Élégie for Cello and Piano No. 2 (1877)  |
S.131
|
Élégie for Cello and Piano No. 1 (1874)  |
S.130b
|
Élégie for Violin and Piano No. 1 (1874)  |
S.130c
|
Élégie for Violin and Piano No. 2 (1877)  |
S.131bis
|
Élégie No. 2 for piano (1877)  |
S.197
|
Élégie sur des motifs du Prince Louis Ferdinand de Prusse  |
S.168/1
|
Évocation à la chapelle Sixtine  |
S.658
|
Évocation à la Chapelle Sixtine (1862-65)  |
S.461
|
(Ábrányi) `Virag Dál` (Chant des Fleurs)  |
S.383a
|
(Alabieff) Transcription of Romance `Le rossignol` (1842)  |
S.249d
|
(Alabieff) Transcription of Romance `Le rossignol` (1842)  |
S.250/1
|
(Auber) Grande fantaisie sur la tyrolienne de l`opéra `La fiancée`  |
S.385/1
|
(Auber) Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici` (1846)  |
S.386, ¹ 1
|
(Auber) Tyrolean Melody (1829)  |
S.385a
|
(Aubert) 3 Stücke aus der Oper `La muette de Portici` (1847-48)  |
S.387, ¹ 1
|
(Aubert) Klavierstück über ein fremdes Thema (1847-48)  |
S.387, ¹ 2
|
(Aubert) Memories of the opera `Bride` (1842)  |
S.385/3
|
(Bach) 6 Preludes and Fugues (1842-1850): ¹ 1 (BWV 543)  |
S.462/1
|
(Bach) 6 Preludes and Fugues (1842-1850): ¹ 6 (BWV 544)  |
S.462/6
|
(Bach) Prelude on a theme from Bach`s cantata ¹12 `Weinen, Klagen, Sorgen, Zagen`  |
S.179
|
(Bach) Six Preludes and Fugues (1842-1850) S462  |
S.462
|
(Bach) Variations on a theme from Bach`s cantata ¹12 `Weinen, Klagen, Sorgen, Zagen`  |
S.180
|
(Bach) Variations on the theme of Bach`s Cantata No. 12 `WEINEN, KLAGEN, SORGEN, ZAGEN`  |
S.673
|
(Beethoven) Fantasia on a Theme of The Ruins of Athens by Beethoven  |
S.122
|
(Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840)  |
S.465
|
(Beethoven) Piano transcription of An die ferne Geliebte. Liederkreis. Op. 98 (1849)  |
S.469
|
(Beethoven) Piano transcription of the songs on the words of Goethe (1849) S468  |
S.468
|
(Beethoven) Transcription of the song `Adelaide`, op. 46 (1847)  |
S.466
|
(Bellini) Fantaisie sur des motifs favoris de l`opera `Somnambula` (1841)  |
S.393/1
|
(Bellini) Fantasia on a favorite motifs from the opera `La Sonnambula` (1874)  |
S.393/2
|
(Bellini) Grosse Concert-Fantasie aus der Oper Sonnambula  |
S.393/3
|
(Bellini) Introduction and Polonaise from onery `I Puritani` (1840)  |
S.391
|
(Bellini) Réminiscences de `Norma` for Piano  |
S.394
|
(Bellini) Réminiscences des `Puritains` (1836)  |
S.390a
|
(Bellini) Réminiscences des `Puritains` (1837)  |
S.390b
|
(Bellini) `Hexaméron` - Morceaux de concert. Grandes variations de bravoure sur la marche des `Puritains`  |
S.392
|
(Berlioz) Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz, 1852-53)  |
S.396
|
(Berlioz) Danse des Silphes de `La Damnation de Faust`(1860)  |
S.475
|
(Berlioz) L`idee fixe;. Andante amoroso. (1846)  |
S.395
|
(Berlioz) Marche au supplice de la `Symphonie fantastique` (1865)  |
S.470a/2
|
(Berlioz) Piano transcription of the overture Secret Judges (1833)  |
S.471
|
(Berlioz) `L`idée fixe` (Andante amoroso d`après une mélodie de Berlioz) (1833)  |
S.470a/1
|
(Borodine) Prélude á la Polka (Variation sur le thème favori et obligé)  |
S.207a
|
(Boulakhov) Chanson bohémienne (1842)  |
S.250, ¹ 2
|
(Boulakhov) Russischer Galop (1843)  |
S.478b
|
(Boulakhov) Russischer Galop (1843)  |
S.478a
|
(Carl Maria von Weber) Polonaise Brilliant, Op. 72 (1849)  |
S.367
|
(Chopin) Piano transcription of song `Frühling` by Frederic Chopin  |
S.480/2
|
(Chopin) Prelude îð. 28, ¹ 4 - transcription for Organ (1862-63)  |
S.662, ¹ 1
|
(Chopin) Prelude îð. 28, ¹ 9 - transcription for Organ (1862-63)  |
S.662, ¹ 2
|
(Chopin) Sechs polnische Lieder op. 74  |
S.480
|
(Chopin) Song `Mes Joies` from op. 74 (1860)  |
S.480, ¹ 5bis
|
(Clara Schumann) Piano transcription of songs (1872)  |
S.569
|
(Conradi) Zigeuner-Polka (La célèbre Zigeunerpolka d`August Conradi)  |
S.481
|
(Cui) Tarentelle (1885)  |
S.482
|
(Dargomyzhsky) Tarantella of Dargomyzhsky (1879)  |
S.483
|
(David) Bunte Reihe (24 Stücke von Ferdinand David)  |
S.484
|
(Dessauer) Piano transcription of songs (1846) S485  |
S.485
|
(Donizetti) Fantasy based on the opera `Lucrezia Borgia` (1840) S399a  |
S.399a
|
(Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia ¹ 1. Trio from Act 2 (1841)  |
S.400/1
|
(Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia ¹ 2. Drinking song-duo-final (1848)  |
S.400/2
|
(Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1841)  |
S.398
|
(Donizetti) Réminiscences de `Lucia di Lammermoor`  |
S.397
|
(Donizetti) Transcription of Spirto gentil from the opera `La Favorite` by Donizetti (1847)  |
S.400a
|
(Donizetti) Transcription of the Funeral March from the opera `Don Sebastian` (1844)  |
S.402
|
(Donizetti) Transcription of `Nuits d`ete a Pausilippe` - `Les soirees italiennes` by Donizetti (1838)  |
S.399
|
(Donizetti) Valse a capriccio (sur deux motifs de Lucia et Parisina)  |
S.401
|
(Erkel) Schwanenge sang und Marsch aus `Hunyadi Laszo` (1847)  |
S.405
|
(Ernst II) Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.)  |
S.404
|
(Ernst II) `Die Gräberinsel` (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)  |
S.485b
|
(F. Liszt - S. Menter) Concerto in the Hungarian Style (1880)  |
S.714
|
(Festetics) Spanisches Ständchen (1844)  |
S.487
|
(Franz) Piano transcription of four songs (1848)  |
S.489
|
(Franz) Piano trascription of Er ist gekommen in Sturm und Regen (1848)  |
S.488
|
(Glinka) Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka  |
S.406/2
|
(Glinka) Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka (1843)  |
S.406/1
|
(Goldschmidt) Transcription of love scene and Wheel of Fortune from the oratorio The Seven Deadly Sins. (1880)  |
S.490
|
(Gounod) Hymne a Sainte Cecile (1866)  |
S.491
|
(Gounod) Piano transcription of Waltz from `Faust`  |
S.407
|
(Gounod) Transcription of Les Adieux by Gounod`s Romeo and Juliet (1867)  |
S.409
|
(Gounod) Transcription of Les Sabiennes from Gounod`s Queen of Sheba (1865)  |
S.408
|
(Halevy) Memories of the Opera `Yid `(Daughter of Cardinal, 1834-35)  |
S.409a
|
(Handel) Sarabande and Chaconne from the opera `Almira`  |
S.181
|
(Herbeck) Tanzmomente (1869)  |
S.492
|
(Hummel) Transcription of Septet Op. 74 (1848)  |
S.493
|
(Lassen) Löse, Himmel, meine Seele (Lied von Eduard Lassen)  |
S.494, ¹ 2
|
(Lassen) Piano transcription of Ich weil in tiefer Einsamkeit, 1872  |
S.495
|
(Lassen) Piano transcription of Lase, Himmel, meine Seele, 1866  |
S.494, ¹ 1
|
(Lassen) Piano transcription of music for Nibelungs of Hebbel and Faust of Goethe by Lassen (1878-79)  |
S.496
|
(Lassen) Symphonisches Zwischenspiel zu `Über allen Zauber Liebe` (1882)  |
S.497
|
(Lessmann) Piano transcription of Drei Lieder aus Jul. Wolffs `Tannheuser`, 1882  |
S.498
|
(Massenet) Marche hongroise de Szabadi (Revive Szegedin!)  |
S.572
|
(Mendelssohn) Aria `Jerusalem, die du toetest den Propheten` for Voice and Organ  |
S.deest
|
(Mendelssohn) Piano transcription of Mendelssohn`s Wedding March and Dance of the Fairies from the music to Shakespeare`s `A Midsummer Night`s Dream`  |
