti) Fantasy based on the opera `Lucrezia Borgia` (1840) S399a S.399a
(Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia ¹ 1. Trio from Act 2 (1841) S.400/1
(Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia ¹ 2. Drinking song-duo-final (1848) S.400/2
(Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1841) S.398
(Donizetti) Réminiscences de `Lucia di Lammermoor` S.397
(Donizetti) Transcription of Spirto gentil from the opera `La Favorite` by Donizetti (1847) S.400a
(Donizetti) Transcription of the Funeral March from the opera `Don Sebastian` (1844) S.402
(Donizetti) Transcription of `Nuits d`ete a Pausilippe` - `Les soirees italiennes` by Donizetti (1838) S.399
(Donizetti) Valse a capriccio (sur deux motifs de Lucia et Parisina) S.401
(Erkel) Schwanenge sang und Marsch aus `Hunyadi Laszo` (1847) S.405
(Ernst II) Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) S.404
(Ernst II) `Die Gräberinsel` (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) S.485b
(F. Liszt - S. Menter) Concerto in the Hungarian Style (1880) S.714
(Festetics) Spanisches Ständchen (1844) S.487
(Franz) Piano transcription of four songs (1848) S.489
(Franz) Piano trascription of Er ist gekommen in Sturm und Regen (1848) S.488
(Glinka) Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka S.406/2
(Glinka) Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka (1843) S.406/1
(Goldschmidt) Transcription of love scene and Wheel of Fortune from the oratorio The Seven Deadly Sins. (1880) S.490
(Gounod) Hymne a Sainte Cecile (1866) S.491
(Gounod) Piano transcription of Waltz from `Faust` S.407
(Gounod) Transcription of Les Adieux by Gounod`s Romeo and Juliet (1867) S.409
(Gounod) Transcription of Les Sabiennes from Gounod`s Queen of Sheba (1865) S.408
(Halevy) Memories of the Opera `Yid `(Daughter of Cardinal, 1834-35) S.409a
(Handel) Sarabande and Chaconne from the opera `Almira` S.181
(Herbeck) Tanzmomente (1869) S.492
(Hummel) Transcription of Septet Op. 74 (1848) S.493
(Lassen) Löse, Himmel, meine Seele (Lied von Eduard Lassen) S.494, ¹ 2
(Lassen) Piano transcription of Ich weil in tiefer Einsamkeit, 1872 S.495
(Lassen) Piano transcription of Lase, Himmel, meine Seele, 1866 S.494, ¹ 1
(Lassen) Piano transcription of music for Nibelungs of Hebbel and Faust of Goethe by Lassen (1878-79) S.496
(Lassen) Symphonisches Zwischenspiel zu `Über allen Zauber Liebe` (1882) S.497
(Lessmann) Piano transcription of Drei Lieder aus Jul. Wolffs `Tannheuser`, 1882 S.498
(Massenet) Marche hongroise de Szabadi (Revive Szegedin!) S.572
(Mendelssohn) Aria `Jerusalem, die du toetest den Propheten` for Voice and Organ S.deest
(Mendelssohn) Piano transcription of Mendelssohn`s Wedding March and Dance of the Fairies from the music to Shakespeare`s `A Midsummer Night`s Dream` S.410
(Mendelssohn) Piano transcription of songs (1840) S.547
(Mendelssohn) Transcription of Songs without Words by Mendelssohn (Op. 30, ¹ 1) for violin and organ S.deest
(Mendelssohn) Transcription of `Wasserfahrt` und `Der Jager Abschied` (1848) S.548
(Mercadante) Reminiscences de La Scala (Fantasie über italienische Opernmelodien) S.458
(Mercadante) Soirees italiennes - Six entertainments for Piano on motifs of Mercadante (1838) S.411
(Meyerbeer) Le Moine (1842) S416 S.416
(Meyerbeer) Fantasia and Fugue on the chorale theme from The Prophet by Meyerbeer (1850) S.624
(Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier (1860) S549 S.549
(Meyerbeer) Grande fantaisie dramatique sur des themes de l`opera `Les Huguenots` (1842) S.412/3
(Meyerbeer) Illustrations du `Prophète` for Piano S.414
(Meyerbeer) Illustrations for the opera `L`Africaine` (1865) S.415
(Meyerbeer) Memories of the opera Les Huguenots (1836) S.412a
(Meyerbeer) Réminiscences de `Robert le Diable` (Meyerbeer) S.413
(Meyerbeer) Réminiscences des Huguenots (Grande fantaisie dramatique) S.412b
(Mosonyi) Fantasia on Hungarian opera `Szép Ilonka` (1867) S.417
(Mozart) Ave verum corpus for Organ (1886) S.674d
(Mozart) Ave verum corpus for Piano (1867) S.461a
(Mozart) Confutatis è Lacrimosa from Requiem (1865) S.550
(Mozart) Fantasie über Themen aus Mozarts Figaro und Don Giovanni S.697
(Mozart) Piano transcription of Der, welcher wandelt diese Strasse from the opera `Die Zauberflote` (1870) S.634a
(Mozart) Reminiscences de `Don Juan` S.418
(Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36) S.419
(Paganini) 6 Études d`exécution transcendante d`après Paganini for piano (1838-40) S.140
(Paganini) Grandes Études de Paganini (1851) S.141
(Raff) Final andante from the opera `King Alfred` (1853) S.421/1
(Raff) March from the opera `King Alfred` (1853) S.421/2
(Rossini) Arias from Stabat Mater and La charite S.553
(Rossini) Overture to William Tell S.552
(Rubinstein) Piano transcription of song `Asra` op. 32 (1880) S.554/2
(Rubinstein) Piano transcription of song `Oh, if ever it was` op. 34. (1880) S.554/1
(Rubinstein)Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) (1880?) S.554a
(Saint-Saëns) Piano transcription of Danse macabre, op. 40 (1876) S.555
(Schubert) 2 Impromptus (1868) S.565b
(Schubert) Ave Maria. 1st version. (1837) S.557d
(Schubert) Drei Märsche (1846) S.426
(Schubert) Fantasia C-Dur `Wanderer`. Transcription for piano and orchestra (1851) S.366
(Schubert) Fantasie C-Dur `Wanderer` (1868) S.565a
(Schubert) Hungarian Melodies. 1st version (1838-39) S.425
(Schubert) Marche militaire (Grande Paraphrase de Concert) (1870?) S.426a
(Schubert) Piano transcriptions of 12 Lieder (1838) S.558
(Schubert) Piano transcriptions of 12 Lieder. ¹ 1 `Sey mir gegrüsst` S.558/1
(Schubert) Piano transcriptions of 12 Lieder. ¹ 2 `Auf dem Wasser zu singen` S.558/2
(Schubert) Piano transcriptions of 12 Lieder. ¹ 3 `Du bist die Ruh’` S.558/3
(Schubert) Piano transcriptions of 12 Lieder. ¹ 4 `Erlkoenig` S.558/4
(Schubert) Piano transcriptions of 12 Lieder. ¹ 5 `Meeresstille` S.558/5
(Schubert) Piano transcriptions of 12 Lieder. ¹ 6 `Die junge Nonne` S.558/6
