|  | op. 49/1 | 
| 100 Russian folk songs (1875-76)    | op. 24 | 
| 2 Female Choirs a capella (1874)    | op. 13 | 
| 2 pieces for piano (1894)    | op. 38 | 
| 2 Romances (1897)    | op. 49/2 | 
| 4 Piano Pieces (1876–77)    | op. 11 | 
| 4 romances (1897)  | op. 41 | 
| 6 variations on a theme B-A-C-H (1878)    | op. 10 | 
| Allegretto for piano in C major (1895)    | op.deest 36 | 
| Canzonetta and tarantella for 2 clarinets (1883?)  | op.deest 21 | 
| Capriccio Espagnol    | op. 34 | 
| Cherubic Hymn No. 3, the usual chant `on Rejoice` (1885-86)  | op. 22b/1 | 
| Concerto for Clarinet and Wind Orchestra (1878)    | op.deest 14 | 
| Concerto for Piano and Orchestra (1883)    | op. 30 | 
| Concerto for Trombone and Wind Orchestra in B -dur (1877)    | op.deest 13 | 
| Fantasia on Serbian themes (1867, rev. 1886–87)    | op.  6 | 
| Fantasy on Russian Themes for violin and orchestra (1886-87)    | op. 33 | 
| Five Romances by lyrics A.Pushkin (1897)    | op. 51 | 
| Five Songs (1897-99)    | op. 45 | 
| Four Romances    | op.  4 | 
| Four Romances    | op. 50 | 
| Four Romances    | op.  3 | 
| Four Romances    | op.  7 | 
| Four Romances    | op. 26 | 
| Four Romances    | op. 27 | 
| Four Romances    | op. 55 | 
| Four Romances (1865-66)    | op.  2 | 
| Four Romances (1897)    | op. 40 | 
| Four Romances (1897)    | op. 42 | 
| Four Romances by lyrics A.K. Tolstoy (1897)    | op. 39 | 
| Four Three-Voiced Choirs for Male Voices a cappella (1876)  | op. 23 | 
| Four Variations and Fugetta on the theme of Russian folk song `Tired of the Night`    | op. 14 | 
| From Homer, prelude-cantata for soprano, mezzo-soprano, and alto soloists and women`s voices with orchestra (1901)    | op. 60 | 
| Fugue in G minor for piano (c. 1875-76)  | op.deest  7 | 
| Liturgy of St. John Chrysostom (1883)    | op. 22 | 
| Mazurka on Polish Themes for violin and orchestra/piano (1888/1893)  | op.deest 32 | 
| Music for the play `The Maid of Pskov, or Ivan the Terrible` (1877, rev. 1881–82)  | op.deest 12 | 
| Musical pictures to the opera `The Tale of Tsar Saltan`    | op. 57 | 
| Neapolitan Song (1907)  | op. 63 | 
| Night on the Mount Triglav (concert transcription for orchestra of third act of the opera-ballet Mlada)    | op.deest 34b | 
| Nocturne for Horn Quartet in F major (1888)  | op.deest 33 | 
| Opera  `Christmas Eve`    | op.deest 35 | 
| Opera  `Legend of the Invisible City of Kitezh`    | op.deest 51 | 
| Opera  `Mlada` (1889-90)    | op.deest 34 | 
| Opera  `Mozart and Salieri`    | op. 48 | 
| Opera  `The Tsar`s Bride` (1898)    | op.deest 42 | 
| Opera `Boyarina Vera Sheloga` (arias, excerpts)  | op. 54 | 
| Opera `Boyarin`a Vera Sheloga` (1898)    | op. 54 | 
| Opera `Kashchei the Immortal` (arias, fragments)  | op.deest 49 | 
| Opera `Kashei the Immortal` (1901-1902)    | op.deest 49 | 
| Opera `May Night` (1878–79)    | op.deest 18 | 
| Opera `May Night` (arias)    | op.deest 18 | 
| Opera `Mozart and Salieri` (arias)  | op. 48 | 
| Opera `Pan Voyevoda` (arias)  | op.deest 50 | 
| Opera `Pan Voyevoda`(1902–1903)    | op.deest 50 | 
| Opera `Pskovityanka` (arias, fragments)  | op.deest  4 | 
| Opera `Sadko`    | op.deest 39 | 
