|
Julian Bream (lute)
Anonymous, -
English traditional: Miserere, my maker
|
Bach, Johann Sebastian -
Trio Sonata for Organ No.5 in C-dur (c.1730), BWV 529
|
Britten, Benjamin -
Parts of works
|
Campion, Thomas -
Come, let us sound
|
Campion, Thomas -
Song `Fair, if you expect admiring`
|
Campion, Thomas -
Song `Shall I come, sweet love`
|
Cutting, Francis -
Almaine, Pt. 2
|
Cutting, Francis -
Walsingham
|
Dlugoraj, Wojciech Adalbert -
Fantasia
|
Dlugoraj, Wojciech Adalbert -
Finale
|
Dlugoraj, Wojciech Adalbert -
Villanella ¹1
|
Dlugoraj, Wojciech Adalbert -
Villanella ¹2
|
Dowland, John -
Captain Digorie Piper`s Galliard, P. 19
|
Dowland, John -
Earle of Essex, His Gallard, P. 89
|
Dowland, John -
Forlorn Hope Fancy (Fantasie No.2), P. 2
|
Dowland, John -
Melancholy galliard, P. 25
|
Dowland, John -
Mrs. Vaux`s Jig, P. 57
|
Dowland, John -
Sir John Langton`s Pavan, P. 14
|
Dowland, John -
Songs from the collection `A Musicall Banquet` (1610): No.11, In darkness let me dwell
|
Dowland, John -
Songs from the collection `A Pilgrimes Solace` (1612): No. 9, Go nightly cares
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹ 4 `If my complaints`
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹ 5 `Can she excuse my wrongs`
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹ 6 `Now, O now, I needs must part` = `The Frog Galliard`
|
Dowland, John -
The First Booke of Songs or Ayres (1597): ¹19 `Awake, sweet love`
|
Dowland, John -
The Second Booke of Songs or Ayres (1600): ¹ 1 `I saw my Lady weep`
|
Dowland, John -
The Second Booke of Songs or Ayres (1600): ¹ 3 `Sorrow, sorrow, stay`
|
Dowland, John -
The Second Booke of Songs or Ayres (1600): ¹12 `Fine knacks for ladies`
|
Dowland, John -
The Third and Last Booke of Songs or Aires (1603): ¹ 9. `What if I never speed`
|
Ford, Thomas -
`Come, Phyllis, come`
|
Ford, Thomas -
`Fair, sweet, cruel`
|
Milan, Luis de -
Fantasy VIII
|
Milan, Luis de -
Fantasy IX
|
Milan, Luis de -
Fantasy XVI
|
Milan, Luis de -
Fantasy XXII
|
Milan, Luis de -
Pavana I
|
Milan, Luis de -
Pavana IV
|
Milan, Luis de -
Pavana V
|
Milan, Luis de -
Pavana VI
|
Milan, Luis de -
Tento I
|
Milan, Luis de -
Tres diferencias por otra parte
|
Molinaro, Simone -
Ballo detto il Conte Orlando
|
Molinaro, Simone -
Fantasia IX (nona)
|
Morley, Thomas -
Come sorrow, come
|
Morley, Thomas -
I saw my lady weeping
|
Morley, Thomas -
Mistress mine, well may you fare
|
Morley, Thomas -
Thirsis and Milla
|
Morley, Thomas -
What if my mistress now
|
Morley, Thomas -
With my Love my life was nestled
|
Mudarra, Alonso -
Fantasia X que contrahaze la harpa en la manera de Ludovico, Libro I, 12
|
Narvaez, Luys de -
Baxa de contrapunto, Libro VI, 4
|
Narvaez, Luys de -
Cancion I: Mille regretz, de Josquin des Pres (A thousand regrets) (Song of the Emperor), Libro III, 6
|
Narvaez, Luys de -
Conde Claros (diferencias), Libro VI, 1
|
Narvaez, Luys de -
Fantasia V, del quinto tono de conconancia, Libro I, 5
|
Narvaez, Luys de -
Fantasia XIII, del primer tono, Libro II, 5
|
Narvaez, Luys de -
Fantasia XIV, del primer tono, Libro II, 6
|
Narvaez, Luys de -
O gloriosa Domina diferencias, Libro IV, 1-6
|
Narvaez, Luys de -
Ya se asienta el rey Ramiro, Libro V, 1
|
Pilkington, Francis -
Sleep, Gentle Nymphs (The first volume of songs, 1605)
|
Rosseter, Philip -
Song `What is a day?`
|
Rosseter, Philip -
Song `When Laura smiles`
|
Rosseter, Philip -
Sweet, come again
|
Rosseter, Philip -
What then is love but mourning
|
Rosseter, Philip -
Whether men do laugh or weep
|
Vivaldi, Antonio -
Concerto for lute, 2 violins and basso continuo in D-dur, RV 93
|
|
|