(Schubert) Piano transcriptions of 12 Lieder. ¹ 7 `Fruehlingsglaube` S.558/7
(Schubert) Piano transcriptions of 12 Lieder. ¹ 8 `Gretchen am Spinnrade` S.558/8
(Schubert) Piano transcriptions of 12 Lieder. ¹ 9 `Ständchen von Shakespeare` S.558/9
(Schubert) Piano transcriptions of 12 Lieder. ¹ 1 `Sei mir gegruesst` S.558/1
(Schubert) Piano transcriptions of 12 Lieder. ¹ 10 `Rastlose Liebe` S.558/10
(Schubert) Piano transcriptions of 12 Lieder. ¹ 11 `Der Wanderer` S.558/11
(Schubert) Piano transcriptions of 12 Lieder. ¹ 12 `Ave Maria` (Ellens dritter Gesang) S.558/12
(Schubert) Piano transcriptions of four melodies (1840) S.562
(Schubert) Piano transcriptions of six tunes (1844) S.563
(Schubert) Piano transcriptions of six tunes. ¹ 1 `Lebe wohl!` (1844) S.563/1
(Schubert) Piano transcriptions of six tunes. ¹ 2 `Maedchens Klage` (1844) S.563/2
(Schubert) Piano transcriptions of six tunes. ¹ 3 `Das Sterbegloecklein` (1844) S.563/3
(Schubert) Piano transcriptions of six tunes. ¹ 4 `Trockene Blumen` (1844) S.563/4
(Schubert) Piano transcriptions of six tunes. ¹ 5 `Ungeduld` (Íåòåðïåíèå) (1844) S.563/5
(Schubert) Piano transcriptions of six tunes. ¹ 6 `Die Forelle` (1844) S.563/6
(Schubert) Transcription of Song `Die Forelle`. 3rd version. (1846) S.564
(Schubert) Transcription of Song `Die Rose` (1833, 1837) S.556
(Schubert) Transcription of Song `Erlkönig`. 1st version (1837) S.557a
(Schubert) Transcription of Song `Frühlingsglaube`. 1st version (1838) S.557c
(Schubert) Transcription of Song `Gondelfahrer` (1883) S.559
(Schubert) `Die schoene Mullerin`. Piano transcriptions of 6 Lieder. (1846) S.565
(Schubert) `Die schoene Mullerin`. ¹ 1 `Das Wandern` S.565/1
(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach` S.565/2
(Schubert) `Die schoene Mullerin`. ¹ 3 `Der Jaeger` S.565/3
(Schubert) `Die schoene Mullerin`. ¹ 4 `Die boese Farbe` S.565/4
(Schubert) `Die schoene Mullerin`. ¹ 5 `Wohin?` S.565/5
(Schubert) `Die schoene Mullerin`. ¹ 6 `Ungeduld` S.565/6
(Schubert) `Schwanengesang`. Piano transcriptions of 14 Lieder (1838-39) S.560
(Schubert) `Schwanengesang`. ¹ 1 `Die Stadt ` S.560/1
(Schubert) `Schwanengesang`. ¹ 2 `Das Fischermaedchen` S.560/2
(Schubert) `Schwanengesang`. ¹ 3 `Aufenthalt` S.560/3
(Schubert) `Schwanengesang`. ¹ 4 `Am Meer ` S.560/4
(Schubert) `Schwanengesang`. ¹ 5 `Abschied` S.560/5
(Schubert) `Schwanengesang`. ¹ 6 `In der Ferne` S.560/6
(Schubert) `Schwanengesang`. ¹ 7 `Staendchen` S.560/7
(Schubert) `Schwanengesang`. ¹ 8 `Ihr Bild` S.560/8
(Schubert) `Schwanengesang`. ¹ 9 `Fruehlingssehnsucht` S.560/9
(Schubert) `Schwanengesang`. ¹ 10 `Liebesbotschaft` S.560/10
(Schubert) `Schwanengesang`. ¹ 11 `Der Atlas` S.560/11
(Schubert) `Schwanengesang`. ¹ 12 `Der Doppelgaenger` S.560/12
(Schubert) `Schwanengesang`. ¹ 13 `Die Taubenpost` S.560/13
(Schubert) `Schwanengesang`. ¹ 14 `Kriegers Ahnung` S.560/14
(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852) S.427
(Schubert) `Ständchen` from the song cycle `Schwanengesang`. 1st version. (1837) S.559a/1
(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839) S.561
(Schumann) Piano transcription of 2 songs (1861) S.567
(Schumann) Piano transcription of Provencal song op.139 (1881) S.570
(Schumann) Piano transcription of `Fruhlingsnacht` (1872) S.568
(Schumann) Piano transcription of `Widmung`(1848) S.566
(Schumann) `Widmung` (Short draft) (1850-59?) S.566a
(Spor) Transcription of Song `Die Rose` (1876) S.571
(Széchényi) Einleitung und Ungarischer Marsch (1872) S.573
(Tchaikovsky) Piano transcription of Polonaise from `Eugene Onegin` S.429
(Verdi) Agnus Dei from Requiem (1877) S.437a
(Verdi) Concert Paraphrase on `Ernani` S.413a
(Verdi) Danza sacra e duetto finale d’Aida S.436
(Verdi) Paraphrase de concert sur Ernani I (1847) S.431a
(Verdi) Paraphrase de concert sur Ernani II (1859) S.432
(Verdi) Paraphrase on Verdi`s opera `Rigoletto` S.434
(Verdi) Piano transcription of the Holy dance and the final duet from the opera `Aida` (1879) S.436
(Verdi) Réminiscences de Boccanegra (1857, 1881) S.438
(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852) S.445
(Wagner) 3 fragments from `Lohengrin` for piano (1854) S.446
(Wagner) Chor der jüngeren Pilger from `Tannhaeuser` for organ (1860) S.676, ¹ 1
(Wagner) Piano transcription of Isolda`s Liebestod from Wagner`s `Tristan and Isolda` S.447
(Wagner) Piano transcription of the Solemn march to the Holy Grail from `Parsifal` S.450
(Wagner) Piano transcription of the `Spinner-Lied` from `The Flying Dutchman` S.440
(Wagner) Pilgrim`s Chorus from the opera `Tannhauser` for piano (1885?) S.443, ¹ 2
(Wagner) `O, du mein holder Abendstern` from `Tannhauser` - transcription for Cello & Piano (1852) S.380
(Weber) Piano transcription of the overture to the opera `Der Freischutz` (1846) S.575
(Wielhorsky) Arr. of the Romance `I Love` (1843) S.577, ¹ 1
(Wielhorsky) Romance `Lyubila ya` (1843) S.577bis
(Wielhorsky) Transcription of Vielgorski`s romance I Loved (1843) S.577
(Zichy) `Valse d`Adèle` (Transcription brillante, 1877) S.456
12 Etudes S.136
12 Etudes d`execution transcendente (1851) S.139
12 Etudes d`execution transcendente (exerpts)
12 Grandes Études (1837) S.137
2 Concert Studies S.145
2 Csárdáses (1884): ¹ 1 `Csárdás` S.225, ¹ 1
2 Csárdáses (1884): ¹ 2 `Csárdás obstinée` S.225, ¹ 2
2 Episoden aus Lenau`s Faust (1859-1861) S.110
2 Orchestersätze aus dem Oratorium `Christus` (1871) S.498b
2 piano pieces S.189
2 Polonaises S.223
2 Vortragsstücke S.268
2 waltzes for violin and piano (1823) S.126b
2 `Weimars Volkslieder` (1841) S.542
3 Études de Concert S.144
3 Morceaux suisses (1876-77) S.156a
3 nocturnes ("Dreams of Love") S.541
3 Sonetti di Petrarca (1843-46) S.158
3 songs from Schiller`s `Wilhelm Tell` for voice and piano S.292
5 Variations on a theme from Mehul`s Joseph [Attributed to Liszt, but by FX Mozart] S.147a
8 Variations on an original theme S.148
A study for piano `Mazeppa` S.138
