Élégie for Cello and Piano No. 2 (1877) |
S.131i
|
Élégie for Cello and Piano No. 1 (1874) |
S.130
|
Élégie for piano No. 2 (1877) |
S.197
|
Élégie for Violin and Piano No. 1 (1874) |
S.130iii
|
Élégie for Violin and Piano No. 2 (1877) |
S.131ii
|
Étude de perfectionnement for piano, 1st version (`Morceau de salon`) (1840) |
S.142
|
Étude de perfectionnement for piano, 2nd version (`Ab irato`) (1852) |
S.143
|
Évocation à la chapelle Sixtine for organ (1862-65) |
S.658
|
Évocation à la Chapelle Sixtine for piano (1862) |
S.461ii
|
Évocation à la Chapelle Sixtine for piano (1862) |
S.461i
|
(Ábrányi) `Virag Dál` (Chant des Fleurs) for piano (1880) |
S.383a
|
(Alabieff) Piano transcription of Romance `Le rossignol`, 1st version (1842) |
S.249d
|
(Alabieff) Piano transcription of Romance `Le rossignol`, 2nd version (1842) |
S.250/1
|
(Auber) Grande fantaisie sur la tyrolienne de l`opéra `La fiancée`, 1st version (1829) |
S.385i
|
(Auber) Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici`, 1st version (1846) |
S.386i
|
(Auber) Tarantelle di bravura d’après la tarantelle de La muette de Portici, 2nd version (1869) |
S.386ii
|
(Auber) Tyrolean Melody for piano (1826?) |
S.233c
|
(Aubert) 3 Klavierstücke aus der Oper `La muette de Portici` (1846?) |
S.387/1
|
(Aubert) Klavierstück über ein fremdes Thema (1847) |
S.387/2
|
(Aubert) Souvenir de `La fiancée` - Grande fantaisie sur la tyrolienne, 3rd version (1842) |
S.385iii
|
(Bülow) Piano transcription of Dante`s Sonett `Tanto gentile e tanto onesta` (1874) |
S.479
|
(Bach) Andante from Cantata `Aus tiefer Not schrei ich zu Dir` BWV 38 for organ (1856-60?) |
S.660/2
|
(Bach) Einleitung und Fuge from the cantata `Ich hatte viel Bekümmernis` BWV 21 for organ (1861-66) |
S.660/1
|
(Bach) Piano transcription of Orgel Fantasie und Fuge BWV 542 (1868), 2nd version (1868) |
S.463ii
|
(Bach) Piano transcription of Orgel Fantasie und Fuge G minor BWV 542, 1st version (1861?) |
S.463i
|
(Bach) Prelude on a theme from Cantata `Weinen, Klagen, Sorgen, Zagen` BWV12 for piano (1859) |
S.179
|
(Bach) Six Preludes and Fugues (1842-1850) S462 |
S.462
|
(Bach) Variationen über ein Motiv aus der Kantate `Weinen, Klagen, Sorgen, Zagen` for organ (1862-63) |
S.673
|
(Bach) Variations on a theme from Bach`s cantata `Weinen, Klagen, Sorgen, Zagen` for piano (1862) |
S.180
|
(Beethoven) Cadenza to the first movement of Piano Concerto ¹ 3 (1878-79) |
S.389a
|
(Beethoven) Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846) |
S.388
|
(Beethoven) Fantasia on themes of `The Ruins of Athens` for piano and orchestra (1848-52) |
S.122ii
|
(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1837) |
S.388b
|
(Beethoven) Fantasie über Themen aus `Ruinen von Athen` for piano (1852) |
S.389
|
(Beethoven) Marche turque des `Ruines d`Athènes` for piano (1846) |
S.388a
|
(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 1st version (1850) |
S.507a
|
(Beethoven) Pastorale - Schnitterchor aus dem `Entfesselten Prometheus` , for piano, 2nd version (1861) |
S.508
|
(Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840) |
S.465
|
(Beethoven) Piano transcription of 5th movement from Symphonie No.6 (1837) |
S.463c
|
(Beethoven) Piano transcription of Symphony No.1 (1863–64) |
S.464/1
|
(Beethoven) Piano transcription of Symphony No.2 (1863–64) |
S.464/2
|
(Beethoven) Piano transcription of Symphony ¹ 3 (1863–64) |
S.464/3
|
(Beethoven) Piano transcription of Symphony ¹ 4 (1863–64) |
S.464/4
|
(Beethoven) Piano transcription of Symphony ¹ 5, 1st version (1837) |
S.463a
|
(Beethoven) Piano transcription of Symphony ¹ 5, 2nd version (1863–64) |
S.464/5
|
(Beethoven) Piano transcription of Symphony ¹ 6, 1st version (1837) |
S.463b
|
(Beethoven) Piano transcription of Symphony ¹ 6, 3rd version (1863–64) |
S.464/6
|
(Beethoven) Piano transcription of Symphony ¹ 8 (1863–64) |
S.464/8
|
(Beethoven) Piano transcription of Symphony ¹ 9 (1863–64) |
S.464/9
|
(Beethoven) Piano transcription of Symphony ¹7, 1st version (1837) |
S.463d
|
(Beethoven) Piano transcription of Symphony ¹7, 2nd version (1863–64) |
S.464/7
|
(Beethoven) Piano transcription of the Funeral March from Symphony ¹ 3 (1841) |
S.463e
|
(Beethoven) Piano transcription of the song cycle `An die ferne Geliebte` (1849) |
S.469
|
(Beethoven) Piano transcription of the song `Adelaide`, 1st version (1839) |
S.466i
|
(Beethoven) Piano transcription of the song `Adelaide`, 2nd version (1841) |
S.466ii
|
(Beethoven) Piano transcription of the song `Adelaide`, 3rd version (1847) |
S.466iii
|
(Beethoven) Piano transcription of `6 geistliche Lieder`, op. 48 (1840) |
S.467
|
(Beethoven) Piano transcriptions of the songs on the words of Goethe (1849) |
S.468
|
(Beethoven) Trancription of Symphony No. 9 for Two Pianos (1851) |
S.657
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 1st version (1839) |
S.393i
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 2nd version (1839) |
S.393ii
|
(Bellini) Fantasia on favorite motifs from the opera `La Sonnambula`, 3rd version (1874) |
S.393iii
|
(Bellini) Introduction and Polonaise from `I Puritani` for piano(1840) |
S.391
|
(Bellini) Réminiscences de `Norma` for Piano (1841) |
S.394
|
(Bellini) Réminiscences des `Puritains` for piano, 1st version (1836) |
S.390i
|
(Bellini) Réminiscences des `Puritains` for piano, 2nd version (1837) |
S.390ii
|
(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano (1837-38) |
S.392
|
(Bellini) `Hexaméron` - Grandes variations de bravoure sur la marche des `Puritains` for piano and orchestra (1839) |
S.365b
|
(Berlioz) Danse des sylphes de La damnation de Faust de Hector Berlioz, piano transcription |
S.474a
|
(Berlioz) Grand Symphonic Fantasia on themes from `Lélio` for piano and orchestra (1834) |
S.120
|
(Berlioz) Marche des pèlerins de la symphonie `Harold en Italie`, 1st version (1836-37) |
S.473i
|
(Berlioz) Marsh of Pilgrims from the symphony `Harold in Italy`, 2nd version (1862) |
S.473ii
|
(Berlioz) Piano transcription of Fantastique Symphonie (1833) |
S.470
|
(Berlioz) Piano transcription of the overture `Secret Judges` (1833) |
S.471
|
(Berlioz) Piano transcription of the Symphony `Harold in Italy` (1836) |
S.472
|
(Berlioz) Piano transcription of `Danse des Silphes` from `La Damnation de Faust`(1860?) |
S.475
|
(Berlioz) Piano transcription of `Ouverture du `Roi Lear` by Berlioz (1833) |
S.474
|
(Berlioz) `Bénédiction et serment` (Deux motifs de `Benvenuto Cellini` for piano 1852-53) |
S.396
|
(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 1st version (1846) |
S.395
|
(Berlioz) `L`idée fixe` (Andante amoroso) for piano, 2nd version (1865) |
S.470a/1
|
(Berlioz) `Marche au supplice` de la `Symphonie fantastique`, for piano (1865) |
S.470a/2
|
(Borodine) Prélude á la Polka for piano (1880) |
S.207a
|
(Boulakhov) Russischer Galop, 1st version (1843-44) |
S.478i
|
(Boulakhov) Russischer Galop, 2nd version (1844) |
S.478ii
|
(Boulakhov) Transcription of Chanson bohémienne (1842) |
S.250/2
|
(Chopin) Piano transcriptions of six polish songs by F. Chopin (1857-60) |
S.480
|
(Chopin) Prelude îð. 28, ¹ 4 - transcription for Organ (1862-63) |
S.662/1
|
(Chopin) Prelude îð. 28, ¹ 9 - transcription for Organ (1862-63) |
S.662/2
|
(Clara Schumann) Piano transcriptions of songs (1872) |
S.569
|
(Conradi) Zigeuner-Polka, for piano (1848) |
S.481
|
(Cui) Tarentelle, for piano (1885) |
S.482
|
(Dargomyzhsky) Transcription of Tarantella slave, for piano (1879) |
S.483
|
(David) Piano transcriptions of the collection `Bunte Reihe` (1850) |
S.484
|
(Delibes) `La mandragore` - Piano transcription of Ballade from the opera `Jean de Nivelle` (1881) |
S.698
|
(Dessauer) Piano transcriptions of 3 songs (1846-47) |
S.485
|
(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 1st version (1847) |
S.403
|
(Donizetti ) Grande paraphrase de la Marche pour le Sultan Abdul-Medjid Khan, 2-ÿ ðåäàêöèÿ (1848) |
S.403a
|
(Donizetti) Fantaisie sur des motifs de l`opéra `Lucrezia Borgia` for piano (1840) |
S.399a
|
(Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1835-36) |
S.398
|
(Donizetti) Piano transcription of the Funeral March from the opera `Don Sebastian` (1844) |
S.402
|
(Donizetti) Piano transcription of `Spirto gentil` from the opera `La Favorite` (1847) |
S.400b
|
(Donizetti) Piano transcriptions of 3 songs from `Nuits d`ete a Pausilippe` (1838) |
S.399
|
(Donizetti) Réminiscences de `Lucia di Lammermoor` (1835-36) |
S.397
|
(Donizetti) Réminiscences de `Lucrezia Borgia` - Grande fantaisie sur des motifs favoris de l`opéra for piano (1848) |
