Aguilera de Heredia, Sebastian -
Ensalada
|
Alberti, Innocentio -
Gallyard
|
Alberti, Innocentio -
Pavin of Albarti
|
Albicastro, Giovanni Henrico -
Sonata for Violin and Continuo `Folia`, op.9/12
|
Alfonso-X-eSabio, -
Cantiga 100 Santa María, Strela do día (CSM 100)
|
Alfonso-X-eSabio, -
Cantiga 105 `Gran pïadad` e mercee e nobreza` (CSM 105)
|
Alfonso-X-eSabio, -
Cantiga 123 `De Santa María sinal qual xe quér` (CSM 123)
|
Alfonso-X-eSabio, -
Cantiga 126 `De toda chaga ben póde guarir` (CSM 126)
|
Alfonso-X-eSabio, -
Cantiga 142 `Ena gran coita sempr` acorrer ven` (CSM 142)
|
Alfonso-X-eSabio, -
Cantiga 163 `Póde por Santa María o mao perdê-la fala` (CSM 163)
|
Alfonso-X-eSabio, -
Cantiga 176 `Soltar póde muit` aginna os presos e os lïados` (CSM 176)
|
Alfonso-X-eSabio, -
Cantiga 18 `Por nos de dulta tirar` (CSM 18)
|
Alfonso-X-eSabio, -
Cantiga 181 `Pero que seja a gente d` outra lei e descreúda` (CSM 181)
|
Alfonso-X-eSabio, -
Cantiga 209 `Muito faz grand` érro, e en tórto jaz` (CSM 209)
|
Alfonso-X-eSabio, -
Cantiga 37 `Miragres fremosos` (CSM 37)
|
Alfonso-X-eSabio, -
Cantiga 400 `Pero cantigas de loor fiz de muitas maneiras` (CSM 400)
|
Anonymous, -
Anonimous: Folias Criollas
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 1.O Virgo splendens (O shining maiden)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 2.Stella splendens (Shining star)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 3.Laudemus Virginem (Praise the Virgin)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 4.Splendens ceptigera» (Shining Empress)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 5.Los set goytsa (Seven joys)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 6.Cuncti simus concanentes (Let`s sing together)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 7.Polorum Regina (Queen of heaven)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 8.Mariam, matrem virginem, attolite (Praise to Mary, Most Pure Mother of God)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 9.Imperayritz de la ciutat joyosa (Ruler of the City of Heaven)
|
Anonymous, -
Anonymous XIVc. Songs of the pilgrims from the manuscript `Libre vermell de Montserrat`: 10.Ad mortem festinamus (We hurry towards death)
|
Anonymous, -
Anonymous XVIc (Italy): Fantasia I-II ``Salve Regina``
|
Anonymous, -
Anonymous XVIc (Italy): Recercada seconda sobre la canciaon Doulce Memoire
|
Anonymous, -
Anonymous XVIc (Italy): Recercada tercera sobre la canciaon Doulce Memoire
|
Anonymous, -
Arab national music: `Pray to God` (`Sallatu Allah`)
|
Anonymous, -
Cancionero de palacio (XV-XVI ññ. Spain): Dindirindin, ensalada
|
Anonymous, -
Cancionero de palacio (XV-XVI ññ. Spain): Rodrigo Martínez, villansico
|
Anonymous, -
Cancionero de Upsala (1556, Venice): 29.Villancico ”Con qué la lavaré”
|
Anonymous, -
Cancionero de Upsala (1556, Âåíåöèÿ): 27.Villancico ”Ay luna que reluzes!”
|
Anonymous, -
Columbia Music: traditional guabina `Quisiera vestir de azul` (Velez)
|
Anonymous, -
Diaspora sefardi (16th-century): A la una yo naci
|
Anonymous, -
Diaspora sefardi (16th-century): Axerico de quinze anos
|
Anonymous, -
Diaspora sefardi (16th-century): El moro de Antequera
|
Anonymous, -
Diaspora sefardi (16th-century): El Rey de Francia
|
Anonymous, -
Diaspora sefardi (16th-century): El Rey que tanto madruga
|
Anonymous, -
Diaspora sefardi (16th-century): En la santa Helena
|
Anonymous, -
Diaspora sefardi (16th-century): Hermoza muchachica
|
Anonymous, -
Diaspora sefardi (16th-century): Improvisacion
|
Anonymous, -
Diaspora sefardi (16th-century): Improvisation sobre ``Axerico``
|
Anonymous, -
Diaspora sefardi (16th-century): La guirnalda de rosas
|
Anonymous, -
Diaspora sefardi (16th-century): Las estrellas de los cielos / Yo m`enamori d`un aire
|
Anonymous, -
Diaspora sefardi (16th-century): Levantose el Conde Nino
|
Anonymous, -
Diaspora sefardi (16th-century): Longe de mi tu estaras
|
Anonymous, -
Diaspora sefardi (16th-century): Nani, Nani
|
Anonymous, -
Diaspora sefardi (16th-century): Paxarico tu te llamas
|
Anonymous, -
Diaspora sefardi (16th-century): Por alli paso un cavallero
|
Anonymous, -
Diaspora sefardi (16th-century): Por que Horax blanca nina
|
Anonymous, -
Diaspora sefardi (16th-century): Yo era nina de casa alta
|
Anonymous, -
Early music: 15th-century - Amor que t`o fat hio
|
Anonymous, -
Early music: 15th-century - Ay luna que reluzes
|
Anonymous, -
Early music: 15th-century - Dindirindin