Abschied - Russisches Volkslied (1885) S.251
Adagio in C major (1841) S.158d
Adagio in D flat major S.672d ¹ 2
Adagio non troppo S.151a
Adelaide von Beethoven S.466a
Adelaide von Beethoven S.466b
Air cosaque S.249c
Album Leaf S.166a, ¹ 1
Album Leaf S.166c
Album Leaf S.164h
Album Leaf S.166l/1
Album Leaf S.167h
Album Leaf S.166q
Album Leaf S.167k
Album Leaf S.166l/2
Album Leaf S.166s
Album Leaf S.167t
Album Leaf S.163d/2
Album Leaf (1860) S.167c
Album Leaf (Allegro vivace quasi presto) S.163a/1
Album Leaf (Consolation No.1) S.171b
Album Leaf (of the symphonic poem Ideals) (1860) S.167e S.167e
Album Leaf (of the symphonic poem Orpheus) (1860) S.167d S.167d
Album Leaf (`Adagio — religioso in C major`) S.164l
Album Leaf (`Agitato in G major`) S.167l
Album Leaf (`Ah! vous dirai-je, Maman`) S.163b
Album Leaf (`Allegretto in A major`) S.167n
Album Leaf (`Andante in E♭ major`) S.167r
Album Leaf (`Andante religiosamente in G major`) S.166j
Album Leaf (`Andante religioso in G major`) S.166h
Album Leaf (`Andantino in A♭ major`) S.166p
Album Leaf (`Aus dem Purgatorio des Dante Sinfonie`) S.166r/2
Album Leaf (`Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke`) S.167m
Album Leaf (`Berlin Preludio`) S.164g
Album Leaf (`Braunschweig Preludio`) S.166f
Album Leaf (`Dante Symphony progression`) S.167f
Album Leaf (`Detmold`) S.164d
Album Leaf (`Exeter Preludio`) S.164c
Album Leaf (`Freudvoll und leidvoll`) S.166n
Album Leaf (`Friska`) S.166k
Album Leaf (`Fugue chromatique - Allegro in G minor`) S.167j
Album Leaf (`Glasgow fragment`) S.701f (1841?) S.701f
Album Leaf (`Introduction to the Grande Étude de Paganini No 6`) S.141/6bis
Album Leaf (`Langsam in C♯ minor`) S.166o
Album Leaf (`Larghetto in D♭ major`) S.167p
Album Leaf (`Leipzig`) S.164b
Album Leaf (`Leipzig`) S.163d
Album Leaf (`Lyon Prélude`) S.166d
Album Leaf (`Lyon`) S.167s
Album Leaf (`Magyar`) S.164e/1
Album Leaf (`Magyar`) S.164e/2
Album Leaf (`Magyar`) S.164e/3
Album Leaf (`Moderato in D♭ major`) S.164k
Album Leaf (`Portugal`) S.166b
Album Leaf (`Prélude omnitonique`) S.166e
Album Leaf (`Preludio`) S.164j
Album Leaf (`Pressburg`) S.163c
Album Leaf (`Purgatorio`) S.166r/1
Album Leaf (`Quasi mazurek in C major`) S.163e
Album Leaf (`Rákóczi-Marsch`) S.164f
Album Leaf (`Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major`) S.167q
Album Leaf (`Serenade`) S.166g
Album Leaf (`Tempo di marcia in E♭ major`) S.167o
Album Leaf (`Vienna`) S.164a
Album Leaf (`Vivace ma non troppo in D♭ major`) S.167g
Album Leaf (‘An die Künstler II’) S.166t/2
Album Leaf (‘An die Künstler I’) S.166t/1
Album Leaf (‘Ave Maria’) S.164q
Album Leaf (‘Düsseldorf Preludio’) S.163f/2
Album Leaf (‘Dublin’) S.164r
Album of princess Marie zu Sayn-Wittgenstein (1847) S.166
Album-Leaf (‘Aus dem Mephisto-Walzer’) S.167m/2
Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) S.166m
Albumblatt E-dur S.164
Allegro maestoso (Study ¹ 13 in F-Sharp Major) S.692c (1826) S.692c
Alleluja. From `Cantico del Sol di San Francesco d`Assisi`. (1862) S.183/1
Am Grabe Richard Wagners S.267
Andante religioso S.261a
Andante sensibilissimo S.701c (1880-86) S.701c
Andantino (`pour Emile et Charlotte Loudon`) S.163a/2
Andantino (`pour Emile et Charlotte Loudon`) S.163a, ¹ 2
Anfang einer Jugendsonate S.692b
Anima Christi sanctifica me for male choir and organ (1874) S. 46/2
Années de pèlerinage I: Suisse S.160
Années de pèlerinage I: Suisse (separated pieces)
Années de pèlerinage II: Italy S.161
Années de Pèlerinage II: Italy (separate pieces)
Années de pèlerinage II: Venezia e Napoli S.162
Années de Pèlerinage III: Italy S.163
Années de Pèlerinage III: Italy (separate pieces)
Anthem `Crux!` (Hymn of sailors) for male choir (1865) S. 35/1
Antiphon `Cantantibus organis` (for the Feast of St. Cecilia) for viola, choir and orchestra (1879) S. 7
Aprés une lecture du Dante (Fantasia quasi Sonata) S.158c
Aprés une lecture du Dante (Fantasia quasi Sonata) S.161/7
Arbeiterchor for male choir, bass and piano (1848) S.552
Aria from the St Matthew Passion by J. S. Bach S.deest
At the Grave of Richard Wagner S.202
At the Grave of Richard Wagner S.135
Au bord d`une source S.160, ¹ 4bis
Aus der Ungarischen Kronungsmesse (1867) S.501
Aux anges gardiens (Den Schutz Engeln) S.162a/1bis
Ave Maria S. 20
Ave Maria S.504, ¹ 2
Ave Maria d`Arcadelt S.659
Ave Maria d`Arcadelt S.183/2
Ave Maria for the piano school of Lebert and Stark (The Bells of Rome), E-dur S.182
Ave Maria II S.504, ¹ 1
Ave Maria II for baritone and organ (1869 version) S.681
Ave Maria II for choir and organ (1869) S. 38
Ave Maria III / Sposalizio (`Betrothal`, after a painting by Raphael) for choir and organ (1883) S. 60
Ave Maria IV (1881) S.545 S.545
Ave Maria IV for baritone and organ (1881 version) S.341
Ave Maria, for organ S.667c
Ave maris stella S. 34/2
Ave maris stella S.506
Ave Maris Stella S. 34/1
Ave maris stella in D major for voice and organ (1868) S.680
Ave verum corpus for choir and organ (1871) S. 44
Bülow-Marsch S.230
Bülow-Marsch S.229b
Bagatelle without tonality for piano S.216a
Ballade No.1 in Des-dur (1845-48) S.170
Ballade No.2 in h-moll (1 version) (1853) S.170a
Ballade No.2 in h-moll (1853) S.171
Beethovens geistliche Lieder von Gellert S.467
Bells of Strasbourg Cathedral, ballad for soloists, choir and orchestra (1874) S. 6
Bist du! poem by Prince Elim Meshchersky (1844) S.277
Cadenza S.695f
Cadenza to Piano Concerto ¹ 3 by Beethoven S.389a
Cantata `Hungary 1848` (Ungaria-Kantate) for soloists, chorus and orchestra (1848) S. 83
Cantico del sol di Francesco d`Assisi S.665
Cantico del Sol di San Francesco (1881) S499 S.499
Cantico del Sol di San Francesco d`Assisi for baritone and organ (first version 1862) S. 4/1
Canzone Napolitana (Notturno) S.248
Canzone Napolitana (Notturno) S.248a
Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846-47) S.388
Carrousel de Madame P-N. S.214a
Ce qu`on entend sur la montagne S.635
Celebre melodie hongroise (1866) S.243a
