Suite `Concert in the apotheosis`s form in memory of incomparable mr. Lully` (1724),  (Couperin)

François Couperin (1668–1733)


Suite `Concert in the apotheosis`s form in memory of incomparable mr. Lully` (1724)

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1. `Lully in the Elysian fields, a concert with musicians blessed shadows`
2. `Aria for the same characters`
3. `Flying Mercury in the Champs Elysees, warning that there descends Apollo`
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1. `Lully in the Elysian fields, a concert with musicians blessed shadows`
2. `Aria for the same characters`
3. `Flying Mercury in the Champs Elysees, warning that there descends Apollo`
4. `Descent Apollo, who came to offer his violin Lully and his place on Parnassus`
5. `Underground murmur produced by modern authors` Lully
6. `The complaints by the same authors, performed in the very delicate flutes or violins`
7. `Rise of Lully to Parnassus`
8. `Dry and harsh reception given to Lully and Corelli Italian Muses`
9. `Thank Lully Apollo`
10. `Apollo persuades Lully and Corelli, the union of French and Italian flavors should be an improvement of the music `
11. `Lully is a theme, and Corelli - the accompaniment `
12. `Corelli, in turn, is a theme that accompanies Lully `
13. `World on Parnassus reigned on the conditions put forward by the French Muses`
14. `Abrupt action`

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hands. Margot BLANCHARD (viola da gamba) and Sylvain SARTRE (flute). 2012
        (13)

Entry - August 1987
        (3)

1957
        (3)

Recorded in Paris (France), March 1985.
        (9)

        (2)
 
 

 
 
     

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