Eamonn Dougan

Eamonn Dougan (bass/conductor)
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Gorczycki, Grzegorz Gerwazy - Funeral Conduct No. 3 `In Paradisum` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Funeral conduit No. 1 `Subvenite Sancti Dei` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Funeral conduit No. 2 `Libera Me, Domine` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Funeral conduit No. 4 `Salve Regina` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Litany of Divine Providence (Litania de Providentia Divina) for soloists, choir and orchestra (c. 1720-30)
Gorczycki, Grzegorz Gerwazy - Mass `Sprinkle the Heavens ...` (Missa Rorate) for a cappella choir (c. 1715-20?)
Gorczycki, Grzegorz Gerwazy - Motet `Illuxit Sol` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Motet `In Virtute Tua Domine` for soloists, chorus and orchestra (1720s?)
Gorczycki, Grzegorz Gerwazy - Motet `Sepulto Domino` for a cappella choir (1710-?)
Mielczewski, Marcin - Canzona No. 1 (a 2) for 2 instruments and continuo (c. 1645)
Mielczewski, Marcin - Canzona No. 3 (a 3) for 2 instruments and continuo (c. 1645)
Mielczewski, Marcin - Mass `Cerviensiana` for 6 voices with 6 instruments and continuo (1640s)
Mielczewski, Marcin - Mass `O Gloriosa domina` for 6 voices and continuo (1640s)
Mielczewski, Marcin - Motet `Gaude Dei genitrix` for a cappella choir (c. 1640)
Mielczewski, Marcin - Motet `Iubilate Deo` for choir and continuo (c. 1640)
Mielczewski, Marcin - Spiritual concert `Benedictio et claritas` for soloists, instruments and continuo (1640s?)
Mielczewski, Marcin - Spiritual concert `Deus in nomine tuo` for bass, instruments and continuo (1640s?)
Mielczewski, Marcin - Spiritual concert `Quem terra, pontus, aethera` for soloists, instruments and continuo (1640s?)
Pekiel, Bartlomiej - Concert Mass `La Lombardesca` for 8 voices (2 choirs), violins, horns and continuo
Pekiel, Bartlomiej - Mass for 14 performers (1650s?)
Pekiel, Bartlomiej - Motet `Assumpta est Maria` for 4 voices a cappella
Pekiel, Bartlomiej - Motet `Ave Maria` for 4 voices a cappella
Pekiel, Bartlomiej - Motet `Magnum nomen Domini` for 4 voices and continuo
Pekiel, Bartlomiej - Motet `Nativitas tua` for 4 voices a cappella
Pekiel, Bartlomiej - Motet `O adoranda Trinitas` for 4 voices a cappella
Pekiel, Bartlomiej - Motet `Resonet in Laudibus` for 4 voices and continuo
Pekiel, Bartlomiej - Oratorio `Listen, mortals!` (Audite mortales) (1650s?)
Pekiel, Bartlomiej - Spiritual concert `Dulcis amor Jesu` for 5 voices with continuo
 
     

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