Choir `Die Seligkeiten` (Beatitudes) for bass soloist, mixed voices and organ ad lib. (1859) S. 25
Choir `Licht, mehr Licht` (Light, more Light!) For male voices and horns (1849/1856) S. 84
Choir `L`Eternel est son nom` (The Lord is His name) for mixed voices (1846?) S. 18/2
Choir `Slavimo slavno, Slaveni!` (Celebrating, Slavs!) For male voices and organ (1863) S. 33
Choral `Was Gott tut, das ist wohlgetan` S.504b/10
Choral `Wer nur den lisben Gott last walten` S.504b/11
Chorale S.506a
Chorale `Der Herr bewahret die Seelen` for choir, brass, timpani and organ (1875) S. 48
Chorale `Nun danket alle Gott` for choir, brass, timpani and organ (1883) S. 61
Christus, oratorio for soloists, mixed chorus, orchestra and organ S. 3
Concerto for Piano and Orchestra No.1 in Es-dur (1830-55) S.124
Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61) S.125
Concerto for piano and orchestra No.3 in Es-dur S.125a
Concerto pathetique for 2 pianos S.258
Concerto sans orchestre in A major (1839) S.524a
Consolations S.672d
Consolations (1844-48) S.171a
Csárdás macabre for piano S.224
Danse des sylphes de La damnation de Faust de Hector Berlioz S.474a
Dante fragment (1837) S.701e S.701e
Dante-Symphony S.109
Das Lied der Begeisterung, for male choir and baritone (1871) S. 91/1
De Profundis (Psaume instrumentale) S.121a
De profundis clamavi, psaume 129 for baritone and organ (after 1883) S. 16/2
De profundis, Instrumental Psalm for piano and orchestra (1834-1835) S.691
Declamation `Der blinde Sänger` (1875-77) S.350
Declamation `Der traurige Mönch` (In Schweden steht ein grauer Turm) S.348
Declamation `Des toten Dichters Liebe` (A holt költó szerelme, 1860) S.349
Declamation `Helges Treue` (1860) S.686
Declamation `Lenore` (Der Bräutigam) S.346
Dem Andenken Petöfis S.195
Dem Andenken Petofis S.195ii
Den Cypressen der Villa d`Este - first version (1872) S.162b
Den Schutz-Engeln (Angelus! Pri ère á l`ange gardien) (1880) S.162a/2
Den Schutz-Engeln (Angelus) first version, first sketch S.162a/i
Den Zypressen der Villa d’Este [I] first version S.162b/1
Der Blinde Sanger S.546
Der blinde Sanger (1878) S.542a
Der nächtliche Zug (Episode aus Lenaus Faust) S.513a
Der nachtliche Zug, an Episode of `Faust` by Lenau S.110/1
Die drei Zigeuner, for Violin and Piano (1864) S.383
Die Legende vom heiligen Stanislaus, fragment S.688a (1880) S.688a
Die Legende von der Heiligen Elisabeth S.498a
Die Legende von der Heiligen Elisabeth S.693a
Die Legende von der Heiligen Elisabeth, S.2 (1857-62) S. 2
Die Loreley S.532
Die todte Nachtigall S.291
Die Trauer-Gondel (La lugubre gondola) S.199a
Die Zelle im Nonnenwerth (Elegie) S.534, ¹ 3
Die Zelle im Nonnenwerth (Elegie) S.534
Drei Bach-Bearbeitungen S.deest
Duet `Dall`alma Roma` for 2 voices and organ (1867-68) S. 36
Dumka S.249b
Duo (Sonate) for Violin and Piano (1835) S.127
Einleitung, Fuge und Magnificat S.672b
Elégie Die Zelle im Nonnenwerth for piano S.534, ¹ 1
Elegy on the themes of Prince Louis Ferdinand of Prussia S.168/2
Elegy ¹ 1 for Piano S.196
Eleven Chorales arranged for Piano (1870) S.504b
En Reve, nocturne S.207
Epithalam S.129
Epithalam zu Eduard Remenyis Vermahlungsfeier (1872) S.526
Es war ein König in Thule S.278
Essai sur l’indifference S.692p/2
Excelsior S.666
Fantaisie romantique sur deux mélodies suisses S.157
Fantasia and Fugue on the theme B-A-C-H S.529
Fantasia on Hungarian Folk Themes for piano and orchestra S.123
Fantasie über Motive aus Beethovens Ruinen von Athen S.389
Fantasie über Themen aus Beethovens Ruinen von Athen S.388b
Fantasy and Fugue in g-moll S.463/2
Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for organ S.259
Fantasy on themes from Wagner`s Rienzi, S.439 S.439
Faust Symphony (Andante soave aus der Faust-Symphonie) S.513
Faust-Symphony for tenor, men`s chorus and orchestra S.108
Festklänge S.641
Festklänge (Poème symphonique No.7) S.511d
Festmarsch nach Motiven von E.H. z. S.C.-G S.116
Festmarsch zur Goethe Jubilaumsfeier S.115
Festmarsch zur Säcularfeier von Goethes Geburtstag (1849) S.227
Festpolonaise S.230a
Festvorspiel (Preludio pomposo) S.226
Feuille d`album ¹ 1 As-dur S.165
Feuille d`album ¹ 2 a-moll S.167
Finale de Don Carlos (Coro di festa e Marcia funebre) S.435
Five little piano pieces (for Baroness von Meyendorff) S.192
Flea`s song `Once upon a time there was a king` (Es war einmal ein Konig) for bass / baritone, male choir and piano (1845) S. 73
Freischütz Fantasie S.451
Freudvoll und leidvoll S.468 ¹ 2
Funeral Prelude and March for piano S.206
Fur Mannergesang, for male choir (1857–61) S. 90
Galop S.218
Galop de Bal for piano S.220
Gaudeamus igitur S.240a
Gaudeamus igitur (Humoreske) S.509
Gebet (1879) S265 S.265
God Save the Queen (Paraphrase de concert) S.235
Grand Duo concertant sur la romance de M. Lafont `Le marin` for violin and piano (1835, 1849) S.128
Grand Galop chromatique S.219
Grand galop chromatique S.219bis
Grand solo de concert S.365
Grand Solo de concert for piano (1849) S.175a
Grand Symphonic Fantasia for piano and orchestra on Berlioz`s `Lelio` S.120
Grande fantaisie de bravoure sur La clochette S.420
Grande fantaisie sur des motifs de La serenata e L`orgia des Soirées musicales S.422, ¹ 1
Grande Fantaisie sur des thèmes de Paganini S.700, ¹ 1
Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) S.694
Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan S.403
Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan S.403bis
Grande valse di bravura (Le bal de Berne) S.209
Great Concert Fantasia on the Spanish Themes S.253
Grosse Konzertstück über Themen aus Mendelssohns `Lieder ohne worte` for 2 Pianos S.257
Grosses Konzertsolo for piano (1849) S.176
Hamlet S.644
Harmonies poétiques et religieuses for Piano (I) (1833-34) S.154
Harmonies poétiques et religieuses for Piano (II) (1840–47) S.172a
Harmonies poétiques et religieuses for Piano (III) (1848-53) S.173
Harmonies poétiques et religieuses for Piano: Litanies de Marie (1846-47) S.171e