S.410
|
(Mendelssohn) Piano transcription of songs (1840)  |
S.547
|
(Mendelssohn) Transcription of Songs without Words by Mendelssohn (Op. 30, ¹ 1) for violin and organ  |
S.deest
|
(Mendelssohn) Transcription of `Wasserfahrt` und `Der Jager Abschied` (1848)  |
S.548
|
(Mercadante) Reminiscences de La Scala (Fantasie über italienische Opernmelodien)  |
S.458
|
(Mercadante) Soirees italiennes - Six entertainments for Piano on motifs of Mercadante (1838)  |
S.411
|
(Meyerbeer) Le Moine (1842) S416  |
S.416
|
(Meyerbeer) Fantasia and Fugue on the chorale theme from The Prophet by Meyerbeer (1850)  |
S.624
|
(Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier (1860) S549  |
S.549
|
(Meyerbeer) Grande fantaisie dramatique sur des themes de l`opera `Les Huguenots` (1842)  |
S.412/3
|
(Meyerbeer) Illustrations du `Prophète` for Piano  |
S.414
|
(Meyerbeer) Illustrations for the opera `L`Africaine` (1865)  |
S.415
|
(Meyerbeer) Memories of the opera Les Huguenots (1836)  |
S.412a
|
(Meyerbeer) Réminiscences de `Robert le Diable` (Meyerbeer)  |
S.413
|
(Meyerbeer) Réminiscences des Huguenots (Grande fantaisie dramatique)  |
S.412b
|
(Mosonyi) Fantasia on Hungarian opera `Szép Ilonka` (1867)  |
S.417
|
(Mozart) Ave verum corpus for Organ (1886)  |
S.674d
|
(Mozart) Ave verum corpus for Piano (1867)  |
S.461a
|
(Mozart) Confutatis è Lacrimosa from Requiem (1865)  |
S.550
|
(Mozart) Fantasie über Themen aus Mozarts Figaro und Don Giovanni  |
S.697
|
(Mozart) Piano transcription of Der, welcher wandelt diese Strasse from the opera `Die Zauberflote` (1870)  |
S.634a
|
(Mozart) Reminiscences de `Don Juan`  |
S.418
|
(Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36)  |
S.419
|
(Paganini) 6 Études d`exécution transcendante d`après Paganini for piano (1838-40)  |
S.140
|
(Paganini) Grandes Études de Paganini (1851)  |
S.141
|
(Raff) Final andante from the opera `King Alfred` (1853)  |
S.421/1
|
(Raff) March from the opera `King Alfred` (1853)  |
S.421/2
|
(Rossini) Arias from Stabat Mater and La charite  |
S.553
|
(Rossini) Overture to William Tell  |
S.552
|
(Rubinstein) Piano transcription of song `Asra` op. 32 (1880)  |
S.554/2
|
(Rubinstein) Piano transcription of song `Oh, if ever it was` op. 34. (1880)  |
S.554/1
|
(Rubinstein)Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) (1880?)  |
S.554a
|
(Saint-Saëns) Piano transcription of Danse macabre, op. 40 (1876)  |
S.555
|
(Schubert) 2 Impromptus (1868)  |
S.565b
|
(Schubert) Ave Maria. 1st version. (1837)  |
S.557d
|
(Schubert) Drei Märsche (1846)  |
S.426
|
(Schubert) Fantasia C-Dur `Wanderer`. Transcription for piano and orchestra (1851)  |
S.366
|
(Schubert) Fantasie C-Dur `Wanderer` (1868)  |
S.565a
|
(Schubert) Hungarian Melodies. 1st version (1838-39)  |
S.425
|
(Schubert) Marche militaire (Grande Paraphrase de Concert) (1870?)  |
S.426a
|
(Schubert) Piano transcriptions of 12 Lieder (1838)  |
S.558
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 1 `Sey mir gegrüsst`  |
S.558/1
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 2 `Auf dem Wasser zu singen`  |
S.558/2
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 3 `Du bist die Ruh’`  |
S.558/3
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 4 `Erlkoenig`  |
S.558/4
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 5 `Meeresstille`  |
S.558/5
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 6 `Die junge Nonne`  |
S.558/6
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 7 `Fruehlingsglaube`  |
S.558/7
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 8 `Gretchen am Spinnrade`  |
S.558/8
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 9 `Ständchen von Shakespeare`  |
S.558/9
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 1 `Sei mir gegruesst` |
S.558/1
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 10 `Rastlose Liebe`  |
S.558/10
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 11 `Der Wanderer`  |
S.558/11
|
(Schubert) Piano transcriptions of 12 Lieder. ¹ 12 `Ave Maria` (Ellens dritter Gesang)  |
S.558/12
|
(Schubert) Piano transcriptions of four melodies (1840)  |
S.562
|
(Schubert) Piano transcriptions of six tunes (1844)  |
S.563
|
(Schubert) Piano transcriptions of six tunes. ¹ 1 `Lebe wohl!` (1844)  |
S.563/1
|
(Schubert) Piano transcriptions of six tunes. ¹ 2 `Maedchens Klage` (1844)  |
S.563/2
|
(Schubert) Piano transcriptions of six tunes. ¹ 3 `Das Sterbegloecklein` (1844)  |
S.563/3
|
(Schubert) Piano transcriptions of six tunes. ¹ 4 `Trockene Blumen` (1844)  |
S.563/4
|
(Schubert) Piano transcriptions of six tunes. ¹ 5 `Ungeduld` (Íåòåðïåíèå) (1844)  |
S.563/5
|
(Schubert) Piano transcriptions of six tunes. ¹ 6 `Die Forelle` (1844)  |
S.563/6
|
(Schubert) Transcription of Song `Die Forelle`. 3rd version. (1846)  |
S.564
|
(Schubert) Transcription of Song `Die Rose` (1833, 1837)  |
S.556
|
(Schubert) Transcription of Song `Erlkönig`. 1st version (1837)  |
S.557a
|
(Schubert) Transcription of Song `Frühlingsglaube`. 1st version (1838)  |
S.557c
|
(Schubert) Transcription of Song `Gondelfahrer` (1883)  |
S.559
|
(Schubert) `Die schoene Mullerin`. Piano transcriptions of 6 Lieder. (1846)  |
S.565
|
(Schubert) `Die schoene Mullerin`. ¹ 1 `Das Wandern`  |
S.565/1
|
(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach`  |
S.565/2
|
(Schubert) `Die schoene Mullerin`. ¹ 3 `Der Jaeger`  |
S.565/3
|
(Schubert) `Die schoene Mullerin`. ¹ 4 `Die boese Farbe`  |
S.565/4
|
(Schubert) `Die schoene Mullerin`. ¹ 5 `Wohin?`  |
S.565/5
|
(Schubert) `Die schoene Mullerin`. ¹ 6 `Ungeduld`  |
S.565/6
|
(Schubert) `Schwanengesang`. Piano transcriptions of 14 Lieder (1838-39)  |
S.560
|
(Schubert) `Schwanengesang`. ¹ 1 `Die Stadt `  |
S.560/1
|
(Schubert) `Schwanengesang`. ¹ 2 `Das Fischermaedchen`  |
S.560/2
|
(Schubert) `Schwanengesang`. ¹ 3 `Aufenthalt`  |
S.560/3
|
(Schubert) `Schwanengesang`. ¹ 4 `Am Meer `  |
S.560/4
|
(Schubert) `Schwanengesang`. ¹ 5 `Abschied`  |
S.560/5
|
(Schubert) `Schwanengesang`. ¹ 6 `In der Ferne`  |
S.560/6
|
(Schubert) `Schwanengesang`. ¹ 7 `Staendchen`  |
S.560/7
|
(Schubert) `Schwanengesang`. ¹ 8 `Ihr Bild`  |
S.560/8
|
(Schubert) `Schwanengesang`. ¹ 9 `Fruehlingssehnsucht`  |
S.560/9
|
(Schubert) `Schwanengesang`. ¹ 10 `Liebesbotschaft`  |
S.560/10
|
(Schubert) `Schwanengesang`. ¹ 11 `Der Atlas`  |
S.560/11
|
(Schubert) `Schwanengesang`. ¹ 12 `Der Doppelgaenger`  |
S.560/12
|
(Schubert) `Schwanengesang`. ¹ 13 `Die Taubenpost`  |
S.560/13
|
(Schubert) `Schwanengesang`. ¹ 14 `Kriegers Ahnung`  |
S.560/14
|
(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852)  |
S.427
|
(Schubert) `Ständchen` from the song cycle `Schwanengesang`. 1st version. (1837)  |
S.559a/1
|
(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839)  |
S.561
|
(Schumann) Piano transcription of 2 songs (1861)  |
S.567
|
(Schumann) Piano transcription of Provencal song op.139 (1881)  |
S.570
|
(Schumann) Piano transcription of `Fruhlingsnacht` (1872)  |
S.568
|
(Schumann) Piano transcription of `Widmung`(1848)  |
