FRANZ LISZT (1811–1886) Sort by: ( popular | opus | workname) Random file Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) S.554a (Ábrányi) `Virag Dál` (Chant des Fleurs) S.383a (Alabieff) Transcription of Romance `Le rossignol` (1842) S.250/1 Piano transcription of `Nightingale` by Alyabyev (1842) S.249d Drei Bach-Bearbeitungen Anh. (Bach) Six Preludes and Fugues (1842-1850) S462 S.462 (Bach) 6 Preludes and Fugues (1842-1850): № 1 (BWV 543) S.462/1 (Bach) 6 Preludes and Fugues (1842-1850): № 6 (BWV 544) S.462/6 Aria from the St Matthew Passion by J. S. Bach Variations on the theme of Bach`s Cantata No. 12 WEINEN, KLAGEN, SORGEN, ZAGEN, S. 673 S. 673 Variations on a theme from Bach`s cantata №12 `Weinen, Klagen, Sorgen, Zagen` S.180 Prelude on a theme from Bach`s cantata №12 `Weinen, Klagen, Sorgen, Zagen` S.179 Orgel Fantasie und Fuge S.463/1 Fantasy and Fugue in g-moll S.463/2 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) S.392 (Bellini) Fantasia on a favorite motifs from the opera `La Sonnambula` (1874) S.393/2 Grosse Concert-Fantasie aus der Oper Sonnambula S.393/3 `Réminiscences de `Norma` (Bellini) for piano S.394 (Bellini) Memories of the opera I Puritani (1836) S.390a Réminiscences des Puritains de Bellini S.390b (Bellini) Introduction and Polonaise from onery `I Puritani` (1840) S.391 Fantaisie sur des motifs favoris de l`opera Somnambula de Bellini S.393/1 (Berlioz) L`idee fixe;. Andante amoroso. (1846) S.395 Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) S.396 `L`idée fixe` (Andante amoroso d`après une mélodie de Berlioz) (1833) S.470a/1 `Marche au supplice de la Symphonie fantastique` (1865) S.470a/2 Grand Symphonic Fantasia for piano and orchestra on Berlioz`s `Lelio` S.120 (Berlioz) Piano transcription of the overture Secret Judges (1833) S.471 Piano transcription of Fantastique Symphonie by Berlioz S.470 Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) S.473, № 1 Marsh of Pilgrims from the symphony Harold in Italy by Berlioz (1862) S.473 Piano transcription of Harold in Italy by Berlioz S.472 (Berlioz) Danse des Silphes de `La Damnation de Faust`(1860) S.475 Transcription of Ouverture du `Roi Lear` by Berlioz (1833) S.474 Schnitterchor aus den entfesselten Prometheus S.507a Pastorale. Schnitterchor aus dem `Entfesselten Prometheus` (1861) S.508 Cadenza to Piano Concerto № 3 by Beethoven S.389a Capriccio on the Turkish-style of the theme of Beethoven (The Ruins of Athens) (1846-47) S.388 Marche des Ruines d`Athenes de Beethoven S.388a Fantasie über Themen aus Beethovens Ruinen von Athen S.388b Fantasie über Motive aus Beethovens Ruinen von Athen S.389 (Beethoven) Fantasia on a Theme of The Ruins of Athens by Beethoven S.122 Symphonie No.6 de Beethoven S.463c Beethovens geistliche Lieder von Gellert S.467 Piano transcription of Symphony No.1 by Beethoven S.464, № 1 Piano transcription of Symphony No.2 by Beethoven S.464, № 2 Piano transcription of Beethoven`s Symphony № 3 S.464, № 3 Piano transcription of Beethoven`s Symphony № 4 S.464, № 4 Symphonie No.5 de Beethoven S.463a Piano transcription of Beethoven`s Symphony № 5 S.464, № 5 Piano transcription of Beethoven`s Symphony № 6 (first version) S.463b Piano transcription of Beethoven`s Symphony №6 S.464, № 6 Piano transcription of Beethoven`s Symphony №7 (first version) S.463d Piano transcription of Beethoven`s Symphony №7 S.464, № 7 Piano transcription of Beethoven`s Symphony №8 S.464, № 8 Piano transcription of Beethoven`s Symphony №9 S.464, № 9 (Beethoven) Piano transcription of the songs on the words of Goethe (1849) S468 S.468 Adelaide von Beethoven S.466a Adelaide von Beethoven S.466b (Beethoven) Transcription of the song `Adelaide`, op. 46 (1847) S.466 Piano Transcription of the Funeral March of Beethoven`s Symphony № 3 S.463e (Beethoven) Piano transcription of An die ferne Geliebte. Liederkreis. Op. 98 (1849) S.469 (Beethoven) Piano Arrangement of Grand Septet, Op. 20 (1840) S.465 (Borodine) Prélude á la Polka (Variation sur le thème favori et obligé) S.207a Chanson bohémienne (de Piotr Petrovitch Boulakhov) S.250, № 2 (Boulakhov) Russischer Galop (1843) S.478b (Boulakhov) Russischer Galop (1843) S.478a Tanto gentile e tanto onesta (Dante`s Sonett von Hans von Bülow) S.479 Chor der jüngeren Pilger S.676, № 1 (Wagner) from the opera Lohengrin (1854) S446 S.446 Einzug der Gäste auf der Wartburg S.445/1a Fantasy on themes from Wagner`s Rienzi, S.439 S.439 Piano Transcription of Am stillen Herd aus den Meistersingern by Wagner S.448 Piano transcription of Valhalla. Excerpt from trilogy of Der Ring des Nibelungen by Wagner (1876) S.449 Transcription of О, du mein holder Abendstern from Wagner`s Tannhauser (1849) S.444 Piano transcription of Ballad of the Flying Dutchman by Wagner S.441 (Wagner) Piano transcription of Isolda`s Liebestod from Wagner`s `Tristan and Isolda` S.447 (Wagner) Piano transcription of the Solemn march to the Holy Grail from `Parsifal` S.450 Piano transcription of the overture from Wagner`s `Tannhäuser` S.442 (Wagner) Piano transcription of the `Spinner-Lied` from `The Flying Dutchman` S.440 (Wagner) Piano transcriptions from `Lohengrin` and `Tannhäuser` S.445 (Wagner) Pilgrim`s Chorus from the opera Tannhauser (1860, 1885) S.443, № 2 Transcription of Einsam bin ich, nicht alleine by Weber (1848) S.453 Schlummerlied von С. M. v. Weber mit