|
Anonymous, -
Early music: 15th-century - Puis Fortuna
|
Anonymous, -
Early music: 16th-century - Bassedance 1 ``Ta bonne grace``
|
Anonymous, -
Early music: 16th-century - Bassedance 5 ``Hellas amy``
|
Anonymous, -
Early music: 16th-century - Bassedance 7
|
Anonymous, -
Early music: 16th-century - Gailarde 15
|
Anonymous, -
Early music: 16th-century - Pauane 11 ``La Bataille``
|
Anonymous, -
Early music: 16th-century - Pauane 13 ``La Gaiette``
|
Anonymous, -
Early music: 16th-century - Pauane 14
|
Anonymous, -
Early music: 16th-century - Tordion 2
|
Anonymous, -
Early music: 16th-century - Tordion 6
|
Anonymous, -
Early music: 16th-century - Tordion 8
|
Anonymous, -
Early music: 16th-century - Viva, viva rey Ferrando
|
Anonymous, -
Early music: 16th-century - Zappay
|
Anonymous, -
Early Music: Anonymous ÕIV c. (Italy). Istampitta: In Pro
|
Anonymous, -
Early Music: Anonymous ÕIV c. (Italy). Istampitta: Saltarello I
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - Canco del Iladre
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - El cant dels ocells
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - El comte Arnau
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - El fill del rei
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - El mestre
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - El testament d`Amelia
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - Els segadors
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - La filadora
|
Anonymous, -
Early Music: Cancons de la Catalunya mil-lenaria - Mariagneta
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Ah, Pelayo que desmayo
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Dizen a mi que los amores he
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Gozate Virgen
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Ojos garços ha la nina
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Que farem del pobre Joan
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Si de vos mi bien
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Si n`os huviera mirado
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Soleta so jo aci
|
Anonymous, -
Early music: El cançoner del duc de Calabria - Un nino nos es nacido
|
Anonymous, -
Early music: El canconer del duc de Calabria - Estas noches à tan largas
|
Anonymous, -
Early music: El canconer del duc de Calabria - Falai meus olhos
|
Anonymous, -
Early music: El canconer del duc de Calabria - Si la noche haze escura
|
Anonymous, -
Early music: El canconer del duc de Calabria - Teresica hermana
|
Anonymous, -
Early music: El canconer del duc de Calabria - Vella de vos som amoros
|
Anonymous, -
Early music: El canconer del duc de Calabria - Yo me soy la morenica
|
Anonymous, -
Early music: Greensleeves, variations on the theme of the song (England, the 17th century )
|
Anonymous, -
Early Music: La Tragedie Cathare
|
Anonymous, -
Early Music: Sepharad. Songs of the Spanish Jews.
|
Anonymous, -
Early Music: The Forgotten KIngdom. The Tragedy of the Cathars, Part 2. The Rise of Occitania. 1100-1159
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 5. The Albigensian Crusade: 1209-1229
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 1: The Origins of Catharism. East and West. 950-1099
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 3. The expansion of Catharism. 1160-1204.
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 4. Heading for confrontation. 1204-1208
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 6. The Inquisition: persecution of the Cathars and the elimination of Catharism. 1230-1300
|
Anonymous, -
Early Music: The Forgotten Kingdom. The Tragedy of the Cathars. Part 7
|
Anonymous, -
Elizabethan consort music (16th-century): Allemana d`amor, Dance
|
Anonymous, -
Elizabethan consort music (16th-century): Desperada, Gallyard, Allemande
|
Anonymous, -
Elizabethan consort music (16th-century): In Nomine a 5
|
Anonymous, -
Elizabethan consort music (16th-century): Pavana, Brandeberges, La represa
|
Anonymous, -
Elizabethan consort music (16th-century): Pavana, Gallyard, Dance
|
Anonymous, -
Elizabethan consort music (16th-century): Ronda, La represa, Gallyard
|
Anonymous, -
Folias
|
Anonymous, -
Russian folk song `Black-browed, black-eyed`
|
Anonymous, -
Song of the Second Crusade: Chevalier, mult estes guariz (Anonymous, France; XII century)
|
Anonymous, -