S.400
|
(Donizetti) Valse a capriccio sur deux motifs de `Lucia` et `Parisina` for piano (1842) |
S.401
|
(Erkel) `Schwanengesang` und Marsch aus `Hunyadi Laszo` for piano (1847) |
S.405
|
(Ernst II) Piano transcription of the song `Die Gräberinsel` (1842) |
S.485b
|
(Ernst II) `Halloh!` (Jagdchor und Steirer aus der Oper `Tony, oder die Vergeltung) for piano (1849) |
S.404
|
(F. Liszt - S. Menter) `Ungarische Zigeunerweisen` - Concerto in the Hungarian Style for piano and orchestra (1880) |
S.714
|
(Festetics) Spanisches Ständchen for piano (Melodie von Graf Leó Festetics) (1844) |
S.487
|
(Festetics) `Pásztor Lakodalmus` (Magyar nóták) for piano (1858) |
S.405a
|
(Franz) Piano transcription of `Er ist gekommen in Sturm und Regen` (1848) |
S.488
|
(Franz) Piano transcriptions of 12 songs (1848) |
S.489
|
(Glinka) Marche des Tcherkesses de l`opera `Rußlan und Ludmilla`, 1st version (1843) |
S.406i
|
(Glinka) Tscherkessenmarsch aus der Oper `Rußlan und Ludmilla`, 2nd version (1875) |
S.406ii
|
(Goldschmidt) Piano transcription of love scene and `Wheel of Fortune` from the oratorio `The Seven Deadly Sins` for piano (1880) |
S.490
|
(Gounod) Piano transcription of Hymne a Sainte Cecile (1866) |
S.491
|
(Gounod) Piano transcription of Waltz from `Faust` (1861) |
S.407
|
(Gounod) `Les Adieux` - Fantaisie on a theme from `Romeo and Juliet` for piano (1867) |
S.409
|
(Gounod) `Les Sabiennes` - Piano transcription of Berceuse from `Queen of Sheba` (1865) |
S.408
|
(Halevy) Memories of the Opera `Yid `(`Daughter of Cardinal`) for piano (1834-35) |
S.409a
|
(Handel) Piano transcription of Sarabande and Chaconne from the opera `Almira` (1879) |
S.181
|
(Herbeck) Tanzmomente (1869) |
S.492
|
(Hummel) Piano transcription of Septet (1848) |
S.493
|
(Lassen) Piano transcription of music for `Nibelungs` by Hebbel and `Faust` by Goethe (1878-79) |
S.496
|
(Lassen) Piano transcription of the orchestral intermezzo to `Über allen Zauber Liebe` (1883) |
S.497
|
(Lassen) Piano transcription of the song `Ich weil in tiefer Einsamkeit` (1872) |
S.495
|
(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 1st version (1861) |
S.494i
|
(Lassen) Piano transcription of the song `Löse, Himmel, meine Seele`, 2nd version (1872) |
S.494ii
|
(Lasso) Arrangement of the motet `Regina coeli laetare` for organ (1865) |
S.663
|
(Lessmann) Piano transcription of `Drei Lieder aus Jul. Wolffs `Tannheuser` (1882 |
S.498
|
(Massenet) `Marche hongroise de Szabadi` for piano (1879) |
S.572
|
(Mendelssohn) Aria `Jerusalem, die du toetest den Propheten` for Voice and Organ |
S.deest
|
(Mendelssohn) Concert paraphrase on `Wedding March` and `Dance of the Fairies` from the music to `A Midsummer Night`s Dream` (1849-50) |
S.410
|
(Mendelssohn) Piano transcriptions of songs (1840) |
S.547
|
(Mendelssohn) Piano transcriptions of the songs `Wasserfahrt` und `Der Jager Abschied` (1848) |
S.548
|
(Mendelssohn) Transcription of Songs without Words by Mendelssohn (Op. 30, ¹ 1) for violin and organ |
S.deest
|
(Mercadante) `Reminiscences de La Scala` - Fantasie über italienische Opernmelodien for piano (1838-39) |
S.458
|
(Mercadante) `Soirees italiennes` - Six entertainments for Piano on motifs by Mercadante (1838-39) |
S.411
|
(Meyerbeer) Piano transcription of the song `Le Moine` (1841) |
S.416
|
(Meyerbeer) Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for piano 4 hands (1850) |
S.624
|
(Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier for piano (1860) |
S.549
|
(Meyerbeer) Illustrations du `Prophète` for Piano (1849-50) |
S.414
|
(Meyerbeer) Illustrations for the opera `L`Africaine`, for piano (1865) |
S.415
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 1st version (1836) |
S.412i
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 2nd version (1838?) |
S.412ii
|
(Meyerbeer) Memories of the opera Les Huguenots - Grande fantaisie dramatique sur des thèmes de l`opéra, 3rd version (1842) |
S.412iii
|
(Meyerbeer) Réminiscences de `Robert le Diable` - Valse infernale (1841) |
S.413
|
(Mosonyi) Fantasia on themes from the opera `Szép Ilonka` for piano (1865-67) |
S.417
|
(Mozart) 2 piano transcriptions from `Requiem` (1865) |
S.550
|
(Mozart) Adagio von `Die Zauberflöte`, transcription for piano 4 hands (1875-81) |
S.634a
|
(Mozart) Arrangement of motet `Ave verum corpus` for Organ (1886) |
S.674d
|
(Mozart) Arrangement of motet `Ave verum corpus` for Piano (1867) |
S.461a
|
(Mozart) Fantasie über Themen aus `Figaro` und `Don Giovanni` for piano (1842) |
S.697
|
(Mozart) Reminiscences de `Don Juan` - Grande fantaisie pour piano (1841) |
S.418
|
(Nicolai) Sacred Fest-Overture on the Chorale `Ein` Feste Burg Ist Unser Gott` for organ (1852) |
S.675
|
(Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36) |
S.419
|
(Paganini) 6 Études d`exécution transcendante d`après Paganini. 1st version (1838) |
S.140
|
(Paganini) Grande fantaisie de bravoure sur `La clochette` for piano (1832) |
S.420
|
(Paganini) Grandes Études de Paganini (excerpts - ¹ 3 `La Campanella`) |
|
(Paganini) Grandes Études de Paganini. 2nd version (1851) |
S.141
|
(Paganini) Large etudes after Paganini (separate pieces -¹ 2 (Es-dur (Andante capriccioso) – after the 17th caprice) |
|
(Raff) Piano transcriptions of 2 fragments from the opera `King Alfred` (1853) |
S.421
|
(Raff) Tanz-Caprice No.1 (Einleitung und Coda zu Raffs Walzer) (1854) |
S.551a
|
(Rossini ) Fantaisie sur des thèmes de `Maometto II` et `Mose in Egitto` (1839-41) |
S.421b
|
(Rossini) 2 piano transcriptions after Rossini (1847) |
S.553
|
(Rossini) Fantaisie sur des motifs des `Soirées musicales`, for piano (1835-36) |
S.423
|
(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 1st version (1835-36) |
S.422i
|
(Rossini) Grande fantaisie sur des motifs des `Soirées musicales`, 2nd version (1840) |
S.422ii
|
(Rossini) Impromptu brilliant on themes By Rossini & Spontini (1824) |
S.150
|
(Rossini) Introduction et variations sur une marche du `Siège de Corinthe` (1830) |
S.421a
|
(Rossini) Piano transcription of songs from `Soirees musicales` (1837) |
S.424
|
(Rossini) Piano transcription of Overture to `William Tell` (1838) |
S.552
|
(Rossini) Piano transcription of the Air from `Stabat Mater` (1847) |
S.552c
|
(Rossini) `Caritas` for piano, 1st version (1847) |
S.552a
|
(Rossini) `La caritá` for piano, 3rd version (1847) |
S.552b
|
(Rossini) `La Charite` for piano (1847) |
S.701j
|
(Rubinstein) Einleitung und Coda zu `Étude sur des notes fausses` (1880) |
S.554a
|
(Rubinstein) Piano transcription of song `Asra` (1880) |
S.554/2
|
(Rubinstein) Piano transcription of song `Oh, if ever it was` (1880) |
S.554/1
|
(Saint-Saëns) Piano transcription of `Danse macabre` (1876) |
S.555
|
(Schubert) 12 Lieder. Piano transcriptions (1838) |
S.558
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 1 `Sey mir gegrüsst` |
S.558/1
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 2 `Auf dem Wasser zu singen` |
S.558/2
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 3 `Du bist die Ruh’` |
S.558/3
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 4 `Erlkoenig` |
S.558/4
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 5 `Meeresstille` |
S.558/5
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 6 `Die junge Nonne` |
S.558/6
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 7 `Fruehlingsglaube` |
S.558/7
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 8 `Gretchen am Spinnrade` |
S.558/8
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 9 `Ständchen von Shakespeare` |
S.558/9
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 10 `Rastlose Liebe` |
S.558/10
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 11 `Der Wanderer` |
S.558/11
|
(Schubert) 12 Lieder. Piano transcriptions. ¹ 12 `Ave Maria` (Ellens dritter Gesang) |
S.558/12
|
(Schubert) 2 Impromptus (1868) |
S.565b
|
(Schubert) Drei Märsche (1846) |
S.426
|
(Schubert) Fantasia C-Dur `Wanderer`. Transcription for piano and orchestra (1851) |
S.366
|
(Schubert) Fantasie C-Dur `Wanderer`. Piano transcription (1868) |
S.565a
|
(Schubert) Four melodies. Piano transcriptions (1840) |
S.562
|
(Schubert) Hungarian Melodies. 1st version (1838-39) |
S.425
|
(Schubert) Marche militaire (Grande Paraphrase de Concert) (1870?) |
S.426a
|
(Schubert) Six tunes. Piano transcriptions of songs (1844) |
S.563/1-5
|
(Schubert) Six tunes. ¹ 6 `Die Forelle` |
S.563/6
|
(Schubert) Song `Ave Maria`. Piano transcription. 1st version. (1837) |
S.557d
|