Arabesken by Weber (1848) S.454 (Carl Maria von Weber) Polonaise Brilliant, Op. 72 (1849) S.367 Konzertstueck in F minor S.367a Webers Jubelovertüre S.576 Polonaise brillante S.455 Konzertstück (von Weber) S.576а Freischütz Fantasie S.451 Transcription of Leyer und Schwert by Weber (1846) S.452 (Weber) Piano transcription of the overture to the opera `Der Freischutz` (1846) S.575 Piano transcription of the overture to the opera `Oberon` by Weber (1843) S.574 Valse de concert S.430 Memories of the opera Simon Boccanegra by Verdi (1857, 1881) S.438 Paraphrase de concert sur Ernani I S.431a Paraphrase de concert sur Ernani II S.432 Concert Paraphrase on Ernani by Verdi S.413a Paraphrase on the `Miserere` from the opera `Il Trovatore` by Verdi S.433 `Salve Maria` Arrangement of Giselda`s prayer from the opera `Lombardi alla prima crociata` by Giuseppe Verdi S.431 Finale de Don Carlos (Coro di festa e Marcia funebre) S.435 Danza sacra e duetto finale d’Aida S.436 Paraphrases on Verdi`s opera S.434 (Verdi) Agnus Dei from Requiem (1877) S.437a Piano transcription of the Holy dance and the final duet from the opera `Aida ` by Verdi (1879) S.436 Transcription of Vielgorski`s romance I Loved (1843) S.577 Romance `Lyubila ya` S.577bis I Love (Romanze von Wielhorski) S.577, № 1 (Halevy) Memories of the Opera `Yid `(Daughter of Cardinal, 1834-35) S.409a Sarabande and Chaconne from the opera `Almira` by Handel S.181 Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l`opera Rouslan et Loudmila) S.406/1 Marcia Circassa tratta dall`opera Russlan e Ludmilla di Glinka S.406/2 (Goldschmidt) Transcription of love scene and Wheel of Fortune from the oratorio The Seven Deadly Sins. (1880) S.490 Transcription of Septet Op. 74 by Hummel (1848) S.493 (Gounod) Hymne a Sainte Cecile (1866) S.491 Transcription of Les Adieux by Gounod`s Romeo and Juliet (1867) S.409 Transcription of Les Sabiennes from Gounod`s Queen of Sheba (1865) S.408 (Gounod) Piano transcription of Waltz from `Faust` S.407 Bunte Reihe (24 Stücke von Ferdinand David) S.484 Tarantella of Dargomyzhsky, treatment for two hands by Franz Liszt S.483 (Dessauer) Piano transcription of songs (1846) S485 S.485 Variations on a Waltz by Diabelli for piano S.147 Transcription of Nuits d`ete a Pausilippe. Les soirees italiennes by Donizetti (1838) S.399 Valse a capriccio (sur deux motifs de Lucia et Parisina) S.401 Recollection of Donizetti`s `Lucia di Lammermoor` S.397 (Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia № 2. Drinking song-duo-final (1848) S.400/2 (Donizetti) Memories of the opera `Lucrezia Borgia`. Grand Fantasia № 1. Trio from Act 2 (1841) S.400/1 Transcription of the Funeral March from the opera Don Sebastian by Donizetti (1844) S.402 (Donizetti) Piano transcription of Marsh and Cavatina from `Lucia di Lammermoor` (1841) S.398 (Donizetti) Fantasy based on the opera `Lucrezia Borgia` (1840) S399a S.399a Transcription of Spirto gentil from the opera La Favorite by Donizetti (1847) S.400a `Valse d`Adèle` (Transcription brillante) (1877) S.456 Zigeuner-Polka (La célèbre Zigeunerpolka d`August Conradi) S.481 Tarentelle de César Cui S.482 (Lassen) Piano transcription of Ich weil in tiefer Einsamkeit, 1872 S.495 (Lassen) Piano transcription of Lase, Himmel, meine Seele, 1866 S.494, № 1 Löse, Himmel, meine Seele (Lied von Eduard Lassen) S.494, № 2 Piano transcription of music for Nibelungs of Hebbel and Faust of Goethe by Lassen (1878-79) S.496 Piano transcription of Symphony intermezzo to the play of Calderon Love is Above All, by Lassen (1882) S.497 Regina coeli laetare S.663 (Lessmann) Piano transcription of Drei Lieder aus Jul. Wolffs `Tannheuser`, 1882 S.498 Marche hongroise de Szabadi (Revive Szegedin!) S.572 (Meyerbeer) Le Moine (1842) S416 S.416 (Meyerbeer) Grande fantaisie dramatique sur des themes de l`opera `Les Huguenots` (1842) S.412/3 (Meyerbeer) Memories of the opera Les Huguenots (1836) S.412a (Meyerbeer) Réminiscences des Huguenots (Grande fantaisie dramatique) S.412b (Meyerbeer) Réminiscences de `Robert le Diable` (Meyerbeer) S.413 (Meyerbeer) Illustrations for the opera `L`Africaine` (1865) S.415 (Meyerbeer) Illustrations du `Prophète` for Piano S.414 (Meyerbeer) Festmarsch zu Schillers 100 jahriger Geburtsfeier (1860) S549 S.549 (Meyerbeer) Fantasia and Fugue on the chorale theme from The Prophet by Meyerbeer (1850) S.624 (Mendelssohn) Aria `Jerusalem, die du toetest den Propheten` for Voice and Organ (Mendelssohn) Transcription of `Wasserfahrt` und `Der Jager Abschied` (1848) S.548 (Mendelssohn) Transcription of Songs without Words by Mendelssohn (Op. 30, № 1) for violin and organ (Mendelssohn) Piano transcription of Mendelssohn`s Wedding March and Dance of the Fairies from the music to Shakespeare`s `A Midsummer Night`s Dream` S.410 (Mendelssohn) Piano transcription of songs (1840) S.547 Soirees italiennes. Six entertainments for Piano on motifs of Mercadante. (1838) S.411 Reminiscences de La Scala (Fantasie über italienische Opernmelodien) S.458 (Mozart) Ave verum corpus for Organ (1886) S.674d (Mozart) Ave verum corpus for Piano (1867) S.461a (Mozart) Reminiscences de `Don Juan` S.418 (Mozart) Fantasie über Themen aus Mozarts Figaro und Don Giovanni S.697 (Mozart) Confutatis и Lacrimosa from Requiem (1865) S.550 (Mozart) Piano transcription of Der, welcher wandelt diese Strasse from the