Songbook of Sablonara: Seguidilla `De Tu Vista Celoso` (Spain, I half of XVIIth century)
|
Arbeau, Thoinot -
Pavane, Belle qui tiens ma vie (à 4)
|
Arriaga, Juan Crisostomo de -
Nonetto, Overture
|
Arriaga, Juan Crisostomo de -
Overture to the unpreserved opera Happy Slaves (1820)
|
Arriaga, Juan Crisostomo de -
Symphony for large orchestra in D-dur (1824)
|
Bach, Johann Sebastian -
Brandenburg Concerto No.1 in F-dur (1721?), BWV 1046
|
Bach, Johann Sebastian -
Brandenburg Concerto No.2 in F-dur (1718?), BWV 1047
|
Bach, Johann Sebastian -
Brandenburg Concerto No.3 in G-dur (1718?), BWV 1048
|
Bach, Johann Sebastian -
Brandenburg Concerto No.4 in G-dur (1719-20?), BWV 1049
|
Bach, Johann Sebastian -
Brandenburg Concerto No.5 in D-dur (1720-21?), BWV 1050
|
Bach, Johann Sebastian -
Brandenburg Concerto No.6 in B-dur (1718?), BWV 1051
|
Bach, Johann Sebastian -
Keyboard Concerto No.1 in d-moll (1738?), BWV 1052
|
Bach, Johann Sebastian -
Magnificat in D-dur (1732/1735), BWV 243
|
Bach, Johann Sebastian -
Màss in h-moll, BWV 232
|
Bach, Johann Sebastian -
Oratorio `Markus-Passion` (Bach`s music is lost, the libretto by Picander is still extant) (1731), BWV 247
|
Bach, Johann Sebastian -
Orchestral Suite No.1 in C-dur, BWV 1066
|
Bach, Johann Sebastian -
Orchestral Suite No.4 in D-dur, BWV 1069
|
Bach, Johann Sebastian -
Sonata V for Flute and Basso Continuo in e-moll (1717–1723?), BWV 1034
|
Bach, Johann Sebastian -
Trio Sonata for Organ No.5 in C-dur (c.1730), BWV 529
|
Barre, Michel de la -
Suite D minor No. 5
|
Barre, Michel de la -
Suite ¹2 for Flute and Basso Continuo in G-dur (1710)
|
Barre, Michel de la -
Suite ¹9 for Flute and Basso Continuo in G-dur (1710)
|
Bassano, Giovanni -
Frais et gaillard (after Clemens non Papa)
|
Bassano, Giovanni -
Io canterei d`amor
|
Bassano, Giovanni -
Susanne un jour
|
Beatrice de Dia, -
A chantar m`er de so qu`en no volria
|
Beethoven, Ludwig van -
Overture `Coriolan` in c-moll, op. 62
|
Beethoven, Ludwig van -
Symphony No. 3 in Es-dur `Eroica` (1803-04), op. 55
|
Biber, Heinrich -
Battalia, serenade for strings and basso continuo (1673), C. 61
|
Biber, Heinrich -
Missa Bruxellensis a 23, C.app.100
|
Biber, Heinrich -
Requiem a 15 in A-dur, C. 7
|
Boccherini, Luigi -
String Quintet op.30/6 in C-dur `La Musica Notturna di Madrid`, G.324
|
Boccherini, Luigi -
Symphony op.37 No.3 in d-moll, G.517
|
Boccherini, Luigi -
Symphony îð.35/3 in A-dur, G.511
|
Bornelh, Giraut de -
Si`us quer conselh, bel ami Alamanda
|
Bovicelli, Giovanni Battista -
Anchor che co`l partire, for soprano and violas
|
Bovicelli, Giovanni Battista -
Angelus ad pastores ait, for Viola and Organ
|
Bovicelli, Giovanni Battista -
Io son ferito, for alto (or contertenor) and harpsichord
|
Brade, William -
Scottish dance for the ensemble
|
Cabanilles, Joan Baptiste Josep -
Corrente italiana
|
Cabanilles, Joan Baptiste Josep -
Diferencias de Folias
|
Cabezon, Antonio de -
Diferencias sobre el Canto del caballero
|
Cabezon, Antonio de -
Diferencias sobre la Dama le demanda
|
Cabezon, Antonio de -
Diferencias sobre Las vacas (romanesca)
|
Cabezon, Antonio de -
Fabordones del sexto tono
|
Cabezon, Antonio de -
Himno XIX Pange lingua IV
|
Cabezon, Antonio de -
Je fille quant dieu me donne de quoy (Adrian Willaert)
|
Cabezon, Antonio de -
Para quién crié cabellos (folia)
|
Cabezon, Antonio de -
Pavana con su glosa (1557)
|
Cabezon, Antonio de -
Pour un plaisir (Thomas Crecquillon)
|
Cabezon, Antonio de -
Quién llamo al partir, partir?
|
Cabezon, Antonio de -
Ricercare XVII
|
Cabezon, Antonio de -
Tento VIII
|
Cabezon, Antonio de -
Tiento II. Cuarto tono
|
Cabezon, Antonio de -
Tiento III. Primer tono
|
Cabezon, Antonio de -
Tiento IX. Quinto tono
|
Cabezon, Antonio de -
Tiento VII. Cuarto tono
|
Cabezon, Antonio de -
Tiento XIII. Fuga a cuatro
|
Cabezon, Antonio de -
Tres sobre la Alta (Spagna)
|
Cabezon, Antonio de -
Un gay bergier (Thomas Crecquillon)
|
Cabezon, Antonio de -
Variations on the Italian Pavan
|
Caceres, Bartomeu -
Falalalanlera
|
Caceres, Bartomeu -
La Trulla (Ensalada)
|
Cadenet, -
Alba `S`anc fuy belha ni prezada`
|
Cantemir, Dimitrie -
Book of Science of Music by Dimitrie Cantemir and the musical traditions of the Armenian and the Sephardim
|
Cantemir, Dimitrie -
Makam Nikriz usul Berevsan
|
Cantemir, Dimitrie -
Makam Rast Sema`i
|
Cantemir, Dimitrie -
Makam Rast `Murass`a` usul Duyek
|
Cantemir, Dimitrie -
Makam Uzal Sakil Turna
|
Cardenal, Peire -