| Opera `Sadko` (arias)  | op.deest 39 | 
| Opera `Servilia`    | op.deest 48 | 
| Opera `Servilia` (arias)  | op.deest 48 | 
| Opera `Snow Maiden` (1881)    | op.deest 19 | 
| Opera `Snow Maiden` (arias, fragments)    | op.deest 19 | 
| Opera `The Golden Cockerel` (1906-07)    | op.deest 53 | 
| Opera `The Golden Cockerel` (arias)  | op.deest 53 | 
| Opera `The Legend of the Invisible City of Kitezh and the Maiden Fevronia` (arias)  | op.deest 51 | 
| Opera `The Maid of Pskov` (1868–72, rev. 1876–77, 1891–92, 1898–1901)    | op.deest  4 | 
| Opera `The Night Before Christmas` (arias)  | op.deest 35 | 
| Opera `The Tale of Tsar Saltan` (1899-1900)    | op.deest 46 | 
| Opera `The Tale of Tsar Saltan` (arias)  | op.deest 46 | 
| Opera `The Tsar`s Bride` (overtures, arias, fragments)  | op.deest 42 | 
| Opera-ballet `Mlada` (arias, fragments)  | op.deest 34 | 
| Overture on Three Russian Themes, op. 28 1866 (1st version), 1879–1880 (2nd version    | op. 28 | 
| Piano Trio in c-moll (1897)    | op.deest 40 | 
| Prelude for piano in G major (1896)    | op.deest 38 | 
| Quintet for Flute, Clarinet, Horn, Âassoon & Piano in B-dur (1876)    | op.deest 10 | 
| Serenade for Cello and Orchestra (1893/1903)    | op. 37 | 
| Sinfonietta on Russian Themes in A minor (1879-84; adaptation of first three movements from string quartet of 1878-79)    | op. 31 | 
| Six Choirs a capplella (1876)    | op. 16 | 
| Six Fugues for piano (1875)    | op. 17 | 
| Six Romances    | op.  8 | 
| Song (in Dorian mode) for piano (1901)    | op.deest 47 | 
| String Quartet in F major (1875)    | op. 12 | 
| String Quartet in G major (1897)  | op.deest 41 | 
| String Quartet on B la F, collective composition: 1. Sostenuto assai. Allegro (1886)  | op.deest 28 | 
| String Sextet À-dur (1876)    | op.deest 11 | 
| Suite from the Opera-Ballet `Mlada` (1894?)    | op.deest 34a | 
| Svitezyanka, Cantata on verses by Adam Mickiewicz (1897)    | op. 44 | 
| Symphony No.1 in e-moll (1861–65, rev. 1884)    | op.  1 | 
| Symphony No.2 fis-moll `Antar`    | op.  9 | 
| Symphony No.3 in C-dur (1866–73, rev. 1886)    | op. 32 | 
| Terzet `Dragonflies` for three sopranos (1897)    | op. 53 | 
| The Song of Alexei, the man of God. 1878  | op. 20 | 
| The Song of Oleg the Wise (1899), Cantata for Tenor, Baritone, Male Choir and Orchestra  | op. 58 | 
| Three Piano Pieces (1875-6)    | op. 15 | 
| Toast to the anniversary of Glazunov for orchestra (1906)  | op.deest 52 | 
| Two Choirs (1876)    | op. 18 | 
| Two Duets    | op. 52 | 
| Two Romances (1870-76)    | op. 25 | 
| Two Songs    | op. 56 | 
| Variations for Oboe and Wind Orchestra (1878)    | op.deest 16 | 
| Variations on a Russian theme (collective composition) for string quartet, variation No. 4 (1898)  | op.deest 43 | 
| Vzyde Bog,  the verse on Ascension    | op.posth 10 | 
| `Behold, the Bridegroom is coming`, Kiev chant (1885-86)  | op. 22b/4 | 
| `By the Sea`, five Romances (1897)    | op. 46 | 
| `Cherubic Hymn No. 4`, for choir (1880-90s?)  | op.posth  2 | 
| `Cherubic Hymn No. 5`, for choir (1880-90s?)  | op.posth  3 | 
| `Cherubic Hymn No. 6`, for choir (1880-90s?)  | op.posth  4 | 