opera `Die Zauberflote` (1870) S.634a Fantasia on Hungarian opera `Lovely Ilonka` by Mosoni (1867) S.417 Stücke aus der Oper La muette de Portici von Auber S.387, № 1 (Aubert) Klavierstück über ein fremdes Thema (1847-48) S.387, № 2 (Aubert) Memories of the opera `Bride` (1842) S.385/3 Grande fantaisie sur la tyrolienne de l`opéra La fiancée de Auber S.385/1 Tarantelle di bravura dàprès la Tarantelle de `La Muette de Portici` (Auber) S.386, № 1 Tarantelle di bravura d’après la tarantelle de La muette de Portici S.386, № 2 6 Études d`exécution transcendante d`après Paganini for piano (1838-40) S.140 Grandes Études de Paganini (1851) S.141 (Pacini) Grand Fantasia on the motifs of `Niobe` (1835-36) S.419 (Raff) March from the opera `King Alfred` (1853) S.421/2 (Raff) Final andante from the opera `King Alfred` (1853) S.421/1 (Clara Schumann) Piano transcription of songs (1872) S.569 Sept Variations brillantes dur un thème de G. Rossini S.149 `Caritas` (1847) S.552a `La caritá` (1847) S.552b Transcription of La Pastorella delVAlpi е li Marinari by Rossini (1835-36) S.423 Transcription of Soirees musicales by Rossini (1837) S.424 Transcription of La Serenata et VOrgia by Rossini (1835-36) S.422, № 2 Grande fantaisie sur des motifs de La serenata e L`orgia des Soirées musicales S.422, № 1 Impromptu brilliant on themes By Rossini & Spontini S.150 Introduction et variations sur une marche du Siège de Corinthe S.421a (Rossini) Overture to William Tell S.552 (Rossini) Arias from Stabat Mater and La charite S.553 Transcription of `Largo ai factotum` from the opera by G. Rossini `Barber of Seville` (Rubinstein) Piano transcription of song `Asra` op. 32 (1880) S.554/2 (Rubinstein) Piano transcription of song `Oh, if ever it was` op. 34. (1880) S.554/1 Piano transcription of Saint-Saëns: Danse macabre op. 40 S.555 Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl ) S.573 Concerto in the Hungarian Style S.714 Spanisches Ständchen (Melodie von Graf Leó Festetics) S.487 (Franz) Piano transcription of four songs (1848) S.489 (Franz) Piano trascription of Er ist gekommen in Sturm und Regen (1848) S.488 Tanzmomente von Johann Herbeck S.492 Piano transcription of Polonaise from `Eugene Onegin` by Tchaikovsky S.429 Prelude S.662, № 1 Prelude S.662, № 2 Mes Joies S.480, № 5bis Chopin: Sechs polnische Lieder op. 74 S.480 Transcription of Die Rose by Spor (1876) S.571 (Schubert) Soirees de Vienne. Valses caprices d`apras Schubert (1852) S.427 La sérénade de Franz Schubert S.559a Ständchen S.560, № 7a (Schubert) Hungarian Melodies (1838-39) S.425 Mélodies hongroises d`après Franz Schubert S.425a Marche hongroise S.425, № 2b Marche hongroise S.425, № 2e Marche militaire (Grande paraphrase de concert) S.426a Märsche von Franz Schubert S.426 Die schone Mullerin, by F. Schubert. The Transcription of Six Songs (1865) S.565 Müllerlieder von Franz Schubert S.565bis Impromptus von F. Schubert S.565b Ave Maria (Lied von Franz Schubert) S.557d Die Nebensonnen S.561, № 2 Frühlingsglaube S.557c Gondelfahrer (Männerquartett von Franz Schubert) S.559 (Schubert) `Meeresstille` (Lied von Franz Schubert) S.557b Erlkönig S.557a Die Rose (Lied von Franz Schubert) S.556, № 1 Die Rose (Lied von Franz Schubert) S.556, № 3 Die Forelle (Lied von Franz Schubert) S.564 (Schubert) Fantasie `Wanderer` (1868) S.565a Die Stadt, from the cycle Swan Song D957 №11 by F. Schubert Piano transcription of Ständchen (after No. 4 from Schwanengesang by Schubert, D957) S.560 Abschied (by Schubert), the Piano Transcription (Schubert) Piano transcription of cycle `Winterreise` (1839) S.561 (Schubert) Piano transcription of cycle `Swansong `(1838-39) S.560 (Schubert) Piano transcription of four melodies (1840) S.562 (Schubert) Piano transcription of six tunes (1844) S.563 Piano transcription of Schubert, 12 Lieder (1838) S.558 Piano transcriptions of 5 songs by Franz Schubert Piano transcriptions of songs by Schubert (Schumann) Piano transcription of Provencal song op.139 (1881) S.570 (Schumann) Piano transcription of songs (1861) S.567 (Schumann) Piano transcription of `Fruhlingsnacht` (1872) S.568 Liebeslied (Widmung von Robert Schumann) S.566a (Schumann) Piano transcription of `Widmung`(1848) S.566 Schwanenge sang und Marsch aus `Hunyadi Laszlo`by Erkel (1847) S.405 Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) S.404 Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) S.485b 12 Grandes Études (1837) S.137 12 Etudes d`execution transcendente (1851) S.139 12 Etudes S.136 2 Vortragsstücke S.268 Two Additional Cadences to `Un Sospiro` (1880) S.144/3bis 2 Concert Studies S.145 Marches dans le genre hongrois: March No.1 D minor S.693, № 1 Marches dans le genre hongrois: March No.1 B♭ minor S.693, № 2 2 Orchestersätze aus dem Oratorium `Christus` (1871) S.498b 2 Polonaises S.223 Polonaises de l`oratorio St. Stanislaus: № 1 (1875) S.519, № 1 Polonaises de l`oratorio St. Stanislaus: № 2 (1875) S.519, № 2 2 piano pieces S.189 Kirchenhymnen S.669 2 Csárdáses (1884): № 1 `Csárdás` S.225, № 1 2 Csárdáses (1884): № 2 `Csárdás obstinée` S.225, № 2 Seconda Mazurka di Tirindelli S.573a 3 Morceaux suisses (1876-77) S.156a 3 Études de Concert S.144 3 nocturnes ("Dreams of Love") S.541 3 songs from Schiller`s `Wilhelm Tell` for voice and piano S.292 3 Sonetti di Petrarca S.158 S.158 Tre sonetti di Petrarca for voice and