`Un sirventesc novel vuelh comensar`
|
Carenza, -
Tenso `Na Carenza al bel cors avinen`
|
Caurroy, Eustace du -
Fantasie 1 (à 3)
|
Caurroy, Eustace du -
Fantasie 10 on `Requiem Aeternam` (à 4)
|
Caurroy, Eustace du -
Fantasie 11 (à 4)
|
Caurroy, Eustace du -
Fantasie 14 on `Ave maris stella` (à 4)
|
Caurroy, Eustace du -
Fantasie 17 (à 4)
|
Caurroy, Eustace du -
Fantasie 18 `À l`imitation de: Que n`ay-je des ailes mon Dieu` (à 4)
|
Caurroy, Eustace du -
Fantasie 20 (à 4)
|
Caurroy, Eustace du -
Fantasie 25 on `Le Seigneur dès qu`on nous offense` (à 4)
|
Caurroy, Eustace du -
Fantasie 26 (à 4)
|
Caurroy, Eustace du -
Fantasie 28 on `Ad cornam agni providi` (à 5)
|
Caurroy, Eustace du -
Fantasie 34 on `À l`imitation de: Pange lingua` (à 5)
|
Caurroy, Eustace du -
Fantasie 37 (à 5)
|
Caurroy, Eustace du -
Fantasie 40 on `Coeco clauditur. De beato Vincentio` (à 6)
|
Caurroy, Eustace du -
Fantasie 42 on `Je suis déshéritéee` (à 6)
|
Caurroy, Eustace du -
Fantasie 49. Suite on `Alloquio privatur` (à 6)
|
Caurroy, Eustace du -
Fantasie 6 (à 3)
|
Caurroy, Eustace du -
Fantasie 8 (à 4)
|
Caurroy, Eustace du -
Fantasie 9 (à 4)
|
Caurroy, Eustace du -
Fantasies Suite 29-33 (à 3, 4, 5)
|
Cererols, Joan -
Missa de Batalia
|
Cererols, Joan -
Missa pro defunctis
|
Charpentier, Marc-Antoine -
Canticum in honorem Beatae Virginis Mariae (H. 400), H.400
|
Charpentier, Marc-Antoine -
DELETE
|
Charpentier, Marc-Antoine -
Magnificat for soloists, choir, violins and continuo (c. 1690?), H. 80
|
Charpentier, Marc-Antoine -
Motet `Stabat mater pour des réligieuses` for soprano, chorus & continuo, H. 15
|
Charpentier, Marc-Antoine -
Nativité de la Vierge (H. 309), H.309
|
Charpentier, Marc-Antoine -
Pour la fête de l`Épiphanie (H. 395), H.395
|
Charpentier, Marc-Antoine -
Prélude pour le Magnificat à quatre voix (H.533), H.533
|
Charpentier, Marc-Antoine -
Prélude pour Salve Regina a 3 (H. 23 a) - Salve Regina (H.23), H. 23
|
Charpentier, Marc-Antoine -
Symphonie devant Regina (1673), H.509
|
Charpentier, Marc-Antoine -
Symphonie devant Regina coeli: Prelude a 3 (H. 509) - Pour la conception de la Vierge (H. 313), H.313
|
Coelho, Manuel Rodrigues -
Susanne un jour
|
Concerts, -
Jordi Savall Concerts
|
Corelli, Arcangelo -
Violin Sonata op.5 No.12 in d-moll `Folia`
|
Cornago, Juan -
Donde estas que non te veo
|
Cornago, Juan -
Patres nostri peccaverunt
|
Cornago, Juan -
Qu`es mi vida, preguntays
|
Cornago, Juan -
Senora, qual soy venido
|
Cornazano, Antonio -
Figlie Guilielmin
|
Couperin, François -
Les concerts royaux: concert No. 1 in G major
|
Couperin, François -
Les concerts royaux: concert No. 2 in D major
|
Couperin, François -
Les concerts royaux: concert No. 3 in A major
|
Couperin, François -
Les concerts royaux: concert No. 4 in E minor
|
Couperin, François -
Les Nations. Troisieme Ordre - L`Imperiale
|
Couperin, François -
Suite `Parnassus, or the Apotheosis of Corelli` (1724)
|
Couperin, François -
Suite `Concert in the apotheosis`s form in memory of incomparable mr. Lully` (1724)
|
Couperin, François -
`Les Nations`, premier ordre: «La Françoise»
|
Couperin, François -
`Les Nations`, quatrieme ordre: «La Piemontoise»
|
Couperin, François -
`Les Nations`, second ordre: «L`Espagnole»
|
Daman, William -
Di sei soprani
|
Desmarest, Henry -
Mass for two Choirs and two Orchestras (1707)
|
Dowland, John -
The Earl of Essex, His Galliard `Can She Excuse`, P. 42
|
Dowland, John -
`Lachrimae`, or Seven Teares`, Figured in Seaven Passionate Pavans, for five viols and lute (1604)
|
Dumanoir, Guillaume -
Suite from the Stockholm ballet, for orchestra and b. c.
|
Dumanoir, Guillaume -
Suite in F/C-dur
|
Dunash-ben-Labrat, -
Lamento `Dror yiqrá`
|
Duron, Sebastian -
Parts of Works
|
Ebreo da Pesaro, Guglielmo -
Collinetto
|
Encina, Juan del -
Ay, triste que vengo
|
Encina, Juan del -
Fata la parte
|
Encina, Juan del -
Hoy comamos y bebamos
|
Encina, Juan del -
Levanta, Pascual
|
Encina, Juan del -
Mas vale trocar
|
Encina, Juan del -
Una sanosa porfia
|
Falconieri, Andrea -
Folía echa para mi señora doña
|
Falconieri, Andrea -
Il primo libro di canzone, sinfonie, fantasie: 15. Passacalle
|
Fernandes, Gaspar -
Eso rigor e repente, villancico-gineo (1615)
|
Fernandes, Gaspar -
Tleycantimo choquiliya (1611)
|
Fernandes, Gaspar -
Xicochi conetzintle, villancico-indio (1614)
|
Figueira, Guilhem -
D`un sirventes far
|
Flecha, Mateo -
El fuego
|
Flecha, Mateo -
Que farem del pobre Joan!
