Élégie for Cello and Piano No. 2 (1877)   |
S.131i
|
|
Élégie for Cello and Piano No. 1 (1874) |
S.130
|
|
Élégie for piano No. 2 (1877) |
S.197
|
|
Élégie for Violin and Piano No. 1 (1874) |
S.130iii
|
|
Élégie for Violin and Piano No. 2 (1877) |
S.131ii
|
|
Étude de perfectionnement for piano, 1st version (`Morceau de salon`) (1840) |
S.142
|
|
Étude de perfectionnement for piano, 2nd version (`Ab irato`) (1852) |
S.143
|
|
Évocation à la chapelle Sixtine for organ (1862-65) |
S.658
|
|
Évocation à la Chapelle Sixtine for piano (1862) |
S.461ii
|
|
Évocation à la Chapelle Sixtine for piano (1862) |
S.461i
|
|
(Ábrányi) `Virag Dál` (Chant des Fleurs) for piano (1880) |
S.383a
|
|
(Alabieff) Piano transcription of Romance `Le rossignol`, 1st version (1842) |
S.249d
|
|
(Alabieff) Piano transcription of Romance `Le rossignol`, 2nd version (1842) |
S.250/1
|
|
(Auber) Grande fantaisie sur la tyrolienne de l`opéra `La fiancée`, 1st version (1829) |
S.385i
|
|
(Auber) Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici`, 1st version (1846) |
S.386i
|
|
(Auber) Tarantelle di bravura d’après la tarantelle de La muette de Portici, 2nd version (1869) |
S.386ii
|
|
(Auber) Tyrolean Melody for piano (1826?) |
S.233c
|
|
(Aubert) 3 Klavierstücke aus der Oper `La muette de Portici` (1846?) |
S.387/1
|
|
(Aubert) Klavierstück über ein fremdes Thema (1847) |
S.387/2
|
|
(Aubert) Souvenir de `La fiancée` - Grande fantaisie sur la tyrolienne, 3rd version (1842) |
S.385iii
|
|
(Bülow) Piano transcription of Dante`s Sonett `Tanto gentile e tanto onesta` (1874) |
S.479
|
|
(Bach) Andante from Cantata `Aus tiefer Not schrei ich zu Dir` BWV 38 for organ (1856-60?) |
S.660/2
|
|
(Bach) Einleitung und Fuge from the cantata `Ich hatte viel Bekümmernis` BWV 21 for organ (1861-66) |
S.660/1
|
|
(Bach) Piano transcription of Orgel Fantasie und Fuge BWV 542 (1868), 2nd version (1868) |
S.463ii
|
|
(Bach) Piano transcription of Orgel Fantasie und Fuge G minor BWV 542, 1st version (1861?) |
S.463i
|
|
(Bach) Prelude on a theme from Cantata `Weinen, Klagen, Sorgen, Zagen` BWV12 for piano (1859) |
S.179
|
|
(Bach) Six Preludes and Fugues (1842-1850) S462 |
S.462
|
|
(Bach) Variationen über ein Motiv aus der Kantate `Weinen, Klagen, Sorgen, Zagen` for organ (1862-63) |
S.673
|
|
(Bach) Variations on a theme from Bach`s cantata `Weinen, Klagen, Sorgen, Zagen` for piano (1862) |
S.180
|
|
(Beethoven) Cadenza to the first movement of Piano Concerto ¹ 3 (1878-79) |
S.389a
|
|
(Beethoven) Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846) |
S.388
|
|
(Beethoven) Fantasia on themes of `The Ruins of Athens` for piano and orchestra (1848-52) |
S.122ii
|
|
(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1837) |
S.388b
|
|
(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1852) |
S.389
|
|
(Beethoven) Marche turque des `Ruines d`Athènes` for piano (1846) |
S.388a
|
|
(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 1st version (1850) |
S.507a
|
|
(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 2nd version (1861) |
S.508
|
|
(Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840) |
S.465
|
|