Harmonies poétiques et religieuses for Piano: `Prière d`un enfant á son réveil` (1840) S.171c
Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) S.231
Hexaméron (Morceau de concert) S.365b
Historical Hungarian Portraits (1870-86) S.205
Historische ungarische Bildnisse S.205a
Huldigungsmarsch S.228b
Huldigungsmarsch S.228à
Hungaria S.643
Hungarian Coronation Mass S. 11
Hungarian March in B-dur (1859) S.229a
Hungarian Rhapsody in D Major (orchestral version) S.359/6
Hungarian Rhapsody in d-moll (orchestra version) S.359/2
Hungarian Rhapsody in d-moll (orchestra version) S.359/4
Hungarian Rhapsody in Des-dur (orchestra version) S.359/3
Hungarian Rhapsody in E Minor (orchestral version) S.359/5
Hungarian Rhapsody in f-moll (orchestra version) S.359/1
Hungarian Rhapsody ¹ 1 in cis-moll S.244 ¹ 1
Hungarian Rhapsody ¹ 17 in d-moll S.244 ¹17
Hungarian Rhapsody ¹ 2 in cis-moll S.244 ¹ 2
Hungarian Rhapsody ¹ 2 in cis-moll (1885) S.244 ¹ 2bis
Hungarian Rhapsody ¹ 3 in B-dur S.244 ¹ 3
Hungarian Rhapsody ¹ 4 in Es-dur S.244 ¹ 4
Hungarian Rhapsody ¹ 5 in e-moll S.244 ¹ 5
Hungarian Rhapsody ¹ 6 Des-dur S.244 ¹ 6
Hungarian Rhapsody ¹ 7 in d-moll S.244 ¹ 7
Hungarian Rhapsody ¹ 8 in fis-moll S.244 ¹ 8
Hungarian Rhapsody ¹ 9 in Es-dur `Carnaval de Pesth` S.244 ¹ 9
Hungarian Rhapsody ¹10 in E-dur S.244 ¹10
Hungarian Rhapsody ¹10 in E-dur (1847) S.244 ¹10bis
Hungarian Rhapsody ¹11 in a-moll S.244 ¹11
Hungarian Rhapsody ¹12 in cis-moll S.244 ¹12
Hungarian Rhapsody ¹13 in a-moll S.244 ¹13
Hungarian Rhapsody ¹14 in f-moll S.244 ¹14
Hungarian Rhapsody ¹15 in a-moll S.244 ¹15
Hungarian Rhapsody ¹15 in a-moll (1847) S.244 ¹15bis
Hungarian Rhapsody ¹16 in A-dur S.244 ¹16
Hungarian Rhapsody ¹16 in A-dur (1882) S.244 ¹16/1
Hungarian Rhapsody ¹18 in A-dur S.244 ¹18
Hungarian Rhapsody ¹18 in A-dur (1883) S.244 ¹18a
Hungarian Rhapsody ¹18 in A-dur (1883) S.244 ¹18b
Hungarian Rhapsody ¹19 in d-moll S.244 ¹19
Hunnenschlacht S.645
Hussitenlied (Aus dem 15. Jahrhundert) S.234
Ich liebe dich, 1862 S.315
il m`aimait tant! (1843) S533 S.533
Il penseroso S.157b
Impromptu brilliant on themes By Rossini & Spontini S.150
In domum Domini ibimus S.671
In domum Domini ibimus (1884) S.505
In domum Domini ibimus for choir, brass, timpani and organ (1884) S. 57
In festo transfigurationis Domini nostri Jesu Christi (1880) S.188
Inno a Maria Vergine for mixed choir and organ (1869) S. 39/1
Introduction et variations sur une marche du Siège de Corinthe S.421a
Introduction for Organ from Oratorio `Die Legende von der Heiligen Elisabeth` (1872) S.663a
Jugendglück S.323
Künstlerfestzug zur Schillerfeier S.114
Kavallerie-Geschwindmarsch S.460
Kirchenhymnen S.669
Klavierstück S.695
Klavierstück aus der Bonner Beethoven-Kantate S.507
Klavierstück Fis-dur S.193
Klavierstück in es-Moll S.692n
Klavierstuck in As-dur S.192, ¹ 2
Klavierstuck in As-dur S.192, ¹ 4
Klavierstuck in E-dur S.192, ¹ 1
Klavierstuck in Fis-dur S.192, ¹ 3
Konzertstück (von Weber) S.576à
Konzertstueck in F minor S.367a
Korrekturblatt (1882) S.701k S.701k
Ländler S.211a
Ländler for piano As-dur S.211
Légendes for piano S.175
La Campanella (1851) S.141/3
La Charite (1847) S.701j S.701j
La lugubre gondola S.199a/ii
La Lugubre Gondola for piano S.200
La lugubre gondole ``Troisième élégie`` (Third Elegy) - for cello and piano (1882-85) S.134
La mandragore (Ballade de l`opera Jean de Nivelle) S.698 (1881) S.698
La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) S.237
La Notte, for Violin and Piano (1864-65) S.377a
Largo en si mineur S.692p/1
Le forgeron, for male choir and piano (1845) R548 S. 81/1
Le lac de Wallenstadt S.156, 2à-bis
Le triomphe funèbre du Tasse, Epilogue to the symphonic poem `Tasso` S.112/3
Legendes de San Francesco (version orchestrale) (1863, pub. 1975 ed. F.G.Zeileis) S.113a
L`hymne du Pape (1865) S.530
Mélodie polonaise (1843) S.249a
Magnificat for Piano (1862) S.182a
Magyar Dalok No.1 in C minor S.242/1
Magyar Dalok No.10 in D major S.242/10
Magyar Dalok No.11 in B flat major S.242/11
Magyar Dalok No.2 in C major S.242/2
Magyar Dalok No.3 in D flat major S.242/3
Magyar Dalok No.4 in C sharp major S.242/4
Magyar Dalok No.5 in D flat major S.242/5
Magyar Dalok No.6 in G minor S.242/6
Magyar Dalok No.7 in E flat major S.242/7
Magyar Dalok No.8 in F minor S.242/8
Magyar népdal S.245
Magyar Rapszódiák No.12 in E minor - `Héroïde élégiaque` S.242/12
Magyar Rapszódiák No.18 in C sharp minor S.242/18
Magyar Rapszódiák No.19 in F sharp minor S.242/19
Magyar Rapszódiák No.21 in E minor S.242/21
Magyar Tempo S.241b
Maometto II de Rossini – Fantaisie S.421b
March Hongroise for piano S.233b
Marche de Prozinsky S.701v
Marche de Rákóczy (Édition populaire) S.244c
Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) S.473, ¹ 1
Marche des Ruines d`Athenes de Beethoven S.388a
Marche funèbre S.226a
Marche héroïque S.510
Marches dans le genre hongrois: March No.1 B♭ minor S.693, ¹ 2
Marches dans le genre hongrois: March No.1 D minor S.693, ¹ 1
Marie-Poeme S.701b (1837) S.701b
Marsh of Pilgrims from the symphony Harold in Italy by Berlioz (1862) S.473
Mazeppa (Poème symphonique No.6) S.511c
Mazurka S.221a
Mazurka brillante (1850) S.221
Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg S.384
Melodie in Dorische Tonart (Prose des Morts) S.701d (1861) S.701d
Mephisto Polka S.217/2
Mephisto Polka (1882-83) S.217 / 1 S.217/1
Mephisto Waltz No.3 S.215a
Mephisto Waltz No.4 S.216b
Mephisto Waltz ¹ 2 for orchestra S.111
Mephisto Waltz ¹ 2 for piano S.515
Mephisto Waltz ¹1 S.514
Mephisto Waltz ¹3 S.216
Mephisto Waltz ¹4 S.696
Missa choralis, organo concinente for mixed choir and organ S. 10
Missa pro organo lectarum celebrationi missarum adjumento inserviens, S.264 S.264
Missa quattuor vocum ad aequales (Szekszárd Mass, 1869) S. 8/2
Missa Solennis (1857–58) S. 9
Mosonyis Grabgeleit (1870) S.194
Nocturne S.190a
Nocturne in Fis-dur S.191
O lieb, so lang du lieben kannst! S.540a
O Roma nobilis S.546a