|
Flecha, Mateo -
Vella de vos son amoros
|
Garcimunoz, -
Pues bien para esta
|
Gervaise, Claude -
Branle de Bourgoigne 17
|
Gervaise, Claude -
Branle de Bourgoigne 23
|
Gervaise, Claude -
Branle simple 22
|
Ghizeghem, Hayne van -
De tous biens plaine
|
Gombert, Nicolas -
Dezilde al cavallero
|
Goudimel, Claude -
Psalm 35 (à 4)
|
Guerrero, Pedro -
Di, perra mora
|
Guillaume IX, -
`Pos de chantar m`es pres talens`
|
Hammerschmidt, Andreas -
Suite for winds in g-moll / G-Dur (collection `Erster Fleiß`)
|
Handel, George Frideric -
Orchestral Suite `Music for the Royal Fireworks`, HWV 351
|
Handel, George Frideric -
Orchestral Suite `Water Music`, HWV 348-350
|
Haydn, Joseph -
`The Seven Words of Christ on the Cross` (version for Orchestra), Hob XX: 1a
|
Hidalgo, Juan -
Con tanto respecto adoran
|
Hume, Tobias -
Musicall Humors 1605 - 10. Harke, harke
|
Hume, Tobias -
Musicall Humors 1605 - 11. A Souldiers Resolution
|
Hume, Tobias -
Musicall Humors 1605 - 12. Death
|
Hume, Tobias -
Musicall Humors 1605 - 13. Life
|
Hume, Tobias -
Musicall Humors 1605 - 14. Good againe
|
Hume, Tobias -
Musicall Humors 1605 - 38. Touch me lightly
|
Hume, Tobias -
Musicall Humors 1605 - 42. A Pavin
|
Hume, Tobias -
Musicall Humors 1605 - 46. Captaine Humes Pavin
|
Hume, Tobias -
Musicall Humors 1605 - 47. Loves farewell
|
Hume, Tobias -
Musicall Humors 1605 - 48. A Souldiers Galliard
|
Hume, Tobias -
Musicall Humors 1605 - 6. The Duke of Holstones Almaine
|
Hume, Tobias -
Musicall Humors 1605 - 7. My hope is decayed
|
Hume, Tobias -
Musicall Humors 1605 - 95/96. Beccus an Hungarian Lord his delight/The second part
|
ibn Zuhr, Abu-Marwan -
Taqsim `Moaxaja: Ya gosan naqa`
|
ibn-Gabirol, Solomon -
Song `Shaar Petach Dodi`
|
Ibn-Zamrak, -
Poem about the stone of the Alhambra in Granada
|
Itri, Buhurizade Mustafa -
Song `Hisar Agir Semai`
|
Janequin, Clement -
Il estoit une fillette
|
Jenkins, John -
Consort-Fantasy No. 1 in d-moll
|
Jenkins, John -
Consort-Fantasy No. 2 in a-moll
|
Jenkins, John -
Consort-Fantasy No. 3 in D-dur
|
Jenkins, John -
Consort-Fantasy No. 4 in g-moll
|
Jenkins, John -
Consort-Fantasy No. 5 in F-dur
|
Jenkins, John -
Consort-Fantasy No. 7 in e-moll
|
Jenkins, John -
Consort-Fantasy No. 9 in D-dur
|
Jenkins, John -
Consort-Fantasy No.10 in a-moll
|
Jenkins, John -
Consort-Fantasy No.11 in g-moll
|
Jenkins, John -
In Nomine No.1
|
Jenkins, John -
In Nomine No.2
|
Josquin Desprez, -
Chanson `Mille regretz` (A thousand regrets)
|
Lazarin, -
Pavan for the Wedding of Louis XIII (1615)
|
Locke, Matthew -
Consort of Fower Parts: Suite I in D minor
|
Locke, Matthew -
Consort of Fower Parts: Suite II in D minor-major
|
Locke, Matthew -
Consort of Fower Parts: Suite III in F major
|
Locke, Matthew -
Consort of Fower Parts: Suite IV in F major
|
Locke, Matthew -
Consort of Fower Parts: Suite V in G minor
|
Locke, Matthew -
Consort of Fower Parts: Suite VI in G major
|
Lully, Jean-Baptiste -
Alceste, opera (1674), LWV 50, LWV 50
|
Lully, Jean-Baptiste -
Comedie-ballet `Le Bourgeois Gentilhomme` (1670), LWV 43, LWV 43
|
Lully, Jean-Baptiste -
Grand motet `Jubilate Deo` (1660), LWV77/16, LWV77/16
|
Lully, Jean-Baptiste -
Le Divertissement Royal (1664-70), LWV 38
|
Luzzaschi, Luzzasco -
Aura soave, madrigal
|
Luzzaschi, Luzzasco -
Ch`io non t`ami, madrigal
|
Luzzaschi, Luzzasco -
O primavera, madrigal
|
Machy, de -
Pièces de Violle en Musique et en Tablature (1685). Suite I in d-moll
|
Machy, de -
Pièces de Violle en Musique et en Tablature. Suite III in g-moll
|
Machy, de -
Pièces de Violle en Musique et en Tablature. Suite IV in G-dur
|
Marais, Marin -
Alcyone: Suite ¹ 1 Airs pour les Dryades & les Bergers
|
Marais, Marin -
Alcyone: Suite ¹ 2 `Airs pour les Eoliens & les Eoliennes`
|
Marais, Marin -
Alcyone: Suite ¹ 3 `Airs pour les Pretresses & les Magiciens`
|
Marais, Marin -
Alcyone: Suite ¹ 4 `Airs pour les Matelots & les Tritons`
|