(Beethoven) Piano transcription of 5th movement from Symphonie No.6 (1837) |
S.463c
|
|
(Beethoven) Piano transcription of Symphony No.1 (1863–64) |
S.464/1
|
|
(Beethoven) Piano transcription of Symphony No.2 (1863–64) |
S.464/2
|
|
(Beethoven) Piano transcription of Symphony ¹ 3 (1863–64) |
S.464/3
|
|
(Beethoven) Piano transcription of Symphony ¹ 4 (1863–64) |
S.464/4
|
|
(Beethoven) Piano transcription of Symphony ¹ 5, 1st version (1837) |
S.463a
|
|
(Beethoven) Piano transcription of Symphony ¹ 5, 2nd version (1863–64) |
S.464/5
|
|
(Beethoven) Piano transcription of Symphony ¹ 6, 1st version (1837) |
S.463b
|
|
(Beethoven) Piano transcription of Symphony ¹ 6, 3rd version (1863–64) |
S.464/6
|
|
(Beethoven) Piano transcription of Symphony ¹ 8 (1863–64) |
S.464/8
|
|
(Beethoven) Piano transcription of Symphony ¹ 9 (1863–64) |
S.464/9
|
|
(Beethoven) Piano transcription of Symphony ¹7, 1st version (1837) |
S.463d
|
|
(Beethoven) Piano transcription of Symphony ¹7, 2nd version (1863–64) |
S.464/7
|
|
(Beethoven) Piano transcription of the Funeral March from Symphony ¹ 3 (1841) |
S.463e
|
|
(Beethoven) Piano transcription of the song cycle `An die ferne Geliebte` (1849) |
S.469
|
|
(Beethoven) Piano transcription of the song `Adelaide`, 1st version (1839) |
S.466i
|
|
(Beethoven) Piano transcription of the song `Adelaide`, 2nd version (1841) |
S.466ii
|
|
(Beethoven) Piano transcription of the song `Adelaide`, 3rd version (1847) |
S.466iii
|
|
(Beethoven) Piano transcription of `6 geistliche Lieder`, op. 48 (1840) |
S.467
|
|
(Beethoven) Piano transcriptions of the songs on the words of Goethe (1849) |
S.468
|
|
(Beethoven) Trancription of Symphony No. 9 for Two Pianos (1851) |
S.657
|
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 1st version (1839) |
S.393i
|
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 2nd version (1839) |
S.393ii
|
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 3rd version (1874) |
S.393iii
|
|
(Bellini) Introduction and Polonaise from `I Puritani` for piano(1840) |
S.391
|
|
(Bellini) Réminiscences de `Norma` for Piano (1841) |
S.394
|
|
(Bellini) Réminiscences des `Puritains` for piano, 1st version (1836) |
S.390i
|
|
(Bellini) Réminiscences des `Puritains` for piano, 2nd version (1837) |
S.390ii
|
|
(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano (1837-38) |
S.392
|
|
(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano and orchestra (1839) |
S.365b
|
|
(Berlioz) Danse des sylphes de La damnation de Faust de Hector Berlioz, piano transcription |
S.474a
|
|
(Berlioz) Grand Symphonic Fantasia on themes from `Lélio` for piano and orchestra (1834) |
S.120
|
|
(Berlioz) Marche des pèlerins de la symphonie `Harold en Italie`, 1st version (1836-37) |
S.473i
|
|
(Berlioz) Marsh of Pilgrims from the symphony `Harold in Italy`, 2nd version (1862) |
S.473ii
|
|
(Berlioz) Piano transcription of Fantastique Symphonie (1833) |
S.470
|
|
(Berlioz) Piano transcription of the overture `Secret Judges` (1833) |
S.471
|
|
(Berlioz) Piano transcription of the Symphony `Harold in Italy` (1836) |
S.472
|
|