piano (1838-39, 1861) S.270 Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) S.166m 5 Variations on a theme from Mehul`s Joseph [Attributed to Liszt, but by FX Mozart] S.147a Magyar népdal S.245 Five little piano pieces (for Baroness von Meyendorff) S.192 Klavierstuck in E-dur S.192/1 Klavierstuck in As-dur S.192/2 Klavierstuck in Fis-dur S.192, № 3 Klavierstuck in As-dur S.192, № 4 Sospiri (1879) S.192, № 5 8 Variations on an original theme S.148 Adagio non troppo S.151a `Allegro di Bravura`, Op.4 № 1 S.151 Allegro maestoso (Study № 13 in F-Sharp Major) S.692c (1826) S.692c Andante religioso S.261a Andante sensibilissimo S.701c (1880-86) S.701c `Apparitions` for piano S.155 Arbeiterchor for male choir, bass and piano (1848) S.552 Aus der Ungarischen Kronungsmesse (1867) S.501 Ave Maria d`Arcadelt S.183/2 Ave Maria II for baritone and organ (1869 version) S.681 Ave Maria II S.504, № 1 Ave Maria S.504, № 2 Ave Maria IV (1881) S.545 S.545 Ave Maria IV for baritone and organ (1881 version) S.341 Ave maris stella S.506 Ave maris stella in D major for voice and organ (1868) S.680 Ballade `Der Kenig von Thule` Piano piece `Berceuse` S.174 Cantico del sol di Francesco d`Assisi S.665 Cantico del Sol di San Francesco (1881) S499 S.499 Cantico del Sol di San Francesco d`Assisi for baritone and organ (first version 1862) S. 4/1 Celebre melodie hongroise (1866) S.243a Dante fragment (1837) S.701e S.701e De Profundis (Psaume instrumentale) S.121a De profundis clamavi, psaume 129 for baritone and organ (after 1883) S. 16/2 De profundis, Instrumental Psalm for piano and orchestra (1834-1835) S.691 Den Schutz-Engeln (Angelus! Pri ère á l`ange gardien) (1880) S.162a/2 Der nächtliche Zug (Episode aus Lenaus Faust) S.513a Die drei Zigeuner, for Violin and Piano (1864) S.383 Die Legende von der Heiligen Elisabeth S.498a Einleitung, Fuge und Magnificat S.672b Excelsior S.666 Galop de Bal for piano S.220 Gaudeamus igitur S.240a il m`aimait tant! (1843) S533 S.533 In domum Domini ibimus (1884) S.505 In domum Domini ibimus S.671 In festo transfigurationis Domini nostri Jesu Christi (1880) S.188 Korrekturblatt (1882) S.701k S.701k La Charite (1847) S.701j S.701j La Lugubre Gondola for piano S.200 La lugubre gondole ``Troisième élégie`` (Third Elegy) - for cello and piano (1882-85) S.134 La Notte, for Violin and Piano (1864-65) S.377a Legendes de San Francesco (version orchestrale) (1863, pub. 1975 ed. F.G.Zeileis) S.113a Licht! Mehr Licht! for male choir (1849) R552 R552 L`hymne du Pape (1865) S.530 Mélodie polonaise (1843) S.249a Magyar Tempo S.241b `Malediction` for piano and strings S.121 Marche de Prozinsky S.701v Marie-Poeme S.701b (1837) S.701b Melodie in Dorische Tonart (Prose des Morts) S.701d (1861) S.701d Missa choralis, organo concinente for mixed choir and organ S. 10 Missa quattuor vocum ad aequales (Szekszárd Mass, 1869) S. 8/2 Missa Solennis (1857–58) S. 9 Mosonyis Grabgeleit (1870) S.194 `Nuages gris` for piano S.199 O Roma nobilis S.546a O sacrum convivium S.674a O sacrum convivium S.674a (bis) Ora pro nobis S.262 Pater noster for mixed chorus and organ (1869) S. 22 Pensees `Nocturne` (1845) S.168b Pio IX S.261 Postludium (Sursum Corda) S.162f Preludes et Harmonies poetiques et religieuses (1845-46) S.171d Psalm 23 `Mein Gott der ist mein Hirt` R. W.- Venezia. (R. Wagner, 1883) S.201 Reve d`amour, S.541 Romancero espagnol (1845) S.695c Rondo di Bravura Op.4 No.2 S.152 Sacred Festival Overture On the Chorale `Ein Feste Burg Ist Unser Gott` Salve Polonia (Interludium aus dem Oratorium Stanislaus) (1863) S.518 Salve Regina S. 66 San Francesco. Preludio per il cantico del Sol di San Francesco (1880) S499 S.498c Sancta Dorothea (1877) S.187 Stabat Mater S.172b Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) S.486 Tantum ergo for female chorus and organ (1869) S. 42/1 Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) S.551a Tristia, transcription of `La Vallee d`Obermannn` for violin, violoncello and piano S.723c Trois Chansons (1852) S.510a Trois Odes funebre. Le Triomphe funebre du Tasse (1866) S517 S.517 Trois Odes funebres. La Notie (1864) S699 S.699 Trois Odes funebres. Les Morts. Orais (1860) S516 S.516 Unstern. Sinistre. S.208 Urbi et orbi (1864) S.184 Valse de Marie (Mariotte) (1842) S.212b Valse infernale S.701h/1 (1840?) S.701h/1 Vexilla regis prodeunt S.185 Via Crucis (Die 14 Stationen des Kreuzweges) Via Crucis (Les 14 stations de la croix) S.504a Von der Wiege bis zum Grabe (1881) S512 S.512 Weinachtslied (Christus ist geboren) S.502 Winzerchor aus den entfesselten Prometheus S.692e (1850) S.692e Zigeuner-Epos (1848) S.695b `Zum Andenken` 2 Hungarian Recruiting Dances S.241 Évocation à la chapelle Sixtine S.658 `Évocation à la chapelle Sixtine` (orchestra version) S.360 Évocation à la Chapelle Sixtine (1862-65) S.461 `Évocation à la chapelle Sixtine` S.461, № 1 `Ab irato` (Étude de perfectionnement) S.143 Air cosaque S.249c Alleluja. From `Cantico del Sol di San Francesco d`Assisi`. (1862) S.183/1 Eleven Chorales arranged for Piano (1870) S.504b Aux anges gardiens (Den Schutz Engeln) S.162a/1bis Ave Maria d`Arcadelt S.659 Ave Maria, for organ S.667c Ave Maria for the piano school of Lebert and Stark (The Bells of Rome), E-dur S.182 Ave maris stella S. 34/2 Bülow-Marsch S.230 `Buch der Lieder II` (1847): № 1 `Comment, disaient-ils` S.535 `Buch