Marais, Marin -
Allemande la Bailly Duchene, V, 95
|
Marais, Marin -
Allemande La Marianne, V, 70
|
Marais, Marin -
Fantasie, V, 64
|
Marais, Marin -
Gavotte, V, 68
|
Marais, Marin -
Gigue la pagode, V, 67
|
Marais, Marin -
Gigue la resolüe, V, 104
|
Marais, Marin -
La Georgienne dite la Maupertuis, V, 73
|
Marais, Marin -
La simplicite paysanne, V, 94
|
Marais, Marin -
Le tombeau pour Marais le Cadet, V, 71
|
Marais, Marin -
Les Relevailles, V, 109
|
Marais, Marin -
L`Ameriquaine (The Native American Girl), IV, 68
|
Marais, Marin -
Marche Persane dite la Savigny, V, 102
|
Marais, Marin -
Pieces de viole, Book I (1686). 66-72. Suite for 2 violas da gamba & continuo in D minor, I, 66-72
|
Marais, Marin -
Prelude, V, 63
|
Marais, Marin -
Prelude, V, 92
|
Marais, Marin -
Rondeau le Badin, V, 72
|
Marais, Marin -
Sarabande, V, 66
|
Marais, Marin -
Sarabande, V, 98
|
Marais, Marin -
Suite for 2 violas da gamba and continuo in G-Dur, I, 73-81
|
Marais, Marin -
Suite in e-moll, II, 96-109
|
Marais, Marin -
Suite in h-moll, II, 83-95
|
Marais, Marin -
`Alcyone`, opera (1706)
|
Marais, Marin -
`Le Tableau de l`Operation de la Taille`, V, 108
|
Marcabru, -
Pax in Nomine Domini
|
Martin y Coll, Antonio -
Chaconne
|
Martin y Coll, Antonio -
Differencias sobre las folias
|
Martin y Coll, Antonio -
Kanarios
|
Martin y Soler, Vicente -
Opera `Una cosa rara, ossia Bellezza ed onestà` (1786)
|
Mehmed-pasa, Dervis -
Taksim and Makam `Uzzäl usüles Darb-i feht`
|
Meragi, Abdulkadir -
Segâh Kâr `Kâr-i Ses-âvâz`
|
Merula, Tarquinio -
Ciaccona (Canzoni libro terzo, Op.12)
|
Milan, Luis de -
Fantasy VIII
|
Milan, Luis de -
Pavana I
|
Milanes, De -
Dexa Aljava
|
Monteverdi, Claudio -
8th book of madrigals: ¹ 2 `Hor che`l ciel e la terra`, SV147
|
Monteverdi, Claudio -
8th book of madrigals: ¹19 `Lamento della ninfa`, SV163
|
Monteverdi, Claudio -
L`Orfeo (Orpheus), opera (1607), SV318
|
Monteverdi, Claudio -
Vespro della beate Vergine (Vespers for the Blessed Virgin) (1610), SV206
|
Morales, Cristobal de -
Officium Defunctorum
|
Morales, Cristobal de -
Requiem (Missa pro defunctis)
|
Mozart, Wolfgang Amadeus -
Ein Musikalischer Spass `Dorfmusikanten-Sextett` for 2 Violins, Viola, Double-bass & 2 Horns in F-dur (1787), KV522
|
Mozart, Wolfgang Amadeus -
Maurerische Trauermusik (1785), KV477 (479a)
|
Mozart, Wolfgang Amadeus -
Requiem in d-moll (1791), KV626
|
Mozart, Wolfgang Amadeus -
Serenade ¹ 6 in D-dur `Serenata notturna` (1776), KV239
|
Mozart, Wolfgang Amadeus -
Serenade ¹ 8 D-dur (Nocturne for 4 orchestras) (1776), KV286 (269a)
|
Mozart, Wolfgang Amadeus -
Serenade ¹13 in G-dur `Eine Kleine Nachtmusik` (1787), KV525
|
Mozart, Wolfgang Amadeus -
Symphony ¹39 in Es-dur (1788), KV543
|
Mozart, Wolfgang Amadeus -
Symphony ¹40 in g-moll (1788/1791), KV550
|
Mozart, Wolfgang Amadeus -
Symphony ¹41 in C-dur `Jupiter` (1788), KV551
|
Mundy, William -
O mater mundi a 5
|
Mursia, Santiago de -
Fandango
|
Narvaez, Luys de -
Con que la lavare, Libro V, 6
|
Nola, Giovanni Domenico da -
Cingari siamo venit`a giocare
|
Nola, Giovanni Domenico da -
O Dio se vede chiaro
|
Ockeghem, Johannes -
Qu`es mi vida, preguntais
|
Ortiz, Diego -
Recercada ottava sobre tenore la folia, 5.8
|
Ortiz, Diego -
Recercada quinta sobre tenore el passamezzo antiguo, 5.5
|
Ortiz, Diego -
Recercada sobre tenore aria di Ruggiero `Quinta pars`, 5.9
|
O`Carolan, Turlough -
Abigail Judge
|
O`Carolan, Turlough -
Farewell
|
O`Carolan, Turlough -
Planxty Irwin
|
O`Carolan, Turlough -
Planxty O’Daly
|
O`Carolan, Turlough -
Planxty Sir Ulick Burke
|
Parabosco, Hieronimo (Girolamo) -
Ricercare XIV (``Da pacem Domine``)
|
Parsons, Robert -
In Nomine IV a 7
|
Parsons, Robert -
In Nomine V a 7
|
Parsons, Robert -
The song valled trumpets a 6
|
Philidor, Andre Danican -
La bourrée d`Avignon
|
Piccinini, Alessandro -
Partite variate sopra `La folia aria Romanesca`, Libro I
|
Playford, John -