(Schubert) Song `Die Forelle`. Piano transcription. 3rd version. (1846) |
S.564
|
(Schubert) Song `Die Rose`. Piano transcription (1833, 1837) |
S.556
|
(Schubert) Song `Erlkönig`. Piano transcription. 1st version (1837) |
S.557a
|
(Schubert) Song `Frühlingsglaube`. Piano transcription. 1st version (1838) |
S.557c
|
(Schubert) Song `Gondelfahrer`. Piano transcription. (1883) |
S.559
|
(Schubert) Song `Meeresstille`, 1st version (1837) |
S.557/b/1
|
(Schubert) `Die schoene Mullerin`. Piano transcriptions of 6 Lieder. (1846) |
S.565
|
(Schubert) `Die schoene Mullerin`. ¹ 1 `Das Wandern` |
S.565/1
|
(Schubert) `Die schoene Mullerin`. ¹ 2 `Der Mueller und der Bach` |
S.565/2
|
(Schubert) `Die schoene Mullerin`. ¹ 3 `Der Jaeger` |
S.565/3
|
(Schubert) `Die schoene Mullerin`. ¹ 4 `Die boese Farbe` |
S.565/4
|
(Schubert) `Die schoene Mullerin`. ¹ 5 `Wohin?` |
S.565/5
|
(Schubert) `Die schoene Mullerin`. ¹ 6 `Ungeduld` |
S.565/6
|
(Schubert) `Schwanengesang`. Piano transcriptions of 14 Lieder (1838-39) |
S.560
|
(Schubert) `Schwanengesang`: ¹ 1 `Die Stadt ` |
S.560/ 1
|
(Schubert) `Schwanengesang`: ¹ 2 `Das Fischermaedchen` |
S.560/ 2
|
(Schubert) `Schwanengesang`: ¹ 3 `Aufenthalt` |
S.560/ 3
|
(Schubert) `Schwanengesang`: ¹ 4 `Am Meer ` |
S.560/ 4
|
(Schubert) `Schwanengesang`: ¹ 5 `Abschied` |
S.560/ 5
|
(Schubert) `Schwanengesang`: ¹ 6 `In der Ferne` |
S.560/ 6
|
(Schubert) `Schwanengesang`: ¹ 7 `Staendchen` |
S.560/ 7
|
(Schubert) `Schwanengesang`: ¹ 8 `Ihr Bild` |
S.560/ 8
|
(Schubert) `Schwanengesang`: ¹ 9 `Fruehlingssehnsucht` |
S.560/ 9
|
(Schubert) `Schwanengesang`: ¹10 `Liebesbotschaft` |
S.560/10
|
(Schubert) `Schwanengesang`: ¹11 `Der Atlas` |
S.560/11
|
(Schubert) `Schwanengesang`: ¹12 `Der Doppelgaenger` |
S.560/12
|
(Schubert) `Schwanengesang`: ¹13 `Die Taubenpost` |
S.560/13
|
(Schubert) `Schwanengesang`: ¹14 `Kriegers Ahnung` |
S.560/14
|
(Schubert) `Soirees de Vienne`. Valses caprices d`apras Schubert (1852) |
S.427
|
(Schubert) `Ständchen` from the song cycle `Schwanengesang`. 1st version. (1837) |
S.559a/1
|
(Schubert) `Winterreise`. Piano transcriptions of 12 Lieder (1839) |
S.561
|
(Schumann) Piano transcription of `Fruhlingsnacht` (1872) |
S.568
|
(Schumann) Piano transcription of `Provencal song` (1881) |
S.570
|
(Schumann) Piano transcription of `Widmung`(1848) |
S.566
|
(Schumann) Piano transcriptions of 2 songs (1861) |
S.567
|
(Schumann) `Widmung` (Short draft) (1850-59?) |
S.566a
|
(Smetana) Polka de salon F sharp major for piano (1885) |
S.570a
|
(Soriano) Élégie `Feuille morte` for piano (1845) |
S.428
|
(Spor) Transcription of Song `Die Rose` (1876) |
S.571
|
(Széchényi) Einleitung und Ungarischer Marsch (1872) |
S.573
|
(Tausig) Valse-Caprice No.3 (1880) |
S.571a
|
(Tchaikovsky) Piano transcription of Polonaise from `Eugene Onegin` (1879) |
S.429
|
(Tirindelli) Seconda Mazurka di Tirindelli (1880) |
S.573a
|
(Végh) Valse de concert for piano (1882-83) |
S.430
|
(Verdi) Deuxième Paraphrase de Concert sur `Ernani` (1859) |
S.432
|
(Verdi) Paraphrase de concert on a Theme from the opera `Rigoletto` for piano (1855-59?) |
S.434
|
(Verdi) Paraphrase de concert on the `Miserere` from the opera `Il Trovatore` for piano (1859) |
S.433
|
(Verdi) Piano transcription of Finale de `Don Carlos` (1867-68) |
S.435
|
(Verdi) Piano transcription of the Holy dance and the final duet from the opera `Aida` (1876?) |
S.436
|
(Verdi) Piano transcription of `Salve Maria de Jérusalem` from the opera `Lombardi alla prima crociata` (1848) |
S.431i
|
(Verdi) Première paraphrase de concert sur `Ernani`, for piano (1847) |
S.431a
|
(Verdi) Réminiscences de Boccanegra for piano (1882) |
S.438
|
(Verdi) Transcription of `Agnus Dei` from `Requiem` for organ (1877-78) |
S.675ñ/i
|
(Verdi) Transcription of `Agnus Dei` from `Requiem` for piano (1877) |
S.437i
|
(Vielgorsky) Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg (1868?) |
S.384
|
(Vielhorsky) Piano transcription of the romance `Lyubila ya` (`I Loved!`), 2nd version (1842) |
S.577i
|
(Vielhorsky) Piano transcription of the romance `Lyubila ya` (`I Loved!`), 3rd version (1843?) |
S.577i/bis
|
(Vielhorsky) Romance `Lyubila ya` (`I Loved!`), 1st version (1842) |
S.576b
|
(Wager) Piano transcription of Ballad of the `Flying Dutchman` (1872) |
S.441
|
(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852) |
S.445
|
(Wagner) 3 fragments from `Lohengrin` for piano (1854) |
S.446
|
(Wagner) Chor der jüngeren Pilger from `Tannhaeuser`, for organ (1860) |
S.676i
|
(Wagner) Fantasy on themes from `Rienzi` for piano (1859) |
S.439
|
(Wagner) Piano transcription of Valhalla. Excerpt from trilogy of Der Ring des Nibelungen by Wagner (1875) |
S.449
|
(Wagner) Piano transcription of the overture from `Tannhäuser` |
S.442
|
(Wagner) Piano transcription of the Solemn march to the Holy Grail from `Parsifal` (1882) |
S.450
|
(Wagner) Piano Transcription of the Walter`s song from `Die Meistersinger von Nuernberg` (1871) |
S.448
|
(Wagner) Piano transcription of the `Spinnerlied` from `The Flying Dutchman` (1860) |
S.440
|
(Wagner) Piano transcription of `Isolda`s Liebestod` from `Tristan and Isolda` (1867) |
S.447
|
(Wagner) Piano transcription of `Î, du mein holder Abendstern` from `Tannhauser` (1849) |
S.444
|
(Wagner) Pilgrim`s Chorus from the opera `Tannhauser`, for piano (1885?) |
S.443ii
|
(Wagner) `O, du mein holder Abendstern` from `Tannhaeuser` - transcription for Cello & Piano (1852) |
S.380
|
(Weber) Konzertstück for piano and orchestra, op. 79. Piano transcription (1968-70) |
S.576à
|
(Weber) Konzertstueck for piano and orchestra in F minor, op. 79 (1872) |
S.367a
|
(Weber) Piano transcription of Preciosa`s song from the incidental music to `Preciosa` (1848) |
S.453
|
(Weber) Piano transcription of the overture to the opera `Der Freischutz` (1846) |
S.575
|
(Weber) Piano transcription of the overture to the opera `Oberon` (1846) |
S.574
|
(Weber) Piano transcription of `Jubelovertüre` (1846) |
S.576
|
(Weber) Piano transcription of `Schlummerlied mit Arabesken` (1848) |
S.454
|
(Weber) Polonaise brillante, op.72. Piano transcription (1851) |
S.455
|
(Weber) Polonaise Brilliant, Op. 72. Transcription for piano and orchestra (1848-52) |
S.367
|
(Weber) `Freischütz-Fantasie` for piano (1840) |
S.451
|
(Weber) `Leyer und Schwert` - Heroide nach Carl Maria von Weber for piano (1846) |
S.452
|
(Zichy) `Valse d`Adèle` - Transcription brillante for piano (1877) |
S.456
|
12 Choere fuer Maennergesang (1857–61) |
S. 90
|
12 Etudes |
S.136
|
12 etudes d`execution transcendente (1851) |
S.139
|
12 Etudes d`execution transcendente (exerpts) |
|
12 Grandes Études (1837) |
S.137
|
2 Concert Studies (1862) |
S.145
|
2 Csárdáses for piano (1884) |
S.225
|
2 Episoden aus Lenau`s Faust for orchestra (1859-1861) |
S.110
|
2 Episoden aus Lenau`s Faust for orchestra. ¹ 1 `Der nächtliche Zug` |
S.110/1
|
2 Episoden aus Lenau`s Faust for orchestra. ¹ 2 `Der Tanz in der Dorfschenke` (`Mephisto-Walzer`) |
S.110/2
|
2 Kirchenhymnen for organ (1877) |
S.669
|
2 Légendes for piano (1863) |
S.175
|
2 Legendes No. 1 `St. Francois d`Assisi: la prédication aux oiseaux`, version orchestrale (1863) |
S.113a/1
|
2 Orchestersätze aus dem Oratorium `Christus` for piano (1871) |
S.498b
|
2 piano pieces |
S.189
|
2 Polonaises for piano (1850-51) |
S.223
|
2 Stuecke aus dem Oratorium `Christus` for piano (1871) |
S.498c
|
2 Vortragsstücke for organ (1884) |
S.268
|
2 waltzes for violin and piano (1823) |
S.126b
|
3 Études de Concert |
S.144
|
3 Caprices-Valses for piano: No. 1 - Valse de bravoure B flat major (1850-52) |
S.214/1
|
3 Caprices-Valses for piano: No. 2 - Valse mélancolique (1850) |
S.214/2
|
3 Caprices-Valses for piano: No. 3 - Valse de concert on themes from `Lucia di Lammermoor` and `Parisina` by G. Donizetti (1850-52) |
S.214/3
|
3 Morceaux suisses for piano, 2nd version (1876) |
S.156a
|
3 nocturnes (`Dreams of Love` / `Liebesträume`) for piano (1850): ¹ 3 |
S.541, ¹ 3
|
3 Sonetti di Petrarca for piano (1843-46) |
S.158
|
3 songs from Schiller`s `Wilhelm Tell` for voice and piano (1845, rev. 1859) |
S.292
|
3 songs from Schiller`s `Wilhelm Tell` for voice and piano (rev. 1859), II version |
S.292, ¹ 2
|
3 Songs from `Wilhelm Tell` Schiller for voice and orchestra (1855) |
S.372
|
3 Stuecke aus der `Legende von der Heiligen Elisabeth`, version for piano (1857-62) |
S.498a
|
3 Ungarische Nationalmelodien (1840) |
S.243
|
4 Album-Leaves for Princess Marie von Sayn-Wittgenstein (1847) |
S.166m
|
4 vierstimmige Männergesänge (1841-42) |
S.72
|
5 Ungarische Volkslieder for piano (1872) |