O Roma nobilis for choir and organ (1879) S. 54
O sacrum convivium S.674a
O sacrum convivium S.674a (bis)
O salutaris hostia II for choir and organ ad lib. (1870) S. 43
Ode `To the Artists` (An die Kunstler) for male choir and orchestra (1853) S. 70
Offertory `Mihi autem adhaerere` for male choir and organ (1868) S. 37
Opera `Don Sancho, or Castle of Love` S. 1
Ora pro nobis S.262
Oratorio `Seven Sacraments` (Septem sacramenta) for soloists, choir and organ (1878-84) S. 52
Oratorio `Via Crucis` for mixed chorus, soloists and organ (piano) S. 53
Orgel Fantasie und Fuge S.463/1
Ossa arida for choir and organ 4 hands (1879) S. 55
Pásztor Lakodalmus (Magyar nóták) S.405a
Paralipomènes á la Divina Commedia (Fantaisie symphonique) S.158a
Paraphrase on the `Miserere` from the opera `Il Trovatore` by Verdi S.433
Parts of Compositions
Pastorale. Schnitterchor aus dem `Entfesselten Prometheus` (1861) S.508
Pater noster for mixed chorus and organ (1869) S. 22
Pater noster III for choir and organ / piano (1869) S. 41
Pater noster No.2, (Vater unser) S. 29
Pathetic Concerto for piano and orchestra (¹ 4) in E Minor (1885-86) S.365a
Pensees `Nocturne` (1845) S.168b
Pester Carneval S.242/22
Petite valse (`Nachspiel zu den drei vergessenen Walzer`) S.695d
Petite valse - `Nachspiel zu den drei vergessenen Walzer` S.695e
Petite valse favorite (Souvenir de St Pétersbourg) S.212, ¹ 1
Piano duo `Héroïde funèbre` S.642
Piano piece `Berceuse` S.174
Piano Sonata in h-moll (1852-53) S.178
Piano transcription of Valhalla. Excerpt from trilogy of Der Ring des Nibelungen by Wagner (1876) S.449
Piano Transcription of Am stillen Herd aus den Meistersingern by Wagner S.448
Piano transcription of Ballad of the Flying Dutchman by Wagner S.441
Piano transcription of Beethoven`s Symphony ¹ 3 S.464, ¹ 3
Piano transcription of Beethoven`s Symphony ¹ 4 S.464, ¹ 4
Piano transcription of Beethoven`s Symphony ¹ 5 S.464, ¹ 5
Piano transcription of Beethoven`s Symphony ¹ 6 (first version) S.463b
Piano transcription of Beethoven`s Symphony ¹6 S.464, ¹ 6
Piano transcription of Beethoven`s Symphony ¹7 S.464, ¹ 7
Piano transcription of Beethoven`s Symphony ¹7 (first version) S.463d
Piano transcription of Beethoven`s Symphony ¹8 S.464, ¹ 8
Piano transcription of Beethoven`s Symphony ¹9 S.464, ¹ 9
Piano transcription of Fantastique Symphonie by Berlioz S.470
Piano transcription of Harold in Italy by Berlioz S.472
Piano transcription of Symphony No.1 by Beethoven S.464, ¹ 1
Piano transcription of Symphony No.2 by Beethoven S.464, ¹ 2
Piano Transcription of the Funeral March of Beethoven`s Symphony ¹ 3 S.463e
Piano transcription of the overture from Wagner`s `Tannhäuser` S.442
Piano transcription of the overture to the opera `Oberon` by Weber (1843) S.574
Piano transcription of `Î, du mein holder Abendstern` from Wagner`s `Tannhauser` (1849) S.444
Piano transcriptions of songs by Schubert
Pio IX - version for Organ (1863-65) S.261
Polka de salon (Einleitung und Coda zu Smetanas Polka) S.570a
Polnisch S.701g (1876?) S.701g
Polonaise brillante S.455
Polonaises de l`oratorio St. Stanislaus: ¹ 1 (1875) S.519, ¹ 1
Polonaises de l`oratorio St. Stanislaus: ¹ 2 (1875) S.519, ¹ 2
Präludium und Fuge über das Motiv B.A.C.H. S.529, ¹ 1
Prelude and Fugue for Organ on B-A-C-H S.260
Preludes et Harmonies poetiques et religieuses (1845-46) S.171d
Preludio funebre S.205b
Prolégomènes á la Divina Commedia (Fantaisie symphonique) S.158b
Prometheus, cantata (1857) S. 69/2
Psalm 125 `Qui seminant in lacrimis` for choir and organ (1883) S. 63
Psalm 18 `Die Himmel erzåhlen die Ehre Gotte` for choir and orchestra (1860/1870) S. 14
Psalm 23 `Mein Gott, der ist mein Hirt` for soloist, (chorus), harp, organ, (orchestra) (1859-62) S. 15
Psalm No.13 for tenor, chorus and orchestra S. 13
Psalm No.137 `An den Wassern zu Babylon` (1859) S. 17/2
Psalm ¹ 116 for male and mixed chorus (1869) S. 15a/1
Puszta-Wehmut S.246
Qui Mariam absolvisti (Sequence) for bass, choir and organ (1885) S. 65
Rákóczi March (for 2 pianos) S.608
Rákóczi Marsch S.242a
Rákóczi-Marsch S.117
Rákóczi-Marsch S.244a
Rákóczi-Marsch (1871) S.244b
R. W.- Venezia. (R. Wagner, 1883) S.201
Rakoczy-march (1839-40) S.692d S.692d
Rapsodies hongroises No.23 in C sharp minor ‘Rêves et fantaisies’ S.242/23
Recueillement, for piano S.204
Regina coeli laetare S.663
Requiem für die Orgel S.266
Requiem for soloists, chorus, organ and percussion S. 12
Resignazione S.187a
Resignazione (1881) S.187b
Responsorien und Antiphonen (Répons et Antiennes) S. 30
Rhapsodies hongroises in a-moll S.242, ¹13
Rhapsodies hongroises in a-moll S.242, ¹14
Rhapsodies hongroises in a-moll S.242, ¹17
Rhapsodies hongroises in d-moll S.242, ¹15
Rhapsodies hongroises in E-dur S.242, ¹16
Rhapsodies hongroises in e-moll S.242, ¹12
Rhapsody espagnole for piano S.254
Rhapsody on Hungarian Themes (1839–43) S.242/9
Romance oubliée S.527bis
Romance S. 169 S.169
Romancero espagnol (1845) S.695c
Rondeau fantastique sur un thème espagnol El Contrabandista S.252
Rondo di Bravura Op.4 No.2 S.152
Roumanian Rhapsody for piano (1846–47) S.242/20
Sacred Festival Overture On the Chorale `Ein Feste Burg Ist Unser Gott` (1852) S.675
Salve Polonia (Interludium aus dem Oratorium Stanislaus) (1863) S.518
Salve Regina S. 66
San Francesco - Preludio per il cantico del sol S.499a
San Francesco. Preludio per il cantico del Sol di San Francesco (1880) S499 S.498c
Sancta Dorothea (1877) S.187
Sankt Christoph Legend for bass, choir and piano (1881) S. 47/2
Scherzo and March for piano S.177
Scherzo in G minor S.153
Schlaflos, Frage und Antwort, for piano S.203 S.203
Schlummerlied S.186/7a
Schlummerlied von Ñ. M. v. Weber mit Arabesken by Weber (1848) S.454
Schnitterchor aus den entfesselten Prometheus S.507a
Seconda Mazurka di Tirindelli S.573a
Seconde marche hongroise (Ungarischer Sturmmarsch) S.232
Sept Variations brillantes dur un thème de G. Rossini S.149
Siegesmarsch (Marche triomphale) S.233a