Faronell"s Division (1684)
|
Ponce de Leon, Juan -
Villancico `Francia, cuenta tu ganancia` (à 4)
|
Provence, Garsenda of -
Vos que.m semblatz dels corals amadors
|
Purcell, Henry -
Fantasia I for 3 viols, Z 732
|
Purcell, Henry -
Fantasia II for 3 viols, Z 733
|
Purcell, Henry -
Fantasia III for 3 viols, Z 734
|
Purcell, Henry -
Fantasia IV for 4 viols g-moll, Z 735
|
Purcell, Henry -
Fantasia IX for 4 viols a-moll, Z 740
|
Purcell, Henry -
Fantasia V for 4 viols Â-dur, Z 736
|
Purcell, Henry -
Fantasia VI for 4 viols F-dur, Z 737
|
Purcell, Henry -
Fantasia VII for 4 viols c-moll, Z 738
|
Purcell, Henry -
Fantasia VIII for 4 viols d-moll, Z 739
|
Purcell, Henry -
Fantasia X for 4 viols e-moll, Z 741
|
Purcell, Henry -
Fantasia XI for 4 viols G-dur, Z 742
|
Purcell, Henry -
Fantasia XII for 4 viols d-moll, Z 743
|
Purcell, Henry -
Fantasy for Five Violas F-dur, Z 745
|
Purcell, Henry -
In nomine g-moll, Z 747
|
Purcell, Henry -
In nomine g-moll, Z 746
|
Purcell, Henry -
Semi-opera `The Fairy Queen`, Z 629
|
Purcell, Henry -
`The Prophetess, or the History of Dioclesian`, orchestral suite (1690), Z 627
|
Raimon, de Miraval -
Aissi cum es genser pascors
|
Raimon, de Miraval -
Bel m`es qu`eu chant e coindei
|
Rameau, Jean-Philippe -
Opera `Les Boréades ou Abaris`, RCT 31
|
Rameau, Jean-Philippe -
Opera `Zoroastre` (1749/1756), RCT 62
|
Rameau, Jean-Philippe -
Opera-ballet `Les Indes galantes` (arias)
|
Rognoni, Riccardo -
Un gay bergier
|
Rognoni-Taeggio, Francesco -
Pulchra es, amica mea
|
Roquelay, -
Ta bonne grace
|
Rosenmuller, Johann -
12 sonatas for strings and other instruments: No. 7 à 4 in d-moll
|
Rosenmuller, Johann -
12 sonatas for strings and other instruments: No. 9 à 5 in D-dur
|
Rosenmuller, Johann -
12 sonatas for strings and other instruments: No.11 à 5 in A-dur
|
Rosenmuller, Johann -
Sinfonia I in F-dur (1667)
|
Rosenmuller, Johann -
Sinfonia II in D-dur (1667)
|
Rosenmuller, Johann -
Sinfonia IV in g-moll (1667)
|
Rosenmuller, Johann -
Suite I in C-dur (1654)
|
Saint Quentin, Huon de -
Jerusalem se plaint et li pais, A Song of the Crusade
|
Salaverde, Bartholomew -
Susanne un jour
|
Sandrin, Pierre -
Helas amy, chanson
|
Scheidt, Samuel -
`Ludi musici` (1621): 6. Paduan a 4, SSWV 44
|
Scheidt, Samuel -
`Ludi musici` (1621): 7. Galliard a 4, SSWV 45
|
Scheidt, Samuel -
`Ludi musici` (1621): 8. Galliard a 4, SSWV 46
|
Scheidt, Samuel -
`Ludi musici` (1621): 9. Courant dolorosa a 4, SSWV 47
|
Scheidt, Samuel -
`Ludi musici` (1621): 11. Courant a 4, SSWV 49
|
Scheidt, Samuel -
`Ludi musici` (1621): 16. Alamande a 4, SSWV 54
|
Scheidt, Samuel -
`Ludi musici` (1621): 17. Courant a 4, SSWV 55
|
Scheidt, Samuel -
`Ludi musici` (1621): 18. Canzon a 4, SSWV 56
|
Scheidt, Samuel -
`Ludi musici` (1621): 23. Courant a 4, SSWV 61
|
Scheidt, Samuel -
`Ludi musici` (1621): 25. Galliard a 5, SSWV 63
|
Scheidt, Samuel -
`Ludi musici` (1621): 29. Canzon super `Cantionem Gallican`, SSWV 67
|
Scheidt, Samuel -
`Ludi musici` I: 3. Paduan a 4, SSWV 41
|
Scheidt, Samuel -
`Ludi musici` I: 4. Paduan a 4, SSWV 42
|
Scheidt, Samuel -
`Ludi musici` I: 5. Paduan a 4, SSWV 43
|
Scheidt, Samuel -
`Ludi musici` I: 13. Courant a 4, SSWV 51
|
Scheidt, Samuel -
`Ludi musici` I: 19. Courant a 4, SSWV 57
|
Scheidt, Samuel -
`Ludi musici` I: 21. Galliard battaglia a 5, SSWV 59
|
Scheidt, Samuel -
`Ludi musici` I: 22. Intrada a 5, SSWV 60
|
Scheidt, Samuel -
`Ludi musici` I: 24. Galliard a 5, SSWV 62
|
Scheidt, Samuel -
`Ludi musici` I: 26. Canzon a 5 ad imitationem Bergamas, SSWV 64
|
Scheidt, Samuel -
`Ludi musici` I: 28. Canzon super `O Nachbar Roland`, SSWV 66
|
Segni da Modena, Julio -
Ricercare V
|
Segni da Modena, Julio -
Ricercare VIII
|
Segni da Modena, Julio -
Ricercare X
|
Segni da Modena, Julio -
Ricercare XIII
|
Segni da Modena, Julio -
Ricercare XVI
|
Segni da Modena, Julio -
Ricercare XXII
|
Storace, Bernardo -
Follia
|
Strogers, Nicholas -