S.245
|
5 Variations on a theme from Mehul`s `Joseph` (1820,) |
S.747a
|
8 Variations on an original theme (1824) |
S.148
|
A study for piano `Mazeppa` (1840) |
S.138
|
Abschied - Russisches Volkslied for piano (1885) |
S.251
|
Adagio non troppo (1824?) |
S.151a
|
Air cosaque for piano (1879) |
S.249c
|
Album Leaf |
S.167h
|
Album Leaf (`Agnus Dei`) (1860?) |
S.167c
|
Album Leaf ¹ 1 A♭ major (1844) |
S.165
|
Album Leaf (Adagio in C major) (1841) |
S.158d
|
Album Leaf (Allegro vivace quasi presto) F♯ minor (1828) |
S.163a/1
|
Album Leaf (Consolation No.1) (1849-50) |
S.171b
|
Album leaf (Dante Sonata, fragment) (1837) |
S.701e
|
Album Leaf (Mélodie polonaise) (1833) |
S.249a
|
Album Leaf (of the symphonic poem Orpheus) (1860) |
S.167d
|
Album Leaf (of the symphonic poem `Ideals`) (1860) |
S.167e
|
Album Leaf (Operatic aria – and sketched variation) (1841) |
S.701h/1
|
Album Leaf (`Adagio religioso in C major`) (1825) |
S.164l
|
Album Leaf (`Agitato in G major`) (1849) |
S.167l
|
Album Leaf (`Ah! vous dirai-je, Maman`) (1833) |
S.163b
|
Album Leaf (`Allegretto in A major`) (1842) |
S.167n
|
Album Leaf (`Andante in E♭ major`) (1850?) |
S.167r
|
Album Leaf (`Andante religiosamente in G major`) (1846) |
S.166j
|
Album Leaf (`Andante religioso in G major`) (1846) |
S.166h
|
Album Leaf (`Andantino in A♭ major`) (1847) |
S.166p
|
Album Leaf (`Andantino in E major` - `Valse mélancolique`) (1840) |
S.163d/ii
|
Album Leaf (`Aus dem 1. Mephisto-Walzer - Episode aus Lenaus Faust: Der Tanz in der Dorfschenke`) (1859) |
S.167m
|
Album Leaf (`Aus dem Purgatorio des Dante Sinfonie`) (1857?) |
S.166r/2
|
Album Leaf (`Berlin Preludio`) (1842) |
S.164g
|
Album Leaf (`Braunschweig Preludio`) (1844) |
S.166f
|
Album Leaf (`Dante Symphony progression`) G major (1860?) |
S.167f
|
Album Leaf (`Detmold`) (1841) |
S.164d
|
Album Leaf (`Exeter Preludio`) (1840) |
S.164c
|
Album Leaf (`Freudvoll und leidvoll`) (1847) |
S.166n
|
Album Leaf (`Friska`) (1845–49?) |
S.166k
|
Album Leaf (`Fugue chromatique - Allegro in G minor`) (1844) |
S.167j
|
Album Leaf (`Glasgow fragment`) (1841?) |
S.701f
|
Album Leaf (`Introduction to the Grande Étude de Paganini No 6`) (1884) |
S.141/6a
|
Album Leaf (`Langsam in C♯ minor`) (1876) |
S.166o
|
Album Leaf (`Larghetto in D♭ major`) (1883) |
S.167p
|
Album Leaf (`Leipzig`) E major (1840) |
S.163d/i
|
Album Leaf (`Leipzig`) E♭ major (1840) |
S.164b
|
Album Leaf (`Lyon Prélude`) (1844) |
S.166d
|
Album Leaf (`Lyon`) C major (1839) |
S.167s
|
Album Leaf (`Magyar`) (1840) |
S.164e/1
|
Album Leaf (`Magyar`) (1841) |
S.164e/3
|
Album Leaf (`Magyar`) B♭ minor (1840) |
S.164e/2
|
Album Leaf (`Moderato in D♭ major`) (1842) |
S.164k
|
Album Leaf (`Portugal`) A♭ major (1845) |
S.166b
|
Album Leaf (`Prélude omnitonique`) (1844) |
S.166e
|
Album Leaf (`Preludio`) (1842) |
S.164j
|
Album Leaf (`Pressburg`) C minor (1839) |
S.163c
|
Album Leaf (`Purgatorio`) (1857) |
S.166r/1
|
Album Leaf (`Quasi mazurek in C major`) (1843) |
S.163e
|
Album Leaf (`Rákóczi-Marsch`) A minor (1841) |
S.164f
|
Album Leaf (`Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major`) (1883) |
S.167q
|
Album Leaf (`Serenade`) A minor (1840) |
S.166g
|
Album Leaf (`Tempo di marcia in E♭ major`) (1845) |
S.167o
|
Album Leaf (`Vienna`) E major (1840) |
S.164a
|
Album Leaf (`Vivace ma non troppo in D♭ major`) (1835) |
S.167g
|
Album Leaf (‘An die Künstler II’) |
S.166t/2
|
Album Leaf (‘An die Künstler I’) |
S.166t/1
|
Album Leaf (‘Ave Maria’) |
S.164q
|
Album Leaf (‘Düsseldorf Preludio’) |
S.163f/2
|
Album Leaf (‘Dublin’) |
S.164r
|
Album Leaf A major (1870) |
S.166s
|
Album Leaf A♭ major (1840?) |
S.166l/1
|
Album Leaf A♭ major (1845) |
S.166c
|
Album Leaf D major (1840-45?) |
S.164h
|
Album Leaf E major (1853) |
S.167t
|
Album Leaf E♭ major (1840) |
S.167k
|
Album Leaf E-Dur (1843) |
S.166a
|
Album Leaf G major (1847) |
S.166q
|
Album Leaf G minor (1840?) |
S.166l/2
|
Album Leaf ¹ 2 A minor (1849) |
S.534ii/a
|
Album of princess Marie zu Sayn-Wittgenstein (1847) |
S.166
|
Album-Leaf (Valse infernale) (1840?) |
S.701h/2
|
Album-Leaf (‘Aus dem Mephisto-Walzer’) |
S.167m/2
|
Albumblatt E-dur (1840) |
S.164
|
Allegro di Bravura (1824-25) |
S.151
|
Allegro maestoso for piano (1826) |
S.692c
|
Am Grabe Richard Wagners |
S.267
|
Andante religioso for organ (1861) |
S.261a
|
Andante sensibilissimo for piano (1880-86) |
S.701c
|
Andantino (`pour Emile et Charlotte Loudon`) E♭ major (1828) |
S.163a/2
|
Anfang einer Jugendsonate (1825 - 1880) |
S.692b
|
Anima Christi sanctifica me for male choir and organ (1874) |
S. 46/2
|
Années de pèlerinage I: Suisse (1836-54) |
S.160
|
Années de pèlerinage I: Suisse (separated pieces) |
|
Années de pèlerinage II: Italy |
S.161
|
Années de Pèlerinage II: Italy (separate pieces) |
|
Années de pèlerinage II: Venezia e Napoli |
S.162
|
Années de Pèlerinage III: Italy |
S.163
|
Années de Pèlerinage III: Italy (separate pieces) |
|
Anthem `Crux!` (Hymn of sailors) for male choir (1865) |
S. 35i
|
Antiphon `Cantantibus organis` (for the Feast of St. Cecilia) for viola, choir and orchestra (1879) |
S. 7
|
Aria from the St Matthew Passion by J. S. Bach |
S.deest
|
Aus der Ungarischen Kroenungsmesse (1867) |
S.501
|
Aux anges gardiens (Den Schutz Engeln) |
S.162a/iii
|
Ave Maria (d`Arcadelt) for organ (1862-63) |
S.659
|
Ave Maria d`Arcadelt for piano F major (1862) |
S.183/2
|
Ave Maria I (`Gebet`) for organ (1842) |
S.667b/1
|
Ave Maria I for chorus and organ, 2nd version (1852) |
S. 20/2
|
Ave Maria II for choir and organ (1869) |
S. 38
|
Ave Maria II for piano D flat major. 2nd version (1872) |
S.504/2
|
Ave Maria II for piano D major. 1st version (1869-70) |
S.504/1
|
Ave Maria II for voice and organ (1869 version) |
S.681
|
Ave Maria II, for organ (1862-63) |
S.667c
|
Ave Maria for the piano school of Lebert and Stark (The Bells of Rome), E-dur |
S.182
|
Ave Maria III / Sposalizio (`Betrothal`) for alto, female choir and organ (1883) |
S. 60
|
Ave Maria IV for piano (1881) |
S.545
|
Ave Maria IV for voice and organ (1881) |
S.341
|
Ave maris stella for chorus and organ. 1st version (1865-66) |
S. 34/1
|
Ave maris stella for piano (1868) |
S.506
|
Ave maris stella in D major for voice and organ (1868) |
S.680
|
Ave verum corpus for choir and organ (1871) |
S. 44
|
Bülow-Marsch |
S.230
|
Bülow-Marsch |
S.229b
|
Bagatelle without tonality for piano (1885) |
S.216a
|
Ballade No.1 in Des-dur `Le chant du croisé` (1845-48) |
S.170
|
Ballade No.2 in h-moll (1 version) (1853) |
S.170a
|
Ballade No.2 in h-moll, 2nd version (1853) |
S.171
|
Bells of Strasbourg Cathedral, ballad for soloists, choir, organ and orchestra (1874-75) |
S. 6
|
Berceuse for piano (1854, 1862) |
S.174
|
Cadenza for `Mephisto-Walzer` No.1 (1883-85?) |
S.695f
|
Cantata `Hungary 1848` (Ungaria-Kantate) for soloists, chorus and orchestra (1848) |
S. 83a
|
Cantico del Sol di Francesco d`Assisi for baritone and organ (first version, 1862) |
S. 4/i
|
Cantico del Sol di San Francesco for piano (1881) |
S.499
|
Canzone Napolitana (Notturno) for piano, 1st version (1842) |
S.248i
|
Canzone Napolitana (Notturno) for piano, 2nd version (1842) |
S.248ii
|
Carrousel de Madame Pelet-Narbonne` (1879?) |
S.214a
|
Celebre melodie hongroise (1866) |
S.243a
|
Choir `Die Seligkeiten` (`Beatitudes`) for baritone, mixed voices and organ ad lib. (1859) |
S. 25
|
Choir `Licht, mehr Licht` (Light, more Light!) for male voices and horns (1849/1856) |
S. 84
|
Choir `L`Eternel est son nom` (`The Lord is His name`) for mixed voices (1846?) |
S. 18/2
|
Choir `Slavimo slavno, Slaveni!` (Celebrating, Slavs!) For male voices and organ (1863) |
S. 33i
|
Choräle - 11 alte deutsche geistliche Weisen for piano (1878-79) |
S.504b
|
Choral `Der Herr bewahret die Seelen` for choir, brass, timpani and organ (1875) |
S. 92/2
|
Choral `Nun danket alle Gott` for choir, brass, timpani and organ (1883) |
S. 61
|
Christus, oratorio for soloists, mixed chorus, orchestra and organ (1862-66) |
S. 3
|
Concerto for Piano and Orchestra No.1 in Es-dur (1830-56) |
S.124
|
Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61) |
S.125
|
Concerto for piano and orchestra No.3 in Es-dur (1835-39) |
S.125a
|
Concerto for piano and strings E-Minor `Malediction` (after 1833) |
S.121
|
Concerto pathetique for 2 pianos |
S.258
|
Concerto sans orchestre in A major (1839?) |
S.524a
|
Consolations, 2 pieces for cello and piano (c. 1871) |
S.382a
|
Dante-Symphonie arranged for 2 pianos |
S.648
|
Dante-Symphony (1839-1857) |
S.109
|
Das Lied der Begeisterung, for male choir and baritone (1871) |