der Lieder II` (1847): № 2 `Oh, quand je dors` S.536 `Buch der Lieder II` (1847): № 3 `Enfant, si j`étais roi` S.537 `Buch der Lieder II` (1847): № 4 `S`il est un charmant gazon` S.538 `Buch der Lieder II` (1847): № 5 `La tombe et la rose` S.539 `Buch der Lieder II` (1847): № 6 `Gastibelza` S.540 `Buch der Lieder I` (1843) S.531 `Canzonetta del Salvator Rosa` (1839) S.157c Carrousel de Madame P-N. S.214a `Chanson du Béarn` (Pastorale) S.236, № 2 `Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880) S.162a, № 3 `Den Schutz-Engeln` (`Angelus! Pri ère á l`ange gardien`) (1880) S.162a, № 4 `Den Schutz-Engeln` (`Angelus! Prière à l`ange gardien`) (1877) S.162a/1 Die Loreley S.532 Die Trauer-Gondel (La lugubre gondola) S.199a `En mémoire de Maximilian I` (1867) S.162d `Entwurf der Ramann-Elegie` (1877) S.196a `Excelsior!` - Preludio zu dem Glocken des Strassburger Münsters (1874) S.500 `Fanfare zur Enthüllung des Carl-Augusts Monument` (1875) S.542b `Faribolo Pasteur` (Chanson tirée du poème de Françonetto de Jacques Jasmin) S.236, № 1 S.236, № 1 `Festmarsch nach Motiven von E.H. z. S.-C.-G` (1858-59) S.522 Festmarsch zur Säcularfeier von Goethes Geburtstag S.227 `Feuille morte` (Élégie d`après Soriano) (1845) S.428 Gaudeamus igitur (Humoreske) S.509 `Geharnischte Lieder` (1860) S.511 `Goethe-Festmarsch` (1859) S.521 Huldigungsmarsch S.228а Huldigungsmarsch S.228b Il penseroso S.157b `Künstlerfestzug zur Schillerfeier 1859` (1859-60) S.520, № 2 `Künstlerfestzug zur Schillerfeier 1859` (1859-60) S.520, № 1 `La cloche sonne` (1850?) S.238 `La marquise de Blocqueville` (`Un portrait en musique`) (1869) S.190 `La notte` S.602 `La romanesca` (Mélodie du 16ième siècle) S.252a `La romanesca` (Mélodie du 16ième siècle) S.252b Le forgeron, for male choir and piano (1845) R548 S. 81/1 Le triomphe funèbre du Tasse, Epilogue to the symphonic poem `Tasso` S.112/3 `Nun danket alle Gott` S.674c O lieb, so lang du lieben kannst! S.540a Pásztor Lakodalmus (Magyar nóták) S.405a Paralipomènes á la Divina Commedia (Fantaisie symphonique) S.158a Prolégomènes á la Divina Commedia (Fantaisie symphonique) S.158b Petite valse favorite (Souvenir de St Pétersbourg) S.212, № 1 `Petite valse favorite` (`Souvenir de St Pétersbourg`) (1843) S.212, № 2 Polnisch S.701g (1876?) S.701g Recueillement, for piano S.204 `Romance oubliee` for piano S.527 Romance oubliée S.527bis `Rosario` (1879) S.670 Schlaflos, Frage und Antwort, for piano S.203 S.203 `Schlummerlied im Grabe` (1874) S.195a Schlummerlied S.186/7a Slavimo slavno, Slaveni! S.668 `Slavimo slavno, Slaveni!` (1863) S.503 Sposalizio S.157a `Sunt lacrymae rerum` (1877) S.162c/1 `Sunt lacrymae rerum` (1877) S.162c/2 Ungarischer Geschwindmarsch (1870) S.233 Ungarisches Konigslied S.544 `Weimars Volkslied` (1841) S.542 `Album d`un voyageur` for Piano (1837-38) S.156 Weimars Volkslied for Organ (1857-63) S.672, № 1 `Ungarns Gott` for Organ (1881) S.674 `Ungarns Gott` for Piano S.543 `Ungarns Gott` for Piano (left hand, 1881) S.543bis Harmonies poétiques et religieuses for Piano (I) (1833-34) S.154 Harmonies poétiques et religieuses (II) (1840–47) S.172a Harmonies poétiques et religieuses for Piano (III) (1848-53) S.173 Harmonies poétiques et religieuses for Piano: Litanies de Marie (1846-47) S.171e Harmonies poétiques et religieuses for Piano: `Prière d`un enfant á son réveil` (1840) S.171c Hexaméron (Morceau de concert) S.365b Faust Symphony (Andante soave aus der Faust-Symphonie) S.513 Hussitenlied (Aus dem 15. Jahrhundert) S.234 Wilde Jagd - Scherzo S.176a Dumka S.249b `Valses oubliée` for Piano S.215 Valse oubliée No.3 (1883) S.215, № 3а `Romance oubliée` for Cello and Piano (1880) S.132c `Die Zelle in Nonnenwerth` for Cello (or Violin) and Piano S.382 Den Cypressen der Villa d`Este - first version (1872) S.162b Album of princess Marie zu Sayn-Wittgenstein (1847) S.166 `Album Leaf` (1841) S.701h/2 Album Leaf (1860) S.167c Album Leaf S.167h Album Leaf (Allegro vivace quasi presto) S.163a/1 Album Leaf (`Adagio — religioso in C major`) S.164l Album Leaf (`Agitato in G major`) S.167l Album Leaf (`Ah! vous dirai-je, Maman`) S.163b Album Leaf (`Freudvoll und leidvoll`) S.166n Album Leaf (`Allegretto in A major`) S.167n Album Leaf (`Andante in E♭ major`) S.167r Album Leaf (`Andante religiosamente in G major`) S.166j Album Leaf (`Andantino in A♭ major`) S.166p Album Leaf (`Aus dem Purgatorio des Dante Sinfonie`) S.166r/2 Album Leaf (`Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke`) S.167m Album Leaf (`Berlin Preludio`) S.164g Album Leaf (`Braunschweig Preludio`) S.166f Album Leaf (Consolation No.1) S.171b Album Leaf (`Dante Symphony progression`) S.167f Album Leaf (`Detmold`) S.164d Album Leaf (`Exeter Preludio`) S.164c Album Leaf (`Friska`) S.166k Album Leaf (`Fugue chromatique - Allegro in G minor`) S.167j Album Leaf (`Glasgow fragment`) S.701f (1841?) S.701f Album Leaf (`Introduction to the Grande Étude de Paganini No 6`) S.141/6bis Album Leaf (`Langsam in C♯ minor`) S.166o Album Leaf (`Larghetto in D♭ major`) S.167p Album Leaf (`Leipzig`) S.163d Album Leaf (`Leipzig`) S.164b Album Leaf (`Lyon Prélude`) S.166d Album Leaf (`Lyon`) S.167s Album Leaf (`Magyar`) S.164e/1 Album Leaf (`Magyar`) S.164e/3 Album Leaf (`Magyar`) S.164e/2 Album Leaf (`Moderato in D♭ major`) S.164k Album Leaf (`Portugal`) S.166b Andantino (`pour Emile et Charlotte