In Nomine III a 5
|
Strogers, Nicholas -
In Nomine IV a 6
|
Taverner, John -
Quemadmodum a 6
|
Tordesillas, Pedro de -
Françeses, por qué rrazon
|
Torre, Francisco de la -
Il Re di Spagna
|
Torre, Francisco de la -
`La Spagna` (Danza Alta)
|
Tye, Christopher -
Amavit
|
Tye, Christopher -
Christus Resurgens for 5 viols
|
Tye, Christopher -
Dum Transisset I for 5 viols
|
Tye, Christopher -
Dum Transisset II for 5 viols
|
Tye, Christopher -
Dum Transisset III for 5 viols
|
Tye, Christopher -
Dum Transisset IV for 5 viols
|
Tye, Christopher -
In Nomine for 4 viols
|
Tye, Christopher -
In Nomine for 5 viols
|
Tye, Christopher -
In Nomine for 6 viols
|
Tye, Christopher -
In Nomine `Beleve me`
|
Tye, Christopher -
In Nomine `Blamles`
|
Tye, Christopher -
In Nomine `Crye`
|
Tye, Christopher -
In Nomine `Farwell my good I for ever` for 5 viols
|
Tye, Christopher -
In Nomine `Follow me`
|
Tye, Christopher -
In Nomine `Free from all`
|
Tye, Christopher -
In Nomine `Howld fast`
|
Tye, Christopher -
In Nomine `I Come`
|
Tye, Christopher -
In Nomine `My death`
|
Tye, Christopher -
In Nomine `Rachells weepinge`
|
Tye, Christopher -
In Nomine `Re la re`
|
Tye, Christopher -
In Nomine `Reporte`
|
Tye, Christopher -
In Nomine `Rounde` for 5 viols
|
Tye, Christopher -
In Nomine `Saye so`
|
Tye, Christopher -
In Nomine `Seldom sene`
|
Tye, Christopher -
In Nomine `Surrexit non est hicc`
|
Tye, Christopher -
In Nomine `Trust`
|
Tye, Christopher -
In Nomine `Weep no more Rachell`
|
Tye, Christopher -
Lawdes Deo for 5 viols
|
Tye, Christopher -
O Lux for 5 viols
|
Tye, Christopher -
Rubum Quem
|
Tye, Christopher -
Sit Fast for 3 viols
|
Vado y Gomez, Juan Bautista del -
No te embarques, pensamiento, tonada for soprano and b. c.
|
Valente, Antonio -
Gagliarda Napolitana, Intavolatura
|
Vaqueiras, Raimbaut de -
Kalenda Maia
|
Verardi, Carlo -
Viva el Gran re Don Fernando
|
Victoria, Tomás Luis de -
Ave Maria
|
Victoria, Tomás Luis de -
Ave Maria caelorum (a 5) (1572)
|
Victoria, Tomás Luis de -
Ave Regina caelorum (1572)
|
Victoria, Tomás Luis de -
Gaude, Maria Virgo (a 5) (1572)
|
Victoria, Tomás Luis de -
Magnificat Primi toni (a 8) (1600)
|
Victoria, Tomás Luis de -
Ne timeas, Maria (a 4) (1572)
|
Victoria, Tomás Luis de -
O magnum mysterium (a 4) (1572)
|
Victoria, Tomás Luis de -
Salve, Regina (a 8) (1572)
|
Victoria, Tomás Luis de -
Sancta Maria, succurre miseris (a 4) (1572)
|
Victoria, Tomás Luis de -
Senex, Puerum portabar (instrumental a 4) (1572)
|
Victoria, Tomás Luis de -
Trahe me post te (a 6) (1583)
|
Victoria, Tomás Luis de -
Vidi speciosam sicut columbam (a 6) (1572)
|
Vivaldi, Antonio -
Concerto for three violins, oboes, two flutes, two violas, two Chalumeau, two cellos, two harpsichords, strings and basso continuo in C major, RV555
|
Vivaldi, Antonio -
Concerto for violin, cello, strings and basso continuo in A major, RV546
|
Vivaldi, Antonio -
Concerto for violin, oboe, salmoe, 3 violas, strings and basso continuo `Concerto Funebre` in B-flat major, RV579
|
Vivaldi, Antonio -
Farnace, opera, RV711D/G
|
Vivaldi, Antonio -
Teitson, opera (1719), RV736
|
Vivaldi, Antonio -
Trio Sonata for 2 violins and basso continuo Op.1 ¹12 `La Follia` in d-moll, RV 63 (îð.1/12)
|
Vivaldi, Antonio -
`L`estro armonico`, 12 concertos for string instruments: No. 2 for 2 violins, cello, strings and continuo in g-moll, RV578 (op.3/ 2)
|
Vivaldi, Antonio -
`L`estro armonico`, 12 concertos for string instruments: No.11 for 2 violins, cello, strings and continuo in d-moll, RV565 (op.3/11)
|
White, Robert -
In Nomine V a 5
|
Willaert, Adrian -
Ricercare IV
|
Willaert, Adrian -
Vecchie letrose
|
Willaert, Adrian -
Villanella Vecchie letrose
|
Woodcock, Clement -
Browning my dear
|
Woodcock, Clement -
In Nomine II a 5
|
Woodcock, Clement -
In Nomine III a 5
|
Yselda, -
Na Carenza al bel cors avenenz
|
Zespedes, Juan Garcia -
Convidando está la noche
|