| A ce tilleul, muette et detendue  |  | 
| A pie del mesto salice  |  | 
| Adagio and Allegro in G-dur  |  | 
| Alfredo il Grande  |  | 
| Allegro for Piano Four-Hands in E major (1821)  | A555 | 
| Allegro in C-dur (1)  |  | 
| Allegro in C-dur (2)  |  | 
| Allegro in F-moll  |  | 
| Allegro Vivace in G-dur  |  | 
| Amis courons chercher la gloire for vocal trio  |  | 
| Amor, mio nume, aria for voice, piano (1816)  | In.242 | 
| Amour jaloux, song for voice, piano  | A311 | 
| Amusement Pathetique tirede l`opera Anna Bolena for Violin and Piano  |  | 
| Andante for Oboe and Strings  |  | 
| Arias    |  | 
| Arietta `A mezzanotte`  |  | 
| Aristea  |  | 
| Asperges me, psalm for chorus (SATB), orchestra (1820)  | A695 | 
| Ave Maria    | A682 | 
| Ave Maria for soprano / tenor, bass and piano in F major A681    |  | 
| Beatus vir, motet for tenor, oboe/clarinet, orchestra    | A645(?) | 
| Buondelmonte, opera (1834)  |  | 
| Canto accompagnatorio for voices (SSTB), orchestra (1819)  | A709 | 
| Chanson turque for piano  |  | 
| Che avvenne, che fu, Recitativo e romanza for tenor, orchestra  | A101 | 
| Che cangi tempra, song for voice, piano  | A402 | 
| Chiara e Serafina  |  | 
| Combien la nuit est longue, song for voice, piano  | In.480 | 
| Concertino for Clarinet and orchestra in B-dur    |  | 
| Concertino for English Horn and orchestra    |  | 
| Concertino for Oboe and Orchestra  |  | 
| Concertino in C minor for flute and chamber  orchestra  |  | 
| Concerto for violin, cello and chamber orchestra in D minor  |  | 
| Credidi for soprano, tenor, bass, organ (continuo)  | A648 | 
| Credo breve (only organ part)  |  | 
| Credo for soprano, tenor, bass, mixed chorus (STB), orchestra  | A585 | 
| Credo for soprano, tenor, bass, mixed chorus (STB), orchestra (1820)  | A602 | 
| Credo in C major for voices, mixed chorus (SATB), orchestra  |  | 
| Cum Sancto Spiritu for soprano, tenor, bass, mixed chorus (STB), orchestra  | A584 | 
| Cum Sancto Spiritu in C minor for soli, mixed chorus (SATB), orchestra  |  | 
| Cum Sancto Spiritu in D major for soprano, alto, tenor, bass, mixed chorus (SATB), orchestra  | IGD118 | 
| Cum Sancto Spiritu in D major for soprano, alto, tenor, bass, mixed chorus (SATB), orchestra  | IGD117 | 
| Dalinda  |  | 
| De torrente for soprano, tenor, flute, oboe/clarinet, orchestra (1819)  |  | 
| Decora lux for tenor, orchestra  | In.151 | 
| Dies irae for soli, mixed chorus (SATB), orchestra  | A691 | 
| Dio che col cenno moderi  |  | 
| Dixit Dominus for soli, mixed chorus (SATB), orchestra (1819)    |  | 
| Dixit Dominus for soli, mixed chorus (SATB), orchestra (1820)  | In.122 | 
| Docebo for bass, organ, orchestra  | A704 | 
| Domine ad adjuvandum for soli, mixed chorus (SATB), orchestra  | In.126 | 
| Domine Deus for bass, orchestra  | A581 | 
| Domine Deus in E-flat major for bass, clarinet, orchestra (1820)  |  | 
| Domine Dominus for bass, orchestra  |  | 
| Dominus a dextris for bass, orchestra (1819)  | In.132 | 
| Dominus a dextris for tenor, violin, orchestra (1820)  | In.133 | 
| Due motivi del celebre Maestro Faer messi in suonata  |  | 
| Era notte, e la campana  |  | 
| Et vitam venturi for mixed chorus (SATB) (1838)  | A710 | 
| Faut-il renfermer dans mon âme, song for voice, piano  | A317 | 
| Fugue for 4 Voices (1817)  | A718 | 
| Fugue for 4 Voices (1817)  | A716 | 
| Fugue for 4 Voices (1817)  | A712/3 | 
| Fugue for 4 Voices (1817)  | A712/2 | 
| Fugue for 4 Voices (1817)  | A717 | 
| Fugue for 4 Voices (1817)  | A712/1 | 
| Fugue for 5 Voices (1817)  | A719 | 