Loudon`) S.163a, № 2 Album Leaf (`Prélude omnitonique`) S.166e Album Leaf (`Preludio`) S.164j Album Leaf (`Pressburg`) S.163c Album Leaf (`Purgatorio`) S.166r/1 Album Leaf (`Quasi mazurek in C major`) S.163e Album Leaf (`Rákóczi-Marsch`) S.164f Album Leaf (`Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major`) S.167q Album Leaf (`Serenade`) S.166g Album Leaf (`Tempo di marcia in E♭ major`) S.167o Album Leaf (`Vienna`) S.164a Album Leaf (`Vivace ma non troppo in D♭ major`) S.167g Album Leaf (of the symphonic poem Orpheus) (1860) S.167d S.167d Album Leaf (of the symphonic poem Ideals) (1860) S.167e S.167e Album Leaf S.163d/2 Album Leaf S.166s Album Leaf S.166l/1 Album Leaf S.166c Albumblatt E-dur S.164 Album Leaf S.166a, № 1 Album Leaf S.167t Andantino (`pour Emile et Charlotte Loudon`) S.163a/2 Album Leaf S.167k Album Leaf S.164h Album Leaf S.166q Album Leaf S.166l/2 Feuille d`album № 2 a-moll S.167 Album Leaf (`Andante religioso in G major`) S.166h La mandragore (Ballade de l`opera Jean de Nivelle) S.698 (1881) S.698 La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) S.237 Gebet (1879) S265 S.265 Le lac de Wallenstadt S.156, 2а-bis At the Grave of Richard Wagner S.202 Abschied - Russisches Volkslied (1885) S.251 Anfang einer Jugendsonate S.692b Vom Fels zum Meer! (Deutscher Siegesmarsch) (1853-56) S.229 `О, du mein holder Abendstern` for Cello & Piano S.380 О, heilige Nacht, for tenor, choir and organ (1875) S. 49 Resignazione S.187a Resignazione (1877) S187b S.187b Dem Andenken Petöfis S.195 Das Lied der Begeisterung, for male choir and baritone (1871) S. 91/1 Puszta-Wehmut S.246 `Totentanz`. Paraphrase on the `Dies Irae` for piano and orchestra S.126/2 Totentanz S.525 Rakoczy-march (1839-40) S.692d S.692d Rákóczi Marsch S.242a Ungarische National-Melodie [`Rakoczi-Marsch`] S.242, №13bis Rákóczi-Marsch S.244a Rákóczi-Marsch (1871) S.244b Marche de Rákóczy (Édition populaire) S.244c Weihnachtsbaum. Arbre de Noel 12 piano pieces S.185a Weihnachtsbaum. Arbre de Noel 12 piano pieces S.186 `Morceau de salon `, 1840 S.142 Der blinde Sanger (1878) S.542a Marche funèbre S.226a Siegesmarsch (Marche triomphale) S.233a Am Grabe Richard Wagners S.267 Au bord d`une source S.160, № 4bis Consolations S.672d Consolations (1844-48) S.171a `Consolations` for piano S.172 Chorale S.506a Ave Maria S. 20 Adagio in C major (1841) S.158d Bagatelle without tonality for piano S.216a Bells of Strasbourg Cathedral, ballad for soloists, choir and orchestra (1874) S. 6 Ballade No.1 in Des-dur (1845-48) S.170 Ballade No.2 in h-moll (1853) S.171 Ballade No.2 in h-moll (1 version) (1853) S.170a Grosse Konzertstück über Themen aus Mendelssohns `Lieder ohne worte` for 2 Pianos S.257 Great Concert Fantasia on the Spanish Themes S.253 Grande fantaisie de bravoure sur La clochette S.420 Grande Fantaisie sur des thèmes de Paganini S.700, № 1 Variations de bravoure sur des thèmes de Paganini S.700, № 2 Grand Solo de concert for piano (1849) S.175a Grand solo de concert S.365 Grande valse di bravura (Le bal de Berne) S.209 Grosses Konzertsolo for piano (1849) S.176 Grand Duo concertant sur la romance de M. Lafont `Le marin` for violin and piano (1835, 1849) S.128 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan S.403 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan S.403bis Grand Galop chromatique S.219 Grand galop chromatique S.219bis Waltz in A-dur S.208a Waltz S.210b Waltz in Es-dur S.209a Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) S.571a Valse Impromptu S.213 Valse-Impromptu S.213bis Valse-Impromptu S.213а Variations on `Tiszantuli szép leany` S.384a Variations sur le Carnaval de Venise S.700a Variationen über ein Motiv (basso ostinato) aus der Kantate `Weinen, Klagen, Sorgen, Zagen`, und dem `Crucifixus`, der h-Moll Messe von J. S. Bach S.673 Hungarian Coronation Mass S. 11 Rhapsodies hongroises in a-moll S.242, №13 Rhapsodies hongroises in a-moll S.242, №14 Rhapsodies hongroises in a-moll S.242, №17 Rhapsodies hongroises in E-dur S.242, №16 Rhapsodies hongroises in e-moll S.242, №12 Hungarian Rhapsody in E Minor (orchestral version) S.359/5 Hungarian Rhapsody in D Major (orchestral version) S.359/6 Rhapsodies hongroises in d-moll S.242, №15 Hungarian Rhapsody in d-moll (orchestra version) S.359/2 Hungarian Rhapsody in d-moll (orchestra version) S.359/4 Hungarian Rhapsody in Des-dur (orchestra version) S.359/3 Hungarian Rhapsody in f-moll (orchestra version) S.359/1 Hungarian Rhapsody № 1 C sharp minor S.244 № 1 Hungarian Rhapsody № 2 in C sharp minor S.244 № 2 Hungarian Rhapsody № 2 in C sharp minor (1885) S.244 № 2bis S.244 № 2bis Hungarian Rhapsody № 3 in B flat major S.244 № 3 Hungarian Rhapsody № 4 in E-flat Major S.244 № 4 Hungarian Rhapsody № 5 in e minor S.244 № 5 Hungarian Rhapsody № 6 Des-dur S.244 № 6 Hungarian Rhapsody № 7 in D minor S.244 № 7 Hungarian Rhapsody № 8 F-sharp minor S.244 № 8 Hungarian Rhapsody № 9 in E-flat major `Carnival of Pest` S.244 № 9 Hungarian Rhapsody №10 E major S.244 №10 Hungarian Rhapsody №10 in E Major (1847) S.244 №10bis S.244 №10bis Hungarian Rhapsody №11 A minor S.244 №11 Hungarian Rhapsody №12 in C sharp minor S.244 №12 Hungarian Rhapsody №13 in A minor S.244 №13 Hungarian Rhapsody №14 in F minor S.244 №14 Hungarian Rhapsody №15 in A minor S.244 №15 Hungarian Rhapsody №15 in A Minor (1847) S.244 №15bis