Slavimo slavno, Slaveni! S.668
Song `Über allen Gipfeln ist Ruh` for voice and piano S.306
Song `Anfangs wollt ich fast verzagen` for voice and piano S.311
Song `Angiolin dal biondo crin` for voice and piano S.269
Song `Blume und Duft` for voice and piano S.324
Song `Comment, disaient-ils` for voice and piano S.276
Song `Der du von dem Himmel bist` for voice and piano S.279
Song `Der Glückliche` for voice and piano S.334
Song `Des Tages laute Stimmen schweigen` for voice and piano S.337
Song `Die drei Zigeuner` for voice and piano S.320
Song `Die Fischertochter` S.325
Song `Die Loreley` for voice and piano S.273
Song `Die stille Wasserrose` for voice and piano S.321
Song `Die Vätergruft` for voice and piano S.371
Song `Du bist wie eine Blume` for voice and piano by Heinrich Heine S.287
Song `Ein Fichtenbaum steht einsam` for voice and piano S.309
Song `Enfant, si j`étais roi` for voice and piano S.283
Song `Es muss ein Wunderbares sein` for voice and piano S.314
Song `Es rauschen die Winde` for voice and piano S.294
Song `Freudvoll und leidvoll` S.280/2
Song `Gastibelza` for voice and piano S.286
Song `Gestorben war ich` for voice and piano S.308
Song `Hohe Liebe` for voice and piano S.307
Song `Ich möchte hingehn` for voice and piano S.296
Song `Ihr Auge` S.310
Song `Ihr Glocken von Marling` for voice and piano S.328
Song `Im Rhein, im schönen Strome` for voice and piano by Heinrich Heine S.272
Song `In Liebeslust` for voice and piano S.318
Song `J`ai perdu ma force et ma vie (Tristesse)` for voice and piano S.327
Song `Kling leise, mein Lied` for voice and piano S.301
Song `La Tombe et la Rose` for voice and piano S.285
Song `Lasst mich ruhen` for voice and piano S.317
Song `Le Vieux Vagabond` for voice and piano S.304
Song `Morgens steh` ich auf und frage` for voice and piano by Heinrich Heine S.290
Song `O lieb, so lang du lieben kannst` for voice and piano S.298
Song `Oh! Quand je dors` for voice and piano S.282
Song `Schwebe, schwebe, blaues Auge` for voice and piano S.305
Song `S`il est un charmant gazon` for voice and piano S.284
Song `Vergiftet sind meine Lieder` for voice and piano by Heinrich Heine S.289
Song `Weimars Toten` (Weimar is dead: Dithyrambe) for bass and piano (1848) S.303
Song `Wer nie sein Brot mit Tränen aß` for voice and piano S.297
Song `Wie singt die Lerche schön` for voice and piano S.312
Song `Wieder möcht` ich dir begegnen` for voice and piano S.322
Sospiri (1879) S.192, ¹ 5
Sposalizio S.157a
St François de Paule, marchant sur les flots S.175/2bis
St. Cecilia, legend for mezzo-soprano, choir and orchestra (1874) S. 5
Stabat Mater S.172b
Suite `Glanes de Woronince` (1847) S.249
Sursum Corda! S.162f
Symphonic poem No. 1 `Ñe qu în entehd sur là montagnå` (1847-57) S. 95
Symphonic poem No. 12 `Die Ideale` for two pianos S.646
Symphonic poem No. 2 `Tasso, Lamento e Trionfo` (1849-54) S. 96
Symphonic poem No. 3 `Les Préludes` (1848-54) S. 97
Symphonic Poem No. 3 `Les Préludes` for Piano (1863) S.511a
Symphonic poem No. 3 `Les Préludes` for two pianos S.637
Symphonic poem No. 4 `Orpheus` (1853-54) S. 98
Symphonic poem No. 4 `Orpheus` for Organ S.672a
Symphonic poem No. 4 `Orpheus` for Piano S.511b
Symphonic poem No. 4 `Orpheus` for two pianos S.638
Symphonic poem No. 5 `Prometheus` (1850, 1855) S. 99
Symphonic poem No. 6 `Mazeppa` (1851) S.100
Symphonic poem No. 6 `Mazeppa` for two pianos S.640
Symphonic poem No. 7 `Festklänge`(1853) S.101
Symphonic poem No. 8 `Héroïde funèbre` (1850-1854) S.102
Symphonic poem No. 9 `Hungaria` (1854) S.103
Symphonic poem No. 9 `Hungaria` (tr. for Piano, 1872) S.511e
Symphonic poem No.11 `Hunnenschlacht` (1857) S.105
Symphonic poem No.12 `Die Ideale` (1857) S.106
Symphonic poem No.13 `From the Cradle to the Grave` (1881-82) S.107
Symphonic Poem No.5 `Prometheus` S.639
Symphonic poem ¹10 `Hamlet` S.104
Symphonie No.5 de Beethoven S.463a
Symphonie No.6 de Beethoven S.463c
Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) S.486
Szozat und Hymnus S.353
Tanto gentile e tanto onesta (Dante`s Sonett von Hans von Bülow) S.479
Tantum ergo for female chorus and organ (1869) S. 42/1
Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) S.551a
Tarantelle di bravura d’après la tarantelle de La muette de Portici S.386, ¹ 2
Tasso - Lamento e trionfo S.636
Technical Studies (12 books) for piano S.146
Titan, song for bass, male choir and piano (1845) S. 79
Toccata S.197a
Totentanz S.525
Totentanz S.126/1
Transcription of Einsam bin ich, nicht alleine by Weber (1848) S.453
Transcription of La Pastorella delVAlpi å li Marinari by Rossini (1835-36) S.423
Transcription of La Serenata et VOrgia by Rossini (1835-36) S.422, ¹ 2
Transcription of Leyer und Schwert by Weber (1846) S.452
Transcription of Ouverture du `Roi Lear` by Berlioz (1833) S.474
Transcription of Soirees musicales by Rossini (1837) S.424
Transcription of `Largo ai factotum` from the opera by G. Rossini `Barber of Seville`
Tre sonetti di Petrarca for voice and piano (1838-39, 1861) S.270
Tristia, transcription of `La Vallee d`Obermannn` for violin, violoncello and piano S.723c
Trois Chansons (1852) S.510a
Trois Odes funebre. Le Triomphe funebre du Tasse (1866) S517 S.517
Trois Odes funebres. La Notie (1864) S699 S.699
Trois Odes funebres. Les Morts. Orais (1860) S516 S.516
Two Additional Cadences to `Un Sospiro` (1880) S.144/3bis
Una stella amica (Polka mazurka de F. Pezzini) S.551
Und sprich S.329
Ungarische National-Melodie [`Rakoczi-Marsch`] S.242, ¹13bis
Ungarische Nationalmelodien S.243bis
Ungarische Nationalmelodien S.243
Ungarischer Geschwindmarsch (1870) S.233
Ungarischer Romanzero (1853): ¹ 1 F minor S.241a, ¹ 1
Ungarischer Romanzero (1853): ¹ 2 A minor S.241a, ¹ 2
Ungarischer Romanzero (1853): ¹ 3 A minor S.241a, ¹ 3
Ungarischer Romanzero (1853): ¹ 4 A minor S.241a, ¹ 4
Ungarischer Romanzero (1853): ¹ 5 D minor S.241a, ¹ 5
Ungarischer Romanzero (1853): ¹ 6 A major S.241a, ¹ 6
Ungarischer Romanzero (1853): ¹ 7 A major S.241a, ¹ 7