| Fugue for 5 Voices (1817)  | A714 | 
| Fugue for 5 Voices (1817)  | A713 | 
| Fugue for 6 Voices (1817)  | A715 | 
| Fugue for piano  | In.660 | 
| Già dell`avita gloria, scena for voice (tenor?), male? chorus, orchestra  |  | 
| Gloria al Dio dei nostri padri for bass, mixed chorus, orchestra  | In.136 | 
| Gloria for soli, chorus (STB), orchestra (1814)  | A617 | 
| Gloria in excelsis for soli, mixed chorus (SATB), orchestra  | A606a | 
| Gloria in excelsis for soli, mixed chorus (SATB), orchestra  | A587 | 
| Gloria in excelsis for soli, mixed chorus (SATB), orchestra (1820)  | In.142 | 
| Gloria in excelsis in C major for voices, chorus, orchestra  |  | 
| Gloria Patri et Sicut erat for soli, mixed chorus (SATB), orchestra  |  | 
| Gloria Patri in E major for soprano/alto/bass, violin/horn, orchestra  |  | 
| Gloria Patri in E-flat major for soprano, alto, tenor, bass, orchestra (1843)  |  | 
| Gloria Patri in F major for soprano, violin, orchestra  |  | 
| Godi diletta ingrata, canzona for 2 voices (SS), piano  | A408 | 
| Il conte Ugolino, cantata for voice, piano (1826)  | In.371 | 
| Il genio for piano 4-hands  | A558 | 
| Il mio grido io getto ai venti  |  | 
| Il Paria, opera (1828)    |  | 
| Il ritorno del trovatore da Gerusalemme  |  | 
| Il sogno `Nostre misere menti`  |  | 
| Il sorriso e il primo vezzo`  |  | 
| Il sospiro ‘Donna infelice, stanca d’amore’  |  | 
| Impromptu for Violin and Piano  |  | 
| In gloria Dei Patris for soprano, alto, tenor, bass (1816)  | A711 | 
| Introduction for Strings (1829)  |  | 
| Isabella, ormai mi rendi, terzetto for 2 tenors, bass, orchestra (1823)  | A112 | 
| Iste confessor for soli, chorus and orchestra (1819)  | In.152 | 
| Je vais quitter tout ce que j’aime  |  | 
| J’aime trop pour etre heureux  |  | 
| Kyrie for soprano, tenor, bass, 2 oboes, 2 horns, organ  | A614 | 
| Kyrie in D minor for soli, mixed chorus (SATB), orchestra  |  | 
| Kyrie in D minor for soli, mixed chorus (SATB), orchestra (1820)  | In.169 | 
| Kyrie in E major for soli, chorus and orchestra  | IGD130 | 
| Kyrie in E major for soli, chorus and orchestra  | IGD131 | 
| Kyrie in F major for soli, mixed chorus (SATB), orchestra  |  | 
| Kyrie No.2 for soli, mixed chorus (SATB), orchestra (1821)  | In.160 | 
| La lontananza for piano 4-hands  | A559 | 
| La partenza del crociato `Al campo della gloria`  |  | 
| La partenza `Taci, in van, mia cara Iole  |  | 
| La prière, duet for soprano, tenor, piano  | A424 | 
| La Ricordanza  |  | 
| Lamento di Cecco da Varlungo ‘Com’e possivol mai Sandra crudele’  |  | 
| Largetto in C-dur for piano  |  | 
| Larghetto & Allegro for Violin & Harp in G major    | A508 | 
| Larghetto, Theme and Variations for Violin and Piano  |  | 
| Largo for cello, piano  | A502 | 
| Laudamus et Gratias for voice(s?), clarinet, orchestra  | A620 | 
| Laudamus et Gratias in G major for voice, orchestra  |  | 
| Laudamus for soli; chorus (SATB), orchestra (1820)  | A596 | 
| Laudate pueri for soli, mixed chorus (SATB), orchestra  | A646 | 
| Laudate pueri for soli, mixed chorus (SATB), orchestra  | A647 | 
| Le petit joueur de harpe, song for voice, harp, piano  | A358 | 
| L`... for piano 4-hands (1821)  | A 561 | 
| L`amor funesto    |  | 
| L`inaspettata for piano 4-hands  | A562 | 
| Magnificat for soli; mixed chorus (SATB), orchestra  | A652 | 
| Malvina, song for voice, piano (1844)  | In.404 | 
| Marie enfin quitte l`ouvrage, song for voice, piano  | In.515 | 
| Me foglio fa una casa    |  | 
| Mentre dal caro lido  |  | 