S.566
|
(Schumann) `Widmung` (Short draft) (1850-59?)  |
S.566a
|
(Spor) Transcription of Song `Die Rose` (1876)  |
S.571
|
(Széchényi) Einleitung und Ungarischer Marsch (1872)  |
S.573
|
(Tchaikovsky) Piano transcription of Polonaise from `Eugene Onegin`  |
S.429
|
(Verdi) Agnus Dei from Requiem (1877)  |
S.437a
|
(Verdi) Concert Paraphrase on `Ernani`  |
S.413a
|
(Verdi) Danza sacra e duetto finale d’Aida  |
S.436
|
(Verdi) Paraphrase de concert sur Ernani I (1847)  |
S.431a
|
(Verdi) Paraphrase de concert sur Ernani II (1859)  |
S.432
|
(Verdi) Paraphrase on Verdi`s opera `Rigoletto`  |
S.434
|
(Verdi) Piano transcription of the Holy dance and the final duet from the opera `Aida` (1879)  |
S.436
|
(Verdi) Réminiscences de Boccanegra (1857, 1881)  |
S.438
|
(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852)  |
S.445
|
(Wagner) 3 fragments from `Lohengrin` for piano (1854)  |
S.446
|
(Wagner) Chor der jüngeren Pilger from `Tannhaeuser` for organ (1860)  |
S.676, ¹ 1
|
(Wagner) Piano transcription of Isolda`s Liebestod from Wagner`s `Tristan and Isolda`  |
S.447
|
(Wagner) Piano transcription of the Solemn march to the Holy Grail from `Parsifal`  |
S.450
|
(Wagner) Piano transcription of the `Spinner-Lied` from `The Flying Dutchman`  |
S.440
|
(Wagner) Pilgrim`s Chorus from the opera `Tannhauser` for piano (1885?)  |
S.443, ¹ 2
|
(Wagner) `O, du mein holder Abendstern` from `Tannhauser` - transcription for Cello & Piano (1852)  |
S.380
|
(Weber) Piano transcription of the overture to the opera `Der Freischutz` (1846)  |
S.575
|
(Wielhorsky) Arr. of the Romance `I Love` (1843)  |
S.577, ¹ 1
|
(Wielhorsky) Romance `Lyubila ya` (1843)  |
S.577bis
|
(Wielhorsky) Transcription of Vielgorski`s romance I Loved (1843)  |
S.577
|
(Zichy) `Valse d`Adèle` (Transcription brillante, 1877)  |
S.456
|
12 Etudes  |
S.136
|
12 Etudes d`execution transcendente (1851)  |
S.139
|
12 Etudes d`execution transcendente (exerpts)  |
|
12 Grandes Études (1837)  |
S.137
|
2 Concert Studies  |
S.145
|
2 Csárdáses (1884): ¹ 1 `Csárdás`  |
S.225, ¹ 1
|
2 Csárdáses (1884): ¹ 2 `Csárdás obstinée`  |
S.225, ¹ 2
|
2 Episoden aus Lenau`s Faust (1859-1861)  |
S.110
|
2 Orchestersätze aus dem Oratorium `Christus` (1871)  |
S.498b
|
2 piano pieces  |
S.189
|
2 Polonaises  |
S.223
|
2 Vortragsstücke  |
S.268
|
2 waltzes for violin and piano (1823)  |
S.126b
|
2 `Weimars Volkslieder` (1841)  |
S.542
|
3 Études de Concert  |
S.144
|
3 Morceaux suisses (1876-77)  |
S.156a
|
3 nocturnes ("Dreams of Love")  |
S.541
|
3 Sonetti di Petrarca (1843-46)  |
S.158
|
3 songs from Schiller`s `Wilhelm Tell` for voice and piano  |
S.292
|
5 Variations on a theme from Mehul`s Joseph [Attributed to Liszt, but by FX Mozart]  |
S.147a
|
8 Variations on an original theme  |
S.148
|
A study for piano `Mazeppa`  |
S.138
|
Abschied - Russisches Volkslied (1885)  |
S.251
|
Adagio in C major (1841)  |
S.158d
|
Adagio in D flat major  |
S.672d ¹ 2
|
Adagio non troppo  |
S.151a
|
Adelaide von Beethoven  |
S.466a
|
Adelaide von Beethoven  |
S.466b
|
Air cosaque  |
S.249c
|
Album Leaf  |
S.166a, ¹ 1
|
Album Leaf  |
S.166c
|
Album Leaf  |
S.164h
|
Album Leaf  |
S.166l/1
|
Album Leaf  |
S.167h
|
Album Leaf  |
S.166q
|
Album Leaf  |
S.167k
|
Album Leaf  |
S.166l/2
|
Album Leaf  |
S.166s
|
Album Leaf  |
S.167t
|
Album Leaf  |
S.163d/2
|
Album Leaf (1860)  |
S.167c
|
Album Leaf (Allegro vivace quasi presto)  |
S.163a/1
|
Album Leaf (Consolation No.1)  |
S.171b
|
Album Leaf (of the symphonic poem Ideals) (1860) S.167e  |
S.167e
|
Album Leaf (of the symphonic poem Orpheus) (1860) S.167d  |
S.167d
|
Album Leaf (`Adagio — religioso in C major`)  |
S.164l
|
Album Leaf (`Agitato in G major`)  |
S.167l
|
Album Leaf (`Ah! vous dirai-je, Maman`)  |
S.163b
|
Album Leaf (`Allegretto in A major`)  |
S.167n
|
Album Leaf (`Andante in E♭ major`)  |
S.167r
|
Album Leaf (`Andante religiosamente in G major`)  |
S.166j
|
Album Leaf (`Andante religioso in G major`)  |
S.166h
|
Album Leaf (`Andantino in A♭ major`)  |
S.166p
|
Album Leaf (`Aus dem Purgatorio des Dante Sinfonie`)  |
S.166r/2
|
Album Leaf (`Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke`)  |
S.167m
|
Album Leaf (`Berlin Preludio`)  |
S.164g
|
Album Leaf (`Braunschweig Preludio`)  |
S.166f
|
Album Leaf (`Dante Symphony progression`)  |
S.167f
|
Album Leaf (`Detmold`)  |
S.164d
|
Album Leaf (`Exeter Preludio`)  |
S.164c
|
Album Leaf (`Freudvoll und leidvoll`)  |
S.166n
|
Album Leaf (`Friska`)  |
S.166k
|
Album Leaf (`Fugue chromatique - Allegro in G minor`)  |
S.167j
|
Album Leaf (`Glasgow fragment`) S.701f (1841?)  |
S.701f
|
Album Leaf (`Introduction to the Grande Étude de Paganini No 6`)  |
S.141/6bis
|
Album Leaf (`Langsam in C♯ minor`)  |
S.166o
|
Album Leaf (`Larghetto in D♭ major`)  |
S.167p
|
Album Leaf (`Leipzig`)  |
S.164b
|
Album Leaf (`Leipzig`)  |
S.163d
|
Album Leaf (`Lyon Prélude`)  |
S.166d
|
Album Leaf (`Lyon`)  |
S.167s
|
Album Leaf (`Magyar`)  |
S.164e/1
|
Album Leaf (`Magyar`)  |
S.164e/2
|
Album Leaf (`Magyar`)  |
S.164e/3
|
Album Leaf (`Moderato in D♭ major`)  |
S.164k
|
Album Leaf (`Portugal`)  |
S.166b
|
Album Leaf (`Prélude omnitonique`)  |
S.166e
|
Album Leaf (`Preludio`)  |
S.164j
|
Album Leaf (`Pressburg`)  |
S.163c
|
Album Leaf (`Purgatorio`)  |
S.166r/1
|
Album Leaf (`Quasi mazurek in C major`)  |
S.163e
|
Album Leaf (`Rákóczi-Marsch`)  |
S.164f
|
Album Leaf (`Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major`)  |
S.167q
|
Album Leaf (`Serenade`)  |
S.166g
|
Album Leaf (`Tempo di marcia in E♭ major`)  |
S.167o
|
Album Leaf (`Vienna`)  |
S.164a
|
Album Leaf (`Vivace ma non troppo in D♭ major`)  |
S.167g
|
Album Leaf (‘An die Künstler II’)  |
S.166t/2
|
Album Leaf (‘An die Künstler I’)  |
S.166t/1
|
Album Leaf (‘Ave Maria’)  |
S.164q
|
Album Leaf (‘Düsseldorf Preludio’)  |
S.163f/2
|
Album Leaf (‘Dublin’)  |
S.164r
|
Album of princess Marie zu Sayn-Wittgenstein (1847)  |
S.166
|
Album-Leaf (‘Aus dem Mephisto-Walzer’)  |
S.167m/2
|
Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein)  |
S.166m
|
Albumblatt E-dur  |
S.164
|
Allegro maestoso (Study ¹ 13 in F-Sharp Major) S.692c (1826)  |
S.692c
|
Alleluja. From `Cantico del Sol di San Francesco d`Assisi`. (1862)  |
S.183/1
|
Am Grabe Richard Wagners  |
S.267
|
Andante religioso  |
S.261a
|
Andante sensibilissimo S.701c (1880-86)  |
S.701c
|
Andantino (`pour Emile et Charlotte Loudon`)  |
S.163a/2
|
Andantino (`pour Emile et Charlotte Loudon`)  |
S.163a, ¹ 2
|
Anfang einer Jugendsonate  |
S.692b
|
Anima Christi sanctifica me for male choir and organ (1874)  |
S. 46/2
|
Années de pèlerinage I: Suisse  |
S.160
|
Années de pèlerinage I: Suisse (separated pieces)  |
|
Années de pèlerinage II: Italy  |
S.161
|
Années de Pèlerinage II: Italy (separate pieces)  |
|
Années de pèlerinage II: Venezia e Napoli  |
S.162
|
Années de Pèlerinage III: Italy  |
S.163
|
Années de Pèlerinage III: Italy (separate pieces)  |
|
Anthem `Crux!` (Hymn of sailors) for male choir (1865)  |
S. 35/1
|