(Berlioz) Piano transcription of `Danse des Silphes` from `La Damnation de Faust`(1860?) |
S.475
|
|
(Berlioz) Piano transcription of `Ouverture du `Roi Lear` by Berlioz (1833) |
S.474
|
|
(Berlioz) `Bénédiction et serment` (Deux motifs de `Benvenuto Cellini` for piano 1852-53) |
S.396
|
|
(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 1st version (1846) |
S.395
|
|
(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 2nd version (1865) |
S.470a/1
|
|
(Berlioz) `Marche au supplice` de la `Symphonie fantastique`, for piano (1865) |
S.470a/2
|
|
(Borodine) Prélude á la Polka for piano (1880) |
S.207a
|
|
(Boulakhov) Russischer Galop, 1st version (1843-44) |
S.478i
|
|
(Boulakhov) Russischer Galop, 2nd version (1844) |
S.478ii
|
|
(Boulakhov) Transcription of Chanson bohémienne (1842) |
S.250/2
|
|
(Chopin) Piano transcriptions of six polish songs by F. Chopin (1857-60) |
S.480
|
|
(Chopin) Prelude îð. 28, ¹ 4 - transcription for Organ (1862-63) |
S.662/1
|
|
(Chopin) Prelude îð. 28, ¹ 9 - transcription for Organ (1862-63) |
S.662/2
|
|
(Clara Schumann) Piano transcriptions of songs (1872) |
S.569
|
|
(Conradi) Zigeuner-Polka, for piano (1848) |
S.481
|
|
(Cui) Tarentelle, for piano (1885) |
S.482
|
|
(Dargomyzhsky) Transcription of Tarantella slave, for piano (1879) |
S.483
|
|
(David) Piano transcriptions of the collection `Bunte Reihe` (1850) |
S.484
|
|
(Delibes) `La mandragore` - Piano transcription of Ballade from the opera `Jean de Nivelle` (1881) |
S.698
|
|
(Dessauer) Piano transcriptions of 3 songs (1846-47) |
S.485
|
|
(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 1st version (1847) |
S.403
|
|
(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 2-ÿ ðåäàêöèÿ (1848) |
S.403a
|
|
(Donizetti) Fantaisie sur des motifs de l`opéra `Lucrezia Borgia` for piano (1840) |
S.399a
|
|
(Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1835-36) |
S.398
|
|
(Donizetti) Piano transcription of the Funeral March from the opera `Don Sebastian` (1844) |
S.402
|
|
(Donizetti) Piano transcription of `Spirto gentil` from the opera `La Favorite` (1847) |
S.400b
|
|
(Donizetti) Piano transcriptions of 3 songs from `Nuits d`ete a Pausilippe` (1838) |
S.399
|
|
(Donizetti) Réminiscences de `Lucia di Lammermoor` (1835-36) |
S.397
|
|
(Donizetti) Réminiscences de `Lucrezia Borgia` - Grande fantaisie sur des motifs favoris de l`opéra for piano (1848) |
S.400
|
|
(Donizetti) Valse a capriccio sur deux motifs de `Lucia` et `Parisina` for piano (1842) |
S.401
|
|
(Erkel) `Schwanengesang` und Marsch aus `Hunyadi Laszo` for piano (1847) |
S.405
|
|
(Ernst II) Piano transcription of the song `Die Gräberinsel` (1842) |
S.485b
|
|
(Ernst II) `Halloh!` (Jagdchor und Steirer aus der Oper `Tony, oder die Vergeltung) for piano (1849) |
S.404
|
|
(Festetics) Spanisches Ständchen for piano (Melodie von Graf Leó Festetics) (1844) |
S.487
|
|
(Festetics) `Pásztor Lakodalmus` (Magyar nóták) for piano (1858) |
S.405a
|
|
(Franz) Piano transcription of `Er ist gekommen in Sturm und Regen` (1848) |
S.488
|
|
(Franz) Piano transcriptions of 12 songs (1848) |
S.489
|
|
(Glinka) Marche des Tcherkesses de l`opera `Rußlan und Ludmilla`, 1st version (1843) |