| Messa di Gloria e Credo (1837)  | A606 | 
| Mi lasci? Si, duet for 2 voices, piano  | A409 | 
| Miserere in g-moll    |  | 
| Miserere mei Deus for chorus, orchestra (1820)  | A693 | 
| Mournful March for piano 4-hands  | A563 | 
| Ne proicias me for bass, horn, orchestra (1820)  | A697 | 
| Nice s’io moro  |  | 
| Nici, ss’occhiuzzi, calali  |  | 
| Nisi Dominus for tenor, orchestra    | A650 | 
| Nisida`s Angel, opera (1830s)  |  | 
| Non priego mai, ne pianto  |  | 
| Non sdegnar, vezzosa Irene  |  | 
| Non v’e nume, non v’e fato`  |  | 
| O Cloe, delizia di questo core  |  | 
| O filles que l`ennui chagrine for voice  | A357 | 
| Ob die Sturme auch wuthen  |  | 
| Odi d’un uom che muore`  |  | 
| On vous a peint l`amour, song for voice, piano  | A363 | 
| Opera `Adelia` (1841)    |  | 
| Opera `Alahor in Granata` (1826)  |  | 
| Opera `Alina, regina di Golconda` (1828)    |  | 
| Opera `Anger of Achilles` (1817; rev. 1998)  |  | 
| Opera `Anna Bolena` (1830)    |  | 
| Opera `Anna Bolena` (arias)    |  | 
| Opera `Belisario` (1835)    |  | 
| Opera `Betly` (1836)    |  | 
| Opera `Campanella` (1836)    |  | 
| Opera `Caterina Cornaro` (1843)    |  | 
| Opera `Caterina Cornaro` (arias)  |  | 
| Opera `Dom Sébastien, roi de Portugal` (1843)    |  | 
| Opera `Dom Sébastien, roi de Portugal` (arias)    |  | 
| Opera `Don Pasquale`      |  | 
| Opera `Don Pasquale` (arias)  |  | 
| Opera `Elisabetta al castello di Kenilworth` (1829)    |  | 
| Opera `Elvida` (1826)    |  | 
| Opera `Emilia from Liverpool` (1824-28)    |  | 
| Opera `Emilia from Liverpool` (arias)    |  | 
| Opera `English Rosamund` (1834)    |  | 
| Opera `Fausta` (1831)    |  | 
| Opera `Frances de Foix` (1831)    |  | 
| Opera `Gabriella di Vergy` (1826, revised 1838)    |  | 
| Opera `Gemma di Vergy` (1834)    |  | 
| Opera `Gianni di Parigi` (1831)    |  | 
| Opera `Gli Esiliati in Siberia` (1827)    |  | 
| Opera `I pazzi per progetto` (1830)    |  | 
| Opera `Il Diluvio Universale` (1830)    |  | 
| Opera `Il Diluvio Universale` (arias)    |  | 
| Opera `Il Duca d`Alba` (1839, finished Matteo Salvi in 1881)    |  | 
| Opera `Il Duca d`Alba` (arias)  |  | 
| Opera `Il falegname di Livonia, or Pietro il grande, tsar delle Russie` (1819)    | A  3 | 
| Opera `Il fortunato inganno` (1823)  |  | 
| Opera `Il Giovedi Grasso` (1828)    |  | 
| Opera `Imelda de Lambertazzi` (1830)    |  | 
| Opera `La favorita` (1840)    |  | 
| Opera `La favorita` (arias)  |  | 
| Opera `La figlia del reggimento` (1840)    |  | 
| Opera `La figlia del reggimento` (arias)    |  | 
| Opera `La lettera anonima` (1822)  |  | 
| Opera `La romanzesca (romanziera) e l`uomo nero` (1831)    |  | 
| Opera `La zingara` (1822)    |  | 
| Opera `Le convenienze ed inconvenienze teatrali` (1827, revised in 1831)      |  | 
| Opera `Les Martyrs` (1840)    |  | 
| Opera `Linda di Chamounix` (1842)    |  | 
| Opera `Linda di Chamounix` (arias)  |  | 
| Opera `Lucia di Lammermoor` (1835)    |  | 
| Opera `Lucia di Lammermoor` (arias)  |  | 
| Opera `Lucrezia Borgia` (1833)    |  | 
| Opera `Lucrezia Borgia` (arias)  |  | 
| Opera `L`ajo nell`imbarazzo` (1824)    |  | 
| Opera `L`Elisir d`Amore`    |  | 
| Opera `L`Elisir d`Amore` (arias)    |  | 
| Opera `L`esule di Roma` (1827)    |  | 
| Opera `Mad on the Island of San Domingo` (1833)    |  | 
| Opera `Maria de Rudenz` (1838)    |  | 
| Opera `Maria di Rohan` (1843)    |  | 
| Opera `Maria Padilya` (1841)    |  | 
| Opera `Maria Stuarda` (1835)    |  | 
| Opera `Maria Stuarda` (arias)  |  | 