Antiphon `Cantantibus organis` (for the Feast of St. Cecilia) for viola, choir and orchestra (1879)  |
S. 7
|
Aprés une lecture du Dante (Fantasia quasi Sonata)  |
S.158c
|
Aprés une lecture du Dante (Fantasia quasi Sonata)  |
S.161/7
|
Arbeiterchor for male choir, bass and piano (1848)  |
S.552
|
Aria from the St Matthew Passion by J. S. Bach  |
S.deest
|
At the Grave of Richard Wagner  |
S.202
|
At the Grave of Richard Wagner  |
S.135
|
Au bord d`une source  |
S.160, ¹ 4bis
|
Aus der Ungarischen Kronungsmesse (1867)  |
S.501
|
Aux anges gardiens (Den Schutz Engeln)  |
S.162a/1bis
|
Ave Maria  |
S. 20
|
Ave Maria  |
S.504, ¹ 2
|
Ave Maria d`Arcadelt  |
S.659
|
Ave Maria d`Arcadelt  |
S.183/2
|
Ave Maria for the piano school of Lebert and Stark (The Bells of Rome), E-dur  |
S.182
|
Ave Maria II  |
S.504, ¹ 1
|
Ave Maria II for baritone and organ (1869 version)  |
S.681
|
Ave Maria II for choir and organ (1869)  |
S. 38
|
Ave Maria III / Sposalizio (`Betrothal`, after a painting by Raphael) for choir and organ (1883)  |
S. 60
|
Ave Maria IV (1881) S.545  |
S.545
|
Ave Maria IV for baritone and organ (1881 version)  |
S.341
|
Ave Maria, for organ  |
S.667c
|
Ave maris stella  |
S. 34/2
|
Ave maris stella  |
S.506
|
Ave Maris Stella  |
S. 34/1
|
Ave maris stella in D major for voice and organ (1868)  |
S.680
|
Ave verum corpus for choir and organ (1871)  |
S. 44
|
Bülow-Marsch  |
S.230
|
Bülow-Marsch  |
S.229b
|
Bagatelle without tonality for piano  |
S.216a
|
Ballade No.1 in Des-dur (1845-48)  |
S.170
|
Ballade No.2 in h-moll (1 version) (1853)  |
S.170a
|
Ballade No.2 in h-moll (1853)  |
S.171
|
Beethovens geistliche Lieder von Gellert  |
S.467
|
Bells of Strasbourg Cathedral, ballad for soloists, choir and orchestra (1874)  |
S. 6
|
Bist du! poem by Prince Elim Meshchersky (1844)  |
S.277
|
Cadenza  |
S.695f
|
Cadenza to Piano Concerto ¹ 3 by Beethoven  |
S.389a
|
Cantata `Hungary 1848` (Ungaria-Kantate) for soloists, chorus and orchestra (1848)  |
S. 83
|
Cantico del sol di Francesco d`Assisi  |
S.665
|
Cantico del Sol di San Francesco (1881) S499  |
S.499
|
Cantico del Sol di San Francesco d`Assisi for baritone and organ (first version 1862)  |
S. 4/1
|
Canzone Napolitana (Notturno)  |
S.248
|
Canzone Napolitana (Notturno)  |
S.248a
|
Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846-47)  |
S.388
|
Carrousel de Madame P-N.  |
S.214a
|
Ce qu`on entend sur la montagne  |
S.635
|
Celebre melodie hongroise (1866)  |
S.243a
|
Choir `Die Seligkeiten` (Beatitudes) for bass soloist, mixed voices and organ ad lib. (1859)  |
S. 25
|
Choir `Licht, mehr Licht` (Light, more Light!) For male voices and horns (1849/1856)  |
S. 84
|
Choir `L`Eternel est son nom` (The Lord is His name) for mixed voices (1846?)  |
S. 18/2
|
Choir `Slavimo slavno, Slaveni!` (Celebrating, Slavs!) For male voices and organ (1863)  |
S. 33
|
Choral `Was Gott tut, das ist wohlgetan`  |
S.504b/10
|
Choral `Wer nur den lisben Gott last walten`  |
S.504b/11
|
Chorale  |
S.506a
|
Chorale `Der Herr bewahret die Seelen` for choir, brass, timpani and organ (1875)  |
S. 48
|
Chorale `Nun danket alle Gott` for choir, brass, timpani and organ (1883)  |
S. 61
|
Christus, oratorio for soloists, mixed chorus, orchestra and organ  |
S. 3
|
Concerto for Piano and Orchestra No.1 in Es-dur (1830-55)  |
S.124
|
Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61)  |
S.125
|
Concerto for piano and orchestra No.3 in Es-dur  |
S.125a
|
Concerto pathetique for 2 pianos  |
S.258
|
Concerto sans orchestre in A major (1839)  |
S.524a
|
Consolations  |
S.672d
|
Consolations (1844-48)  |
S.171a
|
Csárdás macabre for piano  |
S.224
|
Danse des sylphes de La damnation de Faust de Hector Berlioz  |
S.474a
|
Dante fragment (1837) S.701e  |
S.701e
|
Dante-Symphony  |
S.109
|
Das Lied der Begeisterung, for male choir and baritone (1871)  |
S. 91/1
|
De Profundis (Psaume instrumentale)  |
S.121a
|
De profundis clamavi, psaume 129 for baritone and organ (after 1883)  |
S. 16/2
|
De profundis, Instrumental Psalm for piano and orchestra (1834-1835)  |
S.691
|
Declamation `Der blinde Sänger` (1875-77)  |
S.350
|
Declamation `Der traurige Mönch` (In Schweden steht ein grauer Turm)  |
S.348
|
Declamation `Des toten Dichters Liebe` (A holt költó szerelme, 1860)  |
S.349
|
Declamation `Helges Treue` (1860)  |
S.686
|
Declamation `Lenore` (Der Bräutigam)  |
S.346
|
Dem Andenken Petöfis  |
S.195
|
Dem Andenken Petofis  |
S.195ii
|
Den Cypressen der Villa d`Este - first version (1872)  |
S.162b
|
Den Schutz-Engeln (Angelus! Pri ère á l`ange gardien) (1880)  |
S.162a/2
|
Den Schutz-Engeln (Angelus) first version, first sketch  |
S.162a/i
|
Den Zypressen der Villa d’Este [I] first version  |
S.162b/1
|
Der Blinde Sanger  |
S.546
|
Der blinde Sanger (1878)  |
S.542a
|
Der nächtliche Zug (Episode aus Lenaus Faust)  |
S.513a
|
Der nachtliche Zug, an Episode of `Faust` by Lenau  |
S.110/1
|
Die drei Zigeuner, for Violin and Piano (1864)  |
S.383
|
Die Legende vom heiligen Stanislaus, fragment S.688a (1880)  |
S.688a
|
Die Legende von der Heiligen Elisabeth  |
S.498a
|
Die Legende von der Heiligen Elisabeth  |
S.693a
|
Die Legende von der Heiligen Elisabeth, S.2 (1857-62)  |
S. 2
|
Die Loreley  |
S.532
|
Die todte Nachtigall  |
S.291
|
Die Trauer-Gondel (La lugubre gondola)  |
S.199a
|
Die Zelle im Nonnenwerth (Elegie)  |
S.534, ¹ 3
|
Die Zelle im Nonnenwerth (Elegie)  |
S.534
|
Drei Bach-Bearbeitungen  |
S.deest
|
Duet `Dall`alma Roma` for 2 voices and organ (1867-68)  |
S. 36
|
Dumka  |
S.249b
|
Duo (Sonate) for Violin and Piano (1835)  |
S.127
|
Einleitung, Fuge und Magnificat  |
S.672b
|
Elégie Die Zelle im Nonnenwerth for piano  |
S.534, ¹ 1
|
Elegy on the themes of Prince Louis Ferdinand of Prussia  |
S.168/2
|
Elegy ¹ 1 for Piano  |
S.196
|
Eleven Chorales arranged for Piano (1870)  |
S.504b
|
En Reve, nocturne  |
S.207
|
Epithalam  |
S.129
|
Epithalam zu Eduard Remenyis Vermahlungsfeier (1872)  |
S.526
|
Es war ein König in Thule  |
S.278
|
Essai sur l’indifference  |
S.692p/2
|
Excelsior  |
S.666
|
Fantaisie romantique sur deux mélodies suisses  |
S.157
|
Fantasia and Fugue on the theme B-A-C-H  |
S.529
|
Fantasia on Hungarian Folk Themes for piano and orchestra  |
S.123
|
Fantasie über Motive aus Beethovens Ruinen von Athen  |
S.389
|
Fantasie über Themen aus Beethovens Ruinen von Athen  |
S.388b
|
Fantasy and Fugue in g-moll  |
S.463/2
|
Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for organ  |
S.259
|
Fantasy on themes from Wagner`s Rienzi, S.439  |
S.439
|
Faust Symphony (Andante soave aus der Faust-Symphonie)  |
S.513
|
Faust-Symphony for tenor, men`s chorus and orchestra  |
S.108
|
Festklänge  |
S.641
|
Festklänge (Poème symphonique No.7)  |
S.511d
|
Festmarsch nach Motiven von E.H. z. S.C.-G  |
S.116
|
Festmarsch zur Goethe Jubilaumsfeier  |
S.115
|
Festmarsch zur Säcularfeier von Goethes Geburtstag (1849)  |
S.227
|
Festpolonaise  |
S.230a
|
Festvorspiel (Preludio pomposo)  |
S.226
|
Feuille d`album ¹ 1 As-dur  |
S.165
|