S.406i
|
|
(Glinka) Tscherkessenmarsch aus der Oper `Rußlan und Ludmilla`, 2nd version (1875) |
S.406ii
|
|
(Goldschmidt) Piano transcription of love scene and `Wheel of Fortune` from the oratorio `The Seven Deadly Sins` for piano (1880) |
S.490
|
|
(Gounod) Piano transcription of Hymne a Sainte Cecile (1866) |
S.491
|
|
(Gounod) Piano transcription of Waltz from `Faust` (1861) |
S.407
|
|
(Gounod) `Les Adieux` - Fantaisie on a theme from `Romeo and Juliet` for piano (1867) |
S.409
|
|
(Gounod) `Les Sabiennes` - Piano transcription of Berceuse from `Queen of Sheba` (1865) |
S.408
|
|
(Halevy) Memories of the Opera `Yid `(`Daughter of Cardinal`) for piano (1834-35) |
S.409a
|
|
(Handel) Piano transcription of Sarabande and Chaconne from the opera `Almira` (1879) |
S.181
|
|
(Herbeck) Tanzmomente (1869) |
S.492
|
|
(Hummel) Piano transcription of Septet (1848) |
S.493
|
|
(Lassen) Piano transcription of music for `Nibelungs` by Hebbel and `Faust` by Goethe (1878-79) |
S.496
|
|
(Lassen) Piano transcription of the orchestral intermezzo to `Über allen Zauber Liebe` (1883) |
S.497
|
|
(Lassen) Piano transcription of the song `Ich weil in tiefer Einsamkeit` (1872) |
S.495
|
|
(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 1st version (1861) |
S.494i
|
|
(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 2nd version (1872) |
S.494ii
|
|
(Lasso) Arrangement of the motet `Regina coeli laetare` for organ (1865) |
S.663
|
|
(Lessmann) Piano transcription of `Drei Lieder aus Jul. Wolffs `Tannheuser` (1882 |
S.498
|
|
(Massenet) `Marche hongroise de Szabadi` for piano (1879) |
S.572
|
|
(Mendelssohn) Aria `Jerusalem, die du toetest den Propheten` for Voice and Organ |
S.deest
|
|
(Mendelssohn) Concert paraphrase on `Wedding March` and `Dance of the Fairies` from the music to `A Midsummer Night`s Dream` (1849-50) |
S.410
|
|
(Mendelssohn) Piano transcriptions of songs (1840) |
S.547
|
|
(Mendelssohn) Piano transcriptions of the songs `Wasserfahrt` und `Der Jager Abschied` (1848) |
S.548
|
|
(Mendelssohn) Transcription of Songs without Words by Mendelssohn (Op. 30, ¹ 1) for violin and organ |
S.deest
|
|
(Mercadante) `Reminiscences de La Scala` - Fantasie über italienische Opernmelodien for piano (1838-39) |
S.458
|
|
(Mercadante) `Soirees italiennes` - Six entertainments for Piano on motifs by Mercadante (1838-39) |
S.411
|
|
(Meyerbeer) Piano transcription of the song `Le Moine` (1841) |
S.416
|
|
(Meyerbeer) Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for piano 4 hands (1850) |
S.624
|
|
(Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier for piano (1860) |
S.549
|
|
(Meyerbeer) Illustrations du `Prophète` for Piano (1849-50) |
S.414
|
|
(Meyerbeer) Illustrations for the opera `L`Africaine`, for piano (1865) |
S.415
|
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 1st version (1836) |
S.412i
|
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 2nd version (1838?) |
S.412ii
|
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 3rd version (1842) |
S.412iii
|
|
(Meyerbeer) Réminiscences de `Robert le Diable` - Valse infernale (1841) |
S.413
|
|
