A small play written in 2012 strictly in the form of a rondo. The main idea of this piece is an attempt at intonational imitation of human speech, both at the level of group rhythmic unison in (refrain), and at the level of individual instruments soloing against the background of the rest of the ensemble (in episodes). The movement of the musical fabric is presented as a kind of concert monologue from the stage. The refrain varies rhythmically and metrically with each new performance, while the