Feuille d`album ¹ 2 a-moll  |
S.167
|
Finale de Don Carlos (Coro di festa e Marcia funebre)  |
S.435
|
Five little piano pieces (for Baroness von Meyendorff)  |
S.192
|
Flea`s song `Once upon a time there was a king` (Es war einmal ein Konig) for bass / baritone, male choir and piano (1845)  |
S. 73
|
Freischütz Fantasie  |
S.451
|
Freudvoll und leidvoll  |
S.468 ¹ 2
|
Funeral Prelude and March for piano  |
S.206
|
Fur Mannergesang, for male choir (1857–61)  |
S. 90
|
Galop  |
S.218
|
Galop de Bal for piano  |
S.220
|
Gaudeamus igitur  |
S.240a
|
Gaudeamus igitur (Humoreske)  |
S.509
|
Gebet (1879) S265  |
S.265
|
God Save the Queen (Paraphrase de concert)  |
S.235
|
Grand Duo concertant sur la romance de M. Lafont `Le marin` for violin and piano (1835, 1849)  |
S.128
|
Grand Galop chromatique  |
S.219
|
Grand galop chromatique  |
S.219bis
|
Grand solo de concert  |
S.365
|
Grand Solo de concert for piano (1849)  |
S.175a
|
Grand Symphonic Fantasia for piano and orchestra on Berlioz`s `Lelio`  |
S.120
|
Grande fantaisie de bravoure sur La clochette  |
S.420
|
Grande fantaisie sur des motifs de La serenata e L`orgia des Soirées musicales  |
S.422, ¹ 1
|
Grande Fantaisie sur des thèmes de Paganini  |
S.700, ¹ 1
|
Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)  |
S.694
|
Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan  |
S.403
|
Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan  |
S.403bis
|
Grande valse di bravura (Le bal de Berne)  |
S.209
|
Great Concert Fantasia on the Spanish Themes  |
S.253
|
Grosse Konzertstück über Themen aus Mendelssohns `Lieder ohne worte` for 2 Pianos  |
S.257
|
Grosses Konzertsolo for piano (1849)  |
S.176
|
Hamlet  |
S.644
|
Harmonies poétiques et religieuses for Piano (I) (1833-34)  |
S.154
|
Harmonies poétiques et religieuses for Piano (II) (1840–47)  |
S.172a
|
Harmonies poétiques et religieuses for Piano (III) (1848-53)  |
S.173
|
Harmonies poétiques et religieuses for Piano: Litanies de Marie (1846-47)  |
S.171e
|
Harmonies poétiques et religieuses for Piano: `Prière d`un enfant á son réveil` (1840)  |
S.171c
|
Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois)  |
S.231
|
Hexaméron (Morceau de concert)  |
S.365b
|
Historical Hungarian Portraits (1870-86)  |
S.205
|
Historische ungarische Bildnisse  |
S.205a
|
Huldigungsmarsch  |
S.228b
|
Huldigungsmarsch  |
S.228à
|
Hungaria  |
S.643
|
Hungarian Coronation Mass  |
S. 11
|
Hungarian March in B-dur (1859)  |
S.229a
|
Hungarian Rhapsody in D Major (orchestral version)  |
S.359/6
|
Hungarian Rhapsody in d-moll (orchestra version)  |
S.359/2
|
Hungarian Rhapsody in d-moll (orchestra version)  |
S.359/4
|
Hungarian Rhapsody in Des-dur (orchestra version)  |
S.359/3
|
Hungarian Rhapsody in E Minor (orchestral version)  |
S.359/5
|
Hungarian Rhapsody in f-moll (orchestra version)  |
S.359/1
|
Hungarian Rhapsody ¹ 1 in cis-moll  |
S.244 ¹ 1
|
Hungarian Rhapsody ¹ 17 in d-moll  |
S.244 ¹17
|
Hungarian Rhapsody ¹ 2 in cis-moll  |
S.244 ¹ 2
|
Hungarian Rhapsody ¹ 2 in cis-moll (1885)  |
S.244 ¹ 2bis
|
Hungarian Rhapsody ¹ 3 in B-dur  |
S.244 ¹ 3
|
Hungarian Rhapsody ¹ 4 in Es-dur  |
S.244 ¹ 4
|
Hungarian Rhapsody ¹ 5 in e-moll  |
S.244 ¹ 5
|
Hungarian Rhapsody ¹ 6 Des-dur  |
S.244 ¹ 6
|
Hungarian Rhapsody ¹ 7 in d-moll  |
S.244 ¹ 7
|
Hungarian Rhapsody ¹ 8 in fis-moll  |
S.244 ¹ 8
|
Hungarian Rhapsody ¹ 9 in Es-dur `Carnaval de Pesth`  |
S.244 ¹ 9
|
Hungarian Rhapsody ¹10 in E-dur  |
S.244 ¹10
|
Hungarian Rhapsody ¹10 in E-dur (1847)  |
S.244 ¹10bis
|
Hungarian Rhapsody ¹11 in a-moll  |
S.244 ¹11
|
Hungarian Rhapsody ¹12 in cis-moll  |
S.244 ¹12
|
Hungarian Rhapsody ¹13 in a-moll  |
S.244 ¹13
|
Hungarian Rhapsody ¹14 in f-moll  |
S.244 ¹14
|
Hungarian Rhapsody ¹15 in a-moll  |
S.244 ¹15
|
Hungarian Rhapsody ¹15 in a-moll (1847)  |
S.244 ¹15bis
|
Hungarian Rhapsody ¹16 in A-dur  |
S.244 ¹16
|
Hungarian Rhapsody ¹16 in A-dur (1882)  |
S.244 ¹16/1
|
Hungarian Rhapsody ¹18 in A-dur  |
S.244 ¹18
|
Hungarian Rhapsody ¹18 in A-dur (1883)  |
S.244 ¹18a
|
Hungarian Rhapsody ¹18 in A-dur (1883)  |
S.244 ¹18b
|
Hungarian Rhapsody ¹19 in d-moll  |
S.244 ¹19
|
Hunnenschlacht  |
S.645
|
Hussitenlied (Aus dem 15. Jahrhundert)  |
S.234
|
Ich liebe dich, 1862  |
S.315
|
il m`aimait tant! (1843) S533  |
S.533
|
Il penseroso  |
S.157b
|
Impromptu brilliant on themes By Rossini & Spontini  |
S.150
|
In domum Domini ibimus  |
S.671
|
In domum Domini ibimus (1884)  |
S.505
|
In domum Domini ibimus for choir, brass, timpani and organ (1884)  |
S. 57
|
In festo transfigurationis Domini nostri Jesu Christi (1880)  |
S.188
|
Inno a Maria Vergine for mixed choir and organ (1869)  |
S. 39/1
|
Introduction et variations sur une marche du Siège de Corinthe  |
S.421a
|
Introduction for Organ from Oratorio `Die Legende von der Heiligen Elisabeth` (1872)  |
S.663a
|
Jugendglück  |
S.323
|
Künstlerfestzug zur Schillerfeier  |
S.114
|
Kavallerie-Geschwindmarsch  |
S.460
|
Kirchenhymnen  |
S.669
|
Klavierstück  |
S.695
|
Klavierstück aus der Bonner Beethoven-Kantate  |
S.507
|
Klavierstück Fis-dur  |
S.193
|
Klavierstück in es-Moll  |
S.692n
|
Klavierstuck in As-dur  |
S.192, ¹ 2
|
Klavierstuck in As-dur  |
S.192, ¹ 4
|
Klavierstuck in E-dur  |
S.192, ¹ 1
|
Klavierstuck in Fis-dur  |
S.192, ¹ 3
|
Konzertstück (von Weber)  |
S.576à
|
Konzertstueck in F minor  |
S.367a
|
Korrekturblatt (1882) S.701k  |
S.701k
|
Ländler  |
S.211a
|
Ländler for piano As-dur  |
S.211
|
Légendes for piano  |
S.175
|
La Campanella (1851)  |
S.141/3
|
La Charite (1847) S.701j  |
S.701j
|
La lugubre gondola  |
S.199a/ii
|
La Lugubre Gondola for piano  |
S.200
|
La lugubre gondole ``Troisième élégie`` (Third Elegy) - for cello and piano (1882-85)  |
S.134
|
La mandragore (Ballade de l`opera Jean de Nivelle) S.698 (1881)  |
S.698
|
La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle)  |
S.237
|
La Notte, for Violin and Piano (1864-65)  |
S.377a
|
Largo en si mineur  |
S.692p/1
|
Le forgeron, for male choir and piano (1845) R548  |
S. 81/1
|
Le lac de Wallenstadt  |
S.156, 2à-bis
|
Le triomphe funèbre du Tasse, Epilogue to the symphonic poem `Tasso`  |
S.112/3
|
Legendes de San Francesco (version orchestrale) (1863, pub. 1975 ed. F.G.Zeileis)  |
S.113a
|
L`hymne du Pape (1865)  |
S.530
|
Mélodie polonaise (1843)  |
S.249a
|
Magnificat for Piano (1862)  |
S.182a
|
Magyar Dalok No.1 in C minor  |
S.242/1
|
Magyar Dalok No.10 in D major  |
S.242/10
|
Magyar Dalok No.11 in B flat major  |
S.242/11
|
Magyar Dalok No.2 in C major  |
S.242/2
|
Magyar Dalok No.3 in D flat major  |
S.242/3
|
Magyar Dalok No.4 in C sharp major  |
S.242/4
|
Magyar Dalok No.5 in D flat major  |
S.242/5
|
Magyar Dalok No.6 in G minor  |
S.242/6
|
Magyar Dalok No.7 in E flat major  |
S.242/7
|
Magyar Dalok No.8 in F minor  |
S.242/8
|
Magyar népdal  |
S.245
|
Magyar Rapszódiák No.12 in E minor - `Héroïde élégiaque`  |
S.242/12
|
Magyar Rapszódiák No.18 in C sharp minor  |
S.242/18
|
Magyar Rapszódiák No.19 in F sharp minor  |
S.242/19
|
Magyar Rapszódiák No.21 in E minor  |
S.242/21
