 Conlon Nancarrow (1912–1997)
Nr. 3a, 3b, 3c, 3d, 3e, 20, 44, 41a, 41b, 41cRead moreCollapseNr. 3a, 3b, 3c, 3d, 3e, 20, 44, 41a, 41b, 41c
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
String Quartet No. 1 (1945)
Irvine Arditti (violin), David Alberman (violin), Garth Knox (viola), Rohan de Saram (cello), Arditti String Quartet 
Nr. 5, 6, 14, 22, 26, 31, 35, 4, 32, 37, Tango, 40a, 40bRead moreCollapseNr. 5, 6, 14, 22, 26, 31, 35, 4, 32, 37, Tango, 40a, 40b
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
Irving Arditti - 1st violin, Graham Jennings - 2nd violin, Ralph Ehlers - viola. Recording - April 9, 2005, LondonRead moreCollapseIrving Arditti - 1st violin, Graham Jennings - 2nd violin, Ralph Ehlers - viola. Recording - April 9, 2005, London
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
In 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the matRead moreCollapseIn 1947-1948, Nancarrow designed a special type of mechanical piano. All his “Studies” were written for this piano. These are short plays built on the juxtaposition of many independent lines, with different metrical, rhythmic and tempo activity. The plays are distinguished by the diversity of voices, the auditory illusion of strictly calculated, perhaps serial music, but with a soft, sometimes blues sound. As a rule, “Etudes” go at a very fast pace and are full of short durations, what’s the mat
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Nr. 1, 2a, 2b, 7, 8, 10, 15, 21, 23, 24, 25, 33, 43, 50Read moreCollapseNr. 1, 2a, 2b, 7, 8, 10, 15, 21, 23, 24, 25, 33, 43, 50
Nr. 9, 11, 12, 13, 16, 17, 18, 19, 27, 28, 29,34, 36, 46, 47Read moreCollapseNr. 9, 11, 12, 13, 16, 17, 18, 19, 27, 28, 29,34, 36, 46, 47
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
No. 42, 45a, 45b, 45c, 48a, 48b, 48c, 49a, 49b, 49c.Read moreCollapseNo. 42, 45a, 45b, 45c, 48a, 48b, 48c, 49a, 49b, 49c.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
Year of publication of the disc: 2004.Read moreCollapseYear of publication of the disc: 2004.
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