| Opera `Marino Faliero` (1835)    |  | 
| Opera `Ne moubliez pas` (fragments)  |  | 
| Opera `Olivo e Pasquale` (1836)  |  | 
| Opera `Olympics` (1817), the surviving fragments of the opera  |  | 
| Opera `Parisina` (1833)    |  | 
| Opera `Pia de` Tolomei` (1837)    |  | 
| Opera `Polyeuktos` (1838)    |  | 
| Opera `Pygmalion` (1816; first performance - 1960)  |  | 
| Opera `Rita`    |  | 
| Opera `Roberto Devereux`    |  | 
| Opera `Roberto Devereux` (arias)    |  | 
| Opera `Saardam Mayor` (1827)    |  | 
| Opera `Sancia di Castiglia` (1832)    |  | 
| Opera `Siege of Calais` (1836)    |  | 
| Opera `The Duke of Burgundy` (1818)  | A  1 | 
| Opera `Torquato Tasso` (1833)    |  | 
| Opera `Zoraida di Granata` (1822)  |  | 
| Opera `Zoraida di Granata` (arias)    |  | 
| Or che la notte invita, song for voice, clarinet (B♭), piano    | In.529 | 
| Oro supplex for bass, horn, orchestra  | A708 | 
| Oui, je sais votre indifférence, song for voice, piano  | A364 | 
| Overtures    |  | 
| Ov’e la voce magica  |  | 
| Parafrasi del Christus for soprano, alto, strings  | A675 | 
| Pastorale for piano (1813)  | A531 | 
| Per valli, per boschi, duet for 2 voices, piano (1817)  | A413 | 
| Perché mai Nigella amata, song for voice, piano    | In.533 | 
| Perché quell`alma ingrata, duet for 2 voices, orchestra (1817)  | A108 | 
| Piano Trio  |  | 
| Piano Trio in D-dur  |  | 
| Piano Trio in Es-dur  |  | 
| Plus ne m`est rien, song for voice, piano  | A371 | 
| Polacca for piano 4-hands (1819)  | A564 | 
| Pourquoi me dire qu`il vous aime, song for voice, piano  | A372 | 
| Preces meae for tenor, mixed chorus (SATB), basset horn, orchestra (1819)  | A707 | 
| Presto for piano  | A532 | 
| Presto in F-moll  |  | 
| Quand un soupçon mortel, song for voice, piano  | In.546 | 
| Quando da te lontano  |  | 
| Quando verra sul colle’  |  | 
| Quanto mio ben t’adoro  |  | 
| Quartet for Strings in D Major  |  | 
| Qui sedes et Quoniam, for tenor, violin, orchestra (1820)  | A600 | 
| Qui sedes et Quoniam, song for soprano, violin, orchestra  | A591 | 
| Qui sedes for soprano, violin, orchestra  | A583 | 
| Qui tollis for tenor, clarinet, orchestra (1814)  | A621 | 
| Qui tollis for voices (STB), oboe/clarinet, orchestra (1819)  | A590 | 
| Qui tollis in B-flat major  |  | 
| Qui tollis in E major for tenor, horn, orchestra  |  | 
| Quintet for Strings with Guitar in C major  |  | 
| Quoniam ad te for soprano, orchestra (1844)  |  | 
| Requiem    |  | 
| Romance `J`attends toujours`  |  | 
| Scherzo on 27 operatic themes for Violin and Piano in D-dur    |  | 
| Serenade for clarinet and guitar  |  | 
| Si soffre una tiranna  |  | 
| Sinfonia a soli instrumenti di fiato in G minor  |  | 
| Sinfonia for Winds in D major  |  | 
| Sinfonia in D minor perla Morte di Capuzzi  |  | 
| Sonata for Flute and Piano in C-dur    |  | 
| Sonata for Oboe & Piano in F-dur    |  | 
| Sonata for Violin and Piano in F-dur  |  | 
| Song `Ah, rammenta, o bella Irene`  |  | 
| Song `Amor marinaro`  |  | 
| Song `Amore e morte`    |  | 
| Song `E morta`  |  | 
| Song `Giuro d`amore`  |  | 
| Song `Il pescatore`  |  | 
| Song `Il sospiro`  |  | 
| Song `La lontananza`  |  | 
| Song `La mere et l`enfant`  |  | 
| Song `La ninna-nanna`  |  | 
| Song `La Sultana`  |  | 
| Song `Le crepuscule`  |  | 
| Song `L`amor mio`  |  | 
| Song `Su l`onda tremola`  |  | 
| Song `Una lagrima`    |  | 
| Songs and Romances    |  | 
| String Quartet No. 1 In Es-dur  |  | 
| String Quartet No. 2 in A-dur  |  | 
| String Quartet No. 3 in c-moll  |  | 