Ungarischer Romanzero (1853): ¹ 8 D minor S.241a, ¹ 8
Ungarischer Romanzero (1853): ¹ 9 A major S.241a, ¹ 9
Ungarischer Romanzero (1853): ¹10 G minor S.241a, ¹10
Ungarischer Romanzero (1853): ¹11 F major S.241a, ¹11
Ungarischer Romanzero (1853): ¹12 A major S.241a, ¹12
Ungarischer Romanzero (1853): ¹13 F♯ minor S.241a, ¹13
Ungarischer Romanzero (1853): ¹14 D major S.241a, ¹14
Ungarischer Romanzero (1853): ¹15 C major S.241a, ¹16
Ungarischer Romanzero (1853): ¹15 D major S.241a, ¹15
Ungarischer Romanzero (1853): ¹17 A major S.241a, ¹17
Ungarischer Romanzero (1853): ¹18 A major S.241a, ¹18
Ungarischer Sturmmarsch (1875) S.119
Ungarischer Sturmmarsch (Hungarian Battle March) S.524
Ungarisches Konigslied S.544
Unstern. Sinistre. S.208
Urbi et orbi (1864) S.184
Valse de bravoure S.214, ¹ 1
Valse de concert S.430
Valse de Marie (Mariotte) (1842) S.212b
Valse Impromptu S.213
Valse infernale S.701h/1 (1840?) S.701h/1
Valse mélancolique S.214, ¹ 2
Valse mélancolique S.210
Valse mélancolique S.210à
Valse oubliée No.3 (1883) S.215, ¹ 3à
Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) S.571a
Valse-Impromptu S.213à
Valse-Impromptu S.213bis
Variationen über ein Motiv (basso ostinato) aus der Kantate `Weinen, Klagen, Sorgen, Zagen`, und dem `Crucifixus`, der h-Moll Messe von J. S. Bach S.673
Variations de bravoure sur des thèmes de Paganini S.700, ¹ 2
Variations on a Waltz by Diabelli for Piano (1822) S.147
Variations on `Tiszantuli szép leany` S.384a
Variations sur le Carnaval de Venise S.700a
Venice and Naples (1840) S.159
Vexilla regis prodeunt S.185
Via Crucis (Les 14 stations de la croix) S.504a
Vive Henri IV S.239
Vom Fels zum Meer! (Deutscher Siegesmarsch) (1853-56) S.229
Von der Wiege bis zum Grabe (1881) S512 S.512
Waltz S.210b
Waltz in A-dur S.208a
Waltz in Es-dur S.209a
Waltz-Caprice on the operas of G. Donizetti Lucia di Lammermoor and Parisina S.214, ¹ 3
Webers Jubelovertüre S.576
Weihnachtsbaum. Arbre de Noel 12 piano pieces S.186
Weihnachtsbaum. Arbre de Noel 12 piano pieces S.185a
Weimars Volkslied for Organ (1857-63) S.672, ¹ 1
Weinachtslied (Christus ist geboren) S.502
Wiegenlied (Chant de berceau) S.198
Wilde Jagd - Scherzo S.176a
Winzerchor aus den entfesselten Prometheus S.692e (1850) S.692e
Wo weilt er? S.295
Workers` choir `Hurry here, grab the shovel!` (Herbei, herbei, den Spath`) for baritone, chorus and piano (1843-48?) S. 82
Zigeuner-Epos (1848) S.695b
`Évocation à la chapelle Sixtine` S.461, ¹ 1
`Évocation à la chapelle Sixtine` (orchestra version) S.360
`Ab irato` (Étude de perfectionnement) S.143
`Album d`un voyageur` for Piano (1837-38) S.156
`Album Leaf` (1841) S.701h/2
`Allegro di Bravura`, Op.4 ¹ 1 S.151
`Apparitions` for piano S.155
`Buch der Lieder II` (1847): ¹ 1 `Comment, disaient-ils` S.535
`Buch der Lieder II` (1847): ¹ 2 `Oh, quand je dors` S.536
`Buch der Lieder II` (1847): ¹ 3 `Enfant, si j`étais roi` S.537
`Buch der Lieder II` (1847): ¹ 4 `S`il est un charmant gazon` S.538
`Buch der Lieder II` (1847): ¹ 5 `La tombe et la rose` S.539
`Buch der Lieder II` (1847): ¹ 6 `Gastibelza` S.540
`Buch der Lieder I` (1843) S.531
`Canzonetta del Salvator Rosa` (1839) S.157c
`Caritas` (1847) S.552a
`Chanson du Béarn` (Pastorale) S.236, ¹ 2
`Consolations` for piano S.172
`Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880) S.162a, ¹ 3
`Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880) S.162a, ¹ 4
`Den Schutz-Engeln` (`Angelus! Prière à l`ange gardien`) (1877) S.162a/1
`Die Vätergruft` S.281
`Die Zelle im Nonnenwerth` (1843) S.534, ¹ 1bis
`Die Zelle in Nonnenwerth` for Cello (or Violin) and Piano S.382
`En mémoire de Maximilian I` (1867) S.162d
`Entwurf der Ramann-Elegie` (1877) S.196a
`Excelsior!` - Preludio zu dem Glocken des Strassburger Münsters (1874) S.500
`Fanfare zur Enthüllung des Carl-Augusts Monument` (1875) S.542b
`Faribolo Pasteur` (Chanson tirée du poème de Françonetto de Jacques Jasmin) S.236, ¹ 1 S.236, ¹ 1
`Festmarsch nach Motiven von E.H. z. S.-C.-G` (1858-59) S.522
`Feuille morte` (Élégie d`après Soriano) (1845) S.428
`Geharnischte Lieder` (1860) S.511
`Goethe-Festmarsch` (1859) S.521
`Künstlerfestzug zur Schillerfeier 1859` (1859-60) S.520, ¹ 2
`Künstlerfestzug zur Schillerfeier 1859` (1859-60) S.520, ¹ 1
`Kaiser Wilhelm!` S.197b (1876) S.197b
`La caritá` (1847) S.552b
`La cloche sonne` (1850?) S.238
`La marquise de Blocqueville` (`Un portrait en musique`) (1869) S.190
`La notte` S.602
`La romanesca` (Mélodie du 16ième siècle) S.252a
`La romanesca` (Mélodie du 16ième siècle) S.252b
`Malediction` for piano and strings S.121
`Mariengarten` (Mary`s Garden) for choir and organ (1884?) S. 62
`Mignons Lied`: `Kennst du das Land` for voice and piano S.275
`Morceau de salon `, 1840 S.142
`Nuages gris` for piano S.199
`Nun danket alle Gott` S.674c
`Petite valse favorite` (`Souvenir de St Pétersbourg`) (1843) S.212, ¹ 2
`Romance oubliée` for Cello and Piano (1880) S.132c
`Romance oubliee` for piano S.527
`Rosario` (1879) S.670
`Saint Francis of Paola` for soloists, male choir, organ and timpani (1860-74?) S. 28
`Salve Maria` Arrangement of Giselda`s prayer from the opera `Lombardi alla prima crociata` by Giuseppe Verdi S.431
`Schlummerlied im Grabe` (1874) S.195a
`Slavimo slavno, Slaveni!` (1863) S.503
`Sunt lacrymae rerum` (1877) S.162c/1
`Sunt lacrymae rerum` (1877) S.162c/2
`The Four Elements` (Les quatre elemens), 4 male choirs with piano (2 and 4 hands) (1845) S. 80
`Totentanz`. Paraphrase on the `Dies Irae` for piano and orchestra S.126/2
`Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867` (1870) S.523
`Ungarns Gott` for Organ (1881) S.674
`Ungarns Gott` for Piano S.543
`Ungarns Gott` for Piano (left hand, 1881) S.543bis
`Valses oubliée` for Piano S.215
`Wartburg-Lieder` for Soloists, Choir and Orchestra (1872) S.345
`Zum Andenken` 2 Hungarian Recruiting Dances S.241
`Î, heilige Nacht` (Weihnachtslied), for tenor, choir and organ (1881) S. 49