S. 91/1
|
De Profundis (Psaume instrumentale) for piano and orchestra (1834-35) |
S.121a
|
Declamation `Der blinde Sänger` for narrator and piano (1875-77) |
S.350
|
Declamation `Der traurige Mönch` for narratot and piano (1860) |
S.348
|
Declamation `Des toten Dichters Liebe` for narrator and piano (1874) |
S.349
|
Declamation `Helges Treue` for narrator and piano (1860) |
S.686
|
Declamation `Lenore` (Der Bräutigam) for narrator and piano (1857-58) |
S.346
|
Declamation `One Hundred Years Ago` (To the 100th Anniversary of Schiller) for narrator and orchestra (1859) |
S.347
|
Dem Andenken Petőfis |
S.195ii
|
Den Cypressen der Villa d`Este - first version (1872) |
S.162b
|
Den Schutz-Engeln: `Angelus!` (Pri ère á l`ange gardien), 3rd version (1880) |
S.162a/iv
|
Den Schutz-Engeln: `Angelus`, first version, first sketch (1877) |
S.162a/i
|
Den Zypressen der Villa d’Este [I] first version |
S.162b/1
|
Die drei Zigeuner, for Violin and Piano (1864) |
S.383
|
Die Legende von der Heiligen Elisabeth for soloists, choir, organ and orchestra (1857-62) |
S. 2
|
Die Trauer-Gondel (La lugubre gondola) for piano. 1st early version (1882) |
S.199a/i
|
Die Zelle in Nonnenwerth |
|
Dramatique scene `Joan of Arc at the stake` (by Dumas) for voice and orchestra (1858/1875) |
S.373
|
Dramatique scene `Joan of Arc at the stake` (by Dumas) for voice and piano (1875) |
S.293/ii
|
Drei Bach-Bearbeitungen for organ (1856-66) |
S.660-661
|
Duet `Dall`alma Roma` for 2 voices and organ (1867-68) |
S. 36
|
Duo for Violin and Piano on Polish themes (1835) |
S.127
|
Eine Faust-Symphonie for tenor, men`s chorus and orchestra (1854/1857-1861, 1880) |
S.108
|
Einleitung, Fuge und Magnificat from the `Dante-Symphony` for organ (1860) |
S.672b
|
Elégie `Die Zelle im Nonnenwerth` for piano, 2nd version (1841) |
S.534ii
|
Elegie `Die Zelle im Nonnenwerth` for piano, 1st version (1840) |
S.534i
|
Elegie `Die Zelle im Nonnenwerth` forpiano, 3rd version (1849) |
S.534ii/a
|
Elegie `Die Zelle in Nonnenwerth` for Cello (or Violin) and Piano (1883) |
S.382
|
Elegie `Die Zelle in Nonnenwerth` for piano, 4th version (1881) |
S.534iii
|
Elegy for Piano ¹ 1 (1874) |
S.196
|
Elegy on the themes of Prince Louis Ferdinand of Prussia for piano, 1st version (1842) |
S.168i
|
Elegy on the themes of Prince Louis Ferdinand of Prussia for piano, 2nd version (1851) |
S.168ii
|
Entwurf der `Ramann-Elegie` (1877) |
S.196a
|
Epithalam zu Eduard Reményis Vermählungsfeier, for piano (1872) |
S.526
|
Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano (1872) |
S.129
|
Essai sur l’indifference |
S.692p/2
|
Fanfare zur Enthüllung des Carl-Augusts Monuments for piano (1875) |
S.542b
|
Fantaisie romantique sur deux mélodies suisses for piano (1835-36) |
S.157
|
Fantasia on Hungarian Folk Themes for piano and orchestra (1852-55) |
S.123
|
Fantasia quasi Sonata `Aprés une lecture du Dante` (1840) |
S.158c
|
Fantasia quasi Sonata `Aprés une lecture du Dante` (1849) |
S.161/7
|
Fantasie und Fuge über das Thema B-A-C-H for piano (1870) |
S.529ii
|
Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for organ (1850) |
S.259
|
Faust-Symphonie arranged for 2 pianos |
S.647
|
Fest-Marsch zur Göthe Jubiläum-Feier for piano, 2nd version (1857) |
S.521
|
Festmarsch nach Motiven von E.H. z. S.-C.-G for piano (1858-59) |
S.522
|
Festmarsch nach Motiven von E.H. z. S.C.-G for orchestra (1858-59) |
S.116
|
Festmarsch zur Goethe Jubilaumsfeier for orchestra (1849) |
S.115
|
Festmarsch zur Säcularfeier von Goethes Geburtstag for piano, 1st version (1849) |
S.227
|
Festpolonaise for piano (1876) |
S.230a
|
Festpolonaise for piano 4 hands (1876) |
S.619a
|
Festvorspiel (Preludio pomposo) for piano (1856) |
S.226
|
Five little piano pieces (Album-Leaves for Olga von Meyendorff) (1865-79) |
S.192
|
Flea`s song `Once upon a time there was a king` (Es war einmal ein Konig) for bass / baritone, male choir and piano (1845) |
S. 73
|
Fragment from `Die Legende vom heiligen Stanislaus` for piano (1880) |
S.688a
|
Fragments from `Die Legende von der Heiligen Elisabeth` for piano (1862) |
S.693a
|
Franz Liszt – Transcendental Etude No. 8 in C minor “Wilde Jagd”, S.13 |
|
French anthem `Vive Henri IV` for piano (1879-80) |
S.239
|
Funeral Prelude and March for piano (1885) |
S.206
|
Galop de Bal for piano (1840) |
S.220
|
Galop for piano A minor (1846) |
S.218
|
Gaudeamus igitur (Paraphrase de chanson des étudiants) (1843) |
S.240a
|
Gaudeamus igitur (Humoreske) |
S.509
|
Grand Duo concertant sur la romance de M. Lafont `Le marin` for violin and piano (1849) |
S.128ii
|
Grand Galop chromatique E dur for piano, 2nd version (1840?) |
S.219a
|
Grand Galop chromatique Es-dur for piano, 1st version (1838) |
S.219
|
Grand Solo de concert for piano and orchestra (1850) |
S.365
|
Grand Solo de concert for piano, 1st version (1850) |
S.175a
|
Grande Fantaisie sur des thèmes de Paganini for piano (1845) |
S.700i
|
Grande paraphrase de concert sur `God Save the Queen` et `Rule Britannia` for piano (1841-42) |
S.694
|
Grande valse di bravura `Le bal de Berne` (1836) |
S.209
|
Great Concert Fantasia on the Spanish Themes for piano (1845) |
S.253
|
Grosses Konzertsolo for piano, 2nd version (1850) |
S.176
|
Grosses Konzertstück über Themen aus Mendelssohns `Lieder ohne Worte` for 2 Pianos (1834) |
S.257
|
Harmonies poétiques et religieuses for Piano (1833-34) |
S.154i
|
Harmonies poétiques et religieuses for Piano, 2nd version (1847-48) |
S.172a
|
Harmonies poétiques et religieuses for Piano, 3rd version (1840-52) |
S.173
|
Harmonies poetiques et religieuses for Piano, 1st version (1845-46) |
S.171d
|
Historical Hungarian Portraits for piano (1870-86) |
S.205
|
Historische ungarische Bildnisse, for piano (1885) |
S.205a
|
Huldigungsmarsch for piano (1853) |
S.228i
|
Huldigungsmarsch for piano (1857) |
S.228ii
|
Hungarian Coronation Mass for soloists, choir and orchestra (1866-69) |
S. 11
|
Hungarian March for piano in B-dur (1859) |
S.229a
|
Hungarian Rhapsody No. 9 in E-flat major for piano trio (1848) |
S.379
|
Hungarian Rhapsody ¹ 1 in cis-moll |
S.244/1
|
Hungarian Rhapsody ¹ 1 in f-moll (orchestra version) (1857-60) |
S.359/1
|
Hungarian Rhapsody ¹ 17 in d-moll |
S.244/17
|
Hungarian Rhapsody ¹ 2 in cis-moll |
S.244/2
|
Hungarian Rhapsody ¹ 2 in cis-moll (1885) |
S.244/2a
|
Hungarian Rhapsody ¹ 2 in d-moll (orchestra version) (1857-60) |
S.359/2
|
Hungarian Rhapsody ¹ 3 in B-dur |
S.244/3
|
Hungarian Rhapsody ¹ 3 in Des-dur (orchestra version) (1857-60) |
S.359/3
|
Hungarian Rhapsody ¹ 4 in d-moll (orchestra version) (1857-60) |
S.359/4
|
Hungarian Rhapsody ¹ 4 in Es-dur |
S.244/4
|
Hungarian Rhapsody ¹ 5 in E Minor (orchestral version) (1857-60) |
S.359/5
|
Hungarian Rhapsody ¹ 5 in e-moll |
S.244/5
|
Hungarian Rhapsody ¹ 6 Des-dur |
S.244/6
|
Hungarian Rhapsody ¹ 6 n D Major (orchestral version) (1857-60) |
S.359/6
|
Hungarian Rhapsody ¹ 7 in d-moll |
S.244/7
|
Hungarian Rhapsody ¹ 8 in fis-moll |
S.244/8
|
Hungarian Rhapsody ¹ 9 in Es-dur `Carnaval de Pesth` |
S.244/9
|
Hungarian Rhapsody ¹10 in E-dur |
S.244/10
|
Hungarian Rhapsody ¹10 in E-dur (1847) |
S.244/10a
|
Hungarian Rhapsody ¹11 in a-moll |
S.244/11
|
Hungarian Rhapsody ¹12 in cis-moll |
S.244/12
|
Hungarian Rhapsody ¹13 in a-moll |
S.244/13
|
Hungarian Rhapsody ¹14 in f-moll |
S.244/14
|
Hungarian Rhapsody ¹15 in a-moll |
S.244/15
|
Hungarian Rhapsody ¹15 in a-moll (1847) |
S.244/15a
|
Hungarian Rhapsody ¹16 in A-dur (1882) |
S.244/16i
|
Hungarian Rhapsody ¹16 in A-dur |
S.244/16ii
|
Hungarian Rhapsody ¹18 in A-dur (1883) |
S.244/18i
|
Hungarian Rhapsody ¹18 in A-dur (1883) |
S.244/18ii
|
Hungarian Rhapsody ¹18 in A-dur |
S.244/18iii
|
Hungarian Rhapsody ¹19 in d-moll |
S.244/19
|
Hussitenlied (Aus dem 15. Jahrhundert) |
S.234
|
Il penseroso for piano (1839) |
S.157b
|
Impromptu in Fis-dur for piano (1872) |
S.191
|
In domum Domini ibimus for choir, brass, timpani and organ (1884) |
S. 57
|
In domum Domini ibimus for organ (1884) |
S.671
|
In domum Domini ibimus for piano (1884) |
S.505
|
In festo transfigurationis Domini nostri Jesu Christi for piano (1880) |
S.188
|
Inno a Maria Vergine for mixed choir and organ (1869) |
S. 39i
|
Introduction for Organ from Oratorio `Die Legende von der Heiligen Elisabeth` (1872) |
S.663a
|
Kavallerie-Geschwindmarsch for piano (1870?) |
S.460
|
Klavierstück aus der `Bonner Beethoven-Kantate` (1846) |
S.507
|
Klavierstück Fis-dur |
S.193
|
Klavierstück in es-Moll (1849?) |
S.692n
|
Klavierstück in F major (1843) |
S.695
|
Korrekturblatt (1882) |