| String Quartet No. 4 in D-dur  | A468 | 
| String Quartet No. 5 in e-moll  | A469 | 
| String Quartet No. 6 in g-moll  | A470 | 
| String Quartet No. 7 in f-moll (1819)  |  | 
| String Quartet No. 8 in B-dur (1819)  |  | 
| String Quartet No. 9 in d-moll (1821)  |  | 
| String Quartet No.10 in g-moll (1821)  |  | 
| String Quartet No.11 in C-dur (1821)  |  | 
| String Quartet No.12 in C-dur (1821)  |  | 
| String Quartet No.13 in A-dur (1821)  |  | 
| String Quartet No.14 in D-dur (1821)  |  | 
| String Quartet No.15 in F-dur (1821)  |  | 
| String Quartet No.16 in h-moll (1821)  |  | 
| String Quartet No.17 in D-dur (1825)  |  | 
| String Quartet No.18 in e-moll (1836)    |  | 
| Study for Clarinet No. 1 in C-dur (1821)    | In.716 | 
| Sung for the wedding of Ferdinand I of Austria for choir, orchestra (1831)  |  | 
| The Assumption of the Virgin Mary, cantata for voices, chorus, orchestra (1822)  | A685 | 
| The departure for hunting for bass, horn (F), piano  | A291 | 
| The fatal love, romance for voice, cello/horn, piano  | A 286 | 
| Trio for Flute, Bassoon & Piano in C major  |  | 
| Trova un sol mia bella Clori  |  | 
| Tu pars, il faut te dire adieu  |  | 
| Una furtiva lagrima, largetto in a-moll  |  | 
| Variations for Violin and Piano in B flat  |  | 
| Variations for Violin and Piano in F-dur  |  | 
| Voi vorreste il nome amato  |  | 
| V’era un di che il cor beato`  |  | 
| `Collezione di canzonette` ¹ 1: Morire per te  | A162 | 
| `Ella riposa... alcuni istanti almeno’  |  | 
| `Lunge ne vai da Italia`  |  | 
| `Non giova il sospirar`  |  | 
| `Non v’e piu barbaro`  |  | 
| `Nuits d`été à Pausilippe` (1836): ¹ 1 `Il barcaiuolo` (Barcarolla)  | A183 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 2 `Il crociato` (Romance)  | A184 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 3 `A mezzanotte` (Ariette)  | A185 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 4 `La torre di Biasone` (Ballade)  | A186 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 5 `La conocchia` (La fileuse)  | A187 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 6 `Le crépuscule` (Romance)  | A188 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 7 `Il giuramento` (Nocturne)  | A189 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 8 `L`aurora` (Nocturne)  | A190 | 
| `Nuits d`été à Pausilippe` (1836): ¹ 9 `L`alito di Bice` (Nocturne)  | A191 | 
| `Nuits d`été à Pausilippe` (1836): ¹10 `Amor, voce del cielo` (Nocturne)  | A192 | 
| `Nuits d`été à Pausilippe` (1836): ¹11 `Il guardo ed una voce` (Nocturne)  | A193 | 
| `Nuits d`été à Pausilippe` (1836): ¹12 `I bevitori. Brindisi`  | A194 | 
| `O anime affannate`  |  | 
| `Questi capegli bruni`  |  | 
| `Rendimi il core o barbara`  |  | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 1 `La lontananza`    | A195 | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 2 `L`amante spagnuolo`    | A196 | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 3 `Amore e morte`  | A197 | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 4 `Amor marinaro` (Canzonetta napoletana)  | A198 | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 5 `Il fiore` (Duettino pastorale)  | A199 | 
| `Soirées d’automne à l`Infrascata` (1839): ¹ 6 `L`incostanza d`Irene` (Duettino)  | A200 | 
| ‘Bedda Eurilla`  |  | 
| ‘Con le grazie, con le muse’  |  | 
| ‘Malvina la bella sull’arpa’  |  | 
| ‘Me voglio fa`  |  | 
| ‘Odi, Elisa: questa e l’ora`  |  | 
| ‘Se lontan, ben mio, tu sei’  |  | 
| ‘Sovra il remo sta curvato’  |  | 
| ‘Tu porgesti a me l’anello`  |  |