S.244 №15bis Hungarian Rhapsody №16 in A major S.244 №16 Hungarian Rhapsody №16 in A Major (1882) S.244 №16/1 S.244 №16/1 Hungarian Rhapsody № 17 in D minor S.244 №17 Hungarian Rhapsody №18 in A major S.244 №18 Hungarian Rhapsody №18 in A Major (1883) S.244 №18a S.244 №18a Hungarian Rhapsody №18 in A Major (1883) S.244 №18b S.244 №18b Hungarian Rhapsody №19 in D minor S.244 №19 Historical Hungarian Portraits (1870-86) S.205 Historische ungarische Bildnisse S.205a Ungarische Nationalmelodien S.243 Ungarische Nationalmelodien S.243bis Ungarischer Romanzero (1853): № 1 F minor S.241a, № 1 Ungarischer Romanzero (1853): № 2 A minor S.241a, № 2 Ungarischer Romanzero (1853): № 3 A minor S.241a, № 3 Ungarischer Romanzero (1853): № 4 A minor S.241a, № 4 Ungarischer Romanzero (1853): № 5 D minor S.241a, № 5 Ungarischer Romanzero (1853): № 6 A major S.241a, № 6 Ungarischer Romanzero (1853): № 7 A major S.241a, № 7 Ungarischer Romanzero (1853): № 8 D minor S.241a, № 8 Ungarischer Romanzero (1853): № 9 A major S.241a, № 9 Ungarischer Romanzero (1853): №10 G minor S.241a, №10 Ungarischer Romanzero (1853): №11 F major S.241a, №11 Ungarischer Romanzero (1853): №12 A major S.241a, №12 Ungarischer Romanzero (1853): №13 F♯ minor S.241a, №13 Ungarischer Romanzero (1853): №14 D major S.241a, №14 Ungarischer Romanzero (1853): №15 D major S.241a, №15 Ungarischer Romanzero (1853): №15 C major S.241a, №16 Ungarischer Romanzero (1853): №17 A major S.241a, №17 Ungarischer Romanzero (1853): №18 A major S.241a, №18 Ungarischer Sturmmarsch (Hungarian Battle March) S.524 `Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867` (1870) S.523 March Hongroise for piano S.233b Hungarian March in B-dur (1859) S.229a Seconde marche hongroise (Ungarischer Sturmmarsch) S.232 Venice and Naples (1840) S.159 Galop S.218 Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) S.231 Marche héroïque S.510 `Kaiser Wilhelm!` S.197b (1876) S.197b Inno a Maria Vergine for mixed choir and organ (1869) S. 39/1 Années de pèlerinage I: Suisse S.160 Années de pèlerinage I: Suisse (separated pieces) Années de pèlerinage II: Venezia e Napoli S.162 Années de pèlerinage II: Italy S.161 Années de Pèlerinage III S.163 2 Episoden aus Lenau`s Faust (1859-1861) S.110 Declamation `Des toten Dichters Liebe` (A holt költó szerelme, 1860) S.349 Declamation `Helges Treue` (1860) S.686 Declamation `Lenore` (Der Bräutigam) S.346 Declamation `Der traurige Mönch` (In Schweden steht ein grauer Turm) S.348 Declamation `Der blinde Sänger` (1875-77) S.350 Introduction for Organ from Oratorio `Die Legende von der Heiligen Elisabeth` (1872) S.663a Rhapsody espagnole for piano S.254 Cadenza S.695f La Campanella Prometheus, cantata (1857) S. 69/2 Valse de bravoure S.214, № 1 Valse mélancolique S.214, № 2 Waltz-Caprice on the operas of G. Donizetti Lucia di Lammermoor and Parisina S.214, № 3 Klavierstück Fis-dur S.193 Wiegenlied (Chant de berceau) S.198 Concerto sans orchestre in A major (1839) S.524a Concerto for piano and orchestra No.1 in Es-dur (1830-55) S.124 Concerto for piano and orchestra No.2 in A-dur (1839, 1848-61) S.125 Concerto for piano and orchestra No.3 in Es-dur S.125a God Save the Queen (Paraphrase de concert) S.235 Ländler for piano As-dur S.211 St. Cecilia, legend for mezzo-soprano, choir and orchestra (1874) S. 5 St François de Paule, marchant sur les flots S.175/2bis Légendes for piano S.175 Ländler S.211a Feuille d`album № 1 As-dur S.165 Magnificat for Piano (1862) S.182a Mazurka brillante (1850) S.221 Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg S.384 Mazurka S.221a Petite valse (`Nachspiel zu den drei vergessenen Walzer`) S.695d Valse mélancolique S.210 Valse mélancolique S.210а Missa pro organo lectarum celebrationi missarum adjumento inserviens, S.264 S.264 Mephisto Waltz №1 S.514 Mephisto Waltz № 2 for orchestra S.111 Mephisto Waltz № 2 for piano S.515 Mephisto Waltz №3 S.216 Mephisto Waltz No.3 S.215a Mephisto Waltz №4 S.696 Mephisto Waltz No.4 S.216b Mephisto Polka S.217/2 Mephisto Polka (1882-83) S.217 / 1 S.217/1 Canzone Napolitana (Notturno) S.248 Canzone Napolitana (Notturno) S.248a Nocturne S.190a En Reve, nocturne S.207 Der nachtliche Zug, an Episode of `Faust` by Lenau S.110/1 Don Sancho, or Castle of Love, opera S. 1 Oratorio `Via Crucis` for mixed chorus, soloists and organ (piano) S. 53 Christus, oratorio for soloists, mixed chorus, orchestra and organ S. 3 Die Legende von der Heiligen Elisabeth, S.2 (1857-62) S. 2 Concerto pathetique for 2 pianos S.258 Pathetic Concerto for piano and orchestra (№ 4) in E Minor (1885-86) S.365a Songs `Wartburg-Lieder` for soloists, choir and orchestra S.345 Song `Über allen Gipfeln ist Ruh` for voice and piano S.306 Song `Anfangs wollt ich fast verzagen` for voice and piano S.311 Song `Angiolin dal biondo crin` for voice and piano S.269 Bist du! poem by Prince Elim Meshchersky (1844) S.277 Song `Blume und Duft` for voice and piano S.324 Song `Comment, disaient-ils` for voice and piano S.276 Song `Der du von dem Himmel bist` for voice and piano S.279 Song `Der Glückliche` for voice and piano S.334 Song `Des Tages laute Stimmen schweigen` for voice and piano S.337 Song `Die drei Zigeuner` for voice and piano S.320 Song `Die Fischertochter` S.325 Song `Die Loreley` for voice and piano S.273 Song `Die stille Wasserrose` for voice and piano S.321 Die todte