S.701k
|
Ländler for piano As-dur (1843) |
S.211
|
Ländler for piano D major (1879) |
S.211a
|
La Lugubre Gondola for piano (1883-85) |
S.200
|
La lugubre gondola for piano. 2nd early version (1883) |
S.199a/ii
|
La lugubre gondole for cello and piano (1883) |
S.134
|
La Marseillaise for piano (1866-72) |
S.237
|
Largo en si mineur |
S.692p/1
|
Le forgeron, for male choir and piano (1845) R548 |
S. 81
|
L`hymne du Pape, piano version (1864) |
S.530
|
Magnificat for Piano (1862) |
S.182a
|
Magyar Tempo (1840) |
S.241b
|
March Hongroise for piano E♭ minor (1844) |
S.233b
|
Marche de Prozinsky C flat minor (1846) |
S.701v
|
Marche de Rákóczy for piano, 5th version (1851) |
S.244c
|
Marche funèbre for piano (1827) |
S.226a
|
Marche funèbre `En mémoire de Maximilian I` for piano (1867) |
S.162d
|
Marche héroïque dans le genre hongrois A minor (Première marche hongroise) (1840) |
S.231
|
Marche héroïque for piano (1847-48) |
S.510
|
Marches dans le genre hongrois (1840?) |
S.693
|
Marie-Poeme (1837) |
S.701b
|
Mazurka brillante for piano (1850) |
S.221
|
Mazurka for piano F minor (1840) |
S.221a
|
Melodie in Dorischer Tonart (Prose des Morts) (1861) |
S.701d
|
Mephisto Polka for piano (1882-83) |
S.217ii
|
Mephisto Polka for piano (1882-83) |
S.217i
|
Mephisto Waltz ¹ 2 for orchestra (1880-1881) |
S.111
|
Mephisto Waltz ¹ 2 for piano (1878-1881) |
S.515
|
Mephisto Waltz ¹1 (`Der Tanz in der Dorfschenke` - Die zweite Episode aus Lenaus `Faust`) for piano (1857-62) |
S.514
|
Mephisto Waltz ¹3 for piano, 1st version (1883) |
S.215a
|
Mephisto Waltz ¹3 for piano, 2nd version (1883) |
S.216
|
Mephisto Waltz ¹4 for piano, 1st version (1885) |
S.216b
|
Mephisto Waltz ¹4 for piano, 2nd version (1885) |
S.696
|
Mignons Lied: `Kennst du das Land` (1842), I version |
S.275, ¹ 1
|
Missa choralis, organo concinente, for mixed choir and organ (1859-65) |
S. 10
|
Missa pro organo lectarum celebrationi missarum adjumento inserviens (1879) |
S.264
|
Missa quattuor vocum ad aequales (Szekszárd Mass) ( 1869) |
S. 8ii
|
Missa Solennis zur Einweihung der Basilika in Gran (Graner Mass) (1857–58) |
S. 9
|
Nocturne `En Reve` for piano (1885) |
S.207
|
Nocturne `Pensées` for piano (1845) |
S.168b
|
O Roma nobilis for choir and organ (1879) |
S. 54
|
O Roma nobilis for piano (1879) |
S.506b
|
O sacrum convivium for organ (1880) |
S.674a/i
|
O sacrum convivium for organ (ossia) (1884) |
S.674a/ii
|
O salutaris hostia II for choir and organ ad lib. (1870) |
S. 43
|
Ode `To the Artists` (An die Kunstler) for male choir and orchestra (1853) |
S. 70
|
Offertorium aus der Ungarischen Krönungsmesse (1868?) |
S.667
|
Offertory `Mihi autem adhaerere` for male choir and organ (1868) |
S. 37
|
Opera `Don Sancho, or Castle of Love` |
S. 1
|
Ora pro nobis for organ (1864) |
S.262
|
Oratorio `Seven Sacraments` (Septem sacramenta) for soloists, choir and organ (1878-84) |
S. 52
|
Oratorio `Via Crucis` for mixed chorus, soloists and organ/piano (1876-79) |
S. 53
|
Ossa arida for choir and organ 4 hands (1879) |
S. 55
|
Parts of Compositions |
|
Pastorale `Chanson du Béarn` (1844) |
S.236/2
|
Pater noster II for chorus and organ (1860) |
S. 29
|
Pater noster III for choir and organ / piano (1869) |
S. 41
|
Pater noster IV for chorus and organ (1850?) |
S. 22
|
Pathetic Concerto for piano and orchestra in E Minor (1885-86) |
S.365a
|
Petite valse (`Nachspiel zu den drei vergessenen Walzer`) |
S.695d
|
Petite valse - Nachspiel zu den drei vergessenen Walzer (1884) |
S.695e
|
Petite valse favorite (Souvenir de St Pétersbourg), 1st version (1842) |
S.212i
|
Piano Sonata in h-moll (1852-53) |
S.178
|
Piano transcriptions of songs by Schubert |
|
Pio IX - version for Organ (1863-65) |
S.261
|
Polonaises de l`oratorio St. Stanislaus, for piano (1875) |
S.519
|
Präludium und Fuge über das Motiv B.A.C.H. fpr piano (1855) |
S.529i
|
Prelude and Fugue on B-A-C-H for Organ |
S.260
|
Preludio Funebre (1885) |
S.205b
|
Preludio per il `Cantico del sol di Francesco d`Assisi` for organ (1880) |
S.665
|
Psalm No. 13 for tenor, chorus and orchestra (1859-63) |
S. 13ii
|
Psalm No. 18 for male choir and orchestra (1860) |
S. 14i
|
Psalm No. 23 for soloist/male chorus, harp and organ (1859-62) |
S. 15i/a
|
Psalm No. 125 for choir and organ (1883) |
S. 63
|
Psalm No.137 for soprano, female chorus, violin, harp/piano and organ (1859-62) |
S. 17ii
|
Psalm ¹ 116 for chorus and orchestra (1866-69) |
S. 11/6
|
Psaume No. 129 for alto and piano/organ (1883) |
S. 16ii
|
Qui Mariam absolvisti (Sequence) for baritone, choir and organ (1885) |
S. 65
|
Rákóczi March for 2 pianos (1870) |
S.652a
|
Rákóczi Marsch for piano, 1st version (1839-40) |
S.242a
|
Rákóczi-March for 2 pianos 8 hands |
S.652b
|
Rákóczi-Marsch (1871) |
S.244b
|
Rákóczi-Marsch for orchestra (1863-67) |
S.117
|
Rákóczi-Marsch for piano, 6th version (1863) |
S.244a
|
R. W.- Venezia. (R. Wagner, 1883) |
S.201
|
Rakoczy-march for piano (1839-40) |
S.692d
|
Requiem für die Orgel (1883) |
S.266
|
Requiem for soloists, male chorus and organ (+ brass instruments and percussion) (1867-71) |
S. 12
|
Resignazione (Ergebung), for Organ (or piano) |
S.263/187a
|
Rhapsody espagnole for piano (1858) |
S.254
|
Romance `O pourquoi donc` E minor for piano (1848) |
S.169
|
Romancero espagnol (1845) |
S.695c
|
Rondeau fantastique sur un thème espagnol `El Contrabandista` for piano (1836) |
S.252
|
Rondo di Bravura for piano (1824) |
S.152
|
Rosario (1879) |
S. 56
|
Roumanian Rhapsody for piano (1846-47) |
S.242/20
|
Sancta Dorothea (1877) |
S.187
|
Sardanapalo, opera (unfinished, ca. 1845-52) |
S.687
|
Scherzo and March for piano (1851) |
S.177
|
Scherzo in G minor for piano (1827) |
S.153
|
Sept Variations brillantes sur un thème de G. Rossini for piano (1824) |
S.149
|
Siegesmarsch (Marche triomphale) for piano (1884) |
S.233a
|
Song (ballad) `Le juif errant` (Eternal Jew) for bass and piano (1847) |
S.300
|
Song (romance) `Il m`aimait tant` (He loved me so much) for voice and piano (1840-42) |
S.271
|
Song of the Minions: `Kennst du das Land` (` You know the land`) for voice and orchestra (1860) |
S.370
|
Song `Über allen Gipfeln ist Ruh` for voice and piano |
S.306
|
Song `Anfangs wollt ich fast verzagen` for voice and piano |
S.311
|
Song `Angiolin dal biondo crin` for voice and piano |
S.269
|
Song `Bist du!` for voice and piano (1844) |
S.277
|
Song `Blume und Duft` for voice and piano |
S.324
|
Song `Comment, disaient-ils` for voice and piano |
S.276
|
Song `Der du von dem Himmel bist` for voice and piano |
S.279
|
Song `Der Glückliche` for voice and piano |
S.334
|
Song `Des Tages laute Stimmen schweigen` for voice and piano |
S.337
|
Song `Die drei Zigeuner` (` Three Gypsies`) for voice and orchestra (1871) |
S.374
|
Song `Die drei Zigeuner` for voice and piano |
S.320
|
Song `Die Fischertochter` |
S.325
|
Song `Die Loreley` (1841), I version |
S.273, ¹ 1
|
Song `Die Loreley` (` Lorelei`) for voice and orchestra (1860) |
S.369
|
Song `Die Loreley` for voice and piano (1854-56) |
S.273
|
Song `Die Macht der Musik` (Power of Music) for voice and piano (1848) |
S.302
|
Song `Die stille Wasserrose` for voice and piano |
S.321
|
Song `Die todte Nachtigall` for voice and piano |
S.291
|
Song `Die Vätergruft` for voice and piano (1844) |
S.281
|
Song `Die Zelle in Nonnenwerth`, I version (1841) |
S.274, ¹ 1
|
Song `Do Not Reproach Me` for voice and piano (1866) |
S.340a
|
Song `Du bist wie eine Blume` for voice and piano |
S.287
|
Song `Ein Fichtenbaum steht einsam` for voice and piano |
S.309
|
Song `Einst` (Happened) for voice and piano (1878) |
S.332
|
Song `Enfant, si j`étais roi` for voice and piano |
S.283
|
Song `Enfant, si j`etais roi`, II version |
S.283, ¹ 2
|
Song `Es muss ein Wunderbares sein` for voice and piano |
S.314
|
Song `Es rauschen die Winde` for voice and piano |
S.294
|
Song `Es war ein König in Thule` for voice and piano (1842) |
S.278
|
Song `Freudvoll und leidvoll` for voice and piano (1849) |
S.280
|
Song `Gastibelza` (Bolero) for voice and piano (1844) |
S.286
|
Song `Gebet` (Prayer, words by Lermontov) for voice and piano (1878) |
S.331
|
Song `Gestorben war ich` for voice and piano |
S.308
|
Song `Go not, happy day` for voice and piano (1879) |
S.335
|
Song `Hohe Liebe` for voice and piano |
S.307
|
Song `Ich liebe dich` for voice and piano (1862) |
S.315
|
Song `Ich möchte hingehn` for voice and piano |
S.296
|
Song `Ihr Auge` for voice and piano (1843-49) |
S.310
|
Song `Ihr Glocken von Marling` for voice and piano |
S.328
|
Song `Im Rhein, im schönen Strome` for voice and piano |