(Mosonyi) Fantasia on themes from the opera `Szép Ilonka` for piano (1865-67) |
S.417
|
|
(Mozart) 2 piano transcriptions from `Requiem` (1865) |
S.550
|
|
(Mozart) Adagio von `Die Zauberflöte`, transcription for piano 4 hands (1875-81) |
S.634a
|
|
(Mozart) Arrangement of motet `Ave verum corpus` for Organ (1886) |
S.674d
|
|
(Mozart) Arrangement of motet `Ave verum corpus` for Piano (1867) |
S.461a
|
|
(Mozart) Fantasie über Themen aus `Figaro` und `Don Giovanni` for piano (1842) |
S.697
|
|
(Mozart) Réminiscences de `Don Juan` - Grande fantaisie (version for 2 Pianos) |
S.656
|
(Mozart) Reminiscences de `Don Juan` - Grande fantaisie pour piano (1841)  |
S.418
|
|
(Nicolai) Sacred Fest-Overture on the Chorale `Ein` Feste Burg Ist Unser Gott` for organ (1852) |
S.675
|
|
(Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36) |
S.419
|
|
(Paganini) 6 Études d`exécution transcendante d`après Paganini. 1st version (1838) |
S.140
|
|
(Paganini) Grande fantaisie de bravoure sur `La clochette` for piano (1832) |
S.420
|
|
(Paganini) Grandes Études de Paganini (excerpts - ¹ 3 `La Campanella`) |
|
|
(Paganini) Grandes Études de Paganini. 2nd version (1851) |
S.141
|
|
(Paganini) Large etudes after Paganini (separate pieces -¹ 2 (Es-dur (Andante capriccioso) – after the 17th caprice) |
|
|
(Raff) Piano transcriptions of 2 fragments from the opera `King Alfred` (1853) |
S.421
|
|
(Raff) Tanz-Caprice No.1 (Einleitung und Coda zu Raffs Walzer) (1854) |
S.551a
|
|
(Rossini ) Fantaisie sur des thèmes de `Maometto II` et `Mose in Egitto` (1839-41) |
S.421b
|
|
(Rossini) 2 piano transcriptions after Rossini (1847) |
S.553
|
|
(Rossini) Fantaisie sur des motifs des `Soirées musicales`, for piano (1835-36) |
S.423
|
|
(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 1st version (1835-36) |
S.422i
|
|
(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 2nd version (1840) |
S.422ii
|
|
(Rossini) Impromptu brilliant on themes By Rossini & Spontini (1824) |
S.150
|
|
(Rossini) Introduction et variations sur une marche du `Siège de Corinthe` (1830) |
S.421a
|
|
(Rossini) Piano transcription of songs from `Soirees musicales` (1837) |
S.424
|
|
(Rossini) Piano transcription of Overture to `William Tell` (1838) |
S.552
|
|
(Rossini) Piano transcription of the Air from `Stabat Mater` (1847) |
S.552c
|
|
(Rossini) `Caritas` for piano, 1st version (1847) |
S.552a
|
|
(Rossini) `La caritá` for piano, 3rd version (1847) |
S.552b
|
|
(Rossini) `La Charite` for piano (1847) |
S.701j
|
|
(Rubinstein) Einleitung und Coda zu `Étude sur des notes fausses` (1880) |
S.554a
|
|
(Rubinstein) Piano transcription of song `Asra` (1880) |
S.554/2
|
|
(Rubinstein) Piano transcription of song `Oh, if ever it was` (1880) |
S.554/1
|
|
(Saint-Saëns) Piano transcription of `Danse macabre` (1876) |
S.555
|
|
(Schubert) 12 Lieder. Piano transcriptions (1838) |
S.558
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 1 `Sey mir gegrüsst` |
S.558/1
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 2 `Auf dem Wasser zu singen` |
S.558/2
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 3 `Du bist die Ruh’` |
S.558/3
