| |
Stephen Stubbs (lute)
|
Abelard, Pierre -
Planctus `David super Saul et Ionatha` (Planctus VI)
|
|
Anonymous, -
Scottish Songs
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No. 1 in d-moll `Annunciation`, C. 90
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No. 2 in A-dur Visitation, C. 91
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No. 4 in d-moll `Presentation`, C. 93
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No. 6 in c-moll `Agony in the Garden`, C. 95
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No. 7 in F-dur `Scouring of Jesus`, C. 96
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No.10 in g-moll `Crucifixion`, C. 99
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No.13 in d-moll `Descent of the Holy Ghost`, C.102
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No.14 in D-dur `Assumption of our Lady`, C.103
|
|
Biber, Heinrich -
Rosenkranz-Sonaten for Violin and continuo: No.15. Sonata for Violin and b.c. `Crowning of the Virgin Mary`, C.104
|
|
Bornelh, Giraut de -
Reis glorios
|
|
Chabanceau de La Barre, Joseph -
Aria for the convalescence of the King `François, soyez tous réjouis` (French, rejoice) for voice and continuo (1660s)
|
|
Chabanceau de La Barre, Joseph -
Courtly aria `J`avois juré de n`aymer plus` (I swore to love no more) for voice and continuo (1660s)
|
|
Chabanceau de La Barre, Joseph -
Courtly aria `Quand une âme est bien atteinte` (When the soul is in captivity) for voice and continuo (1660s)
|
|
Conradi, Johann Georg -
Opera `Ariadne` (1691)
|
|
Cornet, Severin -
Parmi di star, Canzoni napolitane, for four voices
|
|
Dowland, John -
Songs from the collection `A Musicall Banquet` (1610): No.11, In darkness let me dwell
|
|
Dowland, John -
Songs from the collection `A Pilgrimes Solace` (1612): No.10, From silent night`
|
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹ 6 `Now, O now, I needs must part` = `The Frog Galliard`
|
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹ 9 `Go crystal tears`
|
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹17 `Come again sweet love doth now invite`
|
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹20 `Come, heavy sleep`
|
|
Dowland, John -
The Second Booke of Songs or Ayres (1600): ¹ 2 `Flow my tears`
|
|
Dowland, John -
The Second Booke of Songs or Ayres (1600): ¹12 `Fine knacks for ladies`
|
|
Dowland, John -
The Third and Last Booke of Songs or Aires (1603): ¹15. `Weep you no more, sad fountains`
|
|
Dowland, John -
The Third and Last Booke of Songs or Aires (1603): ¹19. `The lowest trees have tops`
|
|
Dowland, John -
`Lachrimae`, or Seven Teares`, Figured in Seaven Passionate Pavans, for five viols and lute (1604)
|
|
Handel, George Frideric -
Cantata `Sarei troppo felice` (1707), HWV 157
|
|
Handel, George Frideric -
Concerto Grosso op.3 No.2 in B-dur, HWV 313
|
|
Handel, George Frideric -
Opera `Almira` (1705), HWV 1
|
|
Handel, George Frideric -
Overture in D major, HWV 337
|
|
Handel, George Frideric -
Overtures to the operas and oratorios
|
|
Kanzler, -
Got, schepfer aller dinge
|
|
Landi, Stefano -
`La morte d`Orfeo`, opera (1619)
|
|
Lawes, William -
Harp Consort I in g-moll
|
|
Lawes, William -
Harp Consort II in g-moll
|
|
Lawes, William -
Harp Consort III in G-dur
|
|
Lawes, William -
Harp Consort IV in d-moll
|
|
Lawes, William -
Harp Consort V in D-dur
|
|
Lawes, William -
Harp Consort VI in D-dur
|
|
Lawes, William -
Harp Consort VII in G-dur
|
|
Lawes, William -
Harp Consort VIII in G-dur
|
|
Le Camus, Sebastien -
Courtly aria `Forets solitaires et sombres` for soprano and theorbo in A Minor
|
|
Le Camus, Sebastien -
Courtly aria `Laissez durer la nuit` for soprano and theorbo in A Minor
|
|
Lully, Jean-Baptiste -
Theseus, opera (1675), LWV 51, LWV 51
|
|
Lully, Jean-Baptiste -
`Psyche`, opera (1678), LWV 56, LWV 56
|
|
Marcabru, -
L`autrier una sebissa
|
|
Michi, Orazio -
Cantata `Spera mi disse amore` (1630s)
|
|
Peire, Vidal -
Pos tornatz sui en Proenca
|
|
Purcell, Henry -
Ode `Raise, raise the voice` (c. 1685) Z 334, Z 334
|
|
Purcell, Henry -
Ode `Why, why are all the Muses mute?` (1680), Z 343, Z 343
|
|
Purcell, Henry -
Song `Incassum Lesbia, incassum rogas` (1695), Z 383, Z 383
|
|
Purcell, Henry -
Song `O dive custos Auriacae domus`, Z 504, Z 504
|
|
Purcell, Henry -
Song `Young Thyrsis` fate, ye hills and groves, deplore`, Z 473
|
|
Purcell, Henry -
Welcome, vicegerent of the mighty King (1680), Z 340
|
|
Raimon, de Miraval -
Aissi cum es genser pascors
|
|
Saint-Luc, Jacques de -
Suite for Lute in A-dur
|
|
Saint-Luc, Jacques de -
Suite for Lute in D-dur
|
|
Saint-Luc, Jacques de -
Suite for Lute in D-dur (II)
|
|
Saint-Luc, Jacques de -
Suite for Lute in fis-moll
|
|
Saint-Luc, Jacques de -
Suite for Lute in G-dur
|
|
Sartorio, Antonio -
L`Orfeo, opera (1673)
|
|
Steffani, Agostino -
Opera `Niobe, Regina di Tebe` (1688)
|
|
Ventadorn, Bernart de -
Ben m`an perdut
|
|
Ventadorn, Bernart de -
Can l`herba fresch`e
|
|
Ventadorn, Bernart de -
`Can vei la lauzeta mover`
|
|
Vivaldi, Antonio -
Laudate pueri (Psalm 112) for soprano, flute, 2 oboes and strings, RV601
|
|
Vivaldi, Antonio -
Motet `O qui coeli terraeque serenitas`, RV631
|
|
Vivaldi, Antonio -
Motet `Vos aurae per montes`, RV634
|
|
Vivaldi, Antonio -
Salve regina, motet, RV617
|
|
|