S.272
|
Song `In Liebeslust` for voice and piano |
S.318
|
Song `Isten veled` (God is with you) for voice and piano (1847/1879) |
S.299
|
Song `Jugendglück` for voice and piano (1860?) |
S.323
|
Song `J`ai perdu ma force et ma vie (Tristesse)` for voice and piano |
S.327
|
Song `Kling leise, mein Lied` for voice and piano |
S.301
|
Song `Kling leise, mein Lied`, II version |
S.301, ¹ 2
|
Song `La perla` (Pearl) for voice and piano (1872) |
S.326
|
Song `La Tombe et la Rose` for voice and piano |
S.285
|
Song `Lasst mich ruhen` for voice and piano |
S.317
|
Song `Le Crucifix` (Cross) for voice and harmonium / organ (1879) |
S.342
|
Song `Le Vieux Vagabond` for voice and piano |
S.304
|
Song `Morgens steh` ich auf und frage` for voice and piano by Heinrich Heine |
S.290
|
Song `O lieb, so lang du lieben kannst` for voice and piano |
S.298
|
Song `O Meer im Abendstrahl` (Oh Sea in the evening ray) for 2 voices and harmonium / organ (1881?) |
S.344
|
Song `Oh! Quand je dors` for voice and piano |
S.282
|
Song `Oh! Quand je dors`, II version |
S.282, ¹ 2
|
Song `Quand tu chantes bercée` (1842) |
S.306a
|
Song `Sancta Caecilia` (Saint Cecilia) for voice and harmonium / organ (c. 1880-85) |
S.343
|
Song `Schwebe, schwebe, blaues Auge` for voice and piano |
S.305
|
Song `Schwebe, schwebe, blaues Auge`, 1 version (1845) |
S.305, ¹ 1
|
Song `Sei still` for voice and piano (1877-79?) |
S.330
|
Song `S`il est un charmant gazon` for voice and piano |
S.284
|
Song `S`il est un charmant gazon`, II version (1849–59) |
S.284, ¹ 2
|
Song `Und sprich` for voice and piano |
S.329
|
Song `Und wir dachten der Toten` (We Thought of the Dead) for voice and piano (1871?) |
S.338
|
Song `Vergiftet sind meine Lieder` for voice and piano |
S.289
|
Song `Verlassen` (`Mir ist die Welt so freudenleer`) for voice and piano (1880) |
S.336
|
Song `Weimars Toten` (Dithyrambe) for bass and piano (1848) |
S.303
|
Song `Wer nie sein Brot mit Tränen aß` for voice and piano |
S.297
|
Song `Wie singt die Lerche schön` for voice and piano |
S.312
|
Song `Wieder möcht` ich dir begegnen` for voice and piano |
S.322
|
Song `Wo weilt er?` for voice and piano (1844) |
S.295
|
Sposalizio |
S.157a
|
Suite `Glanes de Woronince` for Piano (1847) |
S.249
|
Sursum Corda! - Nachspiel (1877) |
S.162e
|
Symphonic poem No. 1 `Ce qu`on entend sur la montagne`, for 2 pianos (1854-56) |
S.635
|
Symphonic poem No. 1 `Ñe qu`în entend sur là montagnå` (1847-57) |
S. 95
|
Symphonic poem No. 12 `Die Ideale` for two pianos (1857-58) |
S.646
|
Symphonic poem No. 2 `Tasso: Lamento e Trionfo` (1849-54) |
S. 96
|
Symphonic poem No. 2 `Tasso: Lamento e Trionfo`, for 2 pianos (1854-56) |
S.636
|
Symphonic poem No. 3 `Les Préludes` (1854-55) |
S. 97
|
Symphonic Poem No. 3 `Les Préludes` for Piano (1863) |
S.511a
|
Symphonic poem No. 3 `Les Préludes` for two pianos (1855) |
S.637
|
Symphonic poem No. 4 `Orpheus` (1853-54) |
S. 98
|
Symphonic poem No. 4 `Orpheus` for Organ |
S.672a
|
Symphonic poem No. 4 `Orpheus` for Piano |
S.511b
|
Symphonic poem No. 4 `Orpheus` for two pianos (1855-56) |
S.638
|
Symphonic poem No. 5 `Prometheus` (1850-55) |
S. 99
|
Symphonic poem No. 6 `Mazeppa` (1851-54) |
S.100
|
Symphonic poem No. 6 `Mazeppa` for Piano (1870-79?) |
S.511c
|
Symphonic poem No. 6 `Mazeppa` for two pianos (1855) |
S.640
|
Symphonic poem No. 7 `Festklänge` (1870-79) |
S.511d
|
Symphonic poem No. 7 `Festklänge` for 2 pianos (1853) |
S.641
|
Symphonic poem No. 7 `Festklänge`(1854-61) |
S.101
|
Symphonic poem No. 8 `Héroïde funèbre` (1854-56) |
S.102
|
Symphonic poem No. 8 `Héroïde funèbre` for 2 pianos (1854-56) |
S.642
|
Symphonic poem No. 9 `Hungaria` (1854) |
S.103
|
Symphonic poem No. 9 `Hungaria` for 2 pianos (1855-56) |
S.643
|
Symphonic poem No. 9 `Hungaria` for Piano (1872) |
S.511e
|
Symphonic poem No.11 `Hunnenschlacht` (1855-57) |
S.105
|
Symphonic poem No.11 `Hunnenschlacht` for 2 pianos (1857-60) |
S.645
|
Symphonic poem No.12 `Die Ideale` (1856-57) |
S.106
|
Symphonic poem No.13 `From the Cradle to the Grave` (1881-82) |
S.107
|
Symphonic poem No.13 `Von der Wiege bis zum Grabe` (1881) |
S.512
|
Symphonic Poem No.5 `Prometheus` for 2 pianos(1855-56) |
S.639
|
Symphonic poem ¹10 `Hamlet` (1858) |
S.104
|
Symphonic poem ¹10 `Hamlet` for 2 pianos (1858-60) |
S.644
|
Tantum ergo for female chorus and organ (1869) |
S. 42/1
|
Technical Studies (12 books) for piano (1868-71) |
S.146
|
The song `Wo weilt er?` (`Where is he?`) for voice and piano (1844) |
|
Toccata for piano C major (1879?) |
S.197a
|
Tre sonetti di Petrarca for voice and piano (1838-39, 1861) |
S.270
|
Tristia, transcription of `La Vallee d`Obermann` for violin, violoncello and piano (1880) |
S.378c
|
Trois Chansons for piano (1852) |
S.510a
|
Trois Odes funebre. No. 3 `Le Triomphe funebre du Tasso`, for piano (1866) |
S.517
|
Trois Odes funebres. No. 1 `Les Morts`, for piano (1860?) |
S.516
|
Trois Odes funebres. No. 2 `La Notte`, for piano (1864) |
S.516a
|
Tu es Petrus aus dem Oratorio Christus for organ (1867) |
S.664ii
|
Ungarische Nationalmelodien. No. 6 (Lento) in G minor (1839-40) |
S.242/6
|
Ungarische Nationalmelodien. No. 7 (Andante cantabile quasi Adagio) in E flat major (1839-40) |
S.242/7
|
Ungarische Nationalmelodien. No. 8 (Lento) in F minor (1839-43) |
S.242/8
|
Ungarische Nationalmelodien. No. 1 (Lento) in C minor (1839-40) |
S.242/1
|
Ungarische Nationalmelodien. No. 10 (Adagio sostenuto a capriccio) in D major (1839-43) |
S.242/10
|
Ungarische Nationalmelodien. No. 11 (Andante sostenuto) in B flat major (1839-43) |
S.242/11
|
Ungarische Nationalmelodien. No. 13à (`Rakoczi-Marsch`) in A minor (1846) |
S.242/13a
|
Ungarische Nationalmelodien. No. 2 (Andantino) in C major (1839-40) |
S.242/2
|
Ungarische Nationalmelodien. No. 3 (Sehr langsam) in D flat major (1839-40) |
S.242/3
|
Ungarische Nationalmelodien. No. 4 (Animato) in C sharp major (1839-40) |
S.242/4
|
Ungarische Nationalmelodien. No. 5 (Tempo giusto) in D flat major (1839-40) |
S.242/5
|
Ungarische Nationalmelodien. No. 9 in À minor (1839-40) |
S.242/9
|
Ungarische Rapsodie for piano in Es-Dur `Pester Carneval` (1847?) |
S.242/22
|
Ungarische Rhapsodie for piano in a-moll (1846-47) |
S.242/14
|
Ungarische Rhapsodie for piano in a-moll (1846-47) |
S.242/17
|
Ungarische Rhapsodie for piano in a-moll `Rákóczy March` (1846-47) |
S.242/13
|
Ungarische Rhapsodie for piano in C sharp minor (1846-47) |
S.242/18
|
Ungarische Rhapsodie for piano in C sharp minor ‘Rêves et fantaisies’ (1847) |
S.242/23
|
Ungarische Rhapsodie for piano in d-moll (1846-47) |
S.242/15
|
Ungarische Rhapsodie for piano in E minor `Költői csárdás` (1846-47) |
S.242/21
|
Ungarische Rhapsodie for piano in E-dur (1846-47) |
S.242/16
|
Ungarische Rhapsodie for piano in e-moll `Héroïde élégiaque` (1846-47) |
S.242/12
|
Ungarische Rhapsodie for piano in F sharp minor (1846-47) |
S.242/19
|
Ungarischer Geschwindmarsch (1870-71) |
S.233
|
Ungarischer Romanzero: ¹ 1 F minor (1853) |
S.241a/ 1
|
Ungarischer Romanzero: ¹ 2 A minor (1853) |
S.241a/ 2
|
Ungarischer Romanzero: ¹ 3 A minor |
S.241a/ 3
|
Ungarischer Romanzero: ¹ 4 A minor (1853 |
S.241a/ 4
|
Ungarischer Romanzero: ¹ 5 D minor |
S.241a/ 5
|
Ungarischer Romanzero: ¹ 6 A major |
S.241a/ 6
|
Ungarischer Romanzero: ¹ 7 A major (1853) |
S.241a/ 7
|
Ungarischer Romanzero: ¹ 8 D minor |
S.241a/ 8
|
Ungarischer Romanzero: ¹ 9 A major |
S.241a/ 9
|
Ungarischer Romanzero: ¹10 G minor |
S.241a/10
|
Ungarischer Romanzero: ¹11 F major |
S.241a/11
|
Ungarischer Romanzero: ¹12 A major |
S.241a/12
|
Ungarischer Romanzero: ¹13 F♯ minor |
S.241a/13
|
Ungarischer Romanzero: ¹14 D major |
S.241a/14
|
Ungarischer Romanzero: ¹15 C major |
S.241a/16
|
Ungarischer Romanzero: ¹15 D major |
S.241a/15
|
Ungarischer Romanzero: ¹17 A major |
S.241a/17
|
Ungarischer Romanzero: ¹18 A major |
S.241a/18
|
Ungarischer Sturmmarsch (Hungarian Battle March) for piano (1875) |
S.524
|
Ungarischer Sturmmarsch for orchestra (1875) |
S.119
|
Ungarischer Sturmmarsch for piano (Seconde marche hongroise) (1843) |
S.232
|
Unstern (Sinistre) for piano (1881) |
S.208
|
Urbi et orbi (Benediction papale) for piano (1864) |
S.184
|
Valse de Marie (Mariotte) (1842) |
S.212a
|
Valse Impromptu for piano (1850-52) |
S.213i
|
Valse Impromptu for piano (1870?) |
S.213ii
|
Valse mélancolique E major for piano (1839) |
S.210
|
Valse mélancolique E major for piano (1840?) |
S.210à
|
Valse-Impromptu for piano (1880) |
S.213iii
|
Variations de bravoure sur des thèmes de Paganini for piano (1845) |
S.700ii
|