| `Create Angels`, partaken on Monday in Greek chant (1880-90s?)  | op.posth 16 | 
| `Cup of Salvation`, partaken of the Kiev chant on Wednesday (1880-90s?)  | op.posth 18 | 
| `Dubinushka` (1905/06)    | op. 62 | 
| `Easter Festival` overture (1888)    | op. 36 | 
| `Fairy Tale` for symphony orchestra    | op. 29 | 
| `Flight of the Bumblebee` (1899-1900)    | op.deest 46 | 
| `Fridays` (Les vendredis), collective string quartet, Book 2 No. 1: Allegro in B flat major (1899)  | op.deest 44 | 
| `Glory` for mixed choir and orchestra (1879-80)  | op. 21 | 
| `I see your hall`, Kiev chant (1885-86)  | op. 22b/5 | 
| `In memory of the eternal`, partaken on Thursday of the Kiev chant  | op.posth 17 | 
| `In Spring` - four Romances (1897)    | op. 43 | 
| `In the monastery`, fugue for string quartet (1878-79)    | op.deest 17a | 
| `It is worthy to eat ¹2`, for choir (1880-90s?)  | op.posth  8 | 
| `Let all flesh be silent`, Kiev chant (1885-86)  | op. 22b/2 | 
| `Name Day`, collective string quartet: 3. Choeur dansé Russe/Round dance (1888)  | op.deest 31 | 
| `On the rivers of Babylon`, Znamenny chant (1885-86)  | op. 22b/6 | 
| `Over the grave` Prelude in memory of M. Belyaev    | op. 61 | 
| `Pan Voivod` suite of the opera    | op. 59 | 
| `Paraphrases`, a collective composition on a children`s theme `Ta-ti, ta-ti` for piano (1878)    | op.deest 15 | 
| `Praise the Lord from Heaven #1`, Sunday communion verse in regular chant (1880s-90s?)  | op.posth 14 | 
| `Praise the Lord from Heaven`, for two choirs (1880-90s?)  | op.posth  9 | 
| `Praise the Lord from Heaven`, Sunday communion verse in common chant (1885-86)  | op.posth 15 | 
| `Praise the Lord from Heaven`, Sunday communion verse in common chant (1885-86)  | op. 22b/3 | 
| `Sadko`, musical picture (1867, rev. 1869, 1891–92)    | op.  5 | 
| `Scheherazade`, symphonic suite (1888)    | op. 35 | 
| `The Golden Cockerel`, concert suite of the opera    | op.deest 53a | 
| `The Legend of the Invisible City of Kitezh`, musical scenes from the opera    | op.deest 51a | 
| `The light of the face is signing upon us`, involved in the Exaltation of the Kiev chant on the model of Rejoice (1880-90s?)  | op.posth 23 | 
| `The Night Before Christmas`, a suite of the opera    | op.deest 35a | 
| `The Snow Maiden` Suite of the opera    | op.deest 19a | 
| `Thou hast made salvation`, partaken of Kiev chant on Friday (1880-90s?)  | op.posth 20 | 
| `To the whole earth`, partaken of Kiev chant on Thursday (1880-90s?)  | op.posth 19 | 
| `To Your Cross`, Kiev chant (1880-90s?)  | op.posth 11 | 
| `Wave of the sea`, irmos of the canon at matins on Holy Saturday of Znamenny chant (1880-90s?)  | op.posth 25 | 
| `We praise God to you`, spiritual concerto for double choir (1883)  | op.deest 22 | 
| `We sing to you No. 2`, for choir (1880-90s?)  | op.posth  5 | 
| `We sing to you No. 3`, for choir (1880-90s?)  | op.posth  6 | 
| `We sing to you No. 4`, for choir (1880-90s?)  | op.posth  7 | 
| `We sing to you No. 5`, Kiev chant (1880-90s?)  | op.posth 12 | 
| `We sing to You No. 6`, Kiev chant (1880-90s?)  | op.posth 13 | 
| `Who is this King of Glory`, at the consecration of the Cathedral of Christ the Savior in Moscow (1883)  | op.posth  1 |