1. Andante sostenuto
2. Allegro scherzando
3. Presto

Concerto for Piano and Orchestra No.2 in g-moll (1868), op. 22 (Saint-Saens)
Recorded 7 July 1978 at Walthamstow Assembly Hall, London.
        (6)

1. Allegro moderato - Andante
2. Allegro vivace - Andante - Allegro

Concerto for Piano and Orchestra No.4 in c-moll (1875), op. 44 (Saint-Saens)
Recorded 12 - 14 July 1979 at Kingsway Hall, London.
        (12)

Allegro - Andante espressivo - Tempo primo

Concerto for Violin and Orchestra No.1 in A-dur (1859), op. 20 (Saint-Saens)
        (6)

1. Allegro non troppo
2. Andantino quasi allegretto
3. Molto moderato e maestoso - Allegro non troppo

Concerto for Violin and Orchestra No.3 in h-moll (1880), op. 61 (Saint-Saens)
1988
        (14)


Introduction and Rondo Capriccioso for violin and orchestra (1863), op. 28 (Saint-Saens)
2004, the Colosseum, Watford, England
        (4)

Introduction and Rondo Capriccioso for violin and orchestra (1863), op. 28 (Saint-Saens)
Recorded: April 1977, London.
        (1)


Le Rouet d`Omphale, symphonic poem, op. 31 (Saint-Saens)
1980.
        (4)


Opera `Samson et Dalila` (arias), op. 47 (Saint-Saens)
October 1978 - Excerpt: Air and Bacchanale
        (2)

The poem`s content is based on the Greek myth about the son of Helios who failed to control the sun chariot.
Trying to save the Earth from incineration Zeus strikes Phaethon with lightning.
The piece opens with a rapid rhythm the gallop of horses conveying the excitement and inexperience of the young hero. The climax comes with the thunderbolt`s strike a sharp chord from the entire orchestra followed by a mournful epilogue.

Phaeton, A Symphonic poem (1873), op. 39 (Saint-Saens)
Decca, 1980.
        (8)


Symphonic poem `Danse Macabre` (1874), op. 40 (Saint-Saens)
Recorded: June 1980.
        (8)

1. Adagio - Allegro moderato - Poco adagio
2. Allegro moderato - Presto - Allegro moderato - Maestoso - Allegro - Molto allegro - Pesante

Symphony ¹3 in c-moll `Organ` (1886), op. 78 (Saint-Saens)
        (1)


The heroic march (1871), op. 34 (Saint-Saens)
Decca Sound: The Analogue Years 1969 – 1980.
        (4)

It is based on the ancient myth of `Hercules at the Crossroads`.
The young hero must choose between two paths in life the path of pleasure and vice or the path of virtue struggle and glory.
The music is built on the contrast of two themes. One is soft seductive and sensual representing sinful pleasures the other is stern strong-willed and heroic the path of virtue. After a scene of bacchanalia and struggle the hero chooses the path of self-sacrifice and immortality. The poem ends with a triumphant and majestic apotheosis.

Young Hercules (1877), op. 50 (Saint-Saens)
Decca Sound: The Analogue Years 1969 – 1980.
        (5)

1. Introduction and royal march of the lion
2. Hens and roosters
3. Wild asses; quick animals
4. Tortoises
5. The elephant
6. Kangaroos
7. Aquarium
8. Characters with long ears
9. The cuckoo in the depths of the woods
10. Aviary
11. Pianists
12. Fossils
13. The swan
14. Finale

`Carnival of the Animals` for chamber ensemble (or piano and orchestra) (1886), R.125 (Saint-Saens)
recorded 1980.
        (4)

`Carnival of the Animals` for chamber ensemble (or piano and orchestra) (1886), R.125 (Saint-Saens)
1978
        (6)


`Havanaise` for violin and orchestra (1887), op. 83 (Saint-Saens)
2004, the Colosseum, Watford, England
        (1)

`Havanaise` for violin and orchestra (1887), op. 83 (Saint-Saens)
Recorded: April 1977, London.
        (2)
 
     

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