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Ferdinando Paer (1771–1839)
12 Ariettes for voice, piano  |
6 Ariette for Soprano, Piano (1810)  |
Achille, opera (1801)  |
Agnese, opera (1809)  |
Arias  |
Camilla, opera (1798-99)  |
Clorinda, song for voice and piano  |
Concerto in Re maggiore per organo e orchestra  |
Diana e Endimione, cantata for 2 voices, chorus, orchestra (1809)  |
Europa in Creta, cantata for Voice, orchestra or piano  |
Ginevra degli Almieri, opera (1804)  |
Griselda, opera (1798)  |
Heroism in love, opera (1815)  |
I fuorusciti di Firenze, opera (1802)  |
I molinari, opera (1794)  |
Il Cinna, opera (1795)  |
Il morto vivo, opera (1799)  |
La Didone, opera  |
La Placida campagna, polonais for voice and piano  |
La testa riscaldata, opera (1800)  |
Leonora, opera (1804)  |
Mass in d-moll (1805)  |
Numa Pompilio, opera (1808)  |
Opera `Le maître de chapelle, ou Le souper imprévu` (1821)  |
Opera `Le maître de chapelle, ou Le souper imprévu` (arias)  |
Oratorio `At the Holy Sepulcher, or Passion of Christ` (1810)  |
Piano sonata No.1 in B♭ major  |
Piano Sonata No.2 in A major  |
Piano Sonata No.3 in E♭ major  |
Pirro, opera  |
Poche ma buone, opera (1800)  |
Sargino, opera  |
Serenata a quatro voci  |
Sofonisba, opera (1805)  |
The love tricks, opera (1792)  |
The Recognized Orphan, opera (1796)  |
The Rose, arietta for Voice, Piano  |
The servant lover, opera (1796)  |
The sudden marriage, opera  |
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