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 4 `Erlkoenig` |
S.558/4
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 5 `Meeresstille` |
S.558/5
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 6 `Die junge Nonne` |
S.558/6
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 7 `Fruehlingsglaube` |
S.558/7
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 8 `Gretchen am Spinnrade` |
S.558/8
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 9 `Ständchen von Shakespeare` |
S.558/9
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 10 `Rastlose Liebe` |
S.558/10
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 11 `Der Wanderer` |
S.558/11
|
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 12 `Ave Maria` (Ellens dritter Gesang) |
S.558/12
|
|
(Schubert) 2 Impromptus (1868) |
S.565b
|
|
(Schubert) Drei Märsche (1846) |
S.426
|
|
(Schubert) Fantasia C-Dur `Wanderer`. Transcription for piano and orchestra (1851) |
S.366
|
|
(Schubert) Fantasie C-Dur `Wanderer`. Piano transcription (1868) |
S.565a
|
|
(Schubert) Four melodies. Piano transcriptions (1840) |
S.562
|
|
(Schubert) Hungarian Melodies. 1st version (1838-39) |
S.425
|
|
(Schubert) Marche militaire (Grande Paraphrase de Concert) (1870?) |
S.426a
|
|
(Schubert) Six tunes. Piano transcriptions of songs (1844) |
S.563/1-5
|
|
(Schubert) Six tunes. ¹ 6 `Die Forelle` |
S.563/6
|
|
(Schubert) Song `Ave Maria`. Piano transcription. 1st version. (1837) |
S.557d
|
|
(Schubert) Song `Die Forelle`. Piano transcription. 3rd version. (1846) |
S.564
|
|
(Schubert) Song `Die Rose`. Piano transcription (1833, 1837) |
S.556
|
|
(Schubert) Song `Erlkönig`. Piano transcription. 1st version (1837) |
S.557a
|
|
(Schubert) Song `Frühlingsglaube`. Piano transcription. 1st version (1838) |
S.557c
|
|
(Schubert) Song `Gondelfahrer`. Piano transcription. (1883) |
S.559
|
|
(Schubert) Song `Meeresstille`, 1st version (1837) |
S.557/b/1
|
|
(Schubert) `Die schoene Mullerin`. Piano transcriptions of 6 Lieder. (1846) |
S.565
|
|
(Schubert) `Die schoene Mullerin`. ¹ 1 `Das Wandern` |
S.565/1
|
|
(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach` |
S.565/2
|
|
(Schubert) `Die schoene Mullerin`. ¹ 3 `Der Jaeger` |
S.565/3
|
|
(Schubert) `Die schoene Mullerin`. ¹ 4 `Die boese Farbe` |
S.565/4
|
|
(Schubert) `Die schoene Mullerin`. ¹ 5 `Wohin?` |
S.565/5
|
|
(Schubert) `Die schoene Mullerin`. ¹ 6 `Ungeduld` |
S.565/6
|
|
(Schubert) `Schwanengesang`. Piano transcriptions of 14 Lieder (1838-39) |
S.560
|
|
(Schubert) `Schwanengesang`: ¹ 1 `Die Stadt ` |
S.560/ 1
|
|
(Schubert) `Schwanengesang`: ¹ 2 `Das Fischermaedchen` |
S.560/ 2
|
|
(Schubert) `Schwanengesang`: ¹ 3 `Aufenthalt` |
S.560/ 3
|
|
(Schubert) `Schwanengesang`: ¹ 4 `Am Meer ` |
S.560/ 4
|
|
(Schubert) `Schwanengesang`: ¹ 5 `Abschied` |
S.560/ 5
|
|
(Schubert) `Schwanengesang`: ¹ 6 `In der Ferne` |
S.560/ 6
|
|
(Schubert) `Schwanengesang`: ¹ 7 `Staendchen` |
S.560/ 7
|
|
(Schubert) `Schwanengesang`: ¹ 8 `Ihr Bild` |
S.560/ 8
|
|
(Schubert) `Schwanengesang`: ¹ 9 `Fruehlingssehnsucht` |
S.560/ 9
|
|
(Schubert) `Schwanengesang`: ¹10 `Liebesbotschaft` |
S.560/10
|