|
Magyar Tempo  |
S.241b
|
Maometto II de Rossini – Fantaisie  |
S.421b
|
March Hongroise for piano  |
S.233b
|
Marche de Prozinsky  |
S.701v
|
Marche de Rákóczy (Édition populaire)  |
S.244c
|
Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz)  |
S.473, ¹ 1
|
Marche des Ruines d`Athenes de Beethoven  |
S.388a
|
Marche funèbre  |
S.226a
|
Marche héroïque  |
S.510
|
Marches dans le genre hongrois: March No.1 B♭ minor  |
S.693, ¹ 2
|
Marches dans le genre hongrois: March No.1 D minor  |
S.693, ¹ 1
|
Marie-Poeme S.701b (1837)  |
S.701b
|
Marsh of Pilgrims from the symphony Harold in Italy by Berlioz (1862)  |
S.473
|
Mazeppa (Poème symphonique No.6)  |
S.511c
|
Mazurka  |
S.221a
|
Mazurka brillante (1850)  |
S.221
|
Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg  |
S.384
|
Melodie in Dorische Tonart (Prose des Morts) S.701d (1861)  |
S.701d
|
Mephisto Polka  |
S.217/2
|
Mephisto Polka (1882-83) S.217 / 1  |
S.217/1
|
Mephisto Waltz No.3  |
S.215a
|
Mephisto Waltz No.4  |
S.216b
|
Mephisto Waltz ¹ 2 for orchestra  |
S.111
|
Mephisto Waltz ¹ 2 for piano  |
S.515
|
Mephisto Waltz ¹1  |
S.514
|
Mephisto Waltz ¹3  |
S.216
|
Mephisto Waltz ¹4  |
S.696
|
Missa choralis, organo concinente for mixed choir and organ  |
S. 10
|
Missa pro organo lectarum celebrationi missarum adjumento inserviens, S.264  |
S.264
|
Missa quattuor vocum ad aequales (Szekszárd Mass, 1869)  |
S. 8/2
|
Missa Solennis (1857–58)  |
S. 9
|
Mosonyis Grabgeleit (1870)  |
S.194
|
Nocturne  |
S.190a
|
Nocturne in Fis-dur  |
S.191
|
O lieb, so lang du lieben kannst!  |
S.540a
|
O Roma nobilis  |
S.546a
|
O Roma nobilis for choir and organ (1879)  |
S. 54
|
O sacrum convivium  |
S.674a
|
O sacrum convivium  |
S.674a (bis)
|
O salutaris hostia II for choir and organ ad lib. (1870)  |
S. 43
|
Ode `To the Artists` (An die Kunstler) for male choir and orchestra (1853)  |
S. 70
|
Offertory `Mihi autem adhaerere` for male choir and organ (1868)  |
S. 37
|
Opera `Don Sancho, or Castle of Love`  |
S. 1
|
Ora pro nobis  |
S.262
|
Oratorio `Seven Sacraments` (Septem sacramenta) for soloists, choir and organ (1878-84)  |
S. 52
|
Oratorio `Via Crucis` for mixed chorus, soloists and organ (piano)  |
S. 53
|
Orgel Fantasie und Fuge  |
S.463/1
|
Ossa arida for choir and organ 4 hands (1879)  |
S. 55
|
Pásztor Lakodalmus (Magyar nóták)  |
S.405a
|
Paralipomènes á la Divina Commedia (Fantaisie symphonique)  |
S.158a
|
Paraphrase on the `Miserere` from the opera `Il Trovatore` by Verdi  |
S.433
|
Parts of Compositions  |
|
Pastorale. Schnitterchor aus dem `Entfesselten Prometheus` (1861)  |
S.508
|
Pater noster for mixed chorus and organ (1869)  |
S. 22
|
Pater noster III for choir and organ / piano (1869)  |
S. 41
|
Pater noster No.2, (Vater unser)  |
S. 29
|
Pathetic Concerto for piano and orchestra (¹ 4) in E Minor (1885-86)  |
S.365a
|
Pensees `Nocturne` (1845)  |
S.168b
|
Pester Carneval  |
S.242/22
|
Petite valse (`Nachspiel zu den drei vergessenen Walzer`)  |
S.695d
|
Petite valse - `Nachspiel zu den drei vergessenen Walzer`  |
S.695e
|
Petite valse favorite (Souvenir de St Pétersbourg)  |
S.212, ¹ 1
|
Piano duo `Héroïde funèbre`  |
S.642
|
Piano piece `Berceuse`  |
S.174
|
Piano Sonata in h-moll (1852-53)  |
S.178
|
Piano transcription of Valhalla. Excerpt from trilogy of Der Ring des Nibelungen by Wagner (1876)  |
S.449
|
Piano Transcription of Am stillen Herd aus den Meistersingern by Wagner  |
S.448
|
Piano transcription of Ballad of the Flying Dutchman by Wagner  |
S.441
|
Piano transcription of Beethoven`s Symphony ¹ 3  |
S.464, ¹ 3
|
Piano transcription of Beethoven`s Symphony ¹ 4  |
S.464, ¹ 4
|
Piano transcription of Beethoven`s Symphony ¹ 5  |
S.464, ¹ 5
|
Piano transcription of Beethoven`s Symphony ¹ 6 (first version)  |
S.463b
|
Piano transcription of Beethoven`s Symphony ¹6  |
S.464, ¹ 6
|
Piano transcription of Beethoven`s Symphony ¹7  |
S.464, ¹ 7
|
Piano transcription of Beethoven`s Symphony ¹7 (first version)  |
S.463d
|
Piano transcription of Beethoven`s Symphony ¹8  |
S.464, ¹ 8
|
Piano transcription of Beethoven`s Symphony ¹9  |
S.464, ¹ 9
|
Piano transcription of Fantastique Symphonie by Berlioz  |
S.470
|
Piano transcription of Harold in Italy by Berlioz  |
S.472
|
Piano transcription of Symphony No.1 by Beethoven  |
S.464, ¹ 1
|
Piano transcription of Symphony No.2 by Beethoven  |
S.464, ¹ 2
|
Piano Transcription of the Funeral March of Beethoven`s Symphony ¹ 3  |
S.463e
|
Piano transcription of the overture from Wagner`s `Tannhäuser`  |
S.442
|
Piano transcription of the overture to the opera `Oberon` by Weber (1843)  |
S.574
|
Piano transcription of `Î, du mein holder Abendstern` from Wagner`s `Tannhauser` (1849)  |
S.444
|
Piano transcriptions of songs by Schubert  |
|
Pio IX - version for Organ (1863-65)  |
S.261
|
Polka de salon (Einleitung und Coda zu Smetanas Polka)  |
S.570a
|
Polnisch S.701g (1876?)  |
S.701g
|
Polonaise brillante  |
S.455
|
Polonaises de l`oratorio St. Stanislaus: ¹ 1 (1875)  |
S.519, ¹ 1
|
Polonaises de l`oratorio St. Stanislaus: ¹ 2 (1875)  |
S.519, ¹ 2
|
Präludium und Fuge über das Motiv B.A.C.H.  |
S.529, ¹ 1
|
Prelude and Fugue for Organ on B-A-C-H  |
S.260
|
Preludes et Harmonies poetiques et religieuses (1845-46)  |
S.171d
|
Preludio funebre  |
S.205b
|
Prolégomènes á la Divina Commedia (Fantaisie symphonique)  |
S.158b
|
Prometheus, cantata (1857)  |
S. 69/2
|
Psalm 125 `Qui seminant in lacrimis` for choir and organ (1883)  |
S. 63
|
Psalm 18 `Die Himmel erzåhlen die Ehre Gotte` for choir and orchestra (1860/1870)  |
S. 14
|
Psalm 23 `Mein Gott, der ist mein Hirt` for soloist, (chorus), harp, organ, (orchestra) (1859-62)  |
S. 15
|
Psalm No.13 for tenor, chorus and orchestra  |
S. 13
|
Psalm No.137 `An den Wassern zu Babylon` (1859)  |
S. 17/2
|
Psalm ¹ 116 for male and mixed chorus (1869)  |
S. 15a/1
|
Puszta-Wehmut  |
S.246
|
Qui Mariam absolvisti (Sequence) for bass, choir and organ (1885)  |
S. 65
|
Rákóczi March (for 2 pianos)  |
S.608
|
Rákóczi Marsch  |
S.242a
|
Rákóczi-Marsch  |
S.117
|
Rákóczi-Marsch  |
S.244a
|
Rákóczi-Marsch (1871)  |
S.244b
|
R. W.- Venezia. (R. Wagner, 1883)  |
S.201
|
Rakoczy-march (1839-40) S.692d  |
S.692d
|
Rapsodies hongroises No.23 in C sharp minor ‘Rêves et fantaisies’  |
S.242/23
|
Recueillement, for piano  |
S.204
|
Regina coeli laetare  |
S.663
|
Requiem für die Orgel  |
S.266
|
Requiem for soloists, chorus, organ and percussion  |
S. 12
|
Resignazione  |
S.187a
|
Resignazione (1881)  |
S.187b
|
Rhapsodies hongroises in a-moll  |
S.242, ¹13
|
Rhapsodies hongroises in a-moll  |
S.242, ¹14
|
Rhapsodies hongroises in a-moll  |
S.242, ¹17
|
Rhapsodies hongroises in d-moll  |
S.242, ¹15
|
Rhapsodies hongroises in E-dur  |
S.242, ¹16
|
Rhapsodies hongroises in e-moll  |
S.242, ¹12
|
Rhapsody espagnole for piano  |
S.254
|
Rhapsody on Hungarian Themes (1839–43)  |
S.242/9
|
Romance oubliée  |
S.527bis
|
Romance S. 169  |
S.169
|
Romancero espagnol (1845)  |
S.695c
|
Rondeau fantastique sur un thème espagnol El Contrabandista  |
