Giovanni Battista Pergolesi

Giovanni Battista Pergolesi (1710–1736)
Adriano in Siria, opera (1734)
Antiphon `In coelestibus regnis` for soprano and orchestra (1735?)
Arietta `Se tu Mʻami`
Cantata `Dalsigre, ahi mia Dalsigre` for soprano and continuo (1732?)
Cantata `Luce degli occhi miei` for contralto, strings and continuo (1731?)
Cantata `Mary Magdalene at the tomb` for soprano, strings and continuo (c. 1730?)
Cantata `Questo è il piano` for contralto, strings and continuo (1731)
Cantata `Segreto tormento` for soprano, strings and continuo (1735?)
Cantata `Stabat Mater` for soprano, alto, choir, strings and organ
Concerto for 2 claviers, strings and continuo (apocrypha?)
Concerto for Flute and Orchestra 1 in G major
Concerto for Flute and Orchestra 2 in D major
Death of St. Joseph, or Phoenix in the Fire. Oratory (1731)
Harpsichord Sonata in A Major (c. 1734)
Harpsichord Sonata in G Major (c. 1734)
Il Flaminio, opera (1735)
Il Maestro di Musica, intermezzo (1737)
Jealous Husband, opera (1730)
Laudate pueri Dominum for two sopranos, choir and orchestra
Livietta e Tracollo, intermezzo (1734)
Mass in D-dur
Miserere II in C minor
Motet (antiphon) `Domine, ad Adjuvandum` for chorus and orchestra (1732)
Motet `Dignas laudes resonemus` for soloists, chorus and orchestra (c. 1730)
Olimpiada, opera (1735)
Opera `La Serva Padrona` (1733)
Opera `Lo frate nnammorato` (1732)
Opera `Salustia` (1731)
Opera `The Proud Prisoner` (1733)
Orpheus. Cantata for soprano, strings and basso continuo (1736)
Psalm `Dixit Dominus` for soprano, 2 choirs and orchestra (1732)
Psalm `Laetatus sum` for soprano and orchestra (1734?)
Salve Regina a-moll
Salve Regina c-moll
Salve Regina f-moll
Sinphony for cello, strings and continuo in F major
Sonata for harpsichord / organ in F major (ca. 1733)
Sonata for Violin and Continuo in A Major
Sonata for Violin and Continuo in G major
St. Emidio Mass in F Major (Roman Mass, 1734)
Symphony for Cello and Basso Continuo in F Major
The miracles of divine grace, or the Conversion of Saint William, Duke of Aquitaine (1731)
The seven words of the Savior on the cross, oratorio (ca, 1730-36)
Tre giorni son che Nina, aria for voice and continuo
Trio Sonata for 2 Violins and Continuo in C Major
Trio Sonata for 2 Violins and Continuo in G flat major
Trio Sonata for 2 Violins and Continuo in G major
Violin Concerto in B-dur (c . 1730)
`Confitebor tibi Domine` for soprano, alto, choir and orchestra (1732)