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Ferdinando Paer (1771–1839)
12 Ariettes for voice, piano |
6 Ariette for Soprano, Piano (1810) |
Achille, opera (1801) |
Agnese, opera (1809) |
Arias |
Camilla, opera (1798-99) |
Clorinda, song for voice and piano |
Concerto in Re maggiore per organo e orchestra |
Diana e Endimione, cantata for 2 voices, chorus, orchestra (1809) |
Europa in Creta, cantata for Voice, orchestra or piano |
Ginevra degli Almieri, opera (1804) |
Griselda, opera (1798) |
Heroism in love, opera (1815) |
I fuorusciti di Firenze, opera (1802) |
I molinari, opera (1794) |
Il Cinna, opera (1795) |
Il morto vivo, opera (1799) |
La Didone, opera |
La Placida campagna, polonais for voice and piano |
La testa riscaldata, opera (1800) |
Leonora, opera (1804) |
Mass in d-moll (1805) |
Numa Pompilio, opera (1808) |
Opera `Le maître de chapelle, ou Le souper imprévu` (1821) |
Opera `Le maître de chapelle, ou Le souper imprévu` (arias) |
Oratorio `At the Holy Sepulcher, or Passion of Christ` (1810) |
Piano sonata No.1 in B♭ major |
Piano Sonata No.2 in A major |
Piano Sonata No.3 in E♭ major |
Pirro, opera |
Poche ma buone, opera (1800) |
Sargino, opera |
Serenata a quatro voci |
Sofonisba, opera (1805) |
The love tricks, opera (1792) |
The Recognized Orphan, opera (1796) |
The Rose, arietta for Voice, Piano |
The servant lover, opera (1796) |
The sudden marriage, opera |
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