S.252
|
Rondo di Bravura Op.4 No.2  |
S.152
|
Roumanian Rhapsody for piano (1846–47)  |
S.242/20
|
Sacred Festival Overture On the Chorale `Ein Feste Burg Ist Unser Gott` (1852)  |
S.675
|
Salve Polonia (Interludium aus dem Oratorium Stanislaus) (1863)  |
S.518
|
Salve Regina  |
S. 66
|
San Francesco - Preludio per il cantico del sol  |
S.499a
|
San Francesco. Preludio per il cantico del Sol di San Francesco (1880) S499  |
S.498c
|
Sancta Dorothea (1877)  |
S.187
|
Sankt Christoph Legend for bass, choir and piano (1881)  |
S. 47/2
|
Scherzo and March for piano  |
S.177
|
Scherzo in G minor  |
S.153
|
Schlaflos, Frage und Antwort, for piano S.203  |
S.203
|
Schlummerlied  |
S.186/7a
|
Schlummerlied von Ñ. M. v. Weber mit Arabesken by Weber (1848)  |
S.454
|
Schnitterchor aus den entfesselten Prometheus  |
S.507a
|
Seconda Mazurka di Tirindelli  |
S.573a
|
Seconde marche hongroise (Ungarischer Sturmmarsch)  |
S.232
|
Sept Variations brillantes dur un thème de G. Rossini  |
S.149
|
Siegesmarsch (Marche triomphale)  |
S.233a
|
Slavimo slavno, Slaveni!  |
S.668
|
Song `Über allen Gipfeln ist Ruh` for voice and piano  |
S.306
|
Song `Anfangs wollt ich fast verzagen` for voice and piano  |
S.311
|
Song `Angiolin dal biondo crin` for voice and piano  |
S.269
|
Song `Blume und Duft` for voice and piano  |
S.324
|
Song `Comment, disaient-ils` for voice and piano  |
S.276
|
Song `Der du von dem Himmel bist` for voice and piano  |
S.279
|
Song `Der Glückliche` for voice and piano  |
S.334
|
Song `Des Tages laute Stimmen schweigen` for voice and piano  |
S.337
|
Song `Die drei Zigeuner` for voice and piano  |
S.320
|
Song `Die Fischertochter`  |
S.325
|
Song `Die Loreley` for voice and piano  |
S.273
|
Song `Die stille Wasserrose` for voice and piano  |
S.321
|
Song `Die Vätergruft` for voice and piano  |
S.371
|
Song `Du bist wie eine Blume` for voice and piano by Heinrich Heine  |
S.287
|
Song `Ein Fichtenbaum steht einsam` for voice and piano  |
S.309
|
Song `Enfant, si j`étais roi` for voice and piano  |
S.283
|
Song `Es muss ein Wunderbares sein` for voice and piano  |
S.314
|
Song `Es rauschen die Winde` for voice and piano  |
S.294
|
Song `Freudvoll und leidvoll`  |
S.280/2
|
Song `Gastibelza` for voice and piano  |
S.286
|
Song `Gestorben war ich` for voice and piano  |
S.308
|
Song `Hohe Liebe` for voice and piano  |
S.307
|
Song `Ich möchte hingehn` for voice and piano  |
S.296
|
Song `Ihr Auge`  |
S.310
|
Song `Ihr Glocken von Marling` for voice and piano  |
S.328
|
Song `Im Rhein, im schönen Strome` for voice and piano by Heinrich Heine  |
S.272
|
Song `In Liebeslust` for voice and piano  |
S.318
|
Song `J`ai perdu ma force et ma vie (Tristesse)` for voice and piano  |
S.327
|
Song `Kling leise, mein Lied` for voice and piano  |
S.301
|
Song `La Tombe et la Rose` for voice and piano  |
S.285
|
Song `Lasst mich ruhen` for voice and piano  |
S.317
|
Song `Le Vieux Vagabond` for voice and piano  |
S.304
|
Song `Morgens steh` ich auf und frage` for voice and piano by Heinrich Heine  |
S.290
|
Song `O lieb, so lang du lieben kannst` for voice and piano  |
S.298
|
Song `Oh! Quand je dors` for voice and piano  |
S.282
|
Song `Schwebe, schwebe, blaues Auge` for voice and piano  |
S.305
|
Song `S`il est un charmant gazon` for voice and piano  |
S.284
|
Song `Vergiftet sind meine Lieder` for voice and piano by Heinrich Heine  |
S.289
|
Song `Weimars Toten` (Weimar is dead: Dithyrambe) for bass and piano (1848)  |
S.303
|
Song `Wer nie sein Brot mit Tränen aß` for voice and piano  |
S.297
|
Song `Wie singt die Lerche schön` for voice and piano  |
S.312
|
Song `Wieder möcht` ich dir begegnen` for voice and piano  |
S.322
|
Sospiri (1879)  |
S.192, ¹ 5
|
Sposalizio  |
S.157a
|
St François de Paule, marchant sur les flots  |
S.175/2bis
|
St. Cecilia, legend for mezzo-soprano, choir and orchestra (1874)  |
S. 5
|
Stabat Mater  |
S.172b
|
Suite `Glanes de Woronince` (1847)  |
S.249
|
Sursum Corda!  |
S.162f
|
Symphonic poem No. 1 `Ñe qu în entehd sur là montagnå` (1847-57)  |
S. 95
|
Symphonic poem No. 12 `Die Ideale` for two pianos  |
S.646
|
Symphonic poem No. 2 `Tasso, Lamento e Trionfo` (1849-54)  |
S. 96
|
Symphonic poem No. 3 `Les Préludes` (1848-54)  |
S. 97
|
Symphonic Poem No. 3 `Les Préludes` for Piano (1863)  |
S.511a
|
Symphonic poem No. 3 `Les Préludes` for two pianos  |
S.637
|
Symphonic poem No. 4 `Orpheus` (1853-54)  |
S. 98
|
Symphonic poem No. 4 `Orpheus` for Organ  |
S.672a
|
Symphonic poem No. 4 `Orpheus` for Piano  |
S.511b
|
Symphonic poem No. 4 `Orpheus` for two pianos  |
S.638
|
Symphonic poem No. 5 `Prometheus` (1850, 1855)  |
S. 99
|
Symphonic poem No. 6 `Mazeppa` (1851)  |
S.100
|
Symphonic poem No. 6 `Mazeppa` for two pianos  |
S.640
|
Symphonic poem No. 7 `Festklänge`(1853)  |
S.101
|
Symphonic poem No. 8 `Héroïde funèbre` (1850-1854)  |
S.102
|
Symphonic poem No. 9 `Hungaria` (1854)  |
S.103
|
Symphonic poem No. 9 `Hungaria` (tr. for Piano, 1872)  |
S.511e
|
Symphonic poem No.11 `Hunnenschlacht` (1857)  |
S.105
|
Symphonic poem No.12 `Die Ideale` (1857)  |
S.106
|
Symphonic poem No.13 `From the Cradle to the Grave` (1881-82)  |
S.107
|
Symphonic Poem No.5 `Prometheus`  |
S.639
|
Symphonic poem ¹10 `Hamlet`  |
S.104
|
Symphonie No.5 de Beethoven  |
S.463a
|
Symphonie No.6 de Beethoven  |
S.463c
|
Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz)  |
S.486
|
Szozat und Hymnus  |
S.353
|
Tanto gentile e tanto onesta (Dante`s Sonett von Hans von Bülow)  |
S.479
|
Tantum ergo for female chorus and organ (1869)  |
S. 42/1
|
Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer)  |
S.551a
|
Tarantelle di bravura d’après la tarantelle de La muette de Portici  |
S.386, ¹ 2
|
Tasso - Lamento e trionfo  |
S.636
|
Technical Studies (12 books) for piano  |
S.146
|
Titan, song for bass, male choir and piano (1845)  |
S. 79
|
Toccata  |
S.197a
|
Totentanz  |
S.525
|
Totentanz  |
S.126/1
|
Transcription of Einsam bin ich, nicht alleine by Weber (1848)  |
S.453
|
Transcription of La Pastorella delVAlpi å li Marinari by Rossini (1835-36)  |
S.423
|
Transcription of La Serenata et VOrgia by Rossini (1835-36)  |
S.422, ¹ 2
|
Transcription of Leyer und Schwert by Weber (1846)  |
S.452
|
Transcription of Ouverture du `Roi Lear` by Berlioz (1833)  |
S.474
|
Transcription of Soirees musicales by Rossini (1837)  |
S.424
|
Transcription of `Largo ai factotum` from the opera by G. Rossini `Barber of Seville`  |
|
Tre sonetti di Petrarca for voice and piano (1838-39, 1861)  |
S.270
|
Tristia, transcription of `La Vallee d`Obermannn` for violin, violoncello and piano  |
S.723c
|
Trois Chansons (1852)  |
S.510a
|
Trois Odes funebre. Le Triomphe funebre du Tasse (1866) S517  |
S.517
|
Trois Odes funebres. La Notie (1864) S699  |
S.699
|
Trois Odes funebres. Les Morts. Orais (1860) S516  |
S.516
|
Two Additional Cadences to `Un Sospiro` (1880)  |
S.144/3bis
|
Una stella amica (Polka mazurka de F. Pezzini)  |
S.551
|
Und sprich  |
S.329
|
Ungarische National-Melodie [`Rakoczi-Marsch`]  |