Variations on a Waltz by Diabelli for Piano (1822) |
S.147
|
Variations on ``Pretty Girl from Tiszántul` for piano (1846) |
S.384a
|
Variations sur le `Carnaval de Venise` de Paganini for piano (1843?) |
S.700a
|
Vexilla regis prodeunt (Kreuzes-Hymne) for piano (1864) |
S.185
|
Via Crucis (Les 14 stations de la croix) for piano (1878-79) |
S.504a
|
Waltz A major for piano (1835?) |
S.210b
|
Waltz in A-dur for piano (1835?) |
S.208a
|
Waltz in Es-dur for piano (1840) |
S.209a
|
Weihnachtsbaum. Arbre de Noel 12 piano pieces (1873-74) |
S.185a
|
Weihnachtsbaum. Arbre de Noel 12 piano pieces (1874-76) |
S.186
|
Weimars Volkslied for bass and piano (1857) |
S.313
|
Weimars Volkslied for Organ (1857-63) |
S.672i
|
Weimars Volkslied for piano (1841) |
S.542
|
Weinachtslied `Christus ist geboren` for piano (1864) |
S.502
|
Wiegenlied (Chant de berceau) for piano (1881) |
S.198
|
Wilde Jagd - Scherzo |
S.176a
|
Winzerchor aus dem `Entfesselten Prometheus` for piano (1850?) |
S.692e
|
Workers` choir `Hurry here, grab the shovel!` (`Herbei, herbei, den Spath`) for baritone, chorus and piano (1843-48?) |
S. 82
|
Zigeuner-Epos for piano (1848) |
S.695b
|
`Évocation à la chapelle Sixtine`, orchestra version (1862) |
S.360
|
`Album d`un voyageur` for Piano (1834-36) |
S.156
|
`Alleluja` from `Cantico del Sol di San Francesco d`Assisi` for piano (1862) |
S.183/1
|
`Am Grabe Richard Wagners`, for String Quartet and Harp (1883) |
S.135
|
`An den heiligen Franziskus von Paula` (Gebet) for soloists, male choir, organ and timpani (1860-74?) |
S. 28
|
`Angelus! Prière aux anges gardiens` for Harmonium (from Anneés III/1) |
S.672c
|
`Angelus! Priere aux anges gardiens` (Prayer to the Guardian Angels) for string quintet (1882) |
S.378ii
|
`Apparitions` for piano (1834) |
S.155
|
`At the Grave of Richard Wagner` for piano (1883) |
S.202
|
`Au bord d`une source` for piano (1863) |
S.160/4a
|
`Bouquet to the Virgin in May`, 2 songs: ¹1 `Das Veilchen` (Violet) (1857) |
S.316/1
|
`Bouquet to the Virgin in May`, 2 songs: ¹2` Das Schlüsselblumen` (Primula) (1857) |
S.316/2
|
`Buch der Lieder II`: ¹ 2 `Oh, quand je dors` (1847) |
S.536
|
`Buch der Lieder II`: ¹ 3 `Enfant, si j`étais roi` (1847) |
S.537
|
`Buch der Lieder II`: ¹ 4 `S`il est un charmant gazon` (1847) |
S.538
|
`Buch der Lieder II`: ¹ 5 `La tombe et la rose` (1847) |
S.539
|
`Buch der Lieder II`: ¹ 6 `Gastibelza` (1847) |
S.540
|
`Buch der Lieder I` (1843) |
S.531
|
`Cantico del Sol di Francesco d`Assisi` for baritone, male chorus, organ and orchestra (1879-1882) |
S. 4/ii
|
`Canzonetta del Salvator Rosa` (1839) |
S.157c
|
`Consolations` for organ (1866-79) |
S.672d
|
`Consolations` for piano, 1st version (1844-48) |
S.171a
|
`Consolations` for piano, 2nd version (1849-50) |
S.172
|
`Csárdás macabre` for piano (1881-82) |
S.224
|
`Dem Andenken Petöfis` for piano (1877) |
S.195
|
`Den Schutz-Engeln`: `Angelus!` (Pri ère á l`ange gardien), fifth version (1880) |
S.162a/vi
|
`Den Schutz-Engeln`: `Angelus!` (Pri ère á l`ange gardien`), fourth version (1880) |
S.162a/v
|
`Den Schutz-Engeln`: `Angelus!` (Prière à l`ange gardien), 1st version (1877) |
S.162a/ii
|
`Der Blinde Saenger` for piano (1878) |
S.546
|
`Der nächtliche Zug` (Die erste Episode aus Lenaus `Faust`) for piano (1861-73) |
S.513a
|
`Die Loreley` for piano (1861) |
S.532
|
`Dumka` for piano (1871) |
S.249b
|
`Excelsior!` - Preludio zu den `Glocken des Strassburger Münsters` for organ and chorus ad lib. (1874-75) |
S.666
|
`Excelsior!` - Preludio zu den `Glocken des Strassburger Münsters` for piano (1874) |
S.500
|
`Faribolo Pasteur` for piano (1844) |
S.236/1
|
`From the Hungarian Coronational Mass` (Missa coronationalis), 2 movements of the Mass for violin and piano / organ (1869) |
S.381
|
`Gebet` for organ (1879) |
S.265
|
`Geharnischte Lieder` (1860) |
S.511
|
`Gestorben war ich` for piano (1850?) |
S.540a
|
`God Save the Queen` (Paraphrase de concert) (1841) |
S.235
|
`Gretchen` from `Faust Symphony` for piano (1867) |
S.513
|
`Hosannah` (Alleluja del Cantico del sol) for organ (1862-63) |
S.677
|
`Ich liebe dich` for piano (1857-60) |
S.542a
|
`Il m`aimait tant!` for piano (1843) |
S.533
|
`Künstlerfestzug zur Schillerfeier 1859` for orchestra (1857) |
S.114
|
`Künstlerfestzug zur Schillerfeier 1859` for piano (1859-60) |
S.520ii
|
`Künstlerfestzug zur Schillerfeier 1859` for piano (1859-60) |
S.520i
|
`Kaiser Wilhelm!` for piano (1876) |
S.197b
|
`La cloche sonne` for piano (1850?) |
S.238
|
`La marquise de Blocqueville` (`Un portrait en musique`) for piano (1869) |
S.190
|
`La Notte`, for Violin and Piano (1864-65) |
S.377a
|
`La romanesca` (Mélodie du 16ième siècle) for piano, 1st version (1840) |
S.252a/i
|
`La romanesca` (Mélodie du 16ième siècle), for piano, 2nd version (1852) |
S.252a/ii
|
`Le lac de Wallenstadt` for piano (1835-36) |
S.156/2à(bis)
|
`Le triomphe funèbre du Tasso`, Epilogue to the symphonic poem ¹ 2 `Tasso` (1866) |
S.112/3
|
`Litanies de Marie` for piano (1846-47) |
S.171e
|
`Mariengarten` (Mary`s Garden) for choir and organ (1884?) |
S. 62
|
`Mignons Lied`: `Kennst du das Land` for voice and piano (1860) |
S.275
|
`Mosonyis Grabgeleit` for pizno (1870) |
S.194
|
`Nuages gris` for piano (1881) |
S.199
|
`Nun danket alle Gott` for organ (1884) |
S.674c
|
`O lieb, so lang du lieben kannst!` for piano (1843) |
S.540b
|
`Paralipomènes á la `Divina Commedia` (Fantaisie symphonique) for piano (1839) |
S.158a
|
`Petite valse favorite` (`Souvenir de St Pétersbourg`) (1843) |
S.212ii
|
`Polnisch` - sketch for piano (1876?) |
S.701g
|
`Prière d`un enfant á son réveil` for piano (1840) |
S.171c
|
`Prolégomènes á la `Divina Commedia` (Fantaisie symphonique) for piano (1840) |
S.158b
|
`Prometheus` - cantata for 6 soloists, choir and orchestra (1855-59) |
S. 69ii
|
`Puszta-Wehmut` for piano (1871) |
S.246
|
`Recueillement` for piano (1877) |
S.204
|
`Resignazione` for organ or piano, 1st version (1877) |
S.187a/i
|
`Resignazione` for organ or piano, 2nd version (1877) |
S.187a/ii
|
`Romance oubliée` for Cello and Piano (1880) |
S.132ii
|
`Romance oubliée` for piano, 2nd version (1880) |
S.527
|
`Romance oubliée` for viola and piano (1880) |
S.132i
|
`Romance oubliée` for violine and piano (1880) |
S.132iii
|
`Romance oubliee` for piano, 1st version (1880) |
S.526a
|
`Rosario` for organ (1879) |
S.670
|
`Salve Polonia` (Interludium aus dem Oratorium `St. Stanislaus`) for piano (1863) |
S.518
|
`Salve Regina` for chorus (1885) |
S. 66
|
`San Francesco` - Preludio per il `Ñantico del sol` for piano (1880) |
S.498d
|
`Sankt Christoph` - Legend for bass, choir and piano (1881) |
S. 47/2
|
`Schlaflos: Frage und Antwort` for piano S.203 |
S.203
|
`Schlummerlied im Grabe` for piano (1874) |
S.195a
|
`Schlummerlied` for piano (1882) |
S.186/7a
|
`Slavimo slavno, Slaveni!` for organ (1863) |
S.668
|
`Slavimo slavno, Slaveni!` for piano (1863) |
S.503
|
`Sposalizio` (Zur Trauung) for Organ |
S.671a
|
`St. Cecilia` - Legend for mezzo-soprano, choir and orchestra (1874) |
S. 5ii
|
`Sunt lacrymae rerum` (in ungarischer Weise) for piano (1877) |
S.162c/ii
|
`Sunt lacrymae rerum` for piano (1872) |
S.162c/i
|
`Szózat` und Ungarischer Hymnus` for orchestra (1872) |
S.353
|
`Szózat` und Ungarischer Hymnus` for piano (1872) |
S.486
|
`The Four Elements` (Les quatre elemens), 4 male choirs with piano (2 and 4 hands) (1845) |
S. 80
|
`Titan` for baritone, male choir and piano (1845) |
S. 79
|
`Totentanz` - Paraphrase über Dies irae for piano and orchestra, 1st version (1849) |
S.126i
|
`Totentanz` - Paraphrase über Dies irae for piano and orchestra, 2nd version (1852-59) |
S.126ii
|
`Totentanz` for piano (1865) |
S.525
|
`Una stella amica` (Polka mazurka de F. Pezzini) for piano (1874-75) |
S.551
|
`Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867` (1870) |
S.523
|
`Ungarisches Konigslied` for piano (1883) |
S.544
|
`Ungarns Gott` for Organ (1881) |
S.674
|
`Ungarns Gott` for Piano (1881) |
S.543
|
`Ungarns Gott` for Piano (left hand, 1881) |
S.543a
|
`Valses oubliées` for Piano (1881-84) |
S.215
|
`Venice and Naples` for piano (1840) |
S.159
|
`Vexilla regis prodeunt` (Hymn to the Cross) for orchestra (1864) |
S.355
|
`Vom Fels zum Meer!` (Deutscher Siegesmarsch) for piano (1853-56) |
S.229
|
`Wartburg-Lieder` for Soloists, Choir and Orchestra (1872) |
S.345
|
`Years of Wandering` - II: Venice and Naples (separate plays) |
|
`Zum Andenken` 2 Hungarian Recruiting Dances for piano (1828) |
S.241
|
`Î, heilige Nacht` (Weihnachtslied), for tenor, choir and organ (1881) |
S. 49
|