Nachtigall S.291 Song `Die Vätergruft` for voice and piano S.371 `Die Vätergruft` S.281 Song `Du bist wie eine Blume` for voice and piano by Heinrich Heine S.287 Song `Ein Fichtenbaum steht einsam` for voice and piano S.309 Song `Enfant, si j`étais roi` for voice and piano S.283 Song `Es muss ein Wunderbares sein` for voice and piano S.314 Song `Es rauschen die Winde` for voice and piano S.294 Es war ein König in Thule S.278 Song `Freudvoll und leidvoll` S.280/2 Song `Gastibelza` for voice and piano S.286 Song `Gestorben war ich` for voice and piano S.308 Song `Hohe Liebe` for voice and piano S.307 Ich liebe dich, 1862 S.315 Song `Ich möchte hingehn` for voice and piano S.296 Song `Ihr Auge` S.310 Song `Ihr Glocken von Marling` for voice and piano S.328 Song `Im Rhein, im schönen Strome` for voice and piano by Heinrich Heine S.272 Song `In Liebeslust` for voice and piano S.318 Jugendglück S.323 Song `J`ai perdu ma force et ma vie (Tristesse)` for voice and piano S.327 Song `Kling leise, mein Lied` for voice and piano S.301 Song `La Tombe et la Rose` for voice and piano S.285 Song `Lasst mich ruhen` for voice and piano S.317 Song `Le Vieux Vagabond` for voice and piano S.304 Song `Morgens steh` ich auf und frage` for voice and piano by Heinrich Heine S.290 Song `O lieb, so lang du lieben kannst` for voice and piano S.298 Song `Oh! Quand je dors` for voice and piano S.282 Song `Schwebe, schwebe, blaues Auge` for voice and piano S.305 Song `S`il est un charmant gazon` for voice and piano S.284 Und sprich S.329 Song `Vergiftet sind meine Lieder` for voice and piano by Heinrich Heine S.289 Song `Wer nie sein Brot mit Tränen aß` for voice and piano S.297 Song `Wie singt die Lerche schön` for voice and piano S.312 Song `Wieder möcht` ich dir begegnen` for voice and piano S.322 Wo weilt er? S.295 Freudvoll und leidvoll S.468 № 2 `Mignons Lied`: `Kennst du das Land` for voice and piano S.275 Totentanz S.126/1 Festpolonaise S.230a Una stella amica (Polka mazurka de F. Pezzini) S.551 Prelude and Fugue for Organ on B-A-C-H S.260 Präludium und Fuge über das Motiv B.A.C.H. S.529, № 1 Szozat und Hymnus S.353 Psalm No.13 for tenor, chorus and orchestra S. 13 Psalm № 116 for male and mixed chorus (1869) S. 15a/1 Psalm No.137 `An den Wassern zu Babylon` (1859) S. 17/2 Klavierstück aus der Bonner Beethoven-Kantate S.507 Klavierstück S.695 Requiem für die Orgel S.266 Requiem for soloists, chorus, organ and percussion S. 12 Responsorien und Antiphonen (Répons et Antiennes) S. 30 Romance S. 169 S.169 Fantaisie romantique sur deux mélodies suisses S.157 Polka de salon (Einleitung und Coda zu Smetanas Polka) S.570a Symphonic poem No. 1 `Сe qu оn entehd sur lа montagnе` (1847-57) S. 95 Symphonic poem No. 2 `Tasso, Lamento e Trionfo` (1849-54) S. 96 Symphonic poem No. 3 `Les Préludes` (1848-54) S. 97 Les préludes (Poème symphonique No 3) S.511a Symphonic poem No. 4 `Orpheus` (1853-54) S. 98 Orpheus S.672a Orpheus (Poème symphonique No.4) S.511b Symphonic poem No. 5 `Prometheus` (1850, 1855) S. 99 Symphonic poem No. 6 `Mazeppa` (1851) S.100 Mazeppa (Poème symphonique No.6) S.511c Symphonic poem No. 7 `Festklänge`(1853) S.101 Festklänge (Poème symphonique No.7) S.511d Symphonic poem No. 8 `Héroïde funèbre` (1850-1854) S.102 Symphonic poem No. 9 `Hungaria` (1854) S.103 Hungaria (Poème symphonique No.9) S.511e Symphonic poem №10 `Hamlet` S.104 Symphonic poem No.11 `Hunnenschlacht` (1857) S.105 Symphonic poem No.12 `Die Ideale` (1857) S.106 Symphonic poem No.13 `From the Cradle to the Grave` (1881-82) S.107 Dante-Symphony S.109 Scherzo in G minor S.153 Scherzo and March for piano S.177 Duo (Sonate) for Violin and Piano (1835) S.127 Piano Sonata in h-moll (1852-53) S.178 Sonata-Fantasy after Dante reading S.161/7 Aprés une lecture du Dante (Fantasia quasi Sonata) S.158c Glanes de Woronince S.249 Technical Studies (12 books) for piano S.146 Toccata S.197a Funeral Prelude and March for piano S.206 Fantasia and Fugue on the theme B-A-C-H S.529 Fantasy and Fugue on the chorale `Ad nos, ad salutarem undam` for organ S.259 Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) S.694 Fantasia on Hungarian Folk Themes for piano and orchestra S.123 Fantasia on a Theme of Wanderer by Schubert (1851) S.366 Rondeau fantastique sur un thème espagnol El Contrabandista S.252 Faust-Symphony for tenor, men`s chorus and orchestra S.108 Festvorspiel (Preludio pomposo) S.226 Piano duo `Héroïde funèbre` S.642 Die Legende vom heiligen Stanislaus, fragment S.688a (1880) S.688a Die Legende von der Heiligen Elisabeth S.693a Vive Henri IV S.239 Fur Mannergesang, for male choir, R560 R560 Csárdás macabre for piano S.224 Parts of Compositions Nocturne in Fis-dur S.191 `Die Zelle im Nonnenwerth` (1843) S.534, № 1bis Die Zelle im Nonnenwerth (Elegie) S.534, № 3 Elégie Die Zelle im Nonnenwerth for piano S.534, № 1 Die Zelle im Nonnenwerth (Elegie) S.534 Élégie for Cello and Piano No. 1 (1874) S.130b Élégie for Cello and Piano No. 2 (1877) S.131 Élégie for Violin and Piano No. 1 (1874) S.130c Élégie for Violin and Piano No. 2 (1877) S.131bis Elegy on the themes of Prince Louis Ferdinand of Prussia S.168/2 Élégie sur des motifs du Prince Louis Ferdinand de Prusse S.168/1 Elegy № 1 for Piano S.196 Élégie No. 2 for piano (1877) S.197 Epithalam zu Eduard Remenyis Vermahlungsfeier (1872) S.526 A study for piano `Mazeppa` S.138