S.242, ¹13bis
|
Ungarische Nationalmelodien  |
S.243bis
|
Ungarische Nationalmelodien  |
S.243
|
Ungarischer Geschwindmarsch (1870)  |
S.233
|
Ungarischer Romanzero (1853): ¹ 1 F minor  |
S.241a, ¹ 1
|
Ungarischer Romanzero (1853): ¹ 2 A minor  |
S.241a, ¹ 2
|
Ungarischer Romanzero (1853): ¹ 3 A minor  |
S.241a, ¹ 3
|
Ungarischer Romanzero (1853): ¹ 4 A minor  |
S.241a, ¹ 4
|
Ungarischer Romanzero (1853): ¹ 5 D minor  |
S.241a, ¹ 5
|
Ungarischer Romanzero (1853): ¹ 6 A major  |
S.241a, ¹ 6
|
Ungarischer Romanzero (1853): ¹ 7 A major  |
S.241a, ¹ 7
|
Ungarischer Romanzero (1853): ¹ 8 D minor  |
S.241a, ¹ 8
|
Ungarischer Romanzero (1853): ¹ 9 A major  |
S.241a, ¹ 9
|
Ungarischer Romanzero (1853): ¹10 G minor  |
S.241a, ¹10
|
Ungarischer Romanzero (1853): ¹11 F major  |
S.241a, ¹11
|
Ungarischer Romanzero (1853): ¹12 A major  |
S.241a, ¹12
|
Ungarischer Romanzero (1853): ¹13 F♯ minor  |
S.241a, ¹13
|
Ungarischer Romanzero (1853): ¹14 D major  |
S.241a, ¹14
|
Ungarischer Romanzero (1853): ¹15 C major  |
S.241a, ¹16
|
Ungarischer Romanzero (1853): ¹15 D major  |
S.241a, ¹15
|
Ungarischer Romanzero (1853): ¹17 A major  |
S.241a, ¹17
|
Ungarischer Romanzero (1853): ¹18 A major  |
S.241a, ¹18
|
Ungarischer Sturmmarsch (1875)  |
S.119
|
Ungarischer Sturmmarsch (Hungarian Battle March)  |
S.524
|
Ungarisches Konigslied  |
S.544
|
Unstern. Sinistre.  |
S.208
|
Urbi et orbi (1864)  |
S.184
|
Valse de bravoure  |
S.214, ¹ 1
|
Valse de concert  |
S.430
|
Valse de Marie (Mariotte) (1842)  |
S.212b
|
Valse Impromptu  |
S.213
|
Valse infernale S.701h/1 (1840?)  |
S.701h/1
|
Valse mélancolique  |
S.214, ¹ 2
|
Valse mélancolique  |
S.210
|
Valse mélancolique  |
S.210à
|
Valse oubliée No.3 (1883)  |
S.215, ¹ 3à
|
Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)  |
S.571a
|
Valse-Impromptu  |
S.213à
|
Valse-Impromptu  |
S.213bis
|
Variationen über ein Motiv (basso ostinato) aus der Kantate `Weinen, Klagen, Sorgen, Zagen`, und dem `Crucifixus`, der h-Moll Messe von J. S. Bach  |
S.673
|
Variations de bravoure sur des thèmes de Paganini  |
S.700, ¹ 2
|
Variations on a Waltz by Diabelli for Piano (1822)  |
S.147
|
Variations on `Tiszantuli szép leany`  |
S.384a
|
Variations sur le Carnaval de Venise  |
S.700a
|
Venice and Naples (1840)  |
S.159
|
Vexilla regis prodeunt  |
S.185
|
Via Crucis (Les 14 stations de la croix)  |
S.504a
|
Vive Henri IV  |
S.239
|
Vom Fels zum Meer! (Deutscher Siegesmarsch) (1853-56)  |
S.229
|
Von der Wiege bis zum Grabe (1881) S512  |
S.512
|
Waltz  |
S.210b
|
Waltz in A-dur  |
S.208a
|
Waltz in Es-dur  |
S.209a
|
Waltz-Caprice on the operas of G. Donizetti Lucia di Lammermoor and Parisina  |
S.214, ¹ 3
|
Webers Jubelovertüre  |
S.576
|
Weihnachtsbaum. Arbre de Noel 12 piano pieces  |
S.186
|
Weihnachtsbaum. Arbre de Noel 12 piano pieces  |
S.185a
|
Weimars Volkslied for Organ (1857-63)  |
S.672, ¹ 1
|
Weinachtslied (Christus ist geboren)  |
S.502
|
Wiegenlied (Chant de berceau)  |
S.198
|
Wilde Jagd - Scherzo  |
S.176a
|
Winzerchor aus den entfesselten Prometheus S.692e (1850)  |
S.692e
|
Wo weilt er?  |
S.295
|
Workers` choir `Hurry here, grab the shovel!` (Herbei, herbei, den Spath`) for baritone, chorus and piano (1843-48?)  |
S. 82
|
Zigeuner-Epos (1848)  |
S.695b
|
`Évocation à la chapelle Sixtine`  |
S.461, ¹ 1
|
`Évocation à la chapelle Sixtine` (orchestra version)  |
S.360
|
`Ab irato` (Étude de perfectionnement)  |
S.143
|
`Album d`un voyageur` for Piano (1837-38)  |
S.156
|
`Album Leaf` (1841)  |
S.701h/2
|
`Allegro di Bravura`, Op.4 ¹ 1  |
S.151
|
`Apparitions` for piano  |
S.155
|
`Buch der Lieder II` (1847): ¹ 2 `Oh, quand je dors`  |
S.536
|
`Buch der Lieder II` (1847): ¹ 3 `Enfant, si j`étais roi`  |
S.537
|
`Buch der Lieder II` (1847): ¹ 4 `S`il est un charmant gazon`  |
S.538
|
`Buch der Lieder II` (1847): ¹ 5 `La tombe et la rose`  |
S.539
|
`Buch der Lieder II` (1847): ¹ 6 `Gastibelza`  |
S.540
|
`Buch der Lieder I` (1843)  |
S.531
|
`Canzonetta del Salvator Rosa` (1839)  |
S.157c
|
`Caritas` (1847)  |
S.552a
|
`Chanson du Béarn` (Pastorale)  |
S.236, ¹ 2
|
`Consolations` for piano  |
S.172
|
`Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880)  |
S.162a, ¹ 3
|
`Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880)  |
S.162a, ¹ 4
|
`Den Schutz-Engeln` (`Angelus! Prière à l`ange gardien`) (1877)  |
S.162a/1
|
`Die Vätergruft`  |
S.281
|
`Die Zelle im Nonnenwerth` (1843)  |
S.534, ¹ 1bis
|
`Die Zelle in Nonnenwerth` for Cello (or Violin) and Piano  |
S.382
|
`En mémoire de Maximilian I` (1867)  |
S.162d
|
`Entwurf der Ramann-Elegie` (1877)  |
S.196a
|
`Excelsior!` - Preludio zu dem Glocken des Strassburger Münsters (1874)  |
S.500
|
`Fanfare zur Enthüllung des Carl-Augusts Monument` (1875)  |
S.542b
|
`Faribolo Pasteur` (Chanson tirée du poème de Françonetto de Jacques Jasmin) S.236, ¹ 1  |
S.236, ¹ 1
|
`Festmarsch nach Motiven von E.H. z. S.-C.-G` (1858-59)  |
S.522
|
`Feuille morte` (Élégie d`après Soriano) (1845)  |
S.428
|
`Geharnischte Lieder` (1860)  |
S.511
|
`Goethe-Festmarsch` (1859)  |
S.521
|
`Künstlerfestzug zur Schillerfeier 1859` (1859-60)  |
S.520, ¹ 2
|
`Künstlerfestzug zur Schillerfeier 1859` (1859-60)  |
S.520, ¹ 1
|
`Kaiser Wilhelm!` S.197b (1876)  |
S.197b
|
`La caritá` (1847)  |
S.552b
|
`La cloche sonne` (1850?)  |
S.238
|
`La marquise de Blocqueville` (`Un portrait en musique`) (1869)  |
S.190
|
`La notte`  |
S.602
|
`La romanesca` (Mélodie du 16ième siècle)  |
S.252a
|
`La romanesca` (Mélodie du 16ième siècle)  |
S.252b
|
`Malediction` for piano and strings  |
S.121
|
`Mariengarten` (Mary`s Garden) for choir and organ (1884?)  |
S. 62
|
`Mignons Lied`: `Kennst du das Land` for voice and piano  |
S.275
|
`Morceau de salon `, 1840  |
S.142
|
`Nuages gris` for piano  |
S.199
|
`Nun danket alle Gott`  |
S.674c
|
`Petite valse favorite` (`Souvenir de St Pétersbourg`) (1843)  |
S.212, ¹ 2
|
`Romance oubliée` for Cello and Piano (1880)  |
S.132c
|
`Romance oubliee` for piano  |
S.527
|
`Rosario` (1879)  |
S.670
|
`Saint Francis of Paola` for soloists, male choir, organ and timpani (1860-74?)  |
S. 28
|
`Salve Maria` Arrangement of Giselda`s prayer from the opera `Lombardi alla prima crociata` by Giuseppe Verdi  |
S.431
|
`Schlummerlied im Grabe` (1874)  |
S.195a
|
`Slavimo slavno, Slaveni!` (1863)  |
S.503
|
`Sunt lacrymae rerum` (1877)  |
S.162c/1
|
`Sunt lacrymae rerum` (1877)  |
S.162c/2
|
`The Four Elements` (Les quatre elemens), 4 male choirs with piano (2 and 4 hands) (1845)  |
S. 80
|
`Totentanz`. Paraphrase on the `Dies Irae` for piano and orchestra  |
S.126/2
|
`Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867` (1870)  |
S.523
|
`Ungarns Gott` for Organ (1881)  |
S.674
|
`Ungarns Gott` for Piano  |
S.543
|
`Ungarns Gott` for Piano (left hand, 1881)  |
S.543bis
|
`Valses oubliée` for Piano  |
S.215
|
`Wartburg-Lieder` for Soloists, Choir and Orchestra (1872)  |
S.345
|
`Zum Andenken` 2 Hungarian Recruiting Dances  |
S.241
|
`Î, heilige Nacht` (Weihnachtslied), for tenor, choir and organ (1881)  |
S. 49
|