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COLLECTIVES
Bartlomiej Pekiel
(1610–1670)
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Canon for 6 instruments # 1 `Tres canones simul cantantur`
Canon for 6 instruments # 2 `Aliud. Sex vocibus I`
Canon for 6 instruments # 3 `Aliud. Sex vocibus II`
Concert Mass `La Lombardesca` for 8 voices (2 choirs), violins, horns and continuo
Easter Mass (Missa paschalis) for 4 voices and organs
Mass for 14 performers (1650s?)
Mass without ceremony ¹1 (senza Cerimonie) with 8 voices (double choir) and organ
Mass without ceremony ¹2 (senza Cerimonie) with 8 voices (double choir) and organ
Mass `Pulcherrima ad instar Praenestini` (Beautiful) for 4 voices a cappella (1660s?)
Motet `Assumpta est Maria` for 4 voices a cappella
Motet `Ave Maria` for 4 voices a cappella
Motet `Magnum nomen Domini` for 4 voices and continuo
Motet `Nativitas tua` for 4 voices a cappella
Motet `O adoranda Trinitas` for 4 voices a cappella
Motet `Resonet in Laudibus` for 4 voices and continuo
Motet `Salvator orbis` for 4 voices a cappella
Motet `Sub tuum praesidium` for 4 voices a cappella
Oratorio `Listen, mortals!` (Audite mortales) (1650s?)
Short Mass (Missa Brevis) for 4 male voices a cappella (1661)
Spiritual concert `Dulcis amor